Finding Manuland

Finding Manuland takes us on mental journeys across the space between Ireland and India. Finding Manuland moves us across time from 4,000 BCE until the present. Our mental models of how the past and the present interact expand, through Finding Manuland. We begin around 4,000 BCE with the Yamna community who lived between the Don and Dnipro rivers of Ancient Ukraine. These Yamna created the first Indo-European language. They buried their dead, covered in ochre, with their knees flexed, in the hundreds of thousands of mounds that still remain in the lands between Ireland and India - Manuland. Today, over half of humanity uses sounds and meanings first forged on the Ukrainian steppe. Immanent in the genome of most humans who live in Manuland is the mitochondrial DNA of our Yamna ancestors. Everyone who can understand these words in an Indo-European language, is the cultural descendant of this community of migrants who spread so successfully east and westwards across the Steppelands from Ancient Ukraine. Decoding Trolls is the first to discover that immanent in almost every sentence we speak or think through an Indo-European language is an M-N- sound coupled with meanings that were first forged by our Yamna forebears. This might just be a coincidence. Or the M-N- sound might be THE fundamental cryptotypic semantic signalling system undermining the matrices of metaphors through which we communicate today. M-N- might well be a permanent monument, remnant and reminder of the Yamna and indeed Mana - the Subtle Energy we exchange with humans and animals - anchored in almost every thought we have. In any event, Mana, Woden, Nous, Holy Spirit, Prana, Ch’i, Ki, Libido, Mungo, Synchronicity, Anima Mundi, Orenda, Manitu, Wong, Tondi, … are all manifestations of the same phenomenon that was present in the minds of Yamna, as in all ancient and contemporary humans. If only we can connect again to Mana, and harness it to impact positively every interaction we have inside our communities. Such are the ideas that Finding Manuland elucidates located in the space, time, and culture of Manuland. So our story emanates from Ancient Ukraine, and terminates in the questions: Why is this M-N- sound and its associated meanings so immanent in Indo-European culture? Can we know what this immanence means? If Mana is what remains of us in others when we leave them, then, there is Mana. Mana's permanent. Let's communicate positive Mana. And Finding Manuland will help remind you of this, in every interaction you experience today with other sentient beings. www.powerofmana.net

