Radulich in Broadcasting

Mark Radulich

Radulich in Broadcasting has a great reputation for providing tremendous podcast content in the Entertainment world. Now, they bring their myriad of shows to the W2M Network. Prepare for great things from Movie and Metal Music Reviews to Comic Book talk and more. Mark Radulich has been an internet personality since 2004 with his Progressive Conservatism blog. He then took that blog to the airwaves and created a podcast for it. It then changed to PC Live. After that, he brought out the 411mania Ground and Pound Radio as well. Finally, Mark would partner up with another 411mania alum, Sean Comer, to create the movie franchise review podcast Long Road to Ruin and then Robert Cooper to create the metal album review podcast, The Metal Hammer of Doom. Robert Winfree took over the MMA show and then added his own podcast, Everybody Loves a Bad Guy. That’s when the Radulich in Broadcasting Network was born. Joining Winfree in having their own podcasts were super fan’s Jesse Starcher (Source Material) and Jayson Teasley (From the Cheap Seats). The RIB has also partnered with The Casual Heroes for wrestling shows and the occasional movie related podcast. Finally Winfree and Radulich added a weekly movie review show to the ever growing lists of podcasts on the Network. Don't forget to give that Radulich in Broadcasting Network Facebook page a like to stay up on top of all the great podcasts that they have to offer. You can find them at your convenience on blogtalkradio.com, Stitcher, TuneIn Radio, or iTunes! Just search "radulich" to subscribe to the network

  1. Triple Feature: Krush Groove/Beat Street/Disorderlies

    HACE 13 H

    Triple Feature: Krush Groove/Beat Street/Disorderlies

    Tonight on Triple Feature, we look at three early hip-hop films that helped translate a Bronx-born movement to mainstream America: Krush Groove (1985), Beat Street (1984), and Disorderlies (1987). Krush Groove, directed by Michael Schultz, dramatizes the rise of Def Jam and stars Blair Underwood, Sheila E., Run-DMC, LL Cool J, and the Fat Boys. Beat Street, directed by Stan Lathan and produced by Harry Belafonte, focuses on breakdancing, DJ culture, and graffiti art in the South Bronx, starring Rae Dawn Chong and Guy Davis. Disorderlies, also directed by Schultz and released by Warner Bros., features the Fat Boys alongside Ralph Bellamy in a broad studio comedy. Together, these films capture hip-hop’s early crossover moment—music, dance, style, and personality moving from local scene to national platform. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    1 h y 6 min
  2. Triple Feature: The Rip/The Wrecking Crew/Roofman

    HACE 3 DÍAS

    Triple Feature: The Rip/The Wrecking Crew/Roofman

    This week’s triple feature looks at three recent streaming-era crime and action films built around law enforcement and men with guns. We start with The Rip, a Netflix crime thriller directed by Joe Carnahan, reuniting Matt Damon and Ben Affleck in a tense, paranoia-driven story inspired by the real-life Miami-Dade police scandal involving Captain Chris Casiano. While fictionalized, the film draws directly from true-crime anxieties about corruption, loyalty, and institutional breakdown, using star power and an ensemble cast to anchor its procedural tension. From Amazon Prime Video, The Wrecking Crew pairs Jason Momoa and Dave Bautista in a high-energy buddy-action film directed by Angel Manuel Soto. Designed squarely for streaming audiences, the film leans into chemistry, spectacle, and broad genre beats, prioritizing accessibility and momentum over realism or moral complexity. We round out with Roofman, a Paramount+ crime drama directed by Derek Cianfrance and starring Channing Tatum, based on a documented real-life criminal case. More restrained and character-focused, the film explores crime through themes of consequence, redemption, and ambiguity, offering a tonal counterpoint to the other two entries. Together, these films give us a useful lens on how modern streaming platforms approach crime stories, masculinity, and resolution. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    1 h y 39 min
  3. Triple Feature: Varsity Blues/The Program/Necessary Roughness

