The Eurasian Knot

The Eurasian Knot

To many, Russia, and the wider Eurasia, is a riddle, wrapped in a mystery, inside an enigma. But it doesn’t have to be. The Eurasian Knot dispels the stereotypes and myths about the region with lively and informative interviews on Eurasia’s complex past, present, and future. New episodes drop weekly with an eclectic mix of topics from punk rock to Putin, and everything in-between. Subscribe on your favorite podcasts app, grab your headphones, hit play, and tune in. Eurasia will never appear the same. Hosted on Acast. See acast.com/privacy for more information.

  1. The Last Soviet Artist

    2 days ago

    The Last Soviet Artist

    I met the graphic artist, Victoria Lomasko, about 10 years ago when she was a resident at the City of Asylum in Pittsburgh. I emceed an event with her back then. So I was happy when Victoria recently returned to the city to give a few talks at the University of Pittsburgh. Of course, the Eurasian Knot dragged her into a studio for an interview. A lot has changed for Victoria over the decade. Her graphic novel, Other Russias, represented the marginals of Russian society, and she won a Pushkin prize for the work. She got invited to speak, to show her art, and teach. She then went to Belarus to chronicle the mass protests. More art. More shows. But then Russia invaded Ukraine in 2022. The invites dried up as everything Russia became toxic. And political art forced her into exile in Germany. These experiences have caused her to question the efficacy of political art, and even her graphic style. Today, she’s embraced symbolic art that speaks to her political disillusion and difficulty in representing our current conjecture. Where does Lomasko stand today when it comes to art and politics? Tune in and find out.    Guest Victoria Lomasko is a graphic artist and has lectured and written widely on graphic reportage. She lived in Moscow until March 2022 and now lives in exile. She is the author of Other Russias which received the Pushkin House Best Book in Translation award. Her latest book is The Last Soviet Artist published by N+1 Books Hosted on Acast. See acast.com/privacy for more information.

    44 min
  2. Remembering Alexander Rabinowitch

    17 Jun

    Remembering Alexander Rabinowitch

    When I opened Facebook this morning, as I do every morning, I learned that Alexander Rabinowitch died at 91 years old. Rabinowitch was arguably one of the most important historians of the Russian Revolution. It's hard to state how much Rabinowitch's work influence our understanding of 1917. Before him, it was assumed that the Bolsheviks were a highly disciplined, unpopular political party that came to power through a coup. What Rabinowitch repeatedly showed in his four books on Revolution, the Bolsheviks had popular support, most importantly in factories in Petrograd and in other large cities and at the front. Lenin's slogans, particularly, "Peace, Land, Bread!" had mass support, and by October 1917, successfully rode a wave of revolution into power. And now that Alexander Rabinowitch has left us, I figured I’d dig out my old interview with him from 2017, clean it up, and re-release it to commemorate the life and work of this scholarly giant. Guest: Alexander Rabinowitch was a Professor Emeritus of History at Indiana University, where he taught from 1968 until 1999. He’s the author of four books on the Russian Revolution: Prelude to Revolution: The Petrograd Bolsheviks and the July 1917 Uprising; The Bolsheviks Come To Power: The Revolution of 1917 in Petrograd; The Bolsheviks in Power: The First Year of Soviet Rule in Petrograd; and finally his fourth and last book which was just published in April, The Bolsheviks Survive: Petrograd 1919 published by the University of Pittsburgh Press. Hosted on Acast. See acast.com/privacy for more information.

    37 min
  3. Soviet Holocaust Literature

    4 Jun

    Soviet Holocaust Literature

    It has long been assumed that there was no Holocaust memory in the Soviet Union. Official Soviet ideology lumped the 1.5 million Soviet Jews exterminated by the Nazis into the 26 million Soviet war deaths. So, the little Holocaust memory that existed was hidden away in families and communities. Recent scholarship, however, has painted a more complicated picture. Yes, official Holocaust memory was circumscribed. And, true, many privately commemorated its memory. But, as a new collection of Soviet Holocaust fiction, translated by Sasha Senderovich and Harriet Murav, shows that there was published Holocaust literature in the Soviet Union. Especially in the Yiddish language journal, Sovetish Heymland. How did Soviet authors treat the Holocaust? How did it differ from work elsewhere? And what are some of the challenges translating these works into English? To find out more, the Eurasian Knot spoke to Sasha and Harriet about their recent collection, In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union, published by Stanford University Press. Guests: Sasha Senderovich is Associate Professor of Slavic Languages & Literatures and of International Studies at the University of Washington. He is the author of How the Soviet Jew Was Made.  Harriet Murav is Center for Advanced Study Professor Emerita at the University of Illinois, Urbana-Champaign. Her most recent book is As the Dust of the Earth: The Literature of Abandonment in Revolutionary Russia and Ukraine. They are the translators of In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union, published by Stanford University Press. Hosted on Acast. See acast.com/privacy for more information.

