28 episodes

Chats with Artists in Lockdown, is a Podcast of artists talking together. Discussing how the virus has impacted them and their work; the good and the bad bits, the conversation wanders between artist’s making and thinking and they share their strategies and experiences through this weird time. Support this podcast: https://anchor.fm/emma-cousin/support

Chats in lockdown: artists talking Emma Cousin

    • Visual Arts
    • 4.7 • 12 Ratings

Chats with Artists in Lockdown, is a Podcast of artists talking together. Discussing how the virus has impacted them and their work; the good and the bad bits, the conversation wanders between artist’s making and thinking and they share their strategies and experiences through this weird time. Support this podcast: https://anchor.fm/emma-cousin/support

    Chat with Jane Hayes-Greenwood

    Chat with Jane Hayes-Greenwood

    Jane Hayes-Greenwood and I talk about the impact of lockdown on her practice, and how it has kept the works she's making at a certain scale. Jane talks about being interested in things on the periphery and being drawn towards the anthropomorphic and difficult to place. We talk about the plants in her most recent series of works, developed over the last few years; discussing the real and imagined as well as the significance of green. We touch on stage sets, little islands and the 'Lady of the Night', as well as plant sex and transformation. Jane talks about her anxiety sparking paintings and we traverse tarantulas, spikes, spines and hairs as well as alien looking orchids that take us to psychological space. Jane talks about making paintings as series and how plants sit outside of time. Jane touches on how the things that feature in her works often stand in for experiences, thoughts and projections and build on previous interests in archeology and psychology. Jane talks about having to tidy up before being able to make a mess and we talk a bit about her process of collage and drawing. We get into 'The Witches Garden' and 'Mother Nature', which started from research into midwifery, fertility and medicine and continue to grow. We talk about brushes - soft goats hair and those that dry out and end up ruined. We talk about CGI and food too. Jane talks about Block 336 and their journey as well as the current shows. We discuss the joys and precarity of running a space like Block 336 in London. We talk about City and Guilds of London Art School, the art school where Jane studied and now teaches and we discuss the place and its style. Jane talks about her most recent finished painting, tantalisingly describing it as 'many mouthed and active' and we talk about the idea of getting feedback from paintings. Jane ends on significant shifts, personal and global; the joy of having a baby; the need to get out, even if its just to empty the bins; and learning about herself through motherhood. 

    Image:

    In Bloom. 2020.



    Links:

    https://www.janehayesgreenwood.com/

    https://block336.com/

    https://www.cityandguildsartschool.ac.uk/




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    • 1 hr
    Chat with Anna Perach

    Chat with Anna Perach

    Anna Perach and I talk about an awareness of darkness and adjusting to a lack of sun. Anna tells us about settling into the new Saraband Foundation Studio after 4 years studying for her MA at Goldsmiths. We talk about how she fell in love with tufting. We talk about how tufting feels, how tough it is physically and how it is now central to her practice. Anna talks about being heavily influenced by soviet decor and how unpicking and reworking the things she’s grown up with to understand and explore her practice. Anna talks about art with primal feelings and we talk about tactility, about carpet, the body and containment. We talk about faces, how they come into being and if we speak to them. 

    We discuss some of the folklore stories that influence and inspire the work and we talk about conversations in your head and conversations with the work. We talk about female archetypes, relating directly to the Seven Wives piece and we talk about primal mother figures and ritual or repetitive behaviour. We talk about inherited information, how we hold our histories in our bodies. We talk about collaborative working, with a movement director to learn about and understand applying pressures on performers. We talk about trying to connect the body and mind, and investigate ideas about how the body takes over when its not possible to verbally communicate. We reference Bluebeard, Pina Bausch and the film Suspiria. Anna talks about creating an environment thinking about bringing in music, ideas of avant-garde theatre and the possibilities of working with glass and hot and cold. We talk about carrying on working as a strength and an escape! 



