Fiction Writer's Toolshed: Practical Tools for Authors

Tim Kearney, Fiction Writer / Teacher

Fiction Writer's Toolshed: Practical Tools for Authors is a hands-on training podcast that helps fiction writers of all skill levels build a repeatable skill set for finishing their work and writing consistently. The show provides a clear, easy-to-use, proven roadmap for turning ideas into completed fiction. Whether you're drafting your first short piece, revising a work in progress, or struggling to finish what you start, we can help. Each episode breaks down the writing tools, story techniques, and writer's troubleshooting skills fiction authors need to improve their craft, solve story problems, and build the habits required to write consistently. The goal is simple: help writers like you become productive authors. Are you an aspiring fiction writer ready to learn how to translate the vision in your mind and heart clearly onto the page, again and again? Are you a creative writer ready to stop fantasizing about stories and start finishing them? This is your moment. It's time to learn the tools and skills to craft the stories you were destined to write, and become the author you dream of being. Welcome to the Writer's Toolshed. This show is for you if you find yourself asking questions such as: How do I actually start writing fiction? Is my story idea good/original enough to be worth writing? (and what if someone else already did it?) Do I really have to write every day to be a 'real' writer? What does 'write what you know' really mean for fantasy / sci-fi? What does 'show, don't tell' actually mean-- and when is it okay to tell? What software or tools should I use to write my novel? (Scrivener vs Word vs Google Docs vs longhand) How do I beat writer's block instead of just staring at the cursor? How do I write an entire novel without getting lost or giving up? (outlining vs pantsing, second-draft fixes, etc.) How should I name my characters (and avoid cringey names)? I finished my first draft! Now what the hell do I do with it? (cool-down period, big-picture edits, line edits) How do I get useful feedback or beta reads-- without getting shredded or ignored? How do I actually get better as a writer? (beyond "read and write a lot.") How do I stay organized-- notes, timelines, worldbuilding, drafts, all of it? How long should my book/short story be, and how do I handle word-count expectations? How do I correctly format a manuscript so agents/editors don't bin it on sight? (Shunn format, fonts, margins, etc.) Should I self-publish or go the traditional route? How do I get an agent for my novel, step by step? Where and how can I sell my self-published ebooks and print books? (KDP, Kobo, D2D, etc.) Is it realistically possible to make a living as a fiction writer? (And what other writing jobs exist) How do I know if my writing is any good-- or if my novel is worth finishing? (Or "I'm writing my first novel and now I hate it, help") What exactly is fiction writing, and how is it different from other kinds of writing? What makes a character compelling instead of flat or cliché? How important is setting, and how do I make my world feel real without drowning readers in description? How do I come up with a strong plot instead of a bunch of random scenes? What's the role of conflict in fiction, and how much conflict is enough? How do I create suspense and tension without resorting to cheap tricks? What is a plot twist, and how do I write one that feels surprising but not random? How do I write realistic, interesting dialogue instead of wooden talking heads? How do I end a story in a way that feels satisfying and earned? What's a subplot and how do I weave subplots into the main story without losing focus? What's the difference between literary and genre fiction in terms of how I actually write the book? How long does it usually take to write a novel or short story (really)? How do I build a writing habit and stay motivated when life is busy? How do I overcome perfectionism and fear of failur

