FRED Film Radio - English Channel

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Welcome to FRED’s channel in ENGLISH. Are you a film lover / a film buff / a filmmaker / an actor / a film critic / a journalist / a film student / a festival organizer / a producer / a distributor / a film buyer / a sales agent/ a film publicist interested in independent cinema and film festivals? YOU ARE IN THE RIGHT PLACE FRED FILM RADIO IS YOUR RADIO ! The idea is to allow all those who cannot be at film festivals to share in the experience as if they were, and to offer more in-depth information and targeted entertainment to those actually there. If English is your language, or a language you understand, THIS IS YOUR CHANNEL!

  1. 26 SEP

    “Whisperings of the Moon”, Interview with Director Lai Yuqing

    “Whisperings of the Moon”: A Dance of Passion and Constraint with Lai Yuqing In “Whisperings of the Moon“, director Lai Yuqing crafts a compelling narrative centered on a queer romance set against the vibrant yet oppressive backdrop of Phnom Penh. During the 2025 Busan International Film Festival, we spoke with Lai Yuqing about her inspiration, visual approach, and the journey of expanding her short film into a feature-length production. Finding Inspiration in Phnom Penh’s Contrasts Lai Yuqing revealed that her first visit to Phnom Penh made a deep impression on her. “When I first visited Phnom Penh, I experienced conflicting feelings because of the mixture of cultures—French, Chinese, Khmer, and English. The city gave me a sense of tragedy, which inspired me to set the story here.” The blend of diverse cultures and the city’s ambitions for development, contrasted with traditional elements, sparked a narrative rich in passion and potential conflict. You can learn more about Phnom Penh’s cultural landscape [here](insert hyperlink here to an article about Phnom Penh culture). Directing Cinematography: An Intuitive Approach The film’s visual style, characterized by rhythm and fluidity akin to dance, reflects Lai Yuqing’s instinctive directing. “I create storyboards and plan lighting before shooting, but during filming, I rely heavily on the actors’ performances.” She emphasizes the importance of adapting to actors’ spontaneity and following her intuition to capture authentic moments. Lai Yuqing immerses herself in the characters’ emotions to craft a deeply emotive visual experience. The Symbiotic Relationship Between Filmmaker, Actor, and Musician Lai Yuqing’s diverse background as a filmmaker, actor, and musician profoundly shapes her directing style. “That’s why my actresses trust me—they know I understand acting and how to unlock their emotional depth.” This multifaceted experience allows her to connect authentically with performers, fostering trust and enabling genuine portrayals. She adds that the story’s emotional core involved the actress deeply, allowing for empathy and connection. Expanding “Love is a Book”: From Fragment to Feature “Love is a Book” served as the foundation for “Whisperings of the Moon”. Lai Yuqing explained her creative process: “To develop it into a feature, I wanted to expand the story, deepen the background, and develop the characters further.” While maintaining a non-linear narrative style, her goal was to craft a broader, more emotionally resonant experience—blending flashbacks and present-day scenes to enrich the storytelling. A Global Perspective: Embracing Cultural Diversity Having studied and worked across multiple countries, Lai Yuqing brings a global perspective to her storytelling. “Living in different cities taught me that different cultures and perspectives need to be acknowledged and respected.” Her empathy enables her to portray diverse cultures and experiences authentically, emphasizing that emotions are universal and transcend cultural boundaries.

    5 min
  2. 25 SEP

    "The River That Holds Our Hands", interview with Director Jianhang Chen and Producer Lin Ziyang

    Exploring the Teochew Diaspora: An Interview with Jianhang Chen and Lin Ziyang on "The River That Holds Our Hands" At the 30th Busan International Film Festival, I had the opportunity to speak with Jianhang Chen, the film's director, and Lin Ziyang, the producer, about their film "The River That Holds Our Hands." This captivating documentary-fiction hybrid beautifully explores the experiences of the Teochew diaspora, blending cultural storytelling with sensory artistry. In this interview, they discuss their creative process, the importance of cultural identity, and how sensory elements play a vital role in storytelling. Documentary Roots and the Hybrid Filmmaking Approach Jianhang Chen shared that his journey to create this film began with a documentary perspective, having filmed over five years in this format. This experience naturally evolved into a hybrid filmmaking approach. "I love how people talk about their stories in their homes," Chen explained. "Documentary allows us to capture these authentic moments and bring them onto the big screen for the audience." He emphasized the significance of capturing natural interactions, citing a scene shot on the streets of Saigon where a street vendor was unaware of being filmed, resulting in a genuine, unscripted shot. The Power of Image and Sound in Storytelling Both Chen and Ziyang highlight the importance of sensory elements—especially sound and visual imagery—in conveying memories and dreams. The Eye Catcher Global jury praised the film for its delicate attention to sound design. Chen elaborated that sound was deliberately used to evoke a sense of nostalgia and historical rhythm. "We aimed to blend sounds that ancestors might have heard—birds, water, and everyday life—mixed with modern elements to create an immersive, dreamlike atmosphere." This acoustic layering enhances the emotional resonance of the film. Touch as a Connection to the Past The theme of touch is central to the film and its title, symbolizing a bridge between past and present. Chen described how tactile experiences, such as the sound of touching an old photograph, evoke memories and connect the characters to their history. An example is the scene where the main character touches an old lady's hand as she sleeps; this moment triggers a dream of her mother and a subsequent scene in Vietnam, forging a deep link between different generations and histories. Lin Ziyang also emphasized the significance of these tactile, sensory connections in illustrating personal history. Support and the Creative Journey Both filmmakers expressed gratitude for support from organizations like the Maritime Guangdong Program and the Asian Cinema Fund (ACF). Chen explained that the Maritime Guangdong funding was crucial during the early stages when the project was just a short film. "Over these two and a half years, we received invaluable support from multiple organizations, which kept us motivated and helped shape the final film." The ACF played an essential role in the later stages of production. Revisiting the Teochew Diaspora When asked about the central themes in exploring the Teochew diaspora, Chen emphasized identity and the desire to share these stories globally. "I believe the Teochew community has many rich stories to tell. We're proud of our culture and heritage, and I wanted to share that pride with the world—especially in Asia." He aims to use film as a universal language to connect the ancient stories of the Teochew people with a broader, international audience.

    11 min

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Welcome to FRED’s channel in ENGLISH. Are you a film lover / a film buff / a filmmaker / an actor / a film critic / a journalist / a film student / a festival organizer / a producer / a distributor / a film buyer / a sales agent/ a film publicist interested in independent cinema and film festivals? YOU ARE IN THE RIGHT PLACE FRED FILM RADIO IS YOUR RADIO ! The idea is to allow all those who cannot be at film festivals to share in the experience as if they were, and to offer more in-depth information and targeted entertainment to those actually there. If English is your language, or a language you understand, THIS IS YOUR CHANNEL!

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