The New Mysticism

John Wojewoda

Join me on my creative journey. I am a writer who has recently rediscovered their voice. This is a blog about my creative writing and it's about yours as well. johnwojewoda.substack.com

  1. 15/08/2021

    The Lesbian Poetry of Sappho

    Sappho (c. 630 – c. 570 BCE) was an Archaic Greek poet from the island of Lesbos. Sappho is known for her lyric poetry, written to be sung while accompanied by a lyre. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess".  The word Lesbian in Sappho’s poetry is a reference to the inhabitants of the island of Lesbos, not having anything to do with any sexual predilection. John Myers O'Hara (1870–1944) was an American poet. Born in Iowa into a wealthy family from Chicago, he studied at Northwestern University, Evanston, Illinois. He was admitted to the bar and practiced law in Chicago for twelve years. In his thirties he moved permanently to New York, where he worked as a broker on Wall Street and also wrote poetry. In the 1929 stock market crash, O'Hara and his whole family lost their fortunes, but he continued to work in a brokerage house. and write and publish poetry. Besides his own poems, O'Hara also produced rather creative translations of Greek, Roman and French authors, such as the critically successful Poems of Sappho (1907). Passion for Creative writing has been selected by FeedSpot.com as one of the top 20 creative writing podcasts on the web https://blog.feedspot.com/creative_writing_podcasts/ Please consider supporting this podcast by buying this episode as an NFT on OpenSea.io This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit johnwojewoda.substack.com/subscribe

    30 min
  2. 16/05/2021

    Lord Byron, Darkness and the Vampyre

    The story 'The Vampyre' - written in 1816 is the product of the 'year without summer'. In that year summer temperatures in Europe were the coldest that they had ever been between the years 1766 and the year 2000. One night that summer at the villa Diodati in Lake Geneva Switzerland the writer George Gordon Noel Byron, also know as Lord Byron, suggested that those present should each write a ghost story. There were at least two writers there who's writing would go down in history. One was Mary Shelly, who two years later would published the book Frankenstein, the other was Byron's physician, John Polidori, who wrote the short story 'The Vampyre', which is the first appearance in fantasy fiction of a vampire. The previous summer to 1816 - Mount Tamboro in Indonesia had erupted sending volcanic ash into the upper atmosphere. People in Europe had no way of knowing why summer didn't come in 1816. Low temperatures and torrential rain caused disastrous crop failures in Europe, North America and Asia. Mary Shelly wrote in her travel journal 'Never was a scene more awfully desolate. The trees in these regions are incredibly large, and stand in scattered clumps over the white wilderness; the vast expanse of snow was chequered only by these gigantic pines, and the poles that marked our road: no river or rock-encircled lawn relieved the eye.' Lord Byron wrote a poem that summer called Darkness I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit johnwojewoda.substack.com/subscribe

    1 h 9 min
  3. 09/05/2021

    Talking with Canadian author Mike Sauve about missing a place you can't go back to.

    Mike’s novels The Wraith of Skrellman, The Apocalypse of Lloyd, and I Ain’t Got No Home In This World Anymore are available from Montag Press. His forthcoming book "The Many Fentanyl Addicted Wraiths of Sault Sainte Marie" is coming out in the fall from Tailwinds Press. Mike grew up in Sault Ste. Marie, which is small a city in Ontario, Canada. It's on the St. Marys River, north of the U.S. border, near 3 of the Great Lakes. He currently lives in Toronto Canada, having graduated from Ryerson University with a degree in journalism. Mike works as a stenographer for the deaf at York University, a job which he says is perfect for a writer. He discusses how leaving the home of his youth was a source of sadness because both the time and the place are now gone, and the trilogy explores the theme of missing a place that you can’t go back to. His heritage is Franco-Ontarian, however Mike says he has been affectively anglicized. He has described his writing as post-modern. His admiration of the writer Donald Barthelme, who was an American short story writer and novelist known for his playful, postmodernist style of short fiction, has been an influence. Mike says reading Barthelme has allowed him to be as maximalist and zany as he wants to be. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit johnwojewoda.substack.com/subscribe

    18 min
  4. 05/05/2021

    Edgar Allan Poe, 'The Tell-Tale Heart'

    In 1829 Edgar Allan Poe was discharged from the American army after two years of service, attaining the rank of Sergeant Major for artillery, which was the highest rank available to him. He left the army to pursue an appointment at the US Military Academy at West Point. In the interim period between leaving the army and attending West Point, Poe revisited Baltimore. During his stay there, Poe, acting as an agent for his aunt Maria Clemm, sold a 21 year old slave named Edwin, to a man named Henry Ridgeway for $40. The bill of sale for this transaction is in the Enoch Pratt Free Library in Baltimore, it states, in summary…’Know all men by these presents that I, Edgar Allan Poe...sell unto Henry Ridgway...a negro man named Edwin.’ Poe, who was orphaned at an early age, and who had by this time accumulated massive gambling debts at the University of Virginia, was trying to find his own place in his society. Having left the University of Virginia without graduating, was on his way to West Point, to see if he would succeed there. He was court-martialed and formally dismissed from the academy one year later on March 6, 1831. I can’t think of a more soul destroying task then to sell another human being into slavery. Poe is writing during the period in American history known as the Antebellum, a Latin word meaning before the war and in American history it refers to the period between the war of 1812 and the civil war. Poe was no abolitionist and never really directly addresses the issue of slavery in his writing, however the fact that he facilitated the sale of Edwin to Henry Ridgway is enough for us to confidently ascertain that he was willing to participate in what was a common place feature of the America he lived in. It is however horrible. It is nightmarish. One can imagine the scene, the black haired, wiry Edgar Allan collecting the lonely and broken Edwin, there would have been one or more moments where their eyes would have met. One wonders if Poe ever contemplated what he saw in that eye. What else could he have done? He could have refused to participate. Abolitionists did exist. At the time of Edwin’s sale, it would still be three years before the British Empire would abolish slavery. Horror is a human reaction to this society. It has been argued by some critics that Poe does address race in his writings, but only by metaphor, not directly. Poe was a man who needed to rise. He had alienated himself from his step father, and he had to hustle in any way he could. I get a sense when reading his writing that his heightened language invites his readers to enter into his erudite world, to feel as if you are some kind of intellectual elite, only to be confronted with the darkness of a soul that is in total damnation. Poe wanted his readers to be pulled into a place where they couldn’t understand the nightmare. Poe lived in a world that was a nightmare. A cold hearted society where being accepted was a matter of life and death. An America that would need to convulse into a bloody and vicious civil war where 620 000 people would die not only from slaughter but off the battlefield from disease and festering wounds. His society was damned and his genre of horror was the product of a person who was an authentic tortured soul. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit johnwojewoda.substack.com/subscribe

    20 min

À propos

Join me on my creative journey. I am a writer who has recently rediscovered their voice. This is a blog about my creative writing and it's about yours as well. johnwojewoda.substack.com