  1. 3 days ago

    Free Fiction Writing Help: Let's Work Through Your Writing Problem | ep 033

    Join the Unstoppable Maker newsletter. Every Thursday, you'll get one simple, practical writing tool to help you make the next decision, solve the next story problem, and keep writing. Get the next tool delivered to your inbox. -=-=-=-=-=-=-=-  I want to help you with the actual fiction you're working on-- for free. Since launching Fiction Writer's Toolshed, I've been turning my own writing process into practical, repeatable tools. Now I want to put those tools to work with other writers. You get specific, detailed help with your writing, and I get to test and refine the tools through real use. In this episode, I explain the offer, how we'll work together, and what I'm asking in return: subscribe to Unstoppable Maker, my newsletter, and let me share a useful portion of the advice so other writers can learn from it, too. You and your story can remain anonymous, and we'll agree on what I can share. To get started, subscribe below and reply to the welcome email. You don't need a polished explanation-- just tell me where you're getting stuck. Unstoppable Maker also brings you one useful writing tool each week. This invitation stays open while I can responsibly make time for it, with no guaranteed turnaround. This episode is for you if you have ANY fiction writing questions, but some examples are:  - How do I write a novel as a beginner? - How do I outline a novel, chapter by chapter? - How do I write a fantasy novel? - How do I write a thriller or mystery that keeps readers guessing? - How do I write characters with depth? - How do I write a villain readers can't hate? - How do I write a plot twist that works? - How do I write dialogue that sounds natural? - How do I add tension to a scene? - How do I actually finish writing my book?

  2. 9 Oct

    Writing the Ending First: How to Build a Satisfying Story (with Doug Hall) | ep 031

    Join the Unstoppable Maker newsletter. Every Thursday, you'll get one simple, practical writing tool to help you make the next decision, solve the next story problem, and keep writing. Get the next tool delivered to your inbox. -=-=-=-=-=-=-=- Could writing your ending first help you build a more satisfying story? In this episode of Fiction Writer's Toolshed, I talk with screenwriter and author Doug Hall about choosing your destination before writing toward it. After reaching roughly page 80 of a 100-page screenplay without knowing how to end it, Doug changed his approach. He explains how starting with an ending helps him develop character conflict, dialogue, theme, and the midpoint-- and build toward a payoff that feels unexpected but earned. Doug also shares how a bet led him into screenwriting, how he wrote the original draft of Leprechaun in the Hood in five days, and why the ending you start with can still change. Whether you're writing a novel, short story, or screenplay, this conversation offers a way to think about how the story you're building supports the ending you want to deliver. This episode is for you if you have questions like: - Should you write your story's ending first? - How do you write a satisfying ending? - How can knowing the ending help you plot a story? - How do you make a twist ending feel earned? - How can an ending guide character development and conflict? - What makes a story's midpoint interesting? - Can you change your ending after you start writing?

  3. 2 Oct

    How to Turn a Screenplay Into a Novel: A Working Approach (w Mathew Tekulsky) | ep 030

    Join the Unstoppable Maker newsletter. Every Thursday, you'll get one simple, practical writing tool to help you make the next decision, solve the next story problem, and keep writing. Get the next tool delivered to your inbox. -=-=-=-=-=-=-=- How do you turn a screenplay into a novel? Mathew Tekulsky returns to Fiction Writer's Toolshed to help me work through a real version of that question: I'm trying to turn a musical I co-wrote with Jacob Lowry into prose. Neither of us has completed this exact kind of adaptation, so we build a current best approach together. Mathew suggests working through the script scene by scene, adding the point of view, interior experience, and selective description a novel can provide. We talk about how to expand a scene without padding the story, why rereading can reveal threads worth developing, and what happens when a musical's songs carry moments the novel must tell another way. Later, we discuss another difference between the forms: a novelist can finish a book largely through their own efforts, while a film brings actors, producers, financing, and new creative input into the process. Learn more about Mathew and his books: https://www.mathewtekulsky.com/ This episode is for you if you're asking: - How do you turn a screenplay into a novel? - Can you write a novel from a script or stage play? - How do you adapt a musical into a novel? - What should prose add to a scene that already works on stage or screen? - How do you add point of view and interior thought to a screenplay? - Can you adapt a script one scene at a time? - How do you expand a script without padding the novel? - How is finishing a novel different from getting a screenplay produced?

