The Bandwich Tapes

Brad Williams
  • 0.0 (0)
  • Music Interviews
  • Updated twice weekly

The Bandwich Tapes is a podcast where host Brad Williams sits down with musicians for thoughtful conversations about the craft of making music. Each episode explores the experiences, influences, and creative decisions that shape an artist’s work. From improvisation and songwriting to collaboration, recording, and life on the road, the conversations go beyond biography to focus on how music actually gets made. Guests include instrumentalists, composers, songwriters, and producers from across the musical landscape. The tone is relaxed, curious, and musician-to-musician—an opportunity to hear artists reflect on their process, their collaborators, and the musical moments that have stayed with them. Whether you're a seasoned musician, a die-hard music fan, or simply someone who loves a good story, The Bandwich Tapes has something for everyone. So, come along for the ride as we explore the magic of music and the incredible journeys of the people who bring it to life.

  1. 16 hr ago

    Josh Quillen: Percussion, Process, and Concert Honesty

    On this episode of The Bandwich Tapes, I sit down with percussionist, composer, educator, and Sō Percussion member Josh Quillen for a wide-ranging conversation about teaching, ensemble life, steel pan, podcasting, grief, musical history, and the value of listening closely. Josh joined Sō Percussion in 2006 and has spent nearly two decades helping the ensemble develop its distinctive approach to contemporary chamber music. We talk about how the group has evolved from a model built around four percussionists playing similar setups into one that more openly reflects the individual musical identities of its members. Josh shares how composers such as Steven Mackey helped the group recognize the value of those differences, from steel pan and drum set to marimba, electronics, singing, and synthesizers. We also spend time discussing the Sō Percussion Summer Institute, which Josh describes as one of the most demanding and rewarding parts of his year. He explains how the institute asks young musicians to learn an enormous amount of music with unfamiliar collaborators, confront insecurity, and discover that missing a note is rarely the most important problem in the room. The conversation becomes deeply personal as Josh talks about losing his father to ALS, preserving one of the final recordings of his voice, and how that experience helped shape his podcast, Concert Honesty. We discuss the importance of documenting artists as full human beings, the danger of turning musical heroes into myths, and what Josh has learned from speaking with musicians such as Russ Hartenberger, Bob Becker, Joan Tower, Steve Reich, and others. Along the way, Josh reflects on growing up in rural Ohio, learning discipline from his father’s work at a bottling warehouse, discovering steel band in high school, traveling to Trinidad without a phone, and learning that musical development often comes from curiosity, failure, repetition, and the freedom to make mistakes without having every moment permanently documented. Key Takeaways • The Sō Percussion Summer Institute is designed to give young musicians an intensive taste of professional ensemble life, including uncertainty, limited rehearsal time, unfamiliar collaborators, and ambitious repertoire. • Josh believes strong teaching requires precision, empathy, and the ability to give honest criticism without stripping students of their confidence. • Sō Percussion’s musical identity has gradually shifted from four players demonstrating similar technical skills toward a model that embraces each member’s individual musical interests. • Steven Mackey’s It Is Time became an important turning point by highlighting Josh’s steel pan background and the distinct musical personalities of the Sō Percussion members. • Josh’s approach to Steve Reich’s music is rooted in chamber music precision, shared pulse, groove, and a clearly defined ensemble identity. • Concert Honesty began partly as a way to preserve the voices, experiences, and humanity of musicians beyond their résumés and major accomplishments. • Losing his father to ALS shaped Josh’s understanding of memory, grief, recorded sound, and the importance of preserving a person’s voice. Music from the Episode Music for Wood and Strings (Part 1) - Bryce Dessner (Sō Percussion)To the Sky - Caroline Shaw (Sō Percussion)Let the Soil Play Its Simple Part - Caroline Shaw (Sō Percussion)Rectangles and Circumstance - Caroline Shaw (Sō Percussion)About the Podcast The Bandwich Tapes is a podcast about how music gets made and the people who make it. Hosted by musician Brad Williams, the show features thoughtful, musician-to-musician conversations about craft, collaboration, creative process, artistic growth, and life in music. Connect with the Show Questions, comments, or guest suggestions: contact@thebandwichtapes.com