    Image:

    Seven Wives performance documentation 2020

    Image Credit, Matt Ashford Studios



    Links:

    https://www.annaperach.com

    The Herzliya Museum-  https://www.herzliyamuseum.co.il/en/


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    • 53 min
    Chat with Olivia Bax

    Chat with Olivia Bax

    Olivia Bax and I chat about the weather, the weight of it and the frustration of it, like being the under slanted weather. We talk about her show "Off Grid" at Standpoint Gallery, and the delay caused by Lockdown in March and what this afforded and affected. Olivia talks about research as process and we discuss the pace and rhythms of the studio. Olivia talks about her steel armatures, her doodles and her drawing in space like it's a notepad. She speaks about breathing life into the linear, the excitement of making things solid and remaining in the process. We talk about colour, moving through the different tones of a mountain to cold chips. We explore Olivia's finding of colour, both from found often disregarded paint and through layering, as well as talking about hands and fingers, pulp and state changes. Olivia describes the making 'battle', the slapping and the weight and being a 'putter'. We ruminate on the idea of dialogues with the back of the work and think about what the inside is doing. Olivia touches on the short stories she writes, published in Yellowfields, and where some of those stories spark from. We consider objects that mean more than one thing and do more than one thing and such as filter and funnel. We consider theatrical pieces, starting with a tabletop resting place and sculptural relations. We think about restriction as a device to adapt and react to and reflect on how Olivia personally extends herself. We end on adjusting pace, prioritising and the joy of being introverted, but with friends and cake.



    Image:

    Hopper

    2020

    Steel, chicken wire, newspaper, glue, paint, plaster, wheels, varnish        

    112 x 96 x 96 cm

    Photo: Tim Bowditch



    Links:

    https://www.oliviabax.co.uk

    https://www.standpointlondon.co.uk

    https://www.yellowfields.tk/

     


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    • 53 min
    Chat with Hans Op de Beeck

    Chat with Hans Op de Beeck

    Hans Op de Beeck and I talk about being excited to be back at work. He describes the time away from the studio due to covid restrictions as numb and we talk about the joys of painting in the dark, the intimacy and the generosity of the night. Hans talks about wanting to paint in colour, telling a story of making a painting for the Royal Palace in Brussels, which in the end was in black and white. We talk a lot about grey, about shadows and about light. Hans talks about exploring the width of being a postmodern artist, which he thinks is about balancing form and content precisely. He talks about people over-estimating him and the idea of faking it til you make it. He talks about jumping into problems and getting out of your comfort zones as essential positions for making work. We talk about art as consolation and the idea of finding comfort in a visual proposal. We discuss his work, Stargazing, 2020, visually climbing the cliff through his description. He talks about being anachronistic with ironic winks, mingling bad and good taste and high and low culture. We talk about art historical eye openers, and how something can be artificial and authentic. We talk about departing from the simple and getting complicated and evoking rather than simulating. We talk about staging amusement and staging emotions and celebrate the beauty in the silliness of life. 



    Links: 

    https://hansopdebeeck.com

    https://ronmandos.nl/viewing-room-overview/



    Images: 

    Sea of Tranquility, 2010

    Film still

    16:9, 29:50 min



    All visuals are copyright: courtesy of Studio Hans Op de Beeck






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    • 58 min
    Special episode! Chat with Megan Snowe and Raj Parameswaran

    Special episode! Chat with Megan Snowe and Raj Parameswaran

    This special episode has been commissioned by Castlefield Gallery in Manchester, as an extension of their current show, Soft Bodies, which never opened physically due to the lockdown. Megan Snowe and I are both in that show and come together with the writer Raj Parameshwaran to discuss Soft Bodies and all that this theme evokes and its particular relevance at this strange time. As part of this episode we feature a track by Semi Precious, present in Jake Moore's video piece, from the show. The gallery are hoping to open In August. Following this episode there will be a short piece of writing in response to our discussion and it's themes, written by Raj, available at https://www.castlefieldgallery.co.uk/event/upcoming-soft-bodies/. 

