The Met

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ଚ୍ୟାନେଲ୍ • 3ଟି ଶୋ’

ଭିଜୁଅଲ୍ ଆର୍ଟ୍

ଭିଜୁଅଲ୍ ଆର୍ଟ୍

ଦ୍ବି-ସାପ୍ତାହିକ ଅପ୍‌ଡେଟ୍
ଭିଜୁଅଲ୍ ଆର୍ଟ୍

ଭିଜୁଅଲ୍ ଆର୍ଟ୍

ସାପ୍ତାହିକ ସିରୀଜ୍
ଭିଜୁଅଲ୍ ଆର୍ଟ୍

ଭିଜୁଅଲ୍ ଆର୍ଟ୍

ସାପ୍ତାହିକ ସିରୀଜ୍

ସୀଜନ୍‌ 1 ଟ୍ରେଲର୍

Introducing: Frame of Mind

Are you looking for ways to calm your mind and find inspiration? Frame of Mind, an uplifting podcast from The Met, presents all kinds of personal stories about how art supports well-being. Discover how art has the power to connect, inspire, and restore us wherever we are. Frame of Mind launches Wednesday, February 23, 2022. www.metmuseum.org/frameofmind #FrameofMind See omnystudio.com/listener for privacy information.

ସୀ1 ଟ୍ରେଲର୍

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1 ମି.
06/04/2024

Stone: Making and Breaking Legacies

What happens when the unbreakable breaks? Throughout art museums around the world, you’ll find ancient stone statues of rulers and marble monuments immortalizing noblemen. These objects were made to survive decay and destruction, to remain intact and whole. But from the moment that stone is extracted from the earth, it is bound to become a more fragmented version of itself–chiseled, chipped, and sometimes shattered over time. In this episode, we examine the many ways that stone breaks. How can a statue’s cracks and cavities tell a more complex story of our humanity? Guests: Jack Soultanian, Conservator, Objects Conservation, The Met Carolyn Riccardelli, Conservator, Objects Conservation, The Met Robert Macfarlane, nature writer and mountaineer Erhan Tamur, former Andrew W. Mellon Postdoctoral Curatorial Fellow, The Met Sarah Graff, Curator, Ancient Near Eastern Art, The Met Featured artworks: Tullio Lombardo, Adam, ca. 1490–95: https://www.metmuseum.org/art/collection/search/197822 Statues of Gudea, Neo-Sumerian, ca. 2120–2090 BCE: https://www.metmuseum.org/art/collection/search/329072 https://www.metmuseum.org/art/collection/search/324061 https://collections.louvre.fr/en/ark:/53355/cl010119539 For a transcript of the episode and more information, visit metmuseum.org/immaterialstone #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Muller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. See omnystudio.com/listener for privacy information.

06/04/2024

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43 ମି.
07/06/2022

Shells

It all begins with a sea creature—a snail called a conch—and the mathematically perfect spiral it transforms into a home, which we humans then put to our lips and play like a trumpet. Throughout time and cultures, conch shells have been used to communicate across great distances, from signaling on the battlefield to connecting with the divine. Hear stories about a jazz musician who plays the conch to connect with his ancestors, why a sacred Incan site way up in the Andes became a ceremonial conch concert hall, and how a conch shell made its way from the depths of the ocean to echoing through the Great Hall of The Met. Guests: Bradley Strauchen-Scherer, curator, Musical Instruments, The Metropolitan Museum of Art Markus Sesko, associate curator of Asian arms and armor, Arms and Armor, The Metropolitan Museum of Art Steve Turre, master jazz trombonist and seashellist Jim Waterman, founder and owner of Shell World Miriam A. Kolar, scholar of archaeoacoustics and lead investigator for the Chavín de Huántar Archaeological Acoustics Project Featured object: Conch Shell Trumpet, late 19th century. Vanuatu, Melanesian. Conch shell, 12 x 6 in. (30.5 x 15.2 cm). The Metropolitan Museum of Art, New York, The Crosby Brown Collection of Musical Instruments, 1889 (89.4.772) For a transcript of this episode and more information, visit metmuseum.org/immaterial #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Elyse Blennerhassett. Music in this episode performed and composed by Steve Turre, Lemon Guo, Sophia Shen, Elyse Blennerhassett, Austin Fisher, and Chris Zabriskie. Shell recordings from Chavin provided by Miriam Kolar and performed by Miriam Kolar, Robert Silva, Ricardo Guerrero La Luna, Riemann Ramirez, Ronald San Miguel, and Tito La Rosa. Special thanks to Tim Caster, Markus Sesko, John Guy, Maia Nuku, James Doyle, Julia Waterman, Paul Schneider, and Peter Rinaldi. See omnystudio.com/listener for privacy information.