    Josh Quillen: Percussion, Process, and Concert Honesty

  2. 4 days ago

    Rex Larkman: Tropidelic, Positive Energy, and the Cleveland Sound

    On this episode of The Bandwich Tapes, I sit down with Tropidelic drummer Rex Larkman to talk about the band’s new album, First Light, and the musical evolution behind it. Rex joined the Cleveland group in 2018, bringing the intensity of his punk and metal background into Tropidelic’s blend of reggae, rock, ska, funk, and hip-hop. We dig into Rex’s growth as a drummer—from wanting to play everything to recognizing the beauty and difficulty of playing exactly what a song needs. He explains why pocket, restraint, and a strong connection with the bass player matter so much in rhythm-driven music, and why listeners often move more when the drummer leaves space. Rex also takes us inside the making of First Light. Ideas emerged at soundchecks and on the road before being developed with producer Craig Broadhead in Cleveland. Live performances, programmed beats, layered snares, keyboards, and studio experimentation all became part of an album in which every song was allowed to find its own sound. We talk about the danger of quantizing the life out of a drum performance and the importance of allowing music to breathe. Rex describes how Tropidelic transforms its studio recordings for the stage by changing tempos, rearranging sections, adding horn solos, and adjusting set lists from one night to the next. We also discuss Tropidelic’s touring community, the band’s Everwild festival, and the positive message running through the new music. For Rex, the goal is straightforward: work hard, connect with the audience, support the people around you, and give every room a high-energy show that still feels human. Key Takeaways Rex joined Tropidelic in 2018 after becoming part of Cleveland’s local punk and independent music community.His early influences included classic rock, Metallica, Avenged Sevenfold, punk, metal, ska, Sublime, Streetlight Manifesto, and Less Than Jake.Playing with Tropidelic taught Rex that restraint can be more challenging—and more musical—than filling every available space.Much of First Light began with short ideas created at soundchecks and developed later with producer Craig Broadhead.The album combines live drums, programmed elements, layered snare sounds, keyboards, effects, and production created in several locations.Rex believes precise editing can remove the natural movement from a performance; everything should feel in time without necessarily sitting perfectly on a grid.Tropidelic regularly reshapes its songs for the stage, changing tempos, shortening arrangements, adding solos, and responding to each audience.Music from the Episode Signals - TropidelicAbout the Podcast The Bandwich Tapes is a podcast about music, the people who make it, and the experiences that shape their creative lives. Hosted by musician Brad Williams, each episode offers an honest, thoughtful conversation with artists, producers, engineers, and other members of the musical community. Connect with the Show Email: contact@thebandwichtapes.com

    Rex Larkman: Tropidelic, Positive Energy, and the Cleveland Sound

  3. 4 days ago

    Ruthie Foster: Saying Yes to the Songs That Matter

    On this episode of The Bandwich Tapes, I sit down with Ruthie Foster to talk about her new album, Just Say Yes, and the musical journey that gave her such a powerful connection to songs, audiences, and the spirit inside a performance. Ruthie takes me into the making of the record with co-writer and producer Tyler Bryant. We talk about the importance of a great rhythm section, how different drummers can reshape a singer’s phrasing, and why Ruthie prefers to step aside and let musicians bring their own interpretations to her songs. She also introduces us to her self-created background vocal group, affectionately known as the “Cheap Inspirations.” We trace Ruthie’s story from learning piano and guitar in small-town Texas to studying music in Waco and working as a session singer during her time with Atlantic Records in New York. She reflects on the education she received in studios, songwriter circles, church services, and nearly empty clubs—and how each setting taught her something different about craft, versatility, and connecting with a room. At the center of our conversation is the idea behind Just Say Yes. What began as a reminder to accept professional opportunities has grown into something more personal: saying yes to herself, her family, and what truly matters. We also discuss parenthood, the emotional life of a song, and why Ruthie is still waiting for these new songs to reveal everything they have to teach her. Key Takeaways Ruthie gives the musicians on her albums room to interpret each song and contribute their own musical personalities.Her background as a New York session singer taught her versatility, efficiency, and how to change the timbre of her voice for different projects.Studying music in Waco exposed her to arranging, publishing, copyright, big-band instrumentation, and the business behind a musical career.Growing up in the church taught Ruthie that music begins with feeling and with the ability to change the atmosphere in a room.Songs continue to evolve for her over time, sometimes revealing their full emotional meaning only after years of performance.Just Say Yes looks forward, while her previous album, Mileage, invited her to look back over her life.The album’s title has grown from a professional reminder into a commitment to say yes to herself, her family, and the things that matter most.Music from the Episode Doubling Back - Ruthie FosterThank You - Ruthie FosterYes - Ruthie FosterHold On - Ruthie FosterAbout the Podcast The Bandwich Tapes is a podcast about music, creativity, and the people who devote their lives to making sound. I sit down with musicians, singers, songwriters, composers, producers, engineers, and other creative artists to explore their work, their influences, and the experiences that continue to shape them. Connect with the Show Questions, comments, or guest suggestions: contact@thebandwichtapes.com

