RA Podcast

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  1. RA.1027 JADALAREIGN

    4 ΗΜ. ΠΡΙΝ

    RA.1027 JADALAREIGN

    Two hours of groove, texture and Black excellence from new-school New York royalty. New York native JADALAREIGN has always represented Black excellence, but in recent years her vision crystallised. The in-demand act and former Nowadays booker has fine-tuned her creative practice, experimenting with tempo and selection in ways that have led to a deep, nuanced relationship with Black artistry, one that centres musical education through storytelling. Behind the decks, JADALAREIGN is principled. They say wisdom brings sorrow, but RA.1027 suggests the opposite. It opens with a vocal sample whose message mirrors her wider creative practice: "I'm an African woman who believes in justice for all people. The priorities of this planet have to completely change." From there, the mix ricochets through rumbly drums and sci-fi whirr, peppering house melodies with slo-mo bleeps and techy steppers. She moves across club genres with fluid ease, keeping the cadence loose-limbed yet dynamic throughout. It's strange and tactile—and it sounds like freedom. JADALAREIGN seems surer than ever about all aspects of her career, and it shows in her RA Mix. If you see her at the function, her joy for her work is ever bountiful. For US Black History Month, it's a timely reminder that history isn't only something we look back on; JADALAREIGN is making it, live. Find the Q&A and tracklist at ra.co/podcast/1046

    1 ώ. 47 λ.
  2. EX.788 Kim Gordon

    18 ΦΕΒ

    EX.788 Kim Gordon

    The Sonic Youth cofounder opens up about her solo output, the intersection of art and music, and her new album, PLAY ME. For over four decades, Kim Gordon has navigated the edges where fine art meets noise. Her claim to fame was as a founding member of Sonic Youth, the band that took the nihilistic, abrasive energy of New York's no wave scene and forged it into a new language for rock. After Sonic Youth's public breakup in 2011, Gordon returned to her original creative practice: visual art. But in recent years, she has undergone a staggering creative transformation that's led her back to music. At 72—an age when most legends are content with the heritage circuit—she has instead dived headlong into the sounds of the present: industrial electronics, Chicago footwork and the blown-out low-end of SoundCloud rap. Aiming to break with her Sonic Youth legacy, Gordon released her first two solo albums, No Home Record and The Collective, in 2019 and 2024, respectively. And now, she's back with her third LP: PLAY ME. Working alongside producer Justin Raisen, she uses beat-oriented frameworks to interrogate what she calls the "tyranny of frictionless culture." From naming Spotify playlists in her lyrics to donating proceeds to reproductive rights, her work remains a vital, confrontational critique of late capitalism and technocratic fascism. In this RA Exchange, Gordon discusses the process of moving closer to solo work, as well as the masculinity of rock; her evolving relationship with electronic music; the politics of the "body;" and why, after thinking she was done with music, she keeps getting pulled back in. Listen to the episode in full.

    37 λεπτά
  3. RA.1026 Carl Craig, Moodymann & Mike Banks

    16 ΦΕΒ

    RA.1026 Carl Craig, Moodymann & Mike Banks

    A b3b for the ages, straight from Detroit techno's Hall of Fame. "Let's just go through some shit, let's see what we got here." In that unmistakable drawl, Moodymann opens RA.1026—and from there, you know you’re in good hands. Mike Banks, Carl Craig and Moodymann are artists of the utmost standing. As founders of Underground Resistance, Planet E and Mahogani Music respectively, their catalogues have shaped electronic music in profound ways, from Moodymann's 2004 LP Black Mahogani and Craig's era-defining remixes, to Banks's uncompromising output as Underground Resistance. But the records are only part of it. All three artists show you can build something lasting without corporate backing, that creative freedom is a discipline as much as a right. Through their work, house and techno became vehicles for resistance, identity and pride. Recorded live at Movement in Detroit, RA.1026 captures Banks on keys, Craig on the decks and Moodymann on the mic, weaving through Motor City staples, '80s classics and deep cuts, including "The Final Frontier" and "Knights Of The Jaguar." As Black History Month continues in the US, the mix feels especially momentous Coming in at just under two hours, it’s about chemistry, shared history and timeless records. Read the Q&A with Carl Craig at ra.co/podcast/1045. @moodymann313 @carl-craig-official @underground-resistance

    1 ώ. 53 λ.
  4. RA.1025 OMOLOKO

    8 ΦΕΒ

    RA.1025 OMOLOKO

    The Brazilian party starter unveils 60 minutes of sun-drenched house. Minas Gerais isn't the typical Brazil of postcards. Yet from this landlocked terrain emerged one of its most accomplished sons. As OMOLOKO, João Vitor has mastered the art of summoning summer on the dance floor. Armed with a pair of CDJs and a USB, he carries sun-kissed house dreams shaped by countless hours lost in Discogs rabbit holes, forgotten corners of YouTube and the dust of hidden record shops. Vitor was born in Rio Grande do Norte, in Brazil's northeast, before moving south as a child when his family set out in search of new opportunities—a well-worn path in the world's fifth-largest country. Adopting the alias OMOLOKO in the late 2010s, he quickly became a beacon in Belo Horizonte's bubbling electronic scene. Carrying sounds from home deep in his memory alongside a restless desire to make the world dance to his own findings, he carved out a singular voice with genre-hopping sets, grounded in an affection for infectious grooves and warm, rolling kicks. In recent years, Vitor's fine-tuning of his craft behind the decks have made him more than a familiar face at countless essential nightlife hubs around the world, from Panorama Bar to Dekmantel, São Paulo's Gop Tun to Ibiza's DC-10. His résumé, already impressive, is expanding nicely. So to mark the beginning of carnaval in Brazil, who better for RA.1025. Vitor's RA Mix draws deeply from the lineage of house's most celebrated names, alongside obscure gems your Shazam wouldn't dare recognise. With slow-cooking patience, the session follows wherever the language of dance leads: South African kwaito, diva vocal flashes, funk-laced deep house, vibraphone-led strides and salsa-laced drumwork. It’s like a dream team of house offshoots, all meeting for the very first time at the beach. Read more at https://ra.co/podcast/1044 @OMOLOKOO

