FRED Film Radio - English Channel

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Welcome to FRED’s channel in ENGLISH. Are you a film lover / a film buff / a filmmaker / an actor / a film critic / a journalist / a film student / a festival organizer / a producer / a distributor / a film buyer / a sales agent/ a film publicist interested in independent cinema and film festivals? YOU ARE IN THE RIGHT PLACE FRED FILM RADIO IS YOUR RADIO ! The idea is to allow all those who cannot be at film festivals to share in the experience as if they were, and to offer more in-depth information and targeted entertainment to those actually there. If English is your language, or a language you understand, THIS IS YOUR CHANNEL!

  1. 2 DAYS AGO

    “Bad Apples”, Interview with Director Jonathan Exler and Director of photography Neha Asphäll

    Crafting Unpredictability: The Genesis of “Bad Apples” Director Jonathan Etzler shares the inspiration behind “Bad Apples,” at the 69th BFI London Film Festival, revealing that the film is adapted from the Rasmus book, centered on a powerful moral dilemma. With writer Jess O’Crane, Etzler transformed this idea into a surprising dark comedy with thriller elements. He highlights his fascination with outsiders who struggle to fit into society—a recurring theme in his work that deeply resonates with the story’s core. Building Maria’s World: The Visual Language of Oppression and Warmth Neha Asphäll discusses her collaboration with Jonathan to create the distinct aesthetic of “Bad Apples,” especially the oppressive yet subtly warm atmosphere of Maria’s basement. She notes that finding a suitable location was challenging, which led to the decision to construct one. This allowed greater control over shots, lighting, and mood. Fahl emphasizes the deliberate evolution of lighting and atmosphere in the basement throughout the film, aided by sound and production design. Jacquelyn Abrams, the production designer who previously worked on “The Lobster“, played an integral role. Saoirse Ronan as Maria: Embracing the Unsympathetic Etzler explains why Saoirse Ronan was cast, highlighting her natural likability as key for playing Maria. He believed her ability to evoke sympathy—despite making questionable choices, like locking a boy in a basement—was essential. Ronan was excited to portray a less sympathetic character, and her early commitment was a vital boost for the project. Societal Complicity: A Critique of the System Regarding the film’s themes, Etzler discusses exploring societal complicity in others’ suffering. He critiques the school system’s tendency to treat all children equally, and how underfunding impacts those needing special attention. Etzler also addresses distrust towards non-conforming individuals, a sentiment prevalent in both the UK and Sweden. Through “Bad Apples“, he aims to challenge these societal norms.

    7 min
  2. 5 DAYS AGO

    "Dust to Dreams", Interview with Producer Mo Abudu

    A Homecoming at the BFI London Film Festival Mo Abudu reflects on the emotional experience of showcasing "Dust to Dreams" at the 69th edition of BFI London Film Festival. This marks her second official selection in 10 years, following her first film "50". Abudu emphasizes the importance of diverse representation in film festivals and appreciates the BFI’s commitment to showcasing cultures from around the world. She also discusses the recent screening of the film at the Toronto International Film Festival, highlighting her preference for festivals that embrace multiculturalism. Family, Legacy, and Reconciliation Through Music Abudu elaborates on the themes explored in "Dust to Dreams", including family, legacy, and reconciliation. She highlights how the film diverges from typical portrayals of African cinema, which often focus on trauma and hardship. Instead, "Dust to Dreams" showcases shared aspirations and human traits of Africans, emphasizing themes of love, building, and reconciliation. The film features Seal in his first major acting role, alongside a talented Nigerian cast. Abudu underscores the universality of the story, which delves into conflicts within family structures. Idris Elba and Seal: A Magical Collaboration Abudu recounts her collaboration with Idris Elba, who adapted the story for the screen and directed the film. She credits Elba with suggesting Seal for the lead role, a decision she describes as magical. The partnership between these two influential Black men resulted in a short film treated with the same care as a feature film. Abudu praises Elba’s humble approach and dedication to bringing his best to the project. The Nigerian cast also contributed significantly to the film’s success. A Love Letter to Lagos: Locations and Cultural References Abudu shares insights into the specific locations and cultural references that make "Dust to Dreams" a love letter to Lagos. She acknowledges Heidi Uis, the supervising producer, for finding suitable filming locations. The nightclub scenes were shot at Rococo, a club in Victoria Island, while the house scenes were filmed at Gugubiri. Abudu describes Lagos as a magical and energetic city, drawing parallels to New York City. The film also features real-life Afrobeat stars, showcasing the vibrant talent scene in Lagos. Ebony Life and Green Door Pictures: A Synergy of Creative Energies He discusses the collaboration between Ebony Life and Green Door Pictures (now 22Summers), emphasizing their shared commitment to bringing African stories to a global audience. This partnership was made possible through funding from Fregsim Bank. Elba’s adaptation of the story and hands-on approach as a director were instrumental in the film’s success. Abudu highlights Elba’s dedication to engaging with cast and crew, demonstrating his commitment to the project. From Human Resources to Media Mogul: A Journey of Purpose Abudu reflects on her career journey, from working in human resources to becoming a media mogul. She expresses regret for not entering the media industry sooner, driven by a desire to change the narrative surrounding Africa. She started with a talk show, "Moments with Mo", which led to the launch of Ebony Life Television and Ebony Life Films. Her ultimate goal is to change perceptions and showcase the human side of Africa. Abudu also discusses the Ebony Life Creative Academy, which provides free training for aspiring filmmakers. Dust to Dreams: A Metaphor for Africa Abudu explains the significance of the title "Dust to Dreams", drawing a parallel between the film’s themes and the lives of many Africans. She acknowledges the challenges of a “dusty continent” but emphasizes the dreams that have become realities despite these obstacles. The film tells the story of a family overcoming conflict and achieving reconciliation. Building an Empire and Telling the Truth Abudu discusses the co-production deals Ebony Life has secured with major Hollywood studios and streaming platforms. She attributes her success to perseverance and a willingness to face rejection. These partnerships have allowed Ebony Life to tell African stories on a global scale. Abudu also shares her long-term vision for the Ebony Life Creative Academy, which aims to provide free practical training in filmmaking. Vision, Purpose, and Teamwork: Key Messages for Future Leaders Abudu shares the key lessons she emphasizes when speaking at institutions like Wharton, Cambridge, and Harvard. She highlights the importance of vision, planning, team-building, and finding purpose. Abudu credits her success to the amazing team she has assembled, who believe in the vision and purpose of Ebony Life. She encourages others to be honest with themselves and to create impact in the world.