    Ruthie Foster: Saying Yes to the Songs That Matter

  4. 4 days ago

    Moe Bandy: The Songs That Stand the Test of Time

    On this episode of The Bandwich Tapes, I sit down with country music legend Moe Bandy for a conversation that spans more than five decades of country music history. We talk about his latest album, Songs I Missed, a collection of classic country songs that he loved for years before finally having the opportunity to record them. Moe shares why revisiting these songs felt fresh all over again and reflects on what it means to honor the originals while making them his own. Our conversation explores the importance of paying your dues in smoky Texas honky tonks, where playing four-hour sets night after night became an education that no classroom could ever provide. Moe explains why those years shaped him as both a singer and performer, and why he still encourages young artists to earn their experience the same way. We also dive into some of the remarkable stories behind his biggest recordings, including how Lefty Frizzell and Whitey Shafer delivered “Bandy the Rodeo Clown,” Conway Twitty’s role in bringing “Hey Joe, Hey Moe” back to life, and the lasting impact of “Till I’m Too Old to Die Young.”  Along the way, we discuss songwriting, recording with legendary producer Jimmy Capps, and the emotional weight that certain songs continue to carry decades after they were first released. Finally, Moe reflects on a career that has taken him from South Texas dance halls to the Grand Ole Opry, sharing memories of seeing his heroes waiting in the wings and why, after more than fifty years in country music, performing live still brings him as much joy as ever. Key Takeaways Moe discusses the inspiration behind his new album Songs I Missed and why these longtime favorite songs finally felt right to record.He shares the unforgettable story of Lefty Frizzell calling him in the middle of the night to sing “Bandy the Rodeo Clown” over the telephone.We talk about how years spent playing Texas honky tonks shaped his musicianship and prepared him for a recording career.Moe reflects on the emotional legacy of “Till I’m Too Old to Die Young” and the deeply personal stories fans continue to share with him.He remembers recording with legendary guitarist and producer Jimmy Capps, including their plans for a gospel album that became Thank You Lord.We discuss how Conway Twitty helped inspire the recording of “Hey Joe, Hey Moe.”Moe reflects on more than fifty years in country music and why performing at the Grand Ole Opry remains one of the greatest honors of his career.Songs from the Episode Heartaches By the Number - Moe BandyAbout the PodcastThe Bandwich Tapes is a long-form interview podcast where I sit down with musicians, songwriters, producers, and music industry veterans to explore the stories behind their careers, creative process, collaborations, and the music they’ve made. Each episode goes beyond the headlines to uncover the experiences, philosophies, and moments that shape an artist’s life and work. Connect with the ShowEmail: contact@thebandwichtapes.com

    Moe Bandy: The Songs That Stand the Test of Time

  5. 4 days ago

    Johnny Owens: Carrying the Bakersfield Sound Forward

    On this episode of The Bandwich Tapes, I sit down with Johnny Owens for a thoughtful conversation about carrying one of country music’s most important legacies into a new generation. As the son of Buck Owens, Johnny has embraced the responsibility of preserving the Bakersfield Sound while creating a live show that celebrates not only the music, but also the memories that come with it. We talk about why classic country music continues to resonate with audiences decades after it was first recorded. Johnny shares how his concerts combine the songs of Buck Owens, Merle Haggard, Dwight Yoakam, and Hee Haw memories into an experience that reconnects people with important moments from their own lives. For him, success isn’t measured by chart positions—it’s measured by the stories people tell after the show. Our conversation also explores the unique history of the Bakersfield Sound and what separated it from Nashville’s polished productions. Johnny reflects on Buck Owens’ partnership with Don Rich, the influence of Fender Telecasters, the storytelling traditions of artists like Merle Haggard and Marty Robbins, and why today’s younger artists seem to be rediscovering traditional country music. Along the way, we discuss Buck Owens’ relationship with The Beatles, the enduring popularity of “Act Naturally,” Johnny’s new recordings of classic Buck Owens songs, and why kindness, humility, and appreciation for audiences remain at the center of everything he does. It’s a conversation about legacy, gratitude, and the timeless power of songs that tell honest stories. Key Takeaways Johnny Owens sees preserving the Bakersfield Sound as both an honor and a responsibility to his father’s legacy.His concerts focus on creating memories by combining Buck Owens, Merle Haggard, Dwight Yoakam, and Hee Haw into an entertaining live experience.Johnny believes genuine appreciation for fans is one of the defining qualities shared by country music’s greatest artists.We explore the musical differences between the Bakersfield Sound and the Nashville Sound, and why traditional country storytelling continues to endure.Johnny shares the fascinating story behind The Beatles' recording of “Act Naturally” and their admiration for Buck Owens.His new music includes fresh recordings of “Act Naturally,” “Together Again,” an upcoming Christmas release of “Santa Looked a Lot Like Daddy,” and a full-length album planned for release.Music from the Episode Act Naturally - Johnny OwensAbout the PodcastThe Bandwich Tapes is a long-form interview podcast where I sit down with musicians, songwriters, producers, and music industry professionals to explore the stories behind the music. Together, we dive into creative process, musical influences, career journeys, collaboration, recording, performance, and the experiences that shape great artists. Connect with the ShowEmail: contact@thebandwichtapes.com