    6 FEB

    Triple Feature: Varsity Blues/The Program/Necessary Roughness

    Tonight on Triple Feature, we’re covering three football movies from the late ’80s and ’90s that approach the sport from very different angles: Varsity Blues, The Program, and Necessary Roughness. Varsity Blues, directed by Brian Robbins and written by W. Peter Iliff, was released in 1999, stars James Van Der Beek, Jon Voight, Paul Walker, and Scott Caan, and made about $54 million on a roughly $16 million budget. It’s the small-town Texas football movie — pressure, injuries, and a tyrant coach — that became a cult staple. The Program, released in 1993, was directed by David S. Ward and stars James Caan, Omar Epps, Craig Sheffer, Kristy Swanson, and Halle Berry. It aimed for a darker, more realistic look at college football, steroids, and exploitation, grossing around $23 million and becoming best known for its controversies rather than its box office. And Necessary Roughness, from 1991, directed by Stan Dragoti, stars Scott Bakula, Robert Loggia, Sinbad, and Kathy Ireland. It’s the disgraced-team rebuild comedy, made for about $13 million and earning roughly $25 million, and it helped codify a formula Hollywood would reuse endlessly. Three movies, three tones, three decades of football storytelling — let’s get into it. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    1 h y 15 min
  4. Triple Feature: Polyester/Hairspray/Cry-Baby

    30 ENE

    Triple Feature: Polyester/Hairspray/Cry-Baby

    Tonight’s triple feature tracks the unlikely mainstreaming of one of American cinema’s most hostile voices: John Waters. Born in Baltimore in 1946, Waters grew up inside the postwar, Greatest Generation moral order he would spend his career attacking—suburban respectability, sexual repression, and enforced normalcy. These three films mark his evolution from punishment to precision. Polyester (1981) is Waters’ first real stab at the mainstream, a vicious parody of 1950s suburban melodrama starring Divine. Complete with Odorama scratch-and-sniff cards, it’s less entertainment than indictment—cruel, confrontational, and openly contemptuous of middle-class virtue. By Hairspray (1988), Waters shifts strategy. Set in early-’60s Baltimore and starring Ricki Lake, the film uses classical filmmaking and musical structure to smuggle Waters’ politics—body acceptance, integration, anti-bigotry—into a broad audience. It’s his Trojan horse. Cry-Baby (1990) completes the arc. Starring Johnny Depp and notably lacking Divine, it reframes 1950s greaser culture with historical accuracy, restoring the era’s sexual panic and moral hysteria that nostalgia like Grease erased. More coherent, more humane, and more mature, it’s Waters finally understanding rather than punishing his past. You don’t have to like John Waters—but these films matter because they remember American culture correctly. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    1 h y 33 min
  5. Sessions (Vol 2): Too Old to Die Young (Song)

    29 ENE

    Sessions (Vol 2): Too Old to Die Young (Song)

    Tonight on Sessions, Mark Radulich and Jesse Starcher revisit the TV Party Tonight review of Too Old to Die Young, Nicolas Winding Refn’s polarizing Amazon Prime series co-written with Ed Brubaker. Joined in that original discussion by Robert Winfree, the review became a long, winding, often exasperated examination of a show defined by extreme pacing, prolonged silence, stylized violence, and an almost confrontational rejection of traditional television storytelling. In this episode of Sessions, Mark and Jesse look back at that conversation—not to re-litigate the show, but to transform it. Using AI tools like Suno and ChatGPT, they take the tone, themes, jokes, frustration, and philosophical detours from the original podcast and compress them into music. What emerges is a song shaped by endurance, absurdity, dark humor, and the strange experience of sitting with a work that refuses to meet its audience halfway. This is Sessions: old conversations, new forms, and art distilled through sound. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

    2 h y 7 min

Acerca de

Radulich in Broadcasting has a great reputation for providing tremendous podcast content in the Entertainment world. Now, they bring their myriad of shows to the W2M Network. Prepare for great things from Movie and Metal Music Reviews to Comic Book talk and more. Mark Radulich has been an internet personality since 2004 with his Progressive Conservatism blog. He then took that blog to the airwaves and created a podcast for it. It then changed to PC Live. After that, he brought out the 411mania Ground and Pound Radio as well. Finally, Mark would partner up with another 411mania alum, Sean Comer, to create the movie franchise review podcast Long Road to Ruin and then Robert Cooper to create the metal album review podcast, The Metal Hammer of Doom. Robert Winfree took over the MMA show and then added his own podcast, Everybody Loves a Bad Guy. That’s when the Radulich in Broadcasting Network was born. Joining Winfree in having their own podcasts were super fan’s Jesse Starcher (Source Material) and Jayson Teasley (From the Cheap Seats). The RIB has also partnered with The Casual Heroes for wrestling shows and the occasional movie related podcast. Finally Winfree and Radulich added a weekly movie review show to the ever growing lists of podcasts on the Network. Don't forget to give that Radulich in Broadcasting Network Facebook page a like to stay up on top of all the great podcasts that they have to offer. You can find them at your convenience on blogtalkradio.com, Stitcher, TuneIn Radio, or iTunes! Just search "radulich" to subscribe to the network