The New Yorker

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Canal • 7 programas

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CONTENIDO EXTRA DE LA TEMPORADA 2

Season 2 Update: Five Years Later

After nearly twenty-three years behind bars, Curtis Flowers was freed, in part due to In the Dark’s reporting. Now he’s back in Winona, Mississippi, where his saga began. What brought him home, and how is he doing? We visited him to find out. New Yorker subscribers get new In the Dark episodes early and ad-free. Subscribe today at newyorker.com/dark. In the Dark has merch! Buy hats, T-shirts, and totes at store.newyorker.com. Learn about your ad choices: dovetail.prx.org/ad-choices

Contenido extra de la temporada 2

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44 min
30/07/2024

Season 3, Episode 1: The Green Grass

A man in Haditha, Iraq, has a request for the In the Dark team: Can you investigate how my family was killed? To get episodes early and ad-free, visit newyorker.com/dark. Learn about your ad choices: dovetail.prx.org/ad-choices

30/07/2024

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42 min
07/09/2016

Season 1, Episode 1: The Crime

The abduction of Jacob Wetterling, which made parents more vigilant and led to the first national requirement that states track sex offenders via registries, took place before moonrise on a warm October night in 1989. Learn about your ad choices: dovetail.prx.org/ad-choices

07/09/2016

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35 min
26 SEP

Ezra Klein’s Big-Tent Vision of the Democratic Party

The author and podcaster Ezra Klein may be only forty-one years old, but he’s been part of the political-culture conversation for a long time. He was a blogger, then a Washington Post columnist and editor, a co-founder of Vox, and is now a writer and podcast host for the New York Times. He’s also the co-author of the recent best-selling book “Abundance”. Most recently, Klein has drawn the ire of progressives for a column he wrote about the assassination of Charlie Kirk, in which he praised the late conservative activist for practicing politics “the right way.” He’s also been making a case for how the Democrats can reëmerge from the political wilderness. But some of his other ideas have also invited their share of detractors. Klein tells David Remnick, “I try to take seriously questions that I don’t love. I don’t try to insist the world works the way I want it to work. I try to be honest with myself about the way it’s working.” In response to criticism that his recent work has indicated a rightward shift in his thinking, Klein says, “One thing I’ve been saying about the big tent of the Democratic Party is the theory of having a big tent doesn’t just mean moving to the right; it also means accepting in the left.”

26 sep

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50 min
06/12/2024

Inside Donald Trump’s Mass-Deportation Plans

Immigration has been the cornerstone of Donald Trump’s political career, and in his second successful Presidential campaign he promised to execute the largest deportation in history. Stephen Miller, Trump’s key advisor on hard-line immigration policy, said that the incoming Administration would “unleash the vast arsenal of federal powers to implement the most spectacular migration crackdown,” possibly involving the use of the military. “I do think they’re going to strain the outer limits of the law on that,” the staff writer Jonathan Blitzer tells David Remnick. “We’re entering unprecedented territory.” Blitzer unpacks some of the anti-immigrant rhetoric, and explains measures that the new Administration is likely to take. “I.C.E. has a policy that discourages arrests at schools, hospitals, places of worship, courts,” he says. That policy can change and, he believes, will. “You’re going to see arrest operations in very scary and upsetting places.” The aim, he thinks, will be “to create a sense of terror. That is going to be the modus operandi of the Administration.” Blitzer is the author of “Everyone Who Is Gone Is Here,” a definitive account of the immigration crisis.

06/12/2024

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29 min
04/10/2024

Newt Gingrich on What Trump Could Accomplish in a Second Term

Long before Donald Trump got serious about politics, Newt Gingrich saw himself as the revolutionary in Washington, introducing a combative style of party politics that helped his party become a dominating force in Congress. Setting the template for Trump, Gingrich described Democrats not as an opposing team with whom to make alliances but as an alien force—a “cultural élite”—out to destroy America. Gingrich has written no less than five admiring books about Trump, and he was involved with pushing the lie of the stolen election of 2020. Like many in the Party, he balks at some of Trump’s tactics, but always finds an excuse. “I would probably not have used the language Trump used,” for example in calling Vice-President Kamala Harris “mentally disabled,” Gingrich says. “Partly because I think that it doesn’t further his cause. . . . I would simply say that he is a very intense personality . . . and occasionally he has to explode.” But he sees Trump as seasoned and improved with age, and his potential in a second term far greater. “It’s almost providential: he’s had four years [out of office] to think about what he’s learned . . . and he has a much deeper grasp of what has to be done and how to do it.”

04/10/2024

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31 min
29 AGO

Donald Trump’s War on Culture Is Not a Sideshow

The term “culture wars” is most often associated with issues of sexuality, race, religion, and gender. But, as recent months have made plain, when Donald Trump refers to the culture wars, he also means the arts. He fired the board of the John F. Kennedy Center for the Performing Arts, which Republicans want to rename for him. His Administration fired the national archivist and the Librarian of Congress, and pressured the director of the National Portrait Gallery to resign; it is reviewing the entire Smithsonian Institution, looking for what the President calls “improper ideology.” Some view these moves as low-hanging fruit for Trump, and a distraction from bad press about Jeffrey Epstein, the Putin meeting, and tariffs. But Adam Gopnik believes that interpretation is a misreading. The loyalty purge at institutions such as the National Portrait Gallery is a key part of his agenda. “Pluralism is the key principle of a democratic culture,” Gopnik tells David Remnick. Could we be following the path of Stalinist Russia, where a head of state dictated reviews of concerts, Remnick asks? “I pray and believe that we are not. But that is certainly the direction in which one inevitably heads when the political boss takes over key cultural institutions, and dictates who’s acceptable and who is not.” Gopnik recalls saying after the election that “Jimmy Kimmel and Stephen Colbert would be next.” “You would see them disappear,” he added. “Each time, we find a rationale for it or a rationale is offered. And it’s much easier for us to swallow the rationale than to face the reality.”