    28 min
  3. 5 DAYS AGO

    “After Dark”, interview with Director Iain Forbes

    “After Dark”: Iain Forbes on Fear, Ambiguity, and Norwegian Isolation Iain Forbes’ “After Dark” has been gaining attention for its chilling exploration of moral ambiguity and urban isolation. In this interview at the 69th BFI London Film Festival 2025, Forbes shares insights into the personal experiences that influenced the film, the challenges of authentically portraying fear, and the unique cultural perspectives he brought to the story. From Personal Encounter to Cinematic Fear The discussion begins with the real-life encounter that inspired the first half of “After Dark“. Forbes explains that the film reflects his emotional journey: “from curiosity to worry, to fear, to doubt, and then skepticism, and finally, regret.” He emphasizes how difficult it was to capture the feeling of fear without exaggeration. “I think the hardest emotion to depict on film was fear, especially when he encounters the young woman on the street,” Forbes notes. He credits actor Simon Booster’s performance in conveying unease, as well as the film’s visual language, for highlighting paranoia and fear. Moral Ambiguity and the Question of Trust Forbes is known for delving into moral ambiguity in his works. He discusses how his perceptions of right and wrong were challenged during the writing and filming of “After Dark“. In reality, the situation was less ambiguous— the woman wanted to return to someone she met at rehab. This raised the question: “Was she actually a person not as far gone as I initially thought?” Forbes aimed for the film to capture the ambivalence of not knowing whether to trust or help a stranger. The Influence of Cultural Heritage and Urban Isolation The conversation shifts to Forbes’ Scottish-Norwegian background and how his cultural heritage influences his understanding of societies, especially regarding isolation. Forbes notes the differences between Scottish and Norwegian cultures, with Norwegians tending to be more antisocial in public. He wanted “After Dark” to portray a realistic picture of Oslo in winter—“a very isolating time.” Forbes sees the film as an exploration of how urban environments can make us less open to strangers. This theme resonates globally, as many observe similar trends in their own countries. Directing Subtle Tensions The discussion explores how Forbes directs actors to emphasize tension. He explains that with Billy’s character (Mia), they discussed her backstory, which established some rules for her reactions. Mia’s complex history explains her behavior, and Christian’s (Simon’s) skepticism stems from his inability to understand her fully. Lessons Learned as a First AD Having worked as a first assistant director (AD) on numerous projects, Forbes shares valuable lessons. He stresses the importance of beginning shooting promptly and avoiding unnecessary delays on the first shot. Respect for the team and expressing gratitude are also essential. “Saying thank you to everyone at the end of each day builds the team,” he says. Recognition and Future Plans Forbes talks about the recognition he’s received, including winning the Student Academy Award for “Revisited” and “After Dark” qualifying for the Oscars. This acknowledgment has been motivating and has opened doors for his career in Norway. Currently, he is working on his first feature film, a continuation of themes from Revisited, focusing on a family dealing with grief. The Origins of a Filmmaker Forbes shares his “origin story,” citing “The Fellowship of the Ring” as a pivotal cinematic experience. Though he initially wanted to be a writer, he discovered filmmaking at age 15 when his uncle gave him a camera. He realized that his writing was already highly visual. Inspiration and Influences Forbes mentions Hirokazu Kore-eda, a Japanese filmmaker known for his human dramas, as a major influence. He also references Robin Hobb, a fantasy author whose work blends human drama with fantastical worlds. Casting Simon Booster and Billy Parker Forbes explains that Simon Booster was cast for his friendly and easygoing nature, while Billy Parker was chosen for her ability to portray innocence coupled with a mysterious edge. A Purpose and the Importance of Kindness To conclude, Forbes shares his desire to inspire others. He believes in the importance of positivity and encouraging each other. He hopes his films motivate viewers to strive for continuous improvement and to do better in their own lives. Plot Kristian walks home late one night in Oslo and is asked for help by a young woman, Mia, who says she needs to get to the train station. As he walks her through the city, Kristian becomes increasingly uncertain about her story, questioning if she is in real distress or if he is being manipulated, which creates a tense exploration of his fear, doubt, and compassion. The plot is inspired by a real-life encounter the director had, and the film focuses on the internal conflict between helping a stranger and the fear of the unknown consequences.

    23 min

About

Welcome to FRED’s channel in ENGLISH. Are you a film lover / a film buff / a filmmaker / an actor / a film critic / a journalist / a film student / a festival organizer / a producer / a distributor / a film buyer / a sales agent/ a film publicist interested in independent cinema and film festivals? YOU ARE IN THE RIGHT PLACE FRED FILM RADIO IS YOUR RADIO ! The idea is to allow all those who cannot be at film festivals to share in the experience as if they were, and to offer more in-depth information and targeted entertainment to those actually there. If English is your language, or a language you understand, THIS IS YOUR CHANNEL!

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