  1. 4 days ago

    Podcast | Finding Manuland Atlas Ep. 2

    You’ll remember I spoke about how each episode of Finding Manuland looks at Mana, as the energy we exchange, as a source — the function of being human; the linguistic aspect, the miracle of MN being immanent in so many words we use, and places we go, and the founder figures, and so much else beside, and as an organising focus for this journey; and the third element, the journeying element, of every Finding Manuland episode. In the last episode I brought you on a quick survey of Ireland and Britain, and now this is the Western European Corridor atlas survey. The idea here is: I’ve got hundreds of papers and journeys to talk to you about. In each of these podcasts will be immanent those three elements — Mana, language, and journeying. These are the introductory episodes, just to give you a flavour of what is to come next. Maing: Where the Project Got Its Name So, the Western European Corridor. This is the drive home from Ukraine in the autumn of 2021 — or rather, the drive back to Ukraine. Now we cross the continent, and the map starts to move under us. This corridor is where the project Finding Manuland got its name. On a drive back to my diplomatic posting, just prior to Russia’s full-scale invasion of Ukraine — I was driving back to my diplomatic posting in Dnipro, in the autumn of 2021, at the very start of a three-and-a-half-thousand-kilometre run from my home near Emain Macha in Ireland to Dnipro — I was already noticing that my route threaded through MN- and M-A-I-N-sounding place-names, when I followed the word Maing off the satnav into a village in northern France. And there it was, on the side of a shed: Manuland. It was getting late. I photographed the shed. The next morning I doubled back and, without quite deciding to, invented the method I have used ever since. So when I go to a place on this journey, I start at the church, or somehow in the centre of a village. I don’t know what I’m looking for, why I’m there, or if I’ll find anything. And that day in Maing, I ran in ever-increasing circles out from it, around the village, up one street and down the next, until I reached the edge of town and a cobbled road — an ancient road — climbing up a hill. Off the hill sat a mound with a herdsman on it, who, when I reached him, pointed me towards Cassels, the old capital of the Menapii, the same Manannán-worshipping sea tribe, now inland in France. I set off for Cassels, and that circling, born in Maing, is the recurring shape — like a chariot wheel — the recurring shape of every journey since. The exchange of Mana with the herdsman; a sound heard in a place-name — the language; a hand on actual ground — the journeying. All three elements were already there, in what would have been a nondescript but altogether beautiful French village I would never have stopped in. And the name, Manuland, taken off a shed. The Main Corridor: Goethe, Herder, and the Making of a National Culture The corridor is a string of MN-sounding names: Mons, Mainz, Frankfurt-on-Main. I stopped along it at Goethe’s house in Frankfurt — occupied by the French when Goethe was a child. And it was at that moment that the great Herder decided: we must create a national culture, a German culture. We must unite the German tribes, by finding our Shakespeare, by creating our Shakespeare, our culture. Herder wrote, as I have said in previous episodes, which you will see and we will come back to — he said, in 1777: where is our Shakespeare? We need a Shakespeare, like England has a Shakespeare, to unite around. And Goethe — whose house was literally hosting a French occupying general, who would eat and drink and live in that house — Goethe then became Germany’s Shakespeare. And the Grimm Brothers then became the great linguists, the first of the great philologists and linguists of the Germanic languages, and collected folk tales, and looked at the language and the meanings inside them. And then, of course, Wagner, 90 years later. The tales which Tacitus had told about the Germans, and Mannus, the founder of the Germanic peoples, and his three sons, became operas, and became stories — like Faust, like The Sorrows of Young Werther — which Goethe and Herder and so many great writers used to unite around, and create the first unified Germany. And that model of nation-state formation, around national cultures grounded in folklore, song, and culture — that is part of the heritage Finding Manuland uses to explore all the spaces between Ireland and India, which I archetype as Manuland. The Museums: Halle, Wrocław, and Enheduanna in Brussels The museums on that journey are where the moon and its measuring keep surfacing in bronze — in Halle, in Wrocław in Poland, where in October 2021 I photographed a Bronze Age sun-chariot. In February 2022, in the last weeks before the full-scale invasion, driving back, leaving Ukraine with my cat, anticipating the invasion, I stood in Halle, in the great modern museum there. And in the dusty corner of a museum in Brussels, I found the thread: a cuneiform tablet, in a dusty corner, holding Enheduanna’s hymn to the moon god Nanna. The first named author, from 2400 BCE — the first named author in human history, already signing her name: a moon priestess, MN. Her alabaster, still, after 4,000 years, as luminescent as a full moon. And we will go to the Penn Museum in Pennsylvania — Penn, the great Ivy League university where my grandfather studied. We will go there, and that is where Enheduanna’s luminescent disc, which was created in her own lifetime, now abides. I photographed her, and the cuneiform text, almost by chance, and she turned out to be a doorway to Mesopotamia, which is very, very far to the east, and somewhere we’re going. Domburg and Nehalennia: The Menapii’s Last Surprise The Menapii have one more surprise waiting for us, on their own coast. In January 1647, a storm stripped the dunes at Domburg, on the Dutch island of Walcheren, in the old country of the Menapii, and exposed dozens of Roman altars to a goddess nobody had heard of: Nehalennia, a protectress of sea traders. Within weeks, a Leiden scholar, Boxhorn, responded — and in his pamphlet of the same year, he argued something bigger: that Greek, Latin, and the Germanic tongues descend from one older language, which he called Scythian. Scythia: ancient Ukraine. The common origin we now know from the analysis of ancient DNA, published in our species’ preeminent journals. I want to walk that dune-front with Boxhorn’s pamphlet in hand and in mind, and bring you on that journey. There we will exchange Mana with him, and with the first intimations that our entire Indo-European culture, from Ireland to India, emanates from Scythia — ancient Ukraine. The Mediolanon Towns and the LG Shadow Axis And deeper into France waits a field of MN names, from a map in my own notes: the Mediolanon towns, the Celtic middle-places — one of which, Châteaumeillant, some historians read as a meeting place for Druids. The corridor keeps going into country I’ve not yet crossed, but we will cross it together, and we will visit the little museums and the places, and we will see if we can feel the Mana. Sometimes you go places and you feel nothing. The lunar calendar sites all wait: the wooden ring at Goseck, which I did visit; the bronze Coligny calendar plate, which no one has yet fully deciphered, with its months cut into metal — month and measure and menses, all one word. So do the towns strung along a second sound I’m following: the LG of Lugus and Lug — Lyon, Léon, Loudoun, Carlisle. It’s a lead, not yet a result. And Lug himself — solar, LG, the founder slot — is one of the great gods of Irish mythology. Grail Country: From Manannán’s Cauldron to Monty Python The grail country of Chrétien de Troyes waits too, where Manannán’s Cauldron of Plenty surfaces centuries later as a French romance vessel — one and the same Indo-European bowl, which the great Indo-Europeanist John Carey demonstrates: the Grail emanates from Irish mythological texts, and a collection of them, which got into the hands of Philip of Alsace, who then gave it to Chrétien de Troyes, via Belgic migrants in southwest Wales, in today’s Pembrokeshire. And from there into European literature and art, from Chrétien de Troyes all the way up to Monty Python — MN in Monty Python. But we won’t dwell too much on certain MNs; others we will just take notice of. Tacitus Country, Lake Nemi, and Dumézil And in Germany — MN — the roads bend through the Tacitus country, which I want to visit knowingly, and with intention, mens rea: the Saxon lands whose three nations he derives from the sons of Mannus; and Saxony-Anhalt, the princely mounds around the Nebra find-spot. I want to go back there and explore properly. And in Italy, at Ariccia in the Alban Hills, Rome kept a figure the great comparativist Georges Dumézil — who is a very important influence and character in these Finding Manuland tales — could not resist setting beside Manu: Manius Egerius, founder of the grove cult of Diana — DN — at Lake Nemi — NM — ancestor of the proverbial multitude of the Manii, with the manes, the ancestral dead, gathered around the same MN sound. The grove of the Rex Nemorensis, the King of the Wood, waits on that lake. The Danube Road: The First Road West out of Ukraine The Danube road: the first road west out of Ukraine, down the great DN river — Don, Donets, Dnieper, Dniester, Danube — through the copper and gold of Old Europe. Before we reach Greece, adjust your mental map once more, because the road that matters runs along a river our schooling never made us look at. It is the DN river sound at its grandest. No one can resolve whether the name emanates from the north or the south; you may guess by now where I believe the name spread from. And it was the first road west — the corridor by which the ho

