We Talk About Music

We Write About Music
  • 0,0 (0)
  • Musique : les interviews
  • Tous les jours

Directly related to We Write About Music, We Talk About Music is, you guessed it, the audio version of all the incredible artist and interviews we continuously upload to our YouTube channel. For those who prefer a listen as opposed to a view, this podcast is for you.

  1. 27 juin

    Mercy Kelly

    Sometimes an EP can feel like a stopgap between bigger projects, but Summer of Silence isn't one of those records. From the moment it begins, it's clear that Mercy Kelly approached these four songs with something to prove. Rather than simply following up a successful run of singles, the Greater Manchester trio have delivered a release that feels like a declaration of identity, confidence, and momentum. It captures a band that knows exactly who they are and where they're heading. We absolutely loved it and we know you will too! Mercy Kelly have spent the past few years steadily building an impressive catalog, refining a sound rooted in soaring indie rock, jangly guitar textures, and stadium-sized ambition. What began as a songwriting partnership between frontman Jack Marland and guitarist Adam Bridge has evolved into a tightly knit three-piece alongside drummer Liam Constantine, and that chemistry is impossible to miss throughout Summer of Silence. As we mentioned in our interview plenty of times, their sound is larger than life.

    19 min

  2. 26 juin

    Moon and Aries

    Moon and Aries' latest single, “High Noon,” is one of those rare releases that gives off a truly special feeling from its opening moments, transporting you into a sweeping desert panorama where the vibe is seemingly perfect. Blending atmospheric electronics with soulful vocals, expressive instrumentation, and cinematic storytelling, the Canadian-German duo once again have shown the world just how different they’re doing things. Built around the concept of stepping into the light and embracing truth beyond fear, “High Noon” balances introspection with optimism. It never feels heavy-handed in its message though, instead allowing its carefully crafted soundscape to carry all the weight.

    25 min

  3. 19 juin

    Martian Man

    Reinvention is one of the oldest traditions in music. Some artists change their sound. Others change their image. The most compelling transformations, however, happen when an artist strips away expectations and finally allows themselves to create from a place of complete honesty. On The Day I Became Sacred Again, Baltimore artist Martian Man accomplishes exactly that, delivering a deeply personal and musically ambitious album that feels less like a reintroduction and more like a spiritual awakening. Formerly known as Swish Da God, Antoine N. Free Jr. reemerged as Martian Man in 2025 with a renewed creative vision. After spending years refining his craft, the Baltimore native chose to move toward a more soulful, vulnerable, and emotionally transparent sound. That decision pays enormous dividends throughout The Day I Became Sacred Again, a record that blends Hip-Hop, Neo-Soul, R&B, and even flashes of Disco into a cohesive and remarkably immersive listening experience.

    21 min

  4. 30 mai

    Tori Lord

    Pop music has always thrived on confrontation and being as real as you possibly can. The best songs don’t simply describe betrayal or disappointment, they transform those emotions into spectacle. “Conman” by Tori Lord understands balance perfectly. It’s sharp-edged and vulnerable at the same time, a towering modern pop anthem that cuts deep while still leaving room for bruised humanity underneath the gloss. Needless to say, we instantly fell in love with her latest! From the moment the production crashes into focus, “Conman” arrives with the most confidence. The track is bold and cinematic in all the right ways, driven by sleek percussion, massive synth textures, and layering that constantly rewards repeat listens. This is headphone music in the truest sense. Tiny vocal details, atmospheric touches, and plenty more reveal themselves more fully the deeper you sink into the mix.

    24 min

  5. 28 mai

    Ghost Town Marshalls

    Some songs feel like they’re solely engineered for earbuds. Others are clearly meant for dashboard speakers, crowded barrooms, summer festival fields, and voices shouting the chorus back at the stage with beer raised overhead. “Double” by Ghost Town Marshalls belongs firmly in the second category. It’s an unapologetically fun, anthemic blast of country-rock that understands one simple truth better than most modern rock records, sometimes great music is supposed to feel good.

    25 min

  6. 26 mai

    SHANØ

    Five years is a long time to disappear in modern music. Entire trends rise and collapse in less time than that and audiences are constantly pushed toward the next new thing. But “BACK HOME” by SHANØ doesn’t sound like the work of an artist trying to catch up. It sounds like someone who spent those years sharpening his vision in silence, returning not louder, but wiser. This new song is easily some of the best music we’ve heard this year and we mean it!

    23 min

  7. 22 mai

    Empty Pinata

    If your only complaint with a song is that it’s too short and that you desperately wanted more, chances are you’re listening to absolute gold. Alejandro Rodriguez has completely blown us away his newest single, “Obvious,” and it’s the kind of statement that immediately makes you lean closer to the speakers like they’re trying to tell you a secret. This is a headphones-only track, so make sure to enjoy accordingly!

    25 min

  8. 16 mai

    Disco Shrine

    There are songs built for headphones, songs built for clubs, and then there are songs like “Spray Tan” by Disco Shrine, which feel engineered inside a glitter cannon pointed directly at the bloodstream. If you can’t begin to imagine how that sounds, prepare for an absolutely wild ride of a song. The Los Angeles-based artist, producer, DJ, and self-fashioned underground pop instigator has delivered a track that doesn’t merely ask listeners to dance, it practically drags them onto the floor by the wrist. Prepare to move.

    25 min
Tout afficher (514)

À propos

Directly related to We Write About Music, We Talk About Music is, you guessed it, the audio version of all the incredible artist and interviews we continuously upload to our YouTube channel. For those who prefer a listen as opposed to a view, this podcast is for you.

Informations

  • Création
    We Write About Music
  • Années d’activité
    2021 - 2026
  • Épisodes
    514
  • Classification
    Contenu explicite
  • Copyright
    © We Write About Music
  • Site web de l’émission
    We Talk About Music