The Big Book Project

Lori Feathers

The Big Book Project is a multi-venue reading experience for bibliophiles fascinated by long or dense works of fiction and interested in discussing them with others, one novel at a time. The works selected will be capacious novels from the mid-nineteenth century through today that possess an abundant writing style or complexity in structure and themes. The notion that reading need not be a solitary activity has special resonance with these novels given that there is much to discuss, elaborate upon and question in the authors’ expression of ideas. I like to think of these novels as abundant because I appreciate their richness and volume, characteristics bestow a sort of grace to luxuriate with the text. The critic and scholar Alexander Nehamas writes that when a work of art beckons, it is because we do not fully understand it but feel the strong desire to do so. And it is this deliberative process, the journey, of trying to understand why a novel is extraordinary that I want to explore with fellow readers at The Big Book Project.We discuss books like Roberto Bolaño’s 2666

  1. 2 Sept

    The Latin American Tradition of Voracious Reader-Writers

    Anxieties of Experience, with Professor Jeffrey Lawrence Lori talks with scholar, translator, and novelist Professor Jeffrey Lawrence about his book Anxieties of Experience:The Literatures of the Americas from Whitman to Bolaño.  Lawrence's thesis is that authors in the United States have traditionally written from experience, ala the mantra, “write what you know.” Look at Ernest Hemingway or the Beats. In contrast, authors in Latin American and the Iberian peninsula come to writing from a tradition of voracious reading. Lori and Jeffrey get into how Borges's reputation amongst Latin American authors evolved during the twentieth century from being criticized by the left as a writer hiding in his library to becoming a master figure for authors like Bolaño, and why the American sections of 2666 and The Savage Detectives feel so real when, by every account, Bolaño never set foot in the United States. The second half turns into a wonderful discussion on recommended Latin novels with Jeffrey recommending Cervantes, Mercè Rodoreda’s The Time of the Doves, Fernanda Melchor’s Hurricane Season, Mariana Enriquez’s Our Share of Night, Rosario Castellanos’s The Book of Lamentations, Ricardo Piglia’s Artificial Respiration, Samanta Schweblin’s Fever Dream, and more! He also talks about two projects of his own: a translation of Marta Aponte Alsina’s PR 3 Aguirre, a 400-page novel about an American-owned sugar factory in Puerto Rico that he thinks would make a great big book for the show, and a Spanish-language bookstore he is opening in Manhattan’s East Village this October. Watch above, or listen wherever you get your podcasts.

  2. 21 Aug

    Anjet Daanje's The Song of Stork and Dromedary with translator David McKay

    Translator David McKay returns to the show fifteen months after his last visit when we discussed Daanje's The Remembered Soldier, which would go on to win the 2025 Republic of Consciousness Prize. McKay's latest collaboration with Daanje is another monumental novel, The Song of Stork and Dromedary, out now from FSG. In Daanje's home country the Netherlands this novel did something no book had done before, winning both of the country's two major literary prizes in the same year. Eleven chapters spanning 1788 to 2030. At the center is Eliza May Drayden, a parson’s daughter in a Yorkshire village who publishes one strange, badly received novel the same year her sister Millicent publishes a wildly successful one. Readers will recognize Daanje's sisters as modeled after the Brontës, and very early in the novel, like Emily Brontë, Eliza May dies young. What follows are stories of other women through decades and centuries reaching for this writer they can’t manage to recover, stymied by contradictory biographies, a notebook nobody can decipher, and an empty grave. Sisterhood is a strong theme in the novel, and recurring motifs punctuate the linkages among the various narratives. Lori and David get into the altered Emily Brontë poems that open each chapter, how the novel is structured more like a long piece of classical music than a conventional narrative, and David's work translating the text. David also reads a passage from the book. It's a remarkable novel, and David, as always, is an engaging discussion partner. Watch above, or listen wherever you get your podcasts. And please check-out David's series of readings from the novel here: https://www.youtube.com/@the song of stork and dromedary

