the memory palace Radiotopia

The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that’s a part of PRX, a not-for-profit public media company. If you’d like to directly support this show and independent media, you can make a donation at Radiotopia.fm/donate.  I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. NotesRead about the change in policy here. And the article that helped prompt the policy change here. Music
Pipeline by H.Takahashi
Sad Seine by Lambert
Dance PM by Hiroshi Yoshimura

The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that’s a part of PRX, a not-for-profit public media company. If you’d like to directly support this show and independent media, you can make a donation at Radiotopia.fm/donate.  I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. This episode was originally released in 2016 in the days after the shooting at the Pulse nightclub in Orlando. It is re-released every year on the anniversary of the incident. A note on notes: We’d much rather you just went into each episode of The Memory Palace cold. And just let the story take you where it well. So, we don’t suggest looking into the show notes first.Notes and Reading:* Most of the specific history of the White Horse was learned from "Sanctuary: the Inside Story of the Nation's Second Oldest Gay Bar" by David Olson, reprinted in its entirety on the White Horse's website.* "Gayola: Police Professionalization and the Politics of San Francisco's Gay Bars, 1950-1968," by Christopher Agee.* June Thomas' series on the past, present, and future of the gay bar from Slate a few years back.* Various articles written on the occasion of the White Horse's 80th anniversary, including this one from SFGATE.Com* Michael Bronski's A Queer History of the United States.* Radically Gay, a collection of Harry Hay's writing.* Incidentally, I watched this interview with Harry Hay from 1996 about gay life in SF in the 30's multiple times because it's amazing.Music* We start with Water in Your Hands by Tommy Guerrero.* Hit Anne Muller's Walzer fur Robert a couple of times.* Gaussian Curve does Talk to the Church.* We get a loop of Updraught from Zoe Keating.* We finish on Transient Life in Twilight by James Blackshaw

The Memory Palace is a proud member of Radiotopia from PRX.A Note on Notes:I always prefer that the listener goes into each episode cold, not knowing what it's going to be about. So, you might want to tread carefully, as there are spoilers in the notes below. Music
L'espagne pour memoire by Michel Portal
Find me Tomorrow from Christophe Beck's score to Charlie Countryman
The old Soviet philharmonic plays some Shostakovich.
The London Symphony Orchestra plays The Blue Danube Waltz.
We hear Walt by Mother Falcon.
Sombolero by Luiz Bonfa
Notes
Like a lot of people below, say, 55, I first heard about Olga Fikotova-Connolly when reading her obituary in the New York Times.
By far the best thing you can do if you want to know more about her is track down her out-of-print memoir, The Rings of Destiny, which, despite its rather puffed-up title, is so warm and detailed and intimate. It's a delight. 
You might also enjoy this late-in-life interview with Olga as well. 

The Memory Palace is a proud member of Radiotopia from PRX.Music
Traffico from Carlo Rustichelli's score to Divorzio All'Italiana and Una Braveta, from his score to Amici Miei.
Tema Grottesco from Giovanni Fusco's score to L'avventura.
 Gloving it from Moondog.
Musica Bionda from the score to The Sweet Body of Deborah
The Peter Thomas Sound Orchestra plays Natascha from the score to The Perfect Marriage. 
Waltz from the Brendan Eder Ensemble
Christa Schonfeldinger plays Grieg's Smarthold - der Kobold, on the glass armonica.

The Memory Palace is a proud member of Radiotopia from PRX.Music
A synth stab from As if it Would Have a Universal and Memorable Ending by Shane Carruth's score to his film, Upstream Color, a movie I love deeply. 
Smoke Gets in Your Eyes by the Platters
The Girl Who was Frightened of Ashtrays by Charlie Megira
Sambolero by Luiz Bonfa. 
Water by So Percussion
Divertimiento Fur Tenorsaxophon Und Kleines Ensemble (Part 4) from Carl Oesterhelt and Johannes Ender.
Ball by Duval Timothy
Piece 3 by the great Warren Ellis.
Chora tua Tristeza from Lalo Schiffrin
Growing Up from Ben Sollee's score to Maidentrip
(Vibraphone, Marimbaphone, Malletted Wood, Two Synthesizers) and (Two Bells) by Josiah Steinbrick
Main et lee from Michel Portal

The Memory Palace is a proud member of Radiotopia from PRX.Music
Momento Ritmico and Papete aru by Piero Umiliani
Opus 13 from Sven Libaek's score to The Set
French Doll by Larry Ashmore and David Francis
The wonderful Sewentuwa by Hailu Meriga
Wave I by Elor Saxl
Green by Hiroshi Yoshimura
NotesI originally learned about the Elephantine Colossus years ago in David McCullough's Brooklyn... and How it Got That Way, which still holds up.