    Johnny Owens: Carrying the Bakersfield Sound Forward

  6. 4 days ago

    Darin & Brooke Aldridge: The Heart Behind Soul Condition

    On this episode of The Bandwich Tapes, I sit down with Darin and Brooke Aldridge to talk about Soul Condition, their first full gospel album in nearly two decades. Rooted in the churches and musical traditions of western North Carolina, the record feels both deeply familiar and unmistakably their own. Darin and Brooke explain how they selected songs they had been saving for years, including material they sang when they first began performing together. We discuss their recording process, the balance between entering the studio with a plan and leaving room for discovery, and their approach to honoring traditional arrangements without simply recreating what another artist has already done. We also talk about the guests who help bring Soul Condition to life. Darin and Brooke reflect on their long friendship and musical partnership with John Cowan, the confidence he helped draw out of Brooke, and the joy of recording “You Don’t Knock” together. They also discuss singing behind Jason Crabb and the craft involved in becoming an extension of another lead vocalist. Our conversation returns again and again to harmony—musical and personal. Darin and Brooke share how their backgrounds in gospel, country, and bluegrass helped them develop a sound that feels instinctive, unified, and connected to home. Key Takeaways Soul Condition is Darin and Brooke’s first all-gospel album since their debut project, I’ll Go With You.Several selections had been saved for years, while others reach back to the music they sang when they first started performing together.They enter the studio with an arrangement in mind but remain open to ideas that emerge once the musicians begin playing.Darin’s experience singing with Charlie Waller and The Country Gentlemen shaped the way he supports Brooke as a harmony vocalist.Performing with John Cowan helped Brooke gain confidence and become less afraid to use the full power of her voice.When inviting established artists onto a record, they provide guidance but allow each guest to retain an individual musical identity.Darin approaches an album sequence much like a live set, considering tempo, key, energy, and the story created by the song order.Music from the Episode Darin & Brooke Aldridge — Soul ConditionAbout the Podcast The Bandwich Tapes is a podcast about music, creativity, and the people who devote their lives to making sound. I sit down with musicians, singers, songwriters, producers, engineers, and other creative artists to explore their work, their influences, and the experiences that continue to shape them. Connect with the Show Questions, comments, or guest suggestions: contact@thebandwichtapes.com

    Darin & Brooke Aldridge: The Heart Behind Soul Condition

  7. 10 Aug

    Floyd Domino: Swing, Storytelling, and a Life at the Piano

    On this episode of The Bandwich Tapes, I sit down with pianist Floyd Domino for a conversation about Western swing, boogie-woogie, jazz, musical identity, and a career spent supporting some of the most important artists in music. Floyd talks about beginning piano lessons at five years old, moving from classical study into jazz, and developing the unusual independence that allows his left hand to establish the foundation while his right hand tells the story. We discuss the pianists who influenced him, including Count Basie, Oscar Peterson, Moon Mullican, Jerry Lee Lewis, Al Stricklin, Pete Johnson, Jay McShann, Hank Jones, Ralph Sutton, and Kenny Barron. We also trace Floyd’s path into Asleep at the Wheel, which began with an unexpected audition after a period of playing bars in Montana. Floyd explains how his jazz background helped move the band further toward Western swing and how musicians including Al Stricklin, Eldon Shamblin, Johnny Gimble, Ralph Mooney, and other pioneers taught his generation to respect tradition while still developing an individual voice. Floyd shares stories from his work with Waylon Jennings and George Strait, including his decision not to study George Strait's earlier records before entering the studio. Instead, he chose to trust the reason he had been hired and bring his own musical personality to the sessions. We talk about the responsibility of a sideman, the challenge of staying out of the bass player’s range, and the advice he received that a musician’s real job is to make everyone else in the band sound better. Our conversation also explores Floyd’s children’s recordings, beginning with the Beatles-inspired Baby Road. He recalls recording at Jack Clement’s Cowboy Arms Hotel and Recording Spa, being told that the project needed a bass player, and discovering that the available musician was Edgar Meyer. Floyd also discusses working with members of The Crickets and forming the Floyd Domino All-Stars with musicians including Emily Gimble and Danny Levin. Key Takeaways Floyd believes the first requirement of Western swing is that it must genuinely swing.Musical identity matters as much as technical accuracy; the pioneers encouraged younger players to absorb the tradition without becoming imitations.Floyd’s two-handed piano style depends on watching the patterns in his left hand while listening closely to the melodic ideas in his right.His jazz background helped bring a stronger swing influence into Asleep at the Wheel.Floyd entered his George Strait sessions determined to sound like himself rather than copy the pianist from an earlier record.A good sideman listens for what is missing, stays out of other musicians’ way, and works to make the entire band sound better.The children’s album Baby Road began as a way to present strong melodies simply, without allowing arrangement or ego to overwhelm the songs.Music from the Episode The Mess Around - Floyd DominoBob's Breakdown - Asleep at the WheelHouse of Blue Lights - Asleep at the WheelAce in the Hole - George StraitI Will - Floyd DominoAbout the Podcast The Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work. Connect with the Show Questions, comments, or guest suggestions: contact@thebandwichtapes.com

