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Slate Culture Feed

Get the Culture Gabfest and all of Slate's culture coverage here. Hosted on Acast. See acast.com/privacy for more information.

  1. -4 h

    Culture Gabfest - One Last Taylor Swift Throwdown Edition

    As you may have heard in last week’s episode, the Culture Gabfest is hanging up its microphones after 18 years of cultural commentary. But before our final episode, we’ve still got much to discuss! On this special guest-packed show, Steve, Dana, and Nadira Goffe have the power! That is the power to get into it with VSFOP Jamelle Bouie about Masters of the Universe, the latest attempt by Mattel to launch their own cinematic universe. They assess the state of IP-driven superhero movies and whether this newest entry—starring Nicholas Galitzine, as the buff, loin cloth-wearing He-Man, and Jared Leto, as the slightly lascivious Skeletor—is more than brand management. Next, they turn to the wild, surreal revenge thriller Is God Is, written and directed by Aleshea Harris based on her stageplay. They talk about how this tale of twin sisters seeking vengeance fits into the growing pantheon of Black horror as well as the ancient canon of revenge tragedies. Finally, and for the final time, it’s time to talk about Taylor Swift. In the wake of her newest release, the song “I Knew It, I Knew You” for the Toy Story 5 soundtrack, the gang assembles one more time to take up the long-simmering Tay debate. Jody Rosen and Julia jump on the call/enter the Thunderdome for this, of course.  In a bonus episode for Slate Plus subscribers, the panel pours one out for the recently shuttered Hampshire College and reflects on the changing landscape of the liberal arts. Endorsements Dana: The interactive, Jazz-playing, transit-obsessed, single purpose website Train Jazz. (Hat tip once more to Rusty Foster's Today in Tabs.) Nadira: The Black Film Archive which showcases Black films made from 1898 to 1999 currently streaming. Also, the year 2016 in music.  Jody: For some Gabfest replacement therapy, watching academic lectures on YouTube such as the lectures of art historian John Walsh at Yale Art Galleries—including ones on Vincent Van Gogh and Dutch masters— and cultural historian Eric Lott on Racial Masquerade in America and Philippe Petit's legendary tightrope walk between the Twin Towers.  Julia: Patrick Radden Keefe's new book London Falling and the song "Come Tomorrow" by Patti Scialfa. Steve: Following up on last week’s endorsement, Steve can confirm that Disgrace by J.M. Coetzee is, in fact, good. Also recommended: Offshore by Penelope Fitzgerald.   -- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

    1 h 23 min
  2. 3 juin

    Culture Gabfest - Stuck in the Backrooms Edition

    This week Steve, Dana, and Julia convene once again—this time with some big news. Also, they make a classic Gabfest episode.  First up, it's the alienating fluorescent buzz, infinite carpeted sprawl, and liminal horror of Backrooms. The new release from A24 is directed by 20-year-old Kane Parsons based on his YouTube series which itself was inspired by deep internet lore and a viral piece of creepypasta. Does the uncanny maze of Backrooms go anywhere? They step into the labyrinth to find out.  Next, they’re joined by Gabfest fave Leon Neyfakh to get into another parallel dimension: the world of OnlyFans. They discuss Leon’s new podcast about the ubiquitous platform OnlyFantasy—produced with comedian and OF creator Gracie Canaan. Finally, it’s a conversation that’s as lively as… well, that’s the question. They take up a recent piece of data journalism in The Pudding analyzing the most common similes. In a bonus episode, Carl Wilson joins the call (as well as a special endorsement segment) to talk taste. Specifically, they get into how discussions of taste have changed since Carl wrote authoritatively on it 18 years ago in his book Let’s Talk About Love: Why Other People Have Bad Taste. Endorsements Dana: The recent Zadie Smith essay in The New York Review of Books "Art for Our Sakes."  Carl: The live album Happy Today by Jeff Parker and ETA IVtet as well as the anthology of poetry On Occasion: Poems for the People, with a special Canadian shoutout to the poem "Oh Americans" by Gary Barwin. Julia: The tranquil, koi fish-rich, and very SoCal Self-Realization Fellowship Lake Shrine. Also, L.A. listeners should join the folks of L.A Material, Punch List, and New York Review of Architecture on June 7 for the event LACMA Therapy Session to process all their complicated feelings about the new David Geffen Galleries. Steve: The band The Durutti Column as sampled in the Blood Orange song "The Field." Plus, Steve would love to know what listeners make of the author J.M. Coetzee, particularly his novel Disgrace. (Also, make sure to subscribe to Carl's fantastic newsletter Crritic!) -- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