    Podcast | Finding Manuland Atlas Ep. 2
  2. 8 Aug

    Podcast | Stonehenge and the Older Circle

    Stonehenge, where I am standing this Saturday morning, is the answer to a question I have been carrying since May 2021 - and it has taken me five years and three thousand kilometres to carry the question back to these stones. I want to say something at the outset that will only be fully earned by the end: I feel Ukraine’s presence here. Not as metaphor. As ancestry, as language, as the later courses of this very monument. By the close of this piece I intend to have shown you exactly where to look for her. The coach parks are already filling. Jackdaws are working the wind above the lintels. Several hundred people are filing along the rope walkway, photographing the most famous stone circle on earth, and nearly every one of them - I have been listening - is doing so in a daughter language of a mother tongue first spoken on the steppe of what is now Ukraine. They do not know that. Most of them also do not know that when the great sarsens in front of us were being raised, a stone circle beside the Dnipro river had already been buried, deliberately, under a mound of earth, for something like a thousand years. I have touched that older circle. This post is about who built it, who buried it, and why the answer runs in a single thread through three monuments: Stonehenge on Salisbury Plain, Tara in County Meath, and the cromlech at Novooleksandrivka, fourteen kilometres south of Dnipro. What I have noticed - and it is a pattern I keep testing, not a verdict I am handing down - is that all three circles were raised by Old Europeans; that the people who buried the third one were, in the most literal genetic sense, their own descendants; and that the burying itself may have been the wisest thing anyone ever did for it. The wisest people I met in Ukraine thought so. We will get to them. Let me take you to the Dnipro first. The Uncovered Circle In May 2021 a five-thousand-year-old burial mound was torn apart by housing developers in Novooleksandrivka, a wealthy suburban hromada south of Dnipro, Ukraine’s third city. News of the vandalism found a global audience - it made the front page of the New York Times, and Ukraine’s chief mound guardian told that paper: “It’s genocidal. Erasing our culture like that.” Residents blocked a road in protest. After the kurgan - as such mounds are known in Ukraine; Mane, as I have come to call them, for reasons that will surface below - was removed, a much older stone circle was, unexpectedly, discovered underneath. Five thousand years for the mound; five and a half for the circle beneath it. Hold that five-hundred-year gap; it is very important, and it is in the contemporaneous record, not just in my memory. At that time I was an Irish peacekeeping diplomat serving with the OSCE’s Special Monitoring Mission to Ukraine, posted to Dnipro, in my final year before compulsory retirement, watching for early warnings of Russia’s meddling in a war then already seven years old. Anything that made international front pages in my city was my professional business, so I crossed the Sura River to investigate. What I found rearranged my mental furniture, and eventually my life. Sixty-four stone boulders, set in a ring. Touching them felt like caressing the Delphic Omphalos - except that this rondel was older than any material reminder we have of the oracle at Greece’s cultic centre. Through that summer and early winter, as Russian forces massed beyond every one of Ukraine’s borders, I kept going back. I photographed each of the sixty-four stones, carefully, on every visit - it was the one thing I could do, since a minor Irish diplomat has no mana with which to counteract a property developer. And the stones began to resolve themselves into human-like forms. Stelae. The deities they had represented to the people who levered them into position. I had a favourite: a broad-shouldered stone god. Sometimes, when I arrived, there were fresh flowers in the centre of the circle. Inside the mound that had covered the stones, the bulldozing archaeologist working for the developer had found the bodies of twenty-seven people, buried there between roughly 3,500 BCE and 1932. Many were covered in red ochre. Most were crouched, knees bent. One was mummified. The 1932 interment was the manager of the Soviet collective farm that the Muscovite colonisers of Ukraine had planted on the site - a functionary laid down where the high kings of the area had lain five thousand years before him, in the very year Moscow’s engineered famine began killing millions of Ukrainians. Talk about delusions of grandeur! And, in a darker key, about continuity: the mound never stopped doing what mounds do, which is to announce whose the past is. One afternoon I found a pair of teeth sitting on one of the stone gods, champing into a tube of what looked like fossilised wood. Research settled it: horse teeth. And some of the earliest evidence anywhere on earth for the ritual use and keeping of horses comes from Ukrainian sites near that very circle - Dereivka, on a promontory of the Dnipro, a name to hold onto, because it is about to become the hinge of this whole piece. One of the three oldest wheeled wooden carts ever found in Europe came out of a Mane in the grounds of Dnipro airport in 1949, ten kilometres away. Hold the dates. The Dnipro cromlech had already been buried for a millennium when Stonehenge was being assembled. Newgrange was built around five hundred years after the Dnipro stone palisade. Emain Macha, Ireland’s holiest site, near which I grew up, came later still. The Mound Guardians Now I owe you the origin of this whole quest - the origin, really, of Finding Manuland - and it is a Zoom call. On 23 June 2021, in the Covid manner of the time, the Mission spoke from our separate locations with four members of the All Ukrainian Civil Society Organisation “The Mound Guardians”. I had read the New York Times coverage; I had crossed the Sura and touched the stones; but it was at that meeting that the mounds acquired their people, and I acquired my teachers. The Chief Mound Guardian - the man quoted in the Times calling the destruction a national security issue - confirmed the quote and then, unprompted, gave us his reasoning, and it deserves to be set down carefully because it is one of the finest arguments about memory I have ever heard from anyone, professor or peasant, in any country. Article 11 of Ukraine’s Constitution, he explained, places a duty on the State to protect the cultural heritage of its citizens, and their right to learn their own history. A nation is established on a bedrock of knowledge about its past. When a five-thousand-year-old tomb complex is destroyed to build houses, children are denied that bedrock. While the kurgans stand, he said, children can visit them and connect with them tactilely - his word, through the translation - with their hands; destroyed, they survive only in the papers of a small circle of elite archaeologists. A child’s right to know their nation through touchable things, he concluded, is a matter of national security. (Note the shape of that argument. We will meet it again shortly, coming from a scholar in Australia who has never heard of Novooleksandrivka.) The Guardians told us there are more than one hundred thousand kurgans in Ukraine, and that each Guardian is assigned a specific set of mounds to watch over - they are building a movement, they said, not an organisation. One of them, responsible for eighteen kurgans in Kirovohrad Oblast, told us that in 2006 his project won legal protection for four of them; the other fourteen remain unprotected to this day, and in his view the authorities frustrate the very civil society groups who step up where the State fails. On paper, everything is safeguarded. In truth, a handful. That same week, the developers at Novooleksandrivka laid cables across the sacred site, through ground where human remains had just been lifted. I left that call changed. In the weeks after it, working from my flat under Covid restrictions, I began pulling threads through the online holdings of Oxford’s round stone Radcliffe Camera library - and the threads led, within a month, to a people I had somehow never heard of in six years of driving past their mounds: the Yamna. And behind the Yamna, older, on the same stretch of river, to the people this post is really about. The Mound Guardians were my first teachers in Finding Manuland. Everything since has been an attempt to be worthy of that meeting. The Memory Code I did not come to Stonehenge empty-handed. In my bag is Lynne Kelly’s The Memory Code (2016), together with the Stonehenge chapter of her Cambridge monograph, Knowledge and Power in Prehistoric Societies (2015). It is an excellent, patient, sceptical piece of work - anchored in the actual archaeology at a site where, as Kelly notes with some restraint, most new theories float entirely free of it. Kelly’s contention is this. The British and Irish Neolithic was a world of stone circles - more than a thousand of them (her count comes from Aubrey Burl, and who am I to argue with the man who counted them?). Their builders were settled farmers who had given up travelling the landscape but had no writing. A community like that must keep its survival knowledge somewhere: the calendar, the plants and their poisons, the animals, the genealogies, the law. In every documented oral culture on earth, such knowledge lives in structured memory practice - and the simplest machine ever devised for structured memory is a sequence of distinct locations. The Greeks would later call it the Method of Loci. A circle of individually distinctive stones is a Method of Loci built in the landscape: each stone a fixed place in a fixed order, each holding its portion of the knowledge, the walking itself the act of retrieval. Kelly walked Avebury and the Cornish circles and found precisely what the method requires - every stone identifiably itself, ea