  4. 25 Sept

    How to Adapt a Novel into a Screenplay (with Mathew Tekulsky) | ep 029

    Join the Unstoppable Maker newsletter. Every Thursday, you'll get one simple, practical writing tool to help you make the next decision, solve the next story problem, and keep writing. Get the next tool delivered to your inbox. -=-=-=-=-=-=-=- How do you adapt a novel into a screenplay? Award-winning, bestselling author Mathew Tekulsky joins me to talk through the choices he makes when bringing his own fiction to the screen. Mathew wrote his novels before adapting them, but a finished book is only the starting point. He describes how he finds scenes to dramatize, why he removed a character from the screenplay of Saving Annie, and how he created new action in a scene when a short story gave him the seed of a film. We also discuss keeping screenplay description lean, leaving room for actors, and studying movies with a writer's eye.  Learn more about Mathew and his books: https://www.mathewtekulsky.com/ This episode is for you if you're asking: - How do you adapt a novel into a screenplay?  - What should you keep or cut when adapting a book for film? - How do you turn a prose scene into action an audience can see? - Can you remove a character when adapting your own novel? - How do you expand a short story into a feature-length screenplay? - How much description should you put in a screenplay? - Should you write the novel or the screenplay first? - How do you get started on a writing project you've been putting off?

  5. 18 Sept

    Kill Your Darlings: How to Know What to Cut From Your Story | ep 028

    Join the Unstoppable Maker newsletter. Every Thursday, you'll get one simple, practical writing tool to help you make the next decision, solve the next story problem, and keep writing. Get the next tool delivered to your inbox. -=-=-=-=-=-=-=- What does "kill your darlings" actually mean for fiction writers-- and how do you know which parts of your story should be cut?  In this episode, I explore a problem with one of writing's most popular pieces of advice: and give you a solution that works well for me. I'll give you a way to decide.  I also break down two ways you might notice a possible "darling" in the first place.  Then I give you three questions you can use to test if something is a darling. Most importantly, I reverse the usual advice.  This episode is perfect for you if you have questions like: * What does "kill your darlings" mean in fiction writing? * How do I know what to cut from my story? * How do I know if a scene belongs in my novel? * What should I do when beta readers dislike a scene I love? * How do I decide whether feedback means something should be removed? * Can a good scene still be wrong for the story? * How do I know what reader experience my story is creating? * Should every scene match the same tone or mood? * What if my favorite part of the story doesn't fit the rest? * When should I change the story instead of cutting the thing I love? * How can discovery writers decide what belongs after drafting? * How can I revise fiction without cutting the things that make it unique?

  6. 11 Sept

    What Conan the Barbarian Teaches Us About Writing Stories Out of Order (w/ Matt Click) | ep 027

    Join the Unstoppable Maker newsletter. Every Thursday, you'll get one simple, practical writing tool to help you make the next decision, solve the next story problem, and keep writing. Get the next tool delivered to your inbox. -=-=-=-=-=-=-=- Robert E. Howard didn't tell Conan the Barbarian's life in chronological order. One story might find Conan as a young thief, another as an older adventurer, and another somewhere entirely different-- and somehow those gaps make his world feel bigger rather than incomplete.  In this episode, I'm joined again by writer and editor Matt Click to talk about what Conan can teach fiction writers about writing stories and series out of order. We explore an approach I'm calling modular continuity: creating stories that work independently while still belonging to the same character, world, and larger continuity. Instead of filling in every step of a character's life, you can establish important anchors, leave open space between them, and write the adventures that interest you.  Along the way, we talk about Robert E. Howard and pulp storytelling, why the Hyborian Age feels so enormous, Conan's surprising humanity and intelligence, The Tower of the Elephant, Savage Sword of Conan, Frank Frazetta-- and the extremely important question that started this entire conversation:  Why does Conan rip so hard? Questions this episode explores: Can you write a fiction series out of chronological order-- and do it well?  How do you keep continuity while leaving gaps in a character's timeline?  What is modular continuity?  How can standalone stories still feel like part of a larger series?  Can leaving parts of your fictional world unexplained actually make it feel bigger?  Why has Conan the Barbarian remained such a compelling character?  What can fiction writers learn from Robert E. Howard's approach to serialized storytelling?