  3. 24 Jul

    Sasha Sokolov's A School for Fools and Between Dog and Wolf, with Jose Vergara

    https://substack.com/@thebigbookproject Lori is joined by Jose Vergara, Associate Professor of Russian at Bryn Mawr College, for a deep dive on Sasha Sokolov, the great destabilizing stylist of Soviet literature and a true writer’s writer. Together they read through Sokolov’s first two novels, A School for Fools (New York Review Books Classics) and Between Dog and Wolf (Columbia University Press), both translated by Alexander Boguslawski. They get into: the boy narrator of A School for Fools, his double, and his “problem with time,” railroads, and the dreamlike stream of consciousness passages; the alternating prose and poetry of Between Dog and Wolf, the title’s meaning, birds, butterflies, and transformation as an escape from Soviet constraint. They also discuss Sokolov’s exile and his fascination with the “how” of art. Sokolov's novels are not without their challenges, but Jose's indispensable annotated guide to Between Dog and Wolf can help you on your journey of this important work: https://encyclopediaofthedog.com/ Other books mentioned: Astrophobia and In the House of the Hanged, Essays, both by Sasha Sokolov, Maidenhair and The Light and the Dark (Mikhail Shishkin), and Fathers and Sons (Ivan Turgenev). ⏱️ Chapters 00:00 "Time doesn't make sense to him" 00:47 Welcome and meet Jose Vergara 02:26 Why Sokolov is a writer's writer 07:45 Inside A School for Fools 11:12 The double and the problem with time 12:44 Veta, the railroad, and a passage read aloud 16:13 How to read a destabilizing novel 23:29 Birds, butterflies, and transformation 28:03 Deformity and disability in Sokolov 36:26 Between Dog and Wolf: structure and story 44:17 The river, the living, and the dead 46:58 A poem read aloud: "Return" 1:00:13 Influences: Joyce, painting, and music 1:04:41 Who Sokolov influenced: Mikhail Shishkin 1:09:00 Why these big books are worth the struggle

  4. 15 May

    Steven Moore on "Last Time Around," William Gaddis & the Future of the Big Novel

    https://substack.com/@thebigbookproject (Lori recorded this interview on a different device, and we apologize for the poor quality of her audio.) For five decades Steven Moore has been one of the most thoughtful champions of the kinds of novels we read at The Big Book Project — the abundant, stylistically ambitious works that reward slow attention. He is the foremost scholar on William Gaddis, the editor who worked alongside David Foster Wallace on Infinite Jest, author of a two-volume alternative history of the novel, and a former editor at Dalkey Archive Press. If your bookshelves are groaning under the weight of capacious fiction there is a very good chance that Steven Moore played some role in getting it out into the world. In this conversation Steven joins host Lori Feathers to discuss his new collection, Last Time "Around": Essays, Reviews, Interviews. They discuss why Gaddis turned toward the nineteenth-century Russians, what W. M. Spackman understood about style that most critics still miss, and why a sense of humor is closer to a sense of rebellion than to mere lightness. The conversation moves into the question of artistry, that elusive quality that separates literature from fiction, and Steven argues for the kind of close attention that asks why an author chose dusk rather than twilight — the choices that take a second reading to even notice. They discuss the small presses that have come to the rescue of literature, dwindling book coverage, and whether there is still an audience for the big, brainy, erudite novel of the kind that once changed Moore’s life. Toward the end Lori draws Steven into a round-robin, asking Steven to opine on novels by, among others, Lucy Ellmann, Susanna Clarke, Mervyn Peake, Joseph McElroy, Gertrude Stein, John Cowper Powys, and James Elkins. If you love long novels, dense novels, novels that ask something of you — subscribe to The Big Book Project on YouTube and follow along on Substack. Host Lori Feathers reads the abundant works of fiction with fellow bibliophiles, one extraordinary novel at a time.

About

The Big Book Project is a multi-venue reading experience for bibliophiles fascinated by long or dense works of fiction and interested in discussing them with others, one novel at a time. The works selected will be capacious novels from the mid-nineteenth century through today that possess an abundant writing style or complexity in structure and themes. The notion that reading need not be a solitary activity has special resonance with these novels given that there is much to discuss, elaborate upon and question in the authors’ expression of ideas. I like to think of these novels as abundant because I appreciate their richness and volume, characteristics bestow a sort of grace to luxuriate with the text. The critic and scholar Alexander Nehamas writes that when a work of art beckons, it is because we do not fully understand it but feel the strong desire to do so. And it is this deliberative process, the journey, of trying to understand why a novel is extraordinary that I want to explore with fellow readers at The Big Book Project.We discuss books like Roberto Bolaño’s 2666

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