  3. 2 Aug

    Podcast | Finding Manuland Atlas Ep. 1

    Finding Manuland is not just one trip. It’s a programme for a lifetime of journeys. I will bring you on the journeys — intellectual journeys, but mainly geographical journeys — across the lands which stand between Ireland and India. So let’s call it an atlas. It’s an atlas of Manuland, that area between Ireland and India — an atlas which is organised by sound. West to east is only the order of walking, or driving, or thinking. The moon is a hypothesis held inside it. And it’s an atlas and a harness at once — a permanent skeleton meant to outlast any single journey. A skeleton that runs between Ireland and India, with infinite journeys in between. It could be a travel agency; it could be tour guides. If you’re interested in linguistics, it could be about linguistics, bringing you to the places which are of interest to you. If you’re interested in archaeology, or just a particular country which is or was an Indo-European country, then Finding Manuland is for you. So this is a frame which is already standing, so that each visit made is one vertebra slotting into it. Not a new skeleton every time, but one spine growing a bone at a time, across a lifetime, with no fixed end. That’s the point of calling it a harness. Finding Manuland is a harness, not just for my life, or my artistic practice, but for yours. It’s an itinerary. The shape holds whether the next journey happens next spring or in ten years. And the eastern edge of the journey, and the western edge, and the southern edge, and the northern edge are all part of the same journey. The Three Elements: Mana, Language, and Journeying Every episode of Finding Manuland has three elements. I say them at the top of each episode, and throughout the episodes, so they become like a mantra — and they are also the method. Mana, meaning energy. I’m exchanging my energy with you. You can hear it in the timbre of my voice. You, by listening and interacting, are taking it in, and you are giving back. We are exchanging our Mana. But I am also exchanging my Mana with the places I’m talking about, and the ideas I’m talking about, and the last 6,000 years of our language. The second element is the language: the MN sound and its neighbour sounds, followed across the Indo-European family from Ireland to India, and back to the ground where the family began, in ancient Ukraine. And journeys — voyages, mental and physical. The uprooting and rebuilding of mental models. My aim is to change your mental model of history, of human culture, of our culture, in the way that mine has been. Or let me put that another way: my aim is to communicate to you how my mental models have been transformed, as I have been on this infinite journey, which began in Mons in eastern France in November 2021 — which I’ve written about in the first Finding Manuland non-podcast episode. The Sound the Language Element Follows: MN The thing the language element follows across half the world is a sound. I began with the sound MN, in Mons in eastern France, in November 2021. MN, M-N: the pair of nasal consonants that recur in word after word from Ireland to India. Human, mind, moon, meaning, karma, measure, memory, month — all have MN inside them. And, most tellingly, the name of the founding figure in branch after branch of our language family. The founder who carries the sound turns up in six of eight living Indo-European branches: Indic Manu; Iranian Airyaman; Hellenic Minos; Germanic Mannus; Menua, the great builder-king of Urartu, the kingdom under Ararat, whose successor state is Armenia; and at the western sea edge, Celtic Manawydan from Wales, and Manannán — and Éremón, Ireland’s first High King. Rome’s first lawgiving monarch — M-N in Roman and in monarch — Numa, is not a seventh. He is the same sound run backwards, N-M: the mirror, rather than another copy. And Numitor, his grandfather — grandfather of Romulus and Remus — carries this reversal too. The mirror struck twice. One name like this could pass for chance. Six of the eight branches landing on the same sound does not. And Nemed, who is Ireland’s originator, pre-Indo-European originator — that is inheritance, not accident. The reason to trust that it is a system, and not the mind finding faces in clouds, comes from how far apart the witnesses stand. A feature shared by the Indic East and the Celtic West — Manu on the Ganges and Manannán on the Irish Sea — cannot have been borrowed from one to the other. The distance is too great, and the contact never happened. When two witnesses so far apart say the same thing, the thing they share was already there before they parted. Manu and Manannán carry the whole span between them — the whole span of Manuland, the land between Ireland and India. The Moon: A Hypothesis, Not Magic So where does the moon come in? The moon — another MN word — is my best guess at why that sound first got its sense. It’s not the object of the search, but a hypothesis inside it: an organising focus, a journeying focus. Of all the bodies in the sky, the moon is the one that seems lit from within, and the one that dies and comes back each month — MN in month. That makes it a natural picture of the mind — MN in mind — the thing that shines through a living body, like the moon, and tells a breathing being from a stone; that goes out at death and, in the stories, returns. The MN words cluster around exactly this: mind, moon, the measuring of months, the founder who first thought. The moon hypothesis says a moon-based way of signalling meaning — the light of another concept shining through a particular word is meaning — was built into the language early by the first Indo-Europeans, and that it explains most, though not all, of where the MN sits. The empirical pattern is the object; the moon is one account of its cause. And yes, it is a mysterious phenomenon. But we do know that we do, by tradition, speak one of the living Indo-European languages between Ireland and India. We have archaeogenetic evidence, now published in Science and humanity’s preeminent journals, which determined that the Yamna — M-N in Yamna — from ancient Ukraine, just south of the cities of Dnipro and Zaporizhzhia, in a village called Mykhailivka, are that origin. So the idea that something they said, and a meaning they attached to a particular sound, would travel with them and persist through all these different cultures, to be attached to the founder figures of all of these great living Indo-European cultures — we’ll also explore some of the non-living Indo-European cultures, of Anatolia in today’s Türkiye for instance — the idea that they may have planted a sound and a meaning in the language, the core fundamental language they used to describe such ideas as mind, as human, as moon: the idea that they might have done that is completely plausible. And it is mysterious, and it’s amazing, that this imminence in what they said may well have travelled through places and become attached to toponyms — the names of places, of gods, of cities, of islands, of rivers. That mystery is part of what we’re going to explore in Finding Manuland. But don’t get me wrong: this is not magic, and nor am I challenging the orthodoxy of conventional linguistics. The sign and the meaning are arbitrary when they’re forged together — in this case by the Yamna. But after that, it becomes a matter of evolution and natural selection. And it just so happens that I’m the first writer to have noticed this phenomenon at its true extent. We’ll be talking about many of the other writers and researchers and linguists and historians — starting with the first, with the Welsh discoverer, Sir William Jones, of the Indo-European language family, in the late 18th century. It just so happens that I’m the first person who’s seen it in all of its vast scope. I’ve spent the last years — basically since February 2020, when I started intuiting there was something going on, and then making a conscious decision in Mons village, recorded in Finding Manuland on Power of Mana — to actually try and find out: what is this pattern, of what does it consist, and how might it have emerged? Does it mean anything? And if it does mean anything, what does it mean? So there is a mystery. But I’m not talking about magic here, in the sense of: oh gosh, the secret code was embedded in our minds by these ancient Ukrainian Yamna, 4000 BCE, and they sat around a fire and decided, we are going to forge this sound-and-meaning bundle and place it in the language, and then we’re going to go forth and travel to the lands between Ireland and India and plant it, and then 6,000 years later someone will do a podcast about it, which will go on for a very long time, with many episodes, and go through the Mana exchange, the language, and the journey. Now, I’m not saying that happened at all. I’m saying we can empirically see this sound, even in the words I’m using to talk to you. We can see it in the founders; we can see it in the places, in our towns, in our villages, in the names of our friends. And I’m just looking into it. The Three Cryptotypes: MN, RT, and DN So, a word for the organising unit. A cryptotype is a sound-frame that carries one shared meaning across roots that are otherwise unrelated. It’s a hidden category the language keeps without ever naming it. The atlas is arranged by three cryptotypes. The MN founder-and-mind sound is the spine. Beside it runs the RT — the right, rule, and order sound: Rta in Sanskrit, meaning truth; Arta in Old Persian; Rex in Latin; Reich in German. Its dark mirror is TR and DR, the sound of the staged lie — Druj — written into the stone at Behistun in Iran by Darius the Great, the founder of the Achaemenid — again MN, Achaemenid — Empire, around 600 BCE. Arta meaning truth; Rita in Sanskrit; Arta meaning truth in Old Persian. The truth of the soverei

