Material Girls

Witch, Please Productions

A scholarly podcast about pop culture hosted by Hannah McGregor and Marcelle Kosman, produced by Witch, Please Productions. Hosted on Acast. See acast.com/privacy for more information.

  1. 5 hr ago

    Obsession x Incel Horror

    Note: this episode contains spoilers for the movie Obsession! This week, we’re bringing you an episode you’re gonna be absolutely OBSESSED with (wink wink). In this episode, Marcelle and Hannah dig deep into the extremely zeitgeisty horror film Obsession (2026, dir. Curry Barker). Marcelle walks us through the movie’s explosive popularity, its complicated ideas of consent, and the complexity of the horror genre’s treatment of gender and setting. By examining the movie through the lens of “incel horror,” they examine the film’s treatment of masculinity and the anxieties surrounding contemporary romantic relationships. Related listening: Spare x Tender Masculinity Get Out x Horrifying Whiteness Book 6, Ep. 3 | Rape Culture Works Cited: Barasch, Alex. “The Twenty-Six-Year-Old Behind ‘Obsession,’ a Terrifying Tale of a Crush Gone Awry.” The New Yorker. May 11, 2026. https://www.newyorker.com/culture/persons-of-interest/the-twenty-six-year-old-behind-obsession-a-terrifying-tale-of-a-crush-gone-awry. Accessed June 25 2026. Cieslik, Emma. “‘Obsession’ and the Rise of Incel Horror: When Men’s Entitlement Becomes the Monster.” Ms. Magazine. June 4, 2026. https://msmagazine.com/2026/06/04/obsession-incel-horror/. Accessed June 25 2026. Clover, Carol J. “Her Body, Himself: Gender in the Slasher Film.” Representations, no. 20 (Autumn 1987): 187–228. https://www.jstor.org/stable/2928507. Eqbal, Amelia. “Are Movie Audiences Smart Enough to Appreciate Obsession’s Incel Horror Message?.” CBC. June 5, 2026. https://www.cbc.ca/arts/commotion/are-movie-audiences-smart-enough-to-appreciate-obsessions-incel-horror-message-9.7224800. Accessed June 25 2026 Hamedy, Saba, and Greg Rosenstein. “How an Indie Horror Film Became a Box-Office ‘Obsession.’” NBC News. May 25, 2026. https://www.nbcnews.com/pop-culture/pop-culture-news/obsession-curry-barker-box-office-hit-focus-features-rcna346824. Accessed June 25 2026. Tudor, Andrew. “Why Horror? The Peculiar Pleasures of a Popular Genre.” Horror, The Film Reader, edited by Mark Jancovich, Routledge, 2001, pp. 47–55. *** To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode! Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

    55 min
  2. 16 Jun

    Aladdin x The Manichean Allegory

    We can show you the world…of the pervasive colonialism in nostalgic Disney movies! In this episode, Marcelle and Hannah talk all about the Disney classic Aladdin. With the help of Abdul JanMohamed’s manichean allegory—an aspect of Orientalist literature—Marcelle leads us through a conversation that digs into the history of the “Disney vault,” the American values implicit in the movie, the relationship between exploitation and representation, and much, much more! Whether you remember renting the movie on VHS from your local video store or you first watched Aladdin on streaming, this episode is for you. Related listening: Pirates of the Caribbean x American Exceptionalism Barbie x Petro-Capitalism Sweet Potato Fries x Food Imperialism Witch, Please: Book 1, Ep. 2 | Orientalism Works Cited: “Aladdin (1992 Disney Film).” Wikipedia. 2 June 2026. https://en.wikipedia.org/wiki/Aladdin_(1992_Disney_film)#. Accessed 3 June 2026.  Cunningham, Andrew. “The Ultimate Collectors Guide To Disney VHS Tapes.” Our Departure Board. March 20, 2025. https://www.ourdepartureboard.com/blog/disney-vhs-ultimate-guide. Accessed 3 June 2026. “Disney Vault.” Wikipedia. 23 April 2026. https://en.wikipedia.org/wiki/Disney_Vault. Accessed 3 June 2026. JanMohamed, Abdul R. “The Economy of Manichean Allegory: The Function of Racial Difference in Colonialist Literature.” Critical Inquiry 12, no. 1 (1985): 59–87. http://www.jstor.org/stable/1343462. Said, Edward. Orientalism. Vintage, 1979. “VHS.” Wikipedia. 2 June 2026. https://en.wikipedia.org/wiki/VHS. Accessed 3 June 2026. *** To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode! Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand. *Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Music Credits: “Shopping Mall”: by Jay Arner and Jessica Delisle ©2020 Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

    1hr 9min

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A scholarly podcast about pop culture hosted by Hannah McGregor and Marcelle Kosman, produced by Witch, Please Productions. Hosted on Acast. See acast.com/privacy for more information.

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