Jaqueline Cedar (b. 1985 Los Angeles, CA) lives and works in Brooklyn, NY. She received her MFA in 2009 from Columbia University and her BA in 2007 from the University of California, Los Angeles. Solo exhibitions include The Empty Circle, New York NY (2026), Andrew Rafacz, Chicago IL (2025), Shelter Gallery, New York NY (2023, 2021) and Platform x David Zwirner (2022). Group exhibitions include Hollis Taggart, New York (2026), White Columns, New York (2026), Blah Blah Gallery, Philadelphia PA (2025), mtn space, Lake Worth Beach FL (2025), Serious Topics, Los Angeles CA (2024), Kelly-McKenna Gallery, Spring Lake NJ (2024), TV Projects, Brooklyn NY (2023), Long Story Short, New York NY (2023), Shin Haus, New York NY (2022), Smoke the Moon, Santa Fe NM (2022), Ladies' Room, Los Angeles CA (2021), 11 Newel, Brooklyn NY (2021), Peripheral Space, Los Angeles CA (2021), Hesse Flatow, New York NY (2020), Drawer NYC (2020), Field Projects, New York NY (2020), Underdonk, Brooklyn NY (2018), and David Risley Gallery Velvet Ropes, Copenhagen (2018). Cedar has exhibited at NADA New York and Miami and her work is included in numerous private collections. Press includes Artnet, Hyperallergic, Huffington Post, Two Coats of Paint, ArtSpiel, New American Paintings, Gorky's Granddaughter, Painters' Table, and The Boston Globe. I've been thinking about time passing in my recent paintings and the way spaces can occupy a dream-like status in one's mind. I find myself sliding between slowness and speed in my perception of the world around me. Repeated forms create the illusion of blurred movement. Small details occupy the corners of my peripheral vision, pulling me closer in and simultaneously compelling a step back. The paintings picture intimate spaces made visible with a vulnerability that invites connection via the familiar and uncanny.