    Podcast | Finding Manuland Atlas Ep. 1
  4. 15 Jan

    What I do as a writer

    I write, I speak from a very, very remote place - Ani. It’s very, very beautiful, as you see with the mountains. I thought I would just muse a little bit on what I do as a writer as Decoding Trolls and how I see my role as a writer and where my substacks fit into it, what I’m working on now, what my plans are, and how you helped me by responding and reading and reacting to my work. I wrote about Eneduana, who is the first known named author in human culture. I discovered her in a very forgotten corner of a museum in Brussels, where a poem, a song she had written to the moon god Nanna, in cuneiform text had been preserved. She lived around 2500 BCE and was the daughter of Sargon the Great, who was a great emperor in Assyria and Babylon. This particular song, which she had written to the moon god Nana, was preserved in this forgotten corner of a museum in Brussels and had been written or copied about 700 years after she died. It was a little bit of a connection to her. It really interested me that she was dedicated to the moon god Nanna. As you probably know by now, my hypothesis for why the MN sound is so common in the English language and Indo-European languages is that the MN sound is a remnant of what I call the moon-based metaphorical semantic signaling system that was implanted by the first Indo-Europeans. It was so important to them that it became implanted in all of the daughter Indo-European languages. As you may remember from my hypothesis about Osman the Great, who was one of the Central Asians, Turkic language-speaking Central Asians who came to Anatolia as part of the conquest, his name became part of the dynasty, the Ottoman dynasty in Osman. My hypothesis was that since he and his dynasty arrived in Anatolia around 11 or 1200 years into the common era, they eventually conquered the whole area. As we saw from my work in the Hittite a year ago in the Ankara Museum, seeing Tarmana, his name was written in a cuneiform text from about 1800 BCE, which is 2,900 years before Osman the Great came. Modern-day linguists use the MN sound, the Uman suffix, and other suffixes, but mainly the Uman suffix in these documents. In these 23,000 cuneiform texts written, I found in a place I visited the summer before last, Kanesh, which was the actual and the mythological founding community for the Hittites, for the first Indo-European. Modern linguists use this Uman suffix to distinguish between texts. All the texts are written in Assyrian, but there are local Anatolian Indo-European words in there. Modern linguists use this Uman suffix to distinguish the Indo-European from the Assyrian. Flash forward 3,100 years later, 3,000 years after these texts. Osman arrives here on his horse, Osman the Great, and finds the Ottoman Empire, which would rule Anatolia until the First World War, basically. Three thousand years later, he arrives here with the MN sound. The first person who is appointed as a leader here is Menushur with an MN sound to replace the Armenians, who also have the MN sound. You begin to see the potential of Manuland to unite. We put a huge play in communities to find the differences between communities defined by different languages, especially by different language families, particularly the Turkic language-speaking family and Indo-European, say the Armenians. My conception of Manuland is to unite us and unite the Turkic language speakers who today occupy this land. It is replete with their MN-sounding names and words, which they or their ancestors brought from Central Asia when they first started arriving here about a thousand years ago. This is a sign of how I see my job as a writer. I do not merely describe the world; I intervene in the world and try to make it right. This is what Eneduana did in her dedications to the moon god Nanna. She composed songs, which were prayers, learned off by heart, and eventually recorded in cuneiform text so that I could see them. That is a form of writing, of course. The substance of what she did as the first known named author in human culture was independent of the form in which it was recorded and transmitted. It’s that substance I got to in this piece I wrote as part of my Decoding Trolls project, which is on recoupling the political right with moral rightness. I wrote a piece talking about how Meloni, Macron, Merz, and President Zelensky in Ukraine have the potential and are actually doing it by helping rescue the project that has been hijacked by the far right, who are doing very wrong things. For instance, President Trump threatened to invade Greenland and disturb the European Union, Greenland, and the state of Denmark’s territorial integrity. This is very unright from a legal point of view, as defined by the post-World War II legal order, which makes territorial integrity sacrosanct. It is also wrong from a moral point of view, and I am not afraid to say that. The second element in the six-element code of positive trolls distinguishes what is right from what is wrong, what is positive trolling from what is negative trolling. This standard is set by the post-World War II legal order. When the current American government says it doesn’t care about international law or the far right talks about not caring about international law, that right is there. I am not afraid to say that is wrong. That is unright. You are trying to usurp what is right and replace it. My job as a writer and an artist, and the clue is in the “writ” element in writer and also in artist. Arta in ancient Iranian, a Western language, means truth, and Rta in Vedic, an ancient Indian language, also means truth. We have this idea of truth and what is right hardwired into these Rt- sounds. My job as a writer, through whichever medium I use, identifies me as a writer because in our culture, people doing what I do traditionally wrote. Of course, now I’m experimenting, as you see here, with video and podcasts. I’m also doing my website, which involves learning, so I’m completely independent and can just write things. I can create and then be responsible for uploading it and putting it into a form that you can read to complement my substacks and podcast platforms where my podcasts are, Apple Podcasts and Spotify. OnX is where most of my raw writing work appears, but I do use images as well. I’m not a pure writer in that traditional sense. By learning these different mechanisms, different mediums, and ensuring that there is something unified about my content in terms of the Power of Mana, Finding Manuland project, the Decoding Trolls, more journalism, and then Diss and Folklore, which I’m very excited about as well. This is the medium through which Donald and the far right are attempting to usurp and replace the post-World War II legal order with their vision of legal and social order, which is quite akin to the Nazis. My discovery of Disinfolklore as a narrative form is something I also write about. I help teach myself and embed myself and others to interpret data, the kinds of data we use before we decide who to vote for, whether to go and demonstrate, or whether to participate in public life. Whether to resist those kinds of decisions are made on the basis of data. The very people who promote free speech are actually those who wish to shut it down and turn what is wrong into what is right, suppressing artists like me and others so that we can’t communicate our truth and give others the opportunity to hear how we interpret the world. That is my job as a writer, and that’s how I see myself. If I’m feeling pretentious, I’ll call myself an artist, which kind of takes in different media forms. I’m happiest being a writer, even though I also create content with video and am learning. As you’ll be seeing over the next year or two, you’ll see how I develop my technical skills using these amazing facilities we have now with iPhones and Substack itself. As I develop my technical abilities into different formats and forms, the substance of what I teach and what I write doesn’t change. It’s all on this theme of trying to recouple what is right in a moral sense and a legal sense, as defined by the post-World War II legal order. I aim to point out when what is not right is being promoted as being right by the far right, who have their anti-immigrant, anti-human rights rhetoric, pro-discrimination, etc. From my perspective, the Finding Manuland project and visits like this in Ani to places which are, as you see there, just across is the watchtower. That’s Armenia, the state of Armenia. One day, hopefully, this border will be open, and people will be able to flow freely again between these two countries, which have had such a complicated crisis history, hopefully sharing the heritage of the MN Sound. Once Russia is finally defeated and stopped stirring the pot and provoking tumult, we can find a more harmonious means of communicating with Turkic language speakers, Indo-European language speakers, Armenians, Turks, and all the people living in Manuland and on the borders of Manuland because we see that we have more in common with each other. We’re more united. We’re united by this MN sound and by its emanation from the first Indo-European language speakers in Mykolaivka village in eastern Ukraine. What I believe my hypothesis to be is the moon-based metaphorical semantic signaling system that they embedded in our language and which is still relevant today. As far as I can see, it’s quite embedded in the Turkic language-speaking community. We don’t really have written attestations of Turkic language until much later than Indo-European, maybe three millennia later. We can certainly see its immanence in, for instance, Osman the Great. In just to hear saying Menesher was the first viceroy of Ani when they conquered it. MN is everywhere in the Turkic language as well. I think we can use these commonalities to promote harmony between different peoples. That