    Floyd Domino: Swing, Storytelling, and a Life at the Piano

  8. 6 Aug

    Stephanie Rabus: Finding Strength Through Song

    On this episode of The Bandwich Tapes, I sit down with singer-songwriter Stephanie Rabus for a conversation about resilience, perseverance, and what it really looks like to build a music career one performance at a time. Stephanie shares how she balances life between Nashville’s Broadway scene and weekends performing with her longtime cover band, Borderline, in the St. Louis area. We talk about the unique challenges of performing for different audiences, reading a room, developing as a live vocalist, and how every show becomes another opportunity to grow. Our conversation also explores Stephanie’s remarkable personal story. From open-heart surgery as a child to another heart procedure earlier this year, music has been a constant source of purpose and healing throughout her life. We discuss how those experiences shaped songs like “I Told Me So,” and why honest storytelling has become the foundation of everything she writes. Along the way, we dive into Nashville, songwriting, harmony singing, touring as a backup vocalist for Georgette Jones, learning from country music’s rich traditions, and why Stephanie continues to pursue her career entirely on her own terms. It’s an inspiring conversation about resilience, artistry, and believing that your best work may still be ahead of you. Key Takeaways Stephanie balances a demanding schedule between performing regularly on Nashville’s Broadway and traveling to St. Louis for weekend shows with Borderline.Music became both an emotional refuge and a source of confidence after childhood health challenges, including open-heart surgery.Her recent single “I Told Me So” reflects the importance of perseverance and trusting yourself through life’s setbacks.Stephanie discusses lessons learned from an early record deal and why independent artists now have more opportunities than ever.Touring as a harmony singer for Georgette Jones deepened her appreciation for vocal phrasing and supporting another artist’s musical identity.Live performance continues to shape her artistry as she adapts every show to the audience in front of her.New music is already on the horizon, including several upcoming singles and a possible Christmas project.Music from the Episode Payback's a Beach - Stephanie RabusAbout the PodcastThe Bandwich Tapes is a long-form interview podcast hosted by Brad Williams featuring thoughtful conversations with musicians, songwriters, producers, and artists about creativity, craft, collaboration, and the stories behind the music. Each episode goes beyond biography to explore how music is made and the experiences that shape the people who create it. Connect with the Show Email: contact@thebandwichtapes.com

    Stephanie Rabus: Finding Strength Through Song
See All (169)

Trailer

About

The Bandwich Tapes is a podcast where host Brad Williams sits down with musicians for thoughtful conversations about the craft of making music. Each episode explores the experiences, influences, and creative decisions that shape an artist’s work. From improvisation and songwriting to collaboration, recording, and life on the road, the conversations go beyond biography to focus on how music actually gets made. Guests include instrumentalists, composers, songwriters, and producers from across the musical landscape. The tone is relaxed, curious, and musician-to-musician—an opportunity to hear artists reflect on their process, their collaborators, and the musical moments that have stayed with them. Whether you're a seasoned musician, a die-hard music fan, or simply someone who loves a good story, The Bandwich Tapes has something for everyone. So, come along for the ride as we explore the magic of music and the incredible journeys of the people who bring it to life.

Information

  • Creator
    Brad Williams
  • Years Active
    2023 - 2026
  • Episodes
    169
  • Rating
    Explicit
  • Copyright
    © 2026 BSW Productions
  • Show Website
    The Bandwich Tapes