    1 h 15 min
  3. Decoder Ring - Tina Turner and the Dance That Conquered Australia

    3 juin

    Decoder Ring - Tina Turner and the Dance That Conquered Australia

    In Australia, no wedding or school dance is complete without the Nutbush, Australia’s unofficial national dance. The Nutbush – a simple line dance to the song “Nutbush City Limits,” by Ike and Tina Turner – has become as stereotypically Australian as kangaroos, boomerangs, and Vegemite. And yet, hardly anyone outside of Australia even knows the Nutbush exists. Here at Decoder Ring, we certainly didn’t – until we started getting emails from Australians asking us to investigate its origins. How did an American song become the soundtrack for an Australian national tradition? Who invented the iconic steps, and why does every Australian know them? Our producer Max Freedman put on his dancing shoes to get some answers. The global, century-spanning story of the Nutbush involves Australia, Tennessee, Denmark, primary schools, gay discos, and demonstrates that even the goofiest cultural touchstones can go surprisingly deep. In this episode you’ll hear from culture journalists David Mack and Angus Kidman; Nutbush researchers Panizza Allmark and Jon Stratton; dance historians Erica Okamura and Richard Powers; Dr. Fiona Chatteur, Jeremy Santolin, and Brian Kerr. This episode was written and produced by Max Freedman and edited by Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Further Viewing How to do ‘The Nutbush’ - Australian Line Dance  Dancin’ the Madison on “The Buddy Deane Show” (1960) Alley Cat Tutorial — Spark Physical Education The Nutbush on Countdown (December 5, 1976) Tina Turner — Nutbush City Limits, The Midnight Special (1973) Tina Turner — Are You Breaking My Heart, Countdown (1980) Tina Turner: How “The Best” Became Rugby League’s Anthem | ABC News Tina Turner’s Electrifying 1993 NRL Grand Final Performance Sources for This Episode Allmark, Panizza, and Jon Stratton. “Doing the Nutbush: How Australia Got Its Very Own Line Dance.” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 79–94. Allmark, Panizza, and Jon Stratton. “The Nutbush Dance Reframed: Further Analysis Related to ‘Doing the Nutbush.’” Continuum: Journal of Media & Cultural Studies, vol. 39, no. 1, 2025, pp. 95–103. Andrews, Shirley. Take Your Partners: Traditional Dancing in Australia. 3rd ed., Hyland House, 1979. Bloomfield, Anne. “Health or Art? The Case for Dance in the Curriculum of British State Schools 1909–1919.” History of Education, vol. 36, no. 6, 2007, pp. 681–696. Bloomfield, Anne. “The Quickening of the National Spirit: Cecil Sharp and the Pioneers of the Folk-Dance Revival in English State Schools (1900–26).” History of Education, vol. 30, no. 1, 2001, pp. 59–75. Gbogbo, Mawunyo. “Tina Turner and Her Australian Connections: How The Best Became Rugby League’s Anthem and Why Is the Nutbush Mandatory at Gatherings?” ABC News, 24 May 2023. Jones, Benjamin T. “Australian Politics Explainer: The White Australia Policy.” The Conversation, 9 Apr. 2017. Kidman, Angus. “Tina Turner: How Australia Saved Her Career.” Angus Kidman, 13 Aug. 2023. Meiners, Jeff. So We Can Dance? In Pursuit of an Inclusive Dance Curriculum for the Primary School Years in Australia. 2017. University of South Australia, Doctor of Education thesis. Spencer, Eliza. “Australia and the Nutbush: The Quest for the Origin of a Cultural Phenomenon Goes On.” The Guardian, 5 May 2024. Ward, Mary. “The Mysterious Allure of the Nutbush and Why the Dance Is Uniquely Australian.” Sydney Morning Herald, 25 May 2023. Zhuang, Yan. “Australia Remembered Tina Turner with a Dance.” New York Times, 25 May 2023. Hosted on Acast. See acast.com/privacy for more information.

    49 min

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Get the Culture Gabfest and all of Slate's culture coverage here. Hosted on Acast. See acast.com/privacy for more information.

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