  5. 10 Jan

    Video Podcast: Edessa and Göbekli Tepe

    I’m Decoding Trolls, speaking to you from a place in southern Turkey called Göbekli Tepe, near the city of Urfa, historically known as Edessa. Yesterday, I saw an inscription dedicating Roman-era columns to the king of Edessa, son of Manu. This inscription dates back to around the third century of the Common Era, confirming that I am in the right place at the right time. In many ways, my journey to find Manuland has been leading up to this specific moment. I am about to visit a stone circle, the first of its kind discovered in human culture, which dates back around 10,000 years before the Common Era. For those who have been following my explorations, you’ll recall that our story began with a stone circle uncovered in May 2021, just eight months before the full-scale invasion of Ukraine. In the first chapter of Finding Manuland, I mentioned my travels in eastern France around November 2021, when I was returning to eastern Ukraine from my last leave before my forced retirement from my diplomatic career with the OSCE. During that journey, I passed a warehouse named Manuland in eastern France, located in an agricultural machinery area. I had noticed the “MN” sound in various places over the years. Upon passing Manuland, I decided it was time to explore what this sound meant. The following morning, I ventured into the village of Maine, without a clear idea of what I was searching for or how to connect the MN sound to a project. I started my exploration at the church and, from there, moved in concentric circles around it. I then went for a run up the mountain and encountered a mound where a farmer was tending to his livestock. What I discovered there was a method of exploration. Each episode of Finding Manuland integrates three core elements: the MN sound, the concept of exchanging energy deeply embedded in Indo-European languages; expanding our mental models of time and space; and iteratively exploring these ideas. We began by considering ancient civilizations: Egypt, Greece, and Rome, recognizing how they relate to our current civilization. Recent evidence suggests that Indo-European languages originated in eastern Ukraine, specifically in Mykhailivka village, and spread from there across Europe to India, over a span of 6,000 years. This expansion has reshaped our understanding of space and time. The third element involves using this iterative method for exploration, which has guided me from Maine village to here, to the cromlech in Novoalexandrivka—a posh suburb of Dnipro, where property developers attempted to build a luxury home on a burial mound from 3,500 years BCE. This site, associated with the Yamna culture, was discovered when developers, in their haste to research it, accidentally unearthed a stone circle built by the Sredni Stog culture, a precursor to the Yamna. Yesterday, I visited Urfa and explored an impressive museum that showcased artifacts from Göbekli Tepe, including lifelike statues of animals and possibly stone gods. I have previously discussed the anthropomorphic aspects of the stones in the Dnipro stone circle, and it was a privilege to see these artifacts, which had been buried by the first Indo-Europeans. While traveling from Lake Van, where I sought Menua’s stables, I faced challenges in my journey. The museum in Van contained numerous references to Menua, who held significant importance in the region. My travels took me through the historical Kura-Araxes culture, where inscriptions from both the Assyrians and Hittites can be found. Despite their different languages, the Mitanni worshipped Indo-European deities. During my exploration, I also reflected on the unique aspects of the post-World War II legal order, emphasizing territorial integrity and defined borders—a contrast to the fluid borders of earlier human history. My journey through Urfa and Mardin has been eye-opening, especially in examining the MN sound and its connections to ancient deities such as Marduk. Mardin, whose name may derive partly from Marduk, intrigued me as I observed its lights from a distance. This exploration challenges us to learn about areas and aspects of life we wouldn’t otherwise encounter. The connection between Lake Van and its Iranian counterpart, both saltwater lakes at high altitudes, draws parallels with the Dead Sea, which is the lowest point on Earth. The relationship between these lakes is reflected in ancient stories, including the narrative of Noah’s Ark, which is said to have come to rest on the Ararat Mountains, near the region of Lake Van. Interestingly, state-of-the-art DNA analysis has revealed genetic links between ancient populations in this area and modern Jewish communities, reinforcing the interconnectedness of these regions. In the context of Finding Manuland, we recognize that we are situated in a borderland that was once predominantly Indo-European. This area has witnessed the evolution of various cultures, including the Kurds, who still maintain ties to this ancient heritage. I am currently about 50 kilometers north of the Iraq border, with Edessa serving as a historical crossroads for various empires. Göbekli Tepe is significant not only for its monumental structures but also as a site where the Indo-Europeans laid the groundwork for modern civilization. This connection is reflected in the ancient DNA evidence linking the Yamna culture, the early Indo-Europeans, to what we see today. As I prepare to see Göbekli Tepe, I am excited about how this moment connects to my journey that began in Maine Village in November 2021. This exploration of the MN sound continues to unfold, revealing new insights as we embrace various mediums such as video and podcasting. I look forward to sharing more of this fascinating journey with you. Continued from: First in series: Get full access to Power of Mana at www.powerofmana.net/subscribe

