Welcome to our collection of conversations recorded live from the National Theatre stages, including interviews with actors, directors and playwrights.
Michael Billington on Stage
Michael Billington reflects on almost 50 years and some 10,000 reviews as he steps down as the Guardian's chief theatre critic. Michael is introduced by Rufus Norris, Director of the National Theatre. A number of guests including actors Penelope Wilton, Simon Russell Beale, Aisling Loftus and Oliver Ford Davies read from some of Michael's favourite plays.
Director Katy Rudd and Adapter Joel Horwood on The Ocean at the End of the Lane
Katy Rudd (The Almighty, Royal Exchange; Associate Artist, Elliott & Harper Productions) and Joel Horwood (I Want My Hat Back, National Theatre; The Little Mermaid, Bristol Old Vic) discuss their new production of Neil Gaiman's The Ocean at the End of the Lane. Chaired by playwright and academic, Dan Rebellato.
Writer Inua Ellams and Director Nadia Fall on Three Sisters
Writer Inua Ellams and Director Nadia Fall discuss their new production of Three Sisters. Chaired by Louisa Uchum Egbunike, Lecturer in English at City, University of London, Curator of the Legacies of Biafra touring exhibition and Co-Convenor of the Annual Igbo Conference.
Neil Gaiman on The Ocean at the End of the Lane
The Ocean at the End of the Lane is the bestselling magical novel from the brilliant imagination of Neil Gaiman. Join Gaiman as he chats to Lenny Henry about writing this modern myth, where his inspiration came from, and what it's like to have his novel adapted for the stage.
Actors Lindsay Duncan and Alex Jennings on Hansard
Lindsay Duncan and Alex Jennings reflect on the challenges and rewards of performing in Hansard. Chaired by David Benedict.
Director Rufus Norris and Adapter Helen Edmundson on Small Island
Director Rufus Norris and Adapter Helen Edmundson reflect on their production of Small Island. Chaired by Brenda Emmanus.
Love this so much
It’s very handy when you want to go out and listen to interviews and get to know more about the acting world
I could not recommend this enough to any young aspiring actors who want to have a listen into what the industry is like right now
Where’re the working class voices?
I listened to 10 of these pods in a row. Not one person sounded like me, or the people I know. There’s nothing ‘National’ about this theatre.