  7. 7 Sept

    What Makes Your Writing Original? (Even If the Idea Isn't) | ep 026

    Join the Unstoppable Maker newsletter. Every Thursday, you'll get one simple, practical writing tool to help you make the next decision, solve the next story problem, and keep writing. Get the next tool delivered to your inbox. -=-=-=-=-=-=-=- What makes your writing original when your story idea isn't completely new? In this episode, I explore why 'original fiction' isn't about having an idea nobody has ever had.  I'll use Pokémon to show how influences can pass through one creator and become something new. Then I give you a simple exercise for finding the fingerprints already present in your own fiction.   Most importantly, I make the case for why the fiction only you can write is worth making and putting into the world. In this episode, I answer questions like: What makes your writing original if your story idea isn't new? How do I know if my story is original enough? What truly makes one writer's work different from another's? Do fiction writers need completely original story ideas? How do your influences and personal experiences shape your writing? How can you use creative influences without feeling like you're copying? How can you find what is uniquely yours in your own writing? Why can two writers start with similar ideas and create completely different stories? Why does your individual perspective matter as a fiction writer? Why is the fiction only you can write worth finishing and sharing? --- Fiction Writer's Toolshed -- Episode 26

About

Fiction Writer's Toolshed: Practical Tools for Authors is a hands-on training podcast that helps fiction writers of all skill levels build a repeatable skill set for finishing their work and writing consistently. The show provides a clear, easy-to-use, proven roadmap for turning ideas into completed fiction. Whether you're drafting your first short piece, revising a work in progress, or struggling to finish what you start, we can help. Each episode breaks down the writing tools, story techniques, and writer's troubleshooting skills fiction authors need to improve their craft, solve story problems, and build the habits required to write consistently. The goal is simple: help writers like you become productive authors. Are you an aspiring fiction writer ready to learn how to translate the vision in your mind and heart clearly onto the page, again and again? Are you a creative writer ready to stop fantasizing about stories and start finishing them? This is your moment. It's time to learn the tools and skills to craft the stories you were destined to write, and become the author you dream of being. Welcome to the Writer's Toolshed. This show is for you if you find yourself asking questions such as: How do I actually start writing fiction? Is my story idea good/original enough to be worth writing? (and what if someone else already did it?) Do I really have to write every day to be a 'real' writer? What does 'write what you know' really mean for fantasy / sci-fi? What does 'show, don't tell' actually mean-- and when is it okay to tell? What software or tools should I use to write my novel? (Scrivener vs Word vs Google Docs vs longhand) How do I beat writer's block instead of just staring at the cursor? How do I write an entire novel without getting lost or giving up? (outlining vs pantsing, second-draft fixes, etc.) How should I name my characters (and avoid cringey names)? I finished my first draft! Now what the hell do I do with it? (cool-down period, big-picture edits, line edits) How do I get useful feedback or beta reads-- without getting shredded or ignored? How do I actually get better as a writer? (beyond "read and write a lot.") How do I stay organized-- notes, timelines, worldbuilding, drafts, all of it? How long should my book/short story be, and how do I handle word-count expectations? How do I correctly format a manuscript so agents/editors don't bin it on sight? (Shunn format, fonts, margins, etc.) Should I self-publish or go the traditional route? How do I get an agent for my novel, step by step? Where and how can I sell my self-published ebooks and print books? (KDP, Kobo, D2D, etc.) Is it realistically possible to make a living as a fiction writer? (And what other writing jobs exist) How do I know if my writing is any good-- or if my novel is worth finishing? (Or "I'm writing my first novel and now I hate it, help") What exactly is fiction writing, and how is it different from other kinds of writing? What makes a character compelling instead of flat or cliché? How important is setting, and how do I make my world feel real without drowning readers in description? How do I come up with a strong plot instead of a bunch of random scenes? What's the role of conflict in fiction, and how much conflict is enough? How do I create suspense and tension without resorting to cheap tricks? What is a plot twist, and how do I write one that feels surprising but not random? How do I write realistic, interesting dialogue instead of wooden talking heads? How do I end a story in a way that feels satisfying and earned? What's a subplot and how do I weave subplots into the main story without losing focus? What's the difference between literary and genre fiction in terms of how I actually write the book? How long does it usually take to write a novel or short story (really)? How do I build a writing habit and stay motivated when life is busy? How do I overcome perfectionism and fear of failur