  6. 6 Jan

    Video Podcast | Finding Manuland - Hunt for Menua’s Stables

    So, I made it to Van. Amazingly. It’s an amazingly blue-sky day, and I’m climbing up to Van Castle. It looks like I’m the first person to climb up here today because, as you can see, there aren’t many footprints. There are no fresh footprints; I’m causing the only fresh ones around. This fort was built around... well, people have lived here since 5000 BCE, but it’s of most interest to “Finding Manuland” because we’re in search of stables with an inscription down to and by Menua, who was the son of the founder of the Urartu Empire. Some of us may remember from the Bible that Mount Ararat is where Noah’s Ark allegedly came to rest—or rather, the Ararat Mountains. This kingdom, Biainili (as they called themselves), which would later become Armenia and the capital of Armenia itself, is the center of what became the Urartu Empire. We’re interested in the truth, the complexity of history, and our ever-evolving mental models. Our mental model of time really begins around 4100 BCE. The Urartu Empire was at its height 3,200 years after that. As you see, this majestic lake—I once saw it from an airplane, with twinkling lights around it and the blue sky. I first saw this fort last night in a massive snowstorm, actually. I couldn’t work it out because you could just see lights up on what looked like a cliff. I thought it was mountains, but actually, it is a promontory leading out. As you can see on both sides, it’s quite low. We’re particularly interested in this place from a “Finding Manuland” perspective because the son of the first emperor was called Menua. Here, we’ll find an inscription to Menua, so we’re going to look for that. That “MN” sound in Menua’s name then went into Armenia—into the “MN” in Armenia. I’ve spoken about that before. In 1856, Russia lost the first Crimean War and ceded what was then Armenia to what was then the Sublime Porte, which became the Ottoman Empire and subsequently the modern state of Turkey. The old city up here was occupied by the Russians in the First World War and destroyed by them. Wherever we go, we find destruction by the Russians. This is why, as a result of the “Second Crimean War” which is currently ongoing, we must do everything we can to ensure that this kind of destructiveness by this state never comes to pass again. So, we’re going to look at the old city. We’re going to look for Menua’s inscription and the “MN” sound in a non-mythological founder of an Indo-European linguistic and cultural tradition: Menua. Menua was a historical figure. I’ve seen his inscriptions in Yerevan, and I’ve written about them before in the Menua episode (which I’ll link underneath this). In the Indo-European traditions, we have many mythological founders: Manu in India, of course, and Mannus, the subject of that six-part series I made earlier this year. We also have Manawydan in Wales, a mythological founder, and Manannán, who probably was a historical figure but was the preeminent pre-Christian deity in Ireland—part of the Celtic Indo-European tradition. But Menua was a historical figure, the son of the first emperor of Urartu. It went from being a kingdom to an empire, ruling most of Anatolia. This area of Anatolia—modern Turkey and Lake Van—is in fact the meeting point of many great empires. It’s part of Northern Mesopotamia, the interaction zone between Babylon, Akkadian, and Ur (which is down in Iraq). But here in Northern Mesopotamia, around where writing first emerged in cuneiform text, we’re going to see some inscriptions in cuneiform. We also had the Kura-Araxes culture, which was founded in modern Armenia and lasted from about 3500 BCE to around 2000 BCE. At that same time, Assyria is at its height; Babylon is at its height. They’re coming into this area and leaving the remnants of their writing. We also see traces of Kanesh, where the first Indo-European writing was found, which I’ve visited and spoken about before. Then we have: * The Hittite Empire: Rules this area from about 1600 BCE to 1200 BCE. * Urartu: At its height from 800 to 500 BCE. * The Achaemenid Empire: Darius the Great, who we’ll talk about again—very important in Iran. Today, protests are going on in Iran; we’ll see if the mullahs leave, then I can visit there, God willing. The Achaemenid Empire dissolves when Darius’s descendants die and Alexander (the so-called Great) takes over. Then comes the great Armenian Empire, which was at its height in terms of land, controlling most of Anatolia all the way to the Levant around 50 BCE. Now, the modern state of Armenia is on 29,000 square kilometers, again having been betrayed by the Russians. And now we have the Ottoman Empire, and the Kurds are here—Indo-Europeans as well in this area. So what we have here is an amazing interaction zone and Lake Van, an absolutely stunning place. I’m going to leave it at that for the moment, and we’re going to look for Menua’s stables. Recall who Menua is: Who was Menua? Finding Manuland XVI: M-N- sound in Armenia and Ireland’s first monarchs’ moniker. Recently I drove by the source of one of the rivers of Babylon: the Euphrates. Menua (790 BCE to 775 BCE) was the third monarch to rule the Biblical era Van / Ararat / Urartu / Bianili kingdom, whose successor state two millennia later is Armenia… Read on at: https://www.powerofmana.net/p/who-was-menua Continued: Continued from: First in series: Get full access to Power of Mana at www.powerofmana.net/subscribe

