DKUK

DKUK

Conversations in front of and about art

Episodes

  1. 2 days ago

    Daniel Kelly and Rebecca Fortnum: A Different Kind of Looking, Recorded Live During a Haircut

    A conversation about drawing, looking, and how a body of work actually begins, recorded live during a real haircut at DKUK, Peckham's mirrorless salon where art replaces mirrors. Rebecca Fortnum is an artist working in drawing and painting. She had just finished a show at DKUK: a set of large drawings, around a metre high, made from portrait sculptures she had come across in collections. The Louvre, the V&A, the Met, the Musée d'Orsay. All of them women. All of them looking down or looking away. She was interested in what it means to look at someone who does not look back. Which is why the drawings worked in here. You sit in a chair with no mirror in front of you, looking at a face that will not return your gaze. We talk about the difference between a portrait someone has paid for and a portrait of someone you are in a relationship with. About Rodin, and Sarah Bernhardt, who acted, sculpted, slept in a coffin and kept tigers. About carbon pencil, dot matrix printers, and drawing a rough clay maquette at five feet high so the body does the work instead of the face. If you are studying art, or trying to work out how a project starts, this one is for you. Rebecca took photographs on her phone for years without knowing why. It was only on a residency, with a bit of time, that she got them out and started asking what they had in common. The archive came first. The reason came later. This is an archive episode from before the podcast was filmed. Recorded in one take with the salon open, so there is a bit of Peckham going on in the background. Best enjoyed with headphones. ♦ Rebecca Fortnum: https://researchers.arts.ac.uk/3069-rebecca-fortnum ♦ Book at DKUK: dkuk.biz #Drawing #ContemporaryArt #ArtStudents #ArtSchool #Rodin #PeckhamArt #CreativeLife

    Daniel Kelly and Rebecca Fortnum: A Different Kind of Looking, Recorded Live During a Haircut
  2. 23 Feb

    Being Seen Is Power: Art, Community and the best kind of chaos

    In this episode of the DKUK Podcast, Daniel sits down with Richard Phoenix, artist, writer and long-time collaborator with Heart and Soul, the Deptford-based organisation supporting learning disabled and autistic artists for over 40 years. Recorded inside the Heart and Soul exhibition at DKUK in Peckham, this conversation moves from DIY punk tours and publishing with Rough Trade Books to large-scale public art in Trafalgar Square. Richard talks about the young people’s project Do Your Own Thing, the radical importance of access, and what it means to create real visibility for artists who are too often overlooked. At the centre of the conversation is a simple idea that feels urgent: being seen is power. Not spectacle. Not tokenism. But being seen as you want to be seen. We explore how framing changes perception, how naming something art shifts its meaning, and how long-term cultural work can transform a space. From site visits and collaborative installs at DKUK to the creation of a six-metre puppet processing down Whitehall, this is a conversation about good chaos, deep relationships, and the craft of building creative communities that last. The DKUK Podcast is recorded live during real haircuts inside our mirrorless salon in Peckham, London, where art replaces mirrors and conversation unfolds naturally. Expect thoughtful dialogue, moments of humour, and the quiet rhythm of scissors in the background. Best enjoyed with headphones.

    Being Seen Is Power: Art, Community and the best kind of  chaos
  3. 16 Feb

    Humphrey Ocean: On Road Signs, Old Masters and Paying Attention

    This episode is taken from the DKUK archive and was originally recorded in January 2024 during Humphrey Ocean’s exhibition at the salon. I first met Humphrey in 2009. The exhibition that followed was many years in the making, so it feels quietly right that this conversation is finally being shared more widely. Humphrey Ocean is a British artist whose practice is rooted in drawing and painting. Over the years he has worked with figures such as Paul McCartney and Ian Dury, yet he remains deeply thoughtful, observant and refreshingly down to earth. In this conversation, recorded while I cut his hair, we talk about attention, slowness, survival, portraiture and the strange beauty of the everyday. At one point Humphrey says that motorway signs can be beautiful, and that sunsets do not necessarily need painting. It’s a line that reframes how we look at the world around us. Later, he reflects on the idea that the old masters are “two hours long”, speaking about the time we give to looking, and why some works endure because people return to them again and again. The DKUK podcast has been running since 2014 alongside the mirrorless hair salon of the same name in Peckham, London. At DKUK, clients look at art instead of themselves while they have their hair cut. The podcast follows the same principle. It is recorded during real haircuts, allowing conversation to unfold at a natural pace. It is less an interview and more time spent in a room with someone. Each episode is recorded using binaural microphones, capturing the subtle sounds of scissors, water and movement in the space. The result has a gentle ASMR quality and is best enjoyed with headphones. DKUK exists at the intersection of hair, art and conversation. The salon removes mirrors to create a calmer experience, and the podcast reflects that same atmosphere. Episodes explore creativity, identity, work, money, attention and what it means to make something in the world. This is an archival episode, presented as it was recorded. Settle in, take your time, and enjoy the conversation.

    Humphrey Ocean: On Road Signs, Old Masters and Paying Attention

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Conversations in front of and about art

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