07/06/2022

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40 ମି.
07/20/2022

Jade

Deep in the riverbeds of Aotearoa New Zealand’s South Island, you’ll find a stone that’s as hard as steel and as green as the first breath of the earth. It’s called pounamu, or nephrite jade. It’s been formed into everything from adzes to earrings, including hei tiki, greenstone pendants handed down in Māori families for generations. Meet a pair of hei tiki—one with two hundred years of family history, and one that's being brought back to life in The Met. From their start as colonial institutions, you'll hear about the role museums can play in setting taonga, or treasures, free. Guests: Dougal Austin, senior curator, Mātauranga Māori, Te Papa Tongarewa The Museum of New Zealand Dan Hikuroa, senior lecturer in Māori Studies, University of Auckland Maia Nuku, Evelyn A. J. Hall and John A. Friede Associate Curator for Oceanic Art, Oceanic Art in The Michael C. Rockefeller Wing, The Metropolitan Museum of Art Lisa Ruaka Reweti, public programs presenter, Whanganui Regional Museum Featured object: Greenstone pendant (hei tiki). Aotearoa New Zealand, Maori. Nephrite jade (pounamu), H. 6 1/8 in. (15.5 cm); W. 3 in. (7.6 cm); D. 1 in. (2.5 cm). The Metropolitan Museum of Art, Gift of Heber R. Bishop, 1902 (02.18.315) For a transcript of this episode and more information, visit metmuseum.org/immaterial #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong and Rachel Smith. Special thanks to Chanel Clarke and Cellia Joe-Olsen. See omnystudio.com/listener for privacy information.

07/20/2022

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41 ମି.
08/03/2022

Linen

Take a spin through The Met and you’ll find thousands of items made from linen. From a 3,500 year old sheet from Ancient Egypt, to a Giorgio Armani suit from the 1980s, linen has been a symbol of wealth and authority. But it's also been a tool for the oppression and exploitation of enslaved people in the American South, and an engine of work and comfort in the Victorian era. Suit up as we undress the legacy of linen through its complex, layered symbolism. Guests: Catharine H. Roehrig, curator emerita, Egyptian Art, The Metropolitan Museum of Art Rachel Tashijian, fashion critic and fashion news director, Harper’s Bazaar Jonathan Square, The Gerald and Mary Ellen Ritter Memorial Fund Fellow, The Costume Institute, The Metropolitan Museum of Art Cora Harrington, lingerie expert, founder of The Lingerie Addict, and author of In Intimate Detail: How to Choose, Wear, and Love Lingerie Objects featured in this episode: Length of Very Sheer Linen Cloth, ca. 1492–1473 B.C. Egypt, New Kingdom. Linen, Greatest length 515 cm (202 3/4 in); Greatest width 161 cm (63 3/8 in); Weight 140 grams (5 oz.); 46 warp x 30 weft per sq. cm. The Metropolitan Museum of Art, New York, Rogers Fund, 1936 (36.3.111) Armani linen suits (various) Nineteenth-century lingerie (various) For a transcript of this episode and more information, visit metmuseum.org/immaterial #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Eleanor Kagan. Special thanks to Emilia Cortes, Jessica Regan, Mellissa Huber, Janina Poskrobko, Cristina Carr, Kristine Kamiya, Minsun Hwang, and Dr. Vanessa Holden. See omnystudio.com/listener for privacy information.