    Megan Snowe, Raj Parameswaran and I talk about confusion and low humidity, about being miserable but otherwise fine and about nuptual flying ants. Megan and Raj are in the US, still restricted under Covid 19, and we mention the adjustment to the realisation that this situation is long term, a marathon. Megan gets into her sensuous self portraits questioning how we inhabit non-physical spaces and whether, with the increase in online presence, there can be a sensual element of ourselves online. She talks about her drawings, that feature in the Castlefield exhibition, which are made directly and without planning or intention and created through meditative blending and form finding. We describe these forms, sometimes piercing or entering one another and connect this to undefended human spaces, vulnerable to invisible germs, the virus, and recently police violence. We talk about arousal and disgust and look into megan's 'A Wipe', a sensual celebration of bodily detritus. We delve into some of Raj's short stories, and consider what can safely be removed from the body and what does it become then? We talk about societal body trash and the physical implications of our zoom image, shed all over the web. We talk about phantom limb treatment, healing things from images and Megan's 'ticklish' drawings. We talk about thinking with your mouth, chewing as a trigger and language as sensual. We talk about skinlessness and skin as a haptic canvas. We talk about intimacy and invasion and how to bridge the gaps. We talk about skin shedding and the expansive self. We talk about dirty laughing at your own drawings, picking your nose as a sensory experience, processing zones and the different ways the body can be penetrated. We talk about the limits of signification and the body as a hard limit and celebrate our love and use of language. We talk about the importance of communtity, the spirit of activism and feeling connected and intimate with strangers through protest. 

    With thanks to Gass Pendergast and Helen Wewiora at Castlefield Gallery. And thanks to Jake Moore and Semi Precious for the closing track. 



    Image:

    Small Body 03

    2019

    8.5”x5.5”

    Graphite on paper



    Links:

    https://www.castlefieldgallery.co.uk/event/upcoming-soft-bodies/  

    https://www.megansnowe.com/

    https://www.penguinrandomhouse.com/authors/130147/rajesh-parameswaran

    Raj's Twitter @elephantbot



    Music Credits: 

    Produced, composed, mixed & sung by Semi Precious 

    Additional synths & piano by Aviram Barath  

    Mastered by Nick Powell 

    © squareglass


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    • 1 hr 26 min
    Chat with Markus Vater

    Chat with Markus Vater

    Markus Vater and I talk about feeling slightly sad and slightly content and about more things going then coming. We talk about being interested in where we are not. We talk about how the end of the world might look as a place and the illusion of control over the world, which the virus has made visible. We talk about localisation and social media as a connection with how to communicate and how to sell work directly, not just to extend knowledge. We talk about spending time with time. We talk about the collective Hobbypop, born out of of looking for your own infrastructure with a peer group. We talk about making with a lot of Joy and energy and we get into to the exhibition Drive In that the group organised in 1995. We talk about art not being subject bound and much more about a spirit and the difficulty in the idea of trying to be a tutor of it all. We talk about Markus’ multimedia approach, which he describes simply as looking at where the most interesting process is happening and responding to it. We discuss Markus' short video, "Mary sees the sun" about the idea of looking at the sunset until it hurts your eyes. We discuss Markus' paintings for animals. We talk about his fascination with water and some of the ways it features in his work, like the tear and a sea. We talk about Markus’ idea that we are the Ocean on vacation on land. We talk about storytelling, language and the relationship between text and image or title and work. We talk through his process, often happening on one piece of paper and coming to him like an eruption and appearing like fruit. We talk about his mobile pieces moving like the wind and making the viewer move. We talk about faking flying and the connection between magic and art. We talk about changing perspective, constructed reality and lying entertainingly. We think about artists lying much less than money. We talk about the painter as pharmacist and consider if a painter can heal anything. We think about the words holy and heal and hole and whole. We consider social media as a platform to show yourself and not being afraid of anything which is very scary.



    Image: “The interview” Acrylic on canvas, 170x 300cm, 2012



    Links:

    http://www.markusvater.com/index.html



    Unstilled Life will open on 6th August at Ron Mandos Gallery,Amsterdam and Tintype Gallery, London and the exhibition continues until 3rd September.

    https://ronmandos.nl/

    https://www.tintypegallery.com/




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    • 1 hr 6 min

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4.7 out of 5
12 Ratings

12 Ratings

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