The latest episode of Hardhouse History sees Paul Glazby sit down with Alf Bamford for Part 2 of the Inspirations Series, and this one goes deep into the creative process behind some of Alf’s most iconic tracks. This isn't your typical "greatest hits" chat. Instead, Alf pulls back the curtain on how tracks are actually made, the messy middle, the stolen ideas, the happy accidents, and the moments where nothing is working until suddenly everything clicks. Right from the jump, Alf admits something most producers won't: a lot of tracks don't actually have some grand story behind them. Sometimes it's just opening Cubase and getting to work. But the tracks he’s chosen for this episode are the ones with a bit more "meat on the bones", whether that's a production breakthrough, a strange inspiration, or chaos surrounding the release. Track Deep Dive: “Somersault” (2005) One of the standout moments is the breakdown of "Somersault", a track that almost didn't make it. Alf talks through how the record sat in limbo for months after he got completely stuck on the breakdown. It wasn't until he went down a psytrance rabbit hole, influenced by artists like Nick Sentience, that everything changed. The bassline approach flipped, the track came alive, and suddenly it had direction. Ironically, despite strong reactions on dancefloors, no labels wanted to sign it at first. It didn't fit neatly into hard trance or hard house, which made it a risk. Eventually, it found a home and later attracted interest from labels that had initially passed. It's a perfect example of a track being "ahead of its lane", something DJs loved, but labels didn't quite know what to do with at the time. The Reality of "Inspiration" (aka stealing… sort of) This episode leans heavily into one of the best ongoing jokes in dance music; nothing is truly original. Alf openly admits borrowing elements from other tracks, bassline ideas, stab patterns, and even melodies, but reframing them into something new. And honestly, it's one of the most valuable parts of the episode. Instead of pretending inspiration is some mystical process, this is a real look at how producers actually work: Hear something interesting Break it down Rebuild it in your own style As Alf and Paul joke, this series could just as easily be called “Thieving Bastards”. The “I Found Some Gas” Story Then comes one of the all-time stories from the podcast. Alf's track "N2O (Found Some Gas)" ends up accidentally using a vocal sample from an internet character that later gets picked up by TV. Sounds harmless, until that same sample ends up in a national TV advert for a Lisa Lashes compilation. Cue legal emails from Channel 4. What follows is chaos: Emails flying between labels Questions around sample clearance And eventually… the guy behind the vocal confronting Lisa Lashes on camera at a Tidy Weekender The best part? She had absolutely no idea what was going on. It’s one of those stories that perfectly captures the wild, unpolished nature of the scene at the time. Beyond the Music What makes this episode hit is that it’s not just about tracks, it’s about process, frustration, and evolution. There's a lot of insight into: Writer's block and how to break through it Why deadlines actually help creativity The difference between producing for yourself vs clients How trends (like psytrance in the mid-2000s) shape sound It's raw, honest, and exactly what makes Hardhouse History such a strong listen. JOIN THE HISTORY What's your favourite Alf Bamford track?Do you remember "Somersault" or "N2O" from back in the day?And be honest, how much of dance music do you reckon is “inspired” vs straight-up nicked?Drop your thoughts, memories, and stories. #HardhouseHistory #AlfBamford #PaulGlazby #HardHouse #RaveCulture #DanceMusic #DJStories #ElectronicMusic #ClubHistory #TidyRecords