    54 min
  4. The Russian Paradox

    27 May

    The Russian Paradox

    Many studies focus on how Russia doesn’t work and why. There’s a laundry list of reasons. Corruption. Autocracy. Imperialism. Exceptionalism. But, how, then, does Russia work? Because there are people, a state, and society. What greases the wheels? Alena Ledeneva has made this question the focus of her career. For her, it’s the informal networks and practices that allow the system, with all its deficiencies, to function. Her new book, Russian Pendulum, is a synthesis of her three books on informality. But instead of focusing on post-Soviet Russia, she examines the long duree of informality through the concept of paradox. For example, the Soviet paradox, “Shops are empty, but fridges are full.” Ledeneva says that this paradox contains a hidden informal relation that ameliorates shortage. She also takes a novel approach to this subject using sculpture and music to represent the paradoxes and practices of Russian everyday life. We at the Eurasian Knot wanted to know more. So we put the question to Ledeneva–How does Russia work? And what does that say about Russia’s historical development over the last few centuries?   Russian Pendulum has a soundtrack: “The System Made Me Do It,” available on Spotify and elsewhere.   Guest: Alena Ledeneva is Professor of Politics and Society at the University College London and a founder of the Global Informality Project. She’s the author of the trilogy: Russia's Economy of Favours (1998), How Russia Really Works (2006), Can Russia Modernize? (2013), Her new book is The Russian Pendulum: Paradoxes, Practices and Patterns published by UCL Press. Hosted on Acast. See acast.com/privacy for more information.

    51 min
  5. Kurt Vonnegut in the USSR

    18 May

    Kurt Vonnegut in the USSR

    I went through my Kurt Vonnegut phase in my late teens. I read Player Piano, Cat’s Cradle, I think, Deadeye Dick, and of course, Slaughterhouse Five. I can’t say I remember much from those novels. Nor can I recall why Vonnegut connected with me. Perhaps now is a good time to revisit them. Little did I know that Vonnegut had a large readership in the Soviet Union. His books were translated by Rita Rait-Kovaleva and published in hundreds of thousands of copies. And in late Soviet fashion they were also passed around by hand to those who couldn’t secure copies. What did Soviet readers see in Kurt Vonnegut? How did the authorities regard this so-called “Anti-American American”? And what did Vonnegut think about his Soviet fans? Sarah Phillips wondered too after she participated in a project on Vonnegut. The result is her book, Kurt Vonnegut in the USSR. Sarah reached out to us, so we booked an interview. It turns out that Vonnegut has transcultural appeal. There’s even a revival in Ukraine. But what does Vonnegut’s popularity among Soviet youth say about really existing state socialism? Tune in to find out. Guest: Sarah Phillips is professor of anthropology at Indiana University-Bloomington. She’s the author of Women's Social Activism in the New Ukraine and Disability and Mobile Citizenship in Postsocialist Ukraine, both published by Indiana University Press. Her new book is Kurt Vonnegut in the USSR published by Bloomsbury. Hosted on Acast. See acast.com/privacy for more information.

    51 min

About

To many, Russia, and the wider Eurasia, is a riddle, wrapped in a mystery, inside an enigma. But it doesn’t have to be. The Eurasian Knot dispels the stereotypes and myths about the region with lively and informative interviews on Eurasia’s complex past, present, and future. New episodes drop weekly with an eclectic mix of topics from punk rock to Putin, and everything in-between. Subscribe on your favorite podcasts app, grab your headphones, hit play, and tune in. Eurasia will never appear the same. Hosted on Acast. See acast.com/privacy for more information.

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