indie spunk: UNFILTERED

Izzy Stevens and Beck Bennion

Hosted by award-winning filmmakers & creative partners Beck Bennion & Izzy Stevens. Tune in for unfiltered, sometimes unhinged, always entertaining advice on navigating your film career, communicating with your creative collaborators, stepping into leadership roles, getting your films funded, and building success—all while not letting your personal life totally fall apart.

  1. on Firing Your Best Friend, Investor Opinions, & is Your Film Marketable?

    3 MAR

    on Firing Your Best Friend, Investor Opinions, & is Your Film Marketable?

    Welcome back to Indie Spunk: Unfiltered. This week, Izzy and Beck playing a full round of "Am I the A*****e?" — filmmaker edition. From recasting your best friend three weeks before rehearsal to an investor who wants to make your protagonist "more likable", this episode is the honest conversation the industry pretends it doesn't need to have. In this episode: [00:08:30] You cast your best friend. She bombed the table read. Now what? The hard truth about theatre vs. on-screen performance, why table reads can still be part of the audition, and how to have the conversation that might save your film...and maybe your friendship.[00:14:30] Your editor wants to cut 80% of a supporting character who relocated for your film. Do you protect the actor or the movie? Plus the one thing you can do that will soften the blow.[00:18:30] Your financier covers 40% of your budget and wants to rewrite your ending. How to get on the same page without losing your soul, what Promising Young Woman taught us about studio compromise, and why "no" might be the most powerful word in your arsenal.[00:25:30] You've been telling investors a big name is "interested." Their agent read the logline. Is that a lie? The exact language to use when you're building buzz before you have the receipts.[00:28:30] Your film is bold, messy, and "not commercial." Is it irresponsible to make it just for festival cred? Yikes...limiting belief alert!![00:31:30] Recs of the week! 🎙️ Get Anonymous Advice On The Podcast: https://forms.gle/sMWovGuD8JC9Crxu7  🎬 Apply for Filmmaker Breakthrough Mentorship: https://indiespunk.com/filmmaker-breakthrough 🎥 Join our Filmmaker Database: https://indiespunk.myflodesk.com/filmmaker-database  📩 DM us on Instagram: https://www.instagram.com/indiespunkunfiltered

    35 min
  2. on Dictator Directors, Paid vs. Unpaid Jobs, and Do We Watch Enough Films?? ⏐ S5E7

    24 FEB

    on Dictator Directors, Paid vs. Unpaid Jobs, and Do We Watch Enough Films?? ⏐ S5E7

    "Is it unethical to ask people to work for free on your film if you have $0 budget? What's the line between collaboration and exploitation??"This week, we’re answering your questions about unpaid labor in indie filmmaking, when saying "no budget" is honest or it's actually just lazy, how to avoid being a dictator director while still prioritizing efficiency, and whether or not you're less of a filmmaker if you don't watch as many films as your peers.Our motto: If you want to build a career in this industry, how you treat people on your first $0 project will follow you into your first $1M one.In this episode we get into:– Camera tests for our feature film.– Taking financing meetings at SXSW– Our thoughts on the Independent Spirit AwardsWe also talk about why we desperately need technology that lets us erase our memory so that we can watch "The Matrix" again for the first time.... :DIf you’re trying to make something with nothing — listen before you hit “send” on that crew text.Get Anonymous Advice On The Podcast: ⁠https://forms.gle/sMWovGuD8JC9Crxu7⁠Apply for Filmmaker Breakthrough Mentorship: https://indiespunk.thrivecart.com/filmmaker-breakthrough-2026/Join our Filmmaker Database to be considered for our films: https://indiespunk.myflodesk.com/filmmaker-databaseSend us a DM on instagram:https://www.instagram.com/indiespunk ⁠& ⁠https://www.instagram.com/beckbennion

    42 min

About

Hosted by award-winning filmmakers & creative partners Beck Bennion & Izzy Stevens. Tune in for unfiltered, sometimes unhinged, always entertaining advice on navigating your film career, communicating with your creative collaborators, stepping into leadership roles, getting your films funded, and building success—all while not letting your personal life totally fall apart.