29 ago

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32 min
1 ENE

Jennifer Egan Reads Margaret Atwood

Jennifer Egan joins Deborah Treisman to read and discuss “Kat,” by Margaret Atwood, which was published in The New Yorker in 1990. Egan’s books of fiction include “The Keep,” “A Visit from the Goon Squad,” “Manhattan Beach,” and “The Candy House.” She is a winner of the National Book Critics Circle Award, the Pulitzer Prize, and the Andrew Carnegie Medal for Excellence in Fiction, among other honors. She has been publishing fiction and nonfiction in The New Yorker since 1989. Learn about your ad choices: dovetail.prx.org/ad-choices

1 ene

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1 h y 7 min
27/09/2024

Young Donald Trump, Roy Cohn, and the Dark Arts of Power

Actors and comedians have usually played Donald Trump as larger than life, almost as a cartoon. In the new film “The Apprentice,” Sebastian Stan doesn’t play for laughs. He stars as a very young Trump falling under the sway of Roy Cohn (played by Jeremy Strong)— the notorious, amoral lawyer and fixer. “Cohn took Donald Trump under his wing when Donald was a nobody from the outer boroughs,” the film’s writer and executive producer Gabriel Sherman tells David Remnick. He “taught him the dark arts of power brokering … [and] introduced him to New York society.” Sherman, a special correspondent at Vanity Fair, also chronicled Roger Ailes’s rise to power at Fox News in “The Loudest Voice in the Room.” Sherman insists, though, that the film is not anti-Trump—or not exactly. “The movie got cast into this political left-right schema, and it’s not that. It’s a humanist work of drama,” in which the protégé eventually betrays his mentor. It almost goes without saying that Donald Trump has threatened to sue the producers of the film, and the major Hollywood studios wouldn’t touch it. Sherman talks with Remnick about how the film, which opens October 11th, came to be. Plus, Jill Lepore is a New Yorker staff writer, a professor of history at Harvard University, and the author of the best-seller “These Truths” as well as many other works of history. While her professional life is absorbed in the uniqueness of the American experience, she finds her relaxation across the pond, watching police procedurals from Britain. “There’s not a lot of gun action,” she notes, “not the same kind of swagger.” She talks with David Remnick about three favorites: “Annika” and “The Magpie Murders,” on PBS Masterpiece; and “Karen Pirie,” on BritBox. And Remnick can’t resist a digression to bring up their shared reverence for “Slow Horses,” a spy series on Apple TV+ that’s based on books by Mick Herron, whom Lepore profiled for The New Yorker.

27/09/2024

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32 min
1 SEP

Victor Lodato Reads Denis Johnson

Victor Lodato joins Deborah Treisman to read and discuss “The Largesse of the Sea Maiden,” by Denis Johnson, which was published in The New Yorker in 2014. Lodato is a playwright and the author of the novels “Edgar and Lucy,” “Mathilda Savitch,” the winner of the PEN USA Award for fiction, and “Honey,” which came out in 2024. He has been publishing fiction and nonfiction in The New Yorker since 2012. Learn about your ad choices: dovetail.prx.org/ad-choices

1 sep

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1 h y 31 min

In the Dark, hosted by Madeleine Baran, is an award-winning investigative-journalism podcast that started in 2016. Its first season looked at the mysterious abduction of Jacob Wetterling in rural Minnesota and the lack of accountability that sheriffs face when they fail to solve cases. Season 2 examined the case of Curtis Flowers, who was tried six times for the same crime. In 2020, In the Dark released a special report on the coronavirus pandemic in the Mississippi Delta. In 2023, In the Dark joined The New Yorker and Condé Nast. “The Runaway Princesses,” a four-part series that asks why the women in Dubai’s royal family keep trying to run away, came out in January. In the Dark is a two-time Peabody Award winner and, in 2019, became the first podcast to win a George Polk Award, one of the top honors in journalism. The program has also received an Alfred I. duPont-Columbia University Award and a Robert F. Kennedy Journalism Award.

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CRÍMENES REALES
A monthly reading and conversation with the New Yorker fiction editor Deborah Treisman.

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LITERATURA
Join The New Yorker’s writers and editors for reporting, insight, and analysis of the most pressing political issues of our time. On Mondays, David Remnick, the editor of The New Yorker, presents conversations and feature stories about current events. On Wednesdays, the senior editor Tyler Foggatt goes deep on a consequential political story via far-reaching interviews with staff writers and outside experts. And, on Fridays, the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos discuss the latest developments in Washington and beyond, offering an encompassing understanding of this moment in American politics.

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POLÍTICA
New Yorker fiction writers read their stories.

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ARTE
Readings and conversation with The New Yorker's poetry editor, Kevin Young.

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LITERATURA
Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.

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SOCIEDAD Y CULTURA