08/03/2022

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44 ମି.
08/31/2022

Metals, Part Two

In the second part of our alchemical journey, we meet what ancient philosophers called the “noble” metals: mercury, silver, and gold. How did a nineteenth-century set designer harness one of the most captivating—and toxic—materials in the world and wind up as one of the fathers of photography? When does a coin go from a piece of stamped metal to an act of faith? And how did gold in Ghana go from dust in the water to a touchstone of language, story, and the strength of an empire? Guests: Yaëlle Biro, former associate curator for the Arts of Africa, African Art in The Michael C. Rockefeller Wing, The Metropolitan Museum of Art Daniel Carrillo, studio photographer Benjamin Harnett, independent scholar of ancient technology and digital engineer, The New York Times Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art Irene Soto Marín, economic historian and assistant professor of ancient history, Harvard University Yaw Nyarko, professor of Economics, New York University Stephen Pinson, curator, Photographs, The Metropolitan Museum of Art Objects featured in this episode: Works of Louis-Jacques-Mandé Daguerre (various) Roman coins (various) Staff of Office: Figures, spider web and spider motif (ȯkyeame), 19th–early 20th century. Ghana. Akan peoples, Asante group. Wood, gold foil, nails, H. 61 5/8 x W. 5 3/4 x D. 2 1/4 in. (156.5 x 14.6 x 5.7 cm). The Metropolitan Museum of Art, New York, Gift of the Richard J. Faletti Family, 1986 (1986.475a-c) For a transcript of this episode and more information, visit metmuseum.org/immaterial #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong. Special thanks to Alan Shapiro, Bobby Walsh, Lauren Johnson, and Kwabena and Rose Gyimah-Brempong. See omnystudio.com/listener for privacy information.

08/31/2022

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50 ମି.
08/17/2022

Metals, Part One

Philosophers and scientists have tried for millennia to crack the code of alchemy: the art of turning lead into gold. But alchemy goes much deeper than that—it gives us a framework for turning metal into story. In the first of a two-part episode on the metals of alchemy, we explore iron, bronze, lead, and copper. Our stories go deep into the basement of The Met, and back in time to a waterlogged ancient tomb. You’ll hear about books that dazzle, puppets that weep, and the long lost sound of a 2000-year-old bell. Guests: Edward Hunter, armorer and conservator, Arms and Armor, The Metropolitan Museum of Art Marco Leona, David H. Koch Scientist in Charge, Scientific Research, The Metropolitan Museum of Art Ali Olomi, professor of Middle East, Islamic, and Global Southern history, Penn State Abington Kannia Rifatulzia, translator, In-depth Creative Defri Simatupang, archaeologist, North Sumatera Archaeology Center, Indonesia Zhixin Jason Sun, Brooke Russell Astor Curator of Chinese Art, Asian Art, The Metropolitan Museum of Art Yana Van Dyke, conservator, Paper Conservation, The Metropolitan Museum of Art Objects featured in this episode: European armor (various) Zhong bells (various) Puppet Head (Si Gale-gale), late 19th–early 20th century. Indonesia, Sumatra. Toba Batak people. Wood, copper alloy, lead alloy, water buffalo horn, paint, H. (without pull rope) 13 1/4 in. x W. 6 in. x D. 6 1/2 in. (33.7 x 15.2 x 16.5 cm). The Metropolitan Museum of Art, New York, Gift of Fred and Rita Richman, 1987 (1987.453.6) Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30. Opaque watercolor, ink, silver, and gold on paper. The Metropolitan Museum of Art, New York, Gift of Arthur A. Houghton Jr., 1970 (1970.301.1–78) For a transcript of this episode and more information, visit metmuseum.org/immaterial #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camile Dungy. This episode was produced by Adwoa Gyimah-Brempong. Field production by Tanita Rahmani. Special thanks to Sheila Blair, Lauren Johnson, and G. Willow Wilson. See omnystudio.com/listener for privacy information.

08/17/2022

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57 ମି.
09/10/2024

Time: Keeping Digital Art Alive

How do art conservators save video art from obsolescence? If a painting on canvas rips or a marble sculpture shatters to pieces, art conservators are trained to respond accordingly and repair it. Artworks that unfold over time – like videos and software based works – are a different thing altogether. These artworks are made using cutting-edge technologies that are constantly being updated. If the “canvas” or medium an artwork is made on keeps shifting, how do art conservators protect these works from obsolescence? Guests: Jonathan Farbowitz, time-based media conservator Jennifer and Kevin McCoy, artists Ho Tzu Nyen, artist Nora Kennedy, Sherman Fairchild Conservator In Charge, Photograph Conservation Featured artworks: Thomas Tompion (clockmaker) Jasper Braem (case), Longcase clock with calendrical, lunar, and tidal indications, also known as the Graves Tompion, ca. 1677–80: https://www.metmuseum.org/art/collection/search/209296 Jennifer and Kevin McCoy, Every Shot, Every Episode, 2001: https://www.metmuseum.org/art/collection/search/284985 Ho Tzu Nyen, The Critical Dictionary of Southeast Asia, 2017–present: https://cdosea.org Cover art: Joseph Knibb (clockmaker), Longcase clock with calendar, ca. 1680–85: https://www.metmuseum.org/art/collection/search/205601 For a transcript of the episode and more information, visit metmuseum.org/immaterialtime #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Mueller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. Special thanks to Adwoa Gyimah-Brempong, Avery Trufelman, associate conservator Jonathan Farbowitz, conservator in charge Nora Kennedy, collections technician Sam Winks, Kevin and Jennifer McCoy, Ho Tzu Nyen, associate curator Lesley Ma, and associate curator Lauren Rosati. See omnystudio.com/listener for privacy information.