    1 ώ. 2 λ.
  5. RA.1024 African-American Sound Recordings

    1 ΦΕΒ

    RA.1024 African-American Sound Recordings

    The Memphis artist also known as Cities Aviv delivers 60 minutes of stirring electronics and industrial abstractions. Since his first release in 2010, Gavin Mays, AKA African-American Sound Recordings and Cities Aviv, has been living multiple lives. The D.O.T. label boss has put out work under various aliases, spanning post-hip-hop, ambient electronics and soul-inflected abstraction, consistently challenging and rearranging the scope of every genre he works within. African-American Sound Recordings is Mays' "side project"—as hobbies go, it's a formidable one. Since its launch in 2019, he's released ten albums built from a dense palette of samples: distorted voices drift alongside warm currents of jazz and acoustic instrumentation, painting ambient vignettes that swerve between the serene and the industrial. It's no coincidence that Mays cites Sunday service as a formative space. Samples of gospel worship and memories of communal ritual are the fil rouge running through the project, reimagining Black musical traditions as a living system. RA.1024 has one of the shortest tracklists in the series to date: three total. The final two tracks, gospel recordings ripped from his own CD collection, arrive like sunlight breaking through the clouds. Find the tracklist and interview at https://ra.co/podcast/1043 @user-512973206

    57 λεπτά
  6. RA.1023 Decoder

    26 ΙΑΝ

    RA.1023 Decoder

    The Texan prodigy transmits the sound of sci-fi techno in 2026. What does the future feel like in 2026? In an era dominated by nostalgia and electronic revivalism, even techno—a genre once defined by futurism—has begun to feel stagnant. Enter Gautham Garg, aka Decoder. Raised in Dallas, the 21-year-old offers a refreshed vision of techno for the present moment. While comparisons to techno stargazers like Mills and Richie Hawtin are inevitable, RA.1023 reveals a broader palette. Microtonal flourishes recall Aleksi Perälä’s Colundi era, while the patient structures lean closer to Perlon-style minimalism than early-2000s severity, with nods to Ricardo Villalobos and Margaret Dygas. Built largely from unreleased material, RA.1023 captures Garg’s vision of techno for this decade. There’s weight, but it’s more body than bite: elastic, finely tuned drums and a buoyant hypnotism that persists even in rougher moments. Though often labeled sci-fi, Garg’s sound adds layers to cold futurism—instead, optimism shines through. In his hands, techno’s future still feels bright. Find the Q&A and tracklist at ra.co/podcast/1042 @iamdecoder

    1 ώ. 60 λ.
  7. RA.1022 KAVARI

    19 ΙΑΝ

    RA.1022 KAVARI

    The newest XL signing delivers 60 minutes of blistering explorations across the hardcore continuum. Don't expect KAVARI to take anything too seriously. The Glasgow-based artist thrives on contradiction: a pop-adjacent instinct colliding with a love of discomfort, abrasion and noise. After years of releasing independently, 2026 marks a new chapter with PLAGUE MUSIC, her debut on XL, out in February. But her instincts remain the same: push harder, strip things back, make it stranger. It comes as little surprise, then, that she's earned the support of fellow mould-breakers like Aphex Twin, Ethel Cain and Hudson Mohawke. Of her RA Mix she shrugs: "I honestly don't remember making it." That irreverence is audible: disembodied voices mutter club-floor mantras, as she drags grime, drum & bass and dubstep through distortion, friction and collapse. If that all sounds chaotic, well, that's kind of the point. The aim is to unsettle but o nce you find your footing, RA.1022 reveals itself as genuinely thrilling dance music, far removed from convention. Because nobody gets anywhere interesting without ruffling a few feathers. Find the tracklist and interview at ra.co/podcast/1041 @kavarimusic

    57 λεπτά
  8. RA.1021 Katatonic Silentio

    12 ΙΑΝ

    RA.1021 Katatonic Silentio

    Sensational ambient techno, dub pressure and acoustic visions, sculpted for dreaming and dancing. In 2023, we called Mariachiara Troianiello one of techno's most exciting producers. And time has only confirmed that statement. Belonging to a new school of head-spinning artists following in the lineage of Donato Dozzy and Cio D'or, the Turin producer put out her debut EP as Katatonic Silentio, Emotional Gun, in 2019, exploring breakbeat and IDM through a distinctly introspective lens. Since then, her evolution has been striking: from hyperkinetic, post-rave intensity to the sound design-rich tapestries heard on releases for Delsin, Ilian Tape and Mantis. At first glance, Troianiello's RA Mix ends on an unlikely note: "Technologystolemyvinyle," Moodymann's gloriously disjointed 2007 house cut. But this is a mix best understood in two halves. The opening stretch leans heavily into acoustic, organic sonics before kick drums gradually emerge in the second half. Even at its most stripped back, RA.1021 feels full-bodied: immersive, meditative and transportive. There's also an unmistakable sense of freedom throughout, the sound of throwing caution to the wind, playing purely on instinct and joy. It's the feeling of being invited into Troianiello's inner world, and revelling in it together. That unguarded spirit defines RA.1021. Find the tracklist and Q&A at ra.co/podcast/1040

    2 ώ. 45 λ.
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