    Video Podcast | Finding Manuland - Hunt for Menua’s Stables
  7. 21/12/2025

    Solstice - Song of Amergin

    Poem of Amergin, Celtic Ireland’s first poet-judge, sacrificing first Monarch and brother of self-sacrificing Donn (who features in much in my work) put to music and video by Arnold Hensman. Reading by Daniella Hensman. Filmed at Newgrange, Ireland. Music: Walking on Clouds, by Tea Time, (ShutterStock Music). This poem by Amergin, preserved in the Book of Leinster and the Book of the Taking of Ireland, is an example in the Indo-European tradition of candid almost proud words put into the mouths of Gods. I am a wind in the sea (for depth)I am a sea-wave upon the land (for heaviness)I am the sound of the sea (for fearsomeness)I am a stag of seven combats (for strength)I am a hawk upon a cliff (for agility)I am a tear-drop of the sun (for purity)I am fair (i.e. there is no plant fairer than I)I am a boar for valour (for harshness)I am a salmon in a pool (for swiftness)I am a lake in a plain (for size)I am the excellence of arts (for beauty)I am a spear that wages battle with plunder.I am a god who forms subjects for a ruler!Who explains the stones of the mountains?Who invokes the ages of the moon?Where lies the setting of the sun?Who bears cattle from the house of Tethra?Who are the cattle of Tethra who laugh?What man, what god forms weapons?Indeed, then;I invoked a satirist…a satirist of wind. [John Carey’s translation of Song of Amergin: from The Celtic Heroic Age (2003) (pg. 265)]. Get full access to Power of Mana at www.powerofmana.net/subscribe

    Solstice - Song of Amergin

About

Finding Manuland takes us on mental journeys across the space between Ireland and India. Finding Manuland moves us across time from 4,000 BCE until the present. Our mental models of how the past and the present interact expand, through Finding Manuland. We begin around 4,000 BCE with the Yamna community who lived between the Don and Dnipro rivers of Ancient Ukraine. These Yamna created the first Indo-European language. They buried their dead, covered in ochre, with their knees flexed, in the hundreds of thousands of mounds that still remain in the lands between Ireland and India - Manuland. Today, over half of humanity uses sounds and meanings first forged on the Ukrainian steppe. Immanent in the genome of most humans who live in Manuland is the mitochondrial DNA of our Yamna ancestors. Everyone who can understand these words in an Indo-European language, is the cultural descendant of this community of migrants who spread so successfully east and westwards across the Steppelands from Ancient Ukraine. Decoding Trolls is the first to discover that immanent in almost every sentence we speak or think through an Indo-European language is an M-N- sound coupled with meanings that were first forged by our Yamna forebears. This might just be a coincidence. Or the M-N- sound might be THE fundamental cryptotypic semantic signalling system undermining the matrices of metaphors through which we communicate today. M-N- might well be a permanent monument, remnant and reminder of the Yamna and indeed Mana - the Subtle Energy we exchange with humans and animals - anchored in almost every thought we have. In any event, Mana, Woden, Nous, Holy Spirit, Prana, Ch’i, Ki, Libido, Mungo, Synchronicity, Anima Mundi, Orenda, Manitu, Wong, Tondi, … are all manifestations of the same phenomenon that was present in the minds of Yamna, as in all ancient and contemporary humans. If only we can connect again to Mana, and harness it to impact positively every interaction we have inside our communities. Such are the ideas that Finding Manuland elucidates located in the space, time, and culture of Manuland. So our story emanates from Ancient Ukraine, and terminates in the questions: Why is this M-N- sound and its associated meanings so immanent in Indo-European culture? Can we know what this immanence means? If Mana is what remains of us in others when we leave them, then, there is Mana. Mana's permanent. Let's communicate positive Mana. And Finding Manuland will help remind you of this, in every interaction you experience today with other sentient beings. www.powerofmana.net

More From Decoding Trolls