09/10/2024

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37 ମି.
07/30/2024

Chia: Beyond Superfoods and Infomercials

What can the tiny chia seed reveal about the history of oil painting? For centuries, one of the most prized mediums of art at museums like the Met has been oil painting, a European tradition embodied by the so-called "old masters." This is the story of how the oil of the chia seed — yes, the same one that’s a staple add-on for smoothies and acai bowls — and its origins in Mexico could help us look at oil painting and our world with fresh eyes. Guests: Elsa Arroyo, Mexican paintings conservator Ronda Kasl, Curator of Latin American Art, The American Wing, The Met Monica Katz, Conservator, Hispanic Society José Luis Lazarte Luna, Assistant Conservator, Paintings Conservation, The Met Roger Danilo Carmona, General Manager, Kremer Pigments Inc. Julie Arslanoglu, Research Scientist, The Met Mario Gaspar, Lacquerware artist Featured artworks: José Manuel de la Cerda, Turnus Provoked into War by Aeneas, ca. 1764: https://www.metmuseum.org/art/collection/search/841656 Juan Correa, The Virgin of Valvanera, ca. 1710: https://www.denverartmuseum.org/en/object/2008.832 Juan Correa, Allegory of the Holy Sacrament, ca. 1690: https://www.denverartmuseum.org/en/object/2015.570 Juran Correa, Angel Carrying a Cypress (Ángel portando un ciprés), ca. 1680-1690: https://collections.lacma.org/node/1034999 For a transcript of the episode and more information, visit metmuseum.org/immaterialchia #MetImmaterial Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy. Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith. Sound design by Ariana Martinez and Kristin Muller.Original music by Austin Fisher.Fact-checking by Mary Mathis and Claire Hyman.Special thanks to Adwoa Gyimyah-Brempong. Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund. And special thanks to Aleks Popowich, Alfonso Miranda Marquez, Beatriz Ortega, Marco Leona, and Avery Trufelman. The research presented within has been made possible in part by the National Endowment for the Humanities: Democracy demands wisdom. See omnystudio.com/listener for privacy information.

07/30/2024

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44 ମି.
ସୀଜନ୍ 1, ଏପିସୋଡ୍‌ 5

Access to Inspiration

When spaces are inaccessible, they aren’t inclusive, literally and figuratively, which affects us all. Meet Lakshmee Lachhman-Persad, a digital marketer, and her sister Annie Lachhman, an artist born with cerebral palsy who uses a wheelchair. Originally from Guyana, they often seek out New York City’s cultural offerings with their multi-generational family. When Lakshmee found there wasn’t much practical information available for planning visits for people with disabilities, she founded Accessible Travel NYC, a website to share stories, photographs, and realistic tips about getting around. Hear how visits to The Met have inspired Annie’s creativity and deepened Lakshmee’s view that disability—whether among artists or others—is something to be celebrated, not overcome. Guests: Lakshmee Lachhman-Persad, digital marketer and founder of Accessible Travel NYC and Annie Lachhman, artist Featured object: Claude Monet (French, 1840–1926). Water Lilies, 1919. Oil on canvas, 39 3/4 x 78 3/4 in. (101 x 200 cm). The Metropolitan Museum of Art, New York, The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1998, Bequest of Walter H. Annenberg, 2002 (1998.325.2) www.metmuseum.org/frameofmind #FrameofMind See omnystudio.com/listener for privacy information.

ସୀ1, ଅଃ5

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17 ମି.

The Metropolitan Museum of Art presents over 5,000 years of art from around the world for everyone to experience and enjoy.

ୱେବ୍‌ସାଇଟ୍‌

The Met

ଶ୍ରେଷ୍ଠ ଶୋ’

Introducing: Frame of Mind

Stone: Making and Breaking Legacies

Shells

Jade

Linen

Metals, Part Two

Metals, Part One

Time: Keeping Digital Art Alive

Chia: Beyond Superfoods and Infomercials

Access to Inspiration

ବିଷୟରେ

The Met

