Cinematography Salon

Cinematography Salon

A podcast about how films actually get shot. Every other Thursday, host Jared Levy takes one film or series and walks through it with the cinematographer who shot it: prep and testing, the camera and lens decisions and why, how the hard scenes were lit, what changed on the day, what the grade did. One project, start to finish, from the person who lit it. For a century people learned this from a stack of American Cinematographer and whoever on set would explain a setup. That is what this is. Free, no paywall, on purpose. Learning to light a scene should not depend on what you can afford.

  1. vor 4 Tagen

    James Laxton, ASC: Shooting Beef, Season 2

    James Laxton, ASC came to Beef for its second season as the one new voice in a room that had already made something people loved. His job, as he saw it, was to carry forward what Beef is at the level of shot structure, whose shoulder the camera sits over, whose scene it is, how far back the wide holds, while telling a different story than Season 1. He and host Jared Levy get into the season's organizing idea: four couples as four seasons, spring to winter, an ensemble led by Oscar Isaac, Carey Mulligan, Charles Melton, and Cailee Spaeny, and a color language built with the production designer, Grace, to track love across a lifetime. Laxton talks through shooting large format, 65mm, for the weight it gives a face, the episode-eight silhouettes he is proudest of, and the night he calls "impending doom," a car fight shot at the end of an already full day, where the thing he feared most was not the lighting but letting the actors down. CREDITS James Laxton, ASCInstagram · Website · IMDb Jared Levy, hostInstagram · Website · IMDb David Kruta, producerInstagram · Website · IMDb Topher Hammond, producerInstagram MUSICOriginal music by One Wave. THE SALONEpisode page and full gallery: https://cinematographysalon.com/podcast/james-laxton-asc-beef-season-2Newsletter and events: cinematographysalon.comInstagram: @cinematographysalon PRESENTING SPONSORThis episode is made possible by Fujifilm — home of the GFX Eterna 55, the large format, IMAX-certified cinema camera, and FUJINON cinema lenses. https://fujifilm-x.com SUPPORT THE SALONThe podcast, the writing, and both Resources tools are free. No paywall, no membership, no login. That is on purpose: learning to light a scene should not depend on what you can afford. Sponsors cover part of it and readers cover the rest. If you want to chip in, it starts at the price of a coffee a month at https://cinematographysalon.com/support. If your company wants to reach working cinematographers, get in touch at https://cinematographysalon.com/sponsors.

    James Laxton, ASC: Shooting Beef, Season 2
  2. 6. Aug.

    Tari Segal, ASC: Three Days on the Strip for Margo's Got Money Troubles

    When Tari Segal, ASC, took over the Las Vegas block of Margo's Got Money Troubles, the A24 series for Apple TV adapted by David E. Kelley from Rufi Thorpe's novel, she had three days and a working casino floor on which to extend a look someone else had established. It is the episode that earned her an ASC Award nomination, and in this conversation with host Jared Levy she is candid that the shoot ran closer to triage than choreography. She walks through the problems in order. Faking a dead chandelier with PAR cans on the floor of a heavily tinted steakhouse when the circuit blew near sunrise. Building a full WrestleCon arena in a day and a half for Nicole Kidman's first day on the show. Putting Margo full frame through the then new ARRI Hero lenses so the world melts around her during the OnlyFans sequences. Negotiating a single 30 minute rotation of the High Roller observation wheel, its camera synced to a second unit shooting Nick Offerman a block below. It is an hour on solving the unsolvable to a television schedule, and on the crew that made it fun, espresso martinis after wrap included. CREDITS Tari Segal, ASCInstagram · Website · IMDb Jared Levy, hostInstagram · Website · IMDb David Kruta, producerInstagram · Website · IMDb Topher Hammond, producerInstagram MUSICOriginal music by One Wave. THE SALONEpisode page and full gallery: https://cinematographysalon.com/podcast/tari-segal-asc-margos-got-money-troublesNewsletter and events: cinematographysalon.comInstagram: @cinematographysalon SUPPORT THE SALONThe podcast, the writing, and both Resources tools are free. No paywall, no membership, no login. That is on purpose: learning to light a scene should not depend on what you can afford. Sponsors cover part of it and readers cover the rest. If you want to chip in, it starts at the price of a coffee a month at https://cinematographysalon.com/support. If your company wants to reach working cinematographers, get in touch at https://cinematographysalon.com/sponsors.

    Tari Segal, ASC: Three Days on the Strip for Margo's Got Money Troubles

Info

A podcast about how films actually get shot. Every other Thursday, host Jared Levy takes one film or series and walks through it with the cinematographer who shot it: prep and testing, the camera and lens decisions and why, how the hard scenes were lit, what changed on the day, what the grade did. One project, start to finish, from the person who lit it. For a century people learned this from a stack of American Cinematographer and whoever on set would explain a setup. That is what this is. Free, no paywall, on purpose. Learning to light a scene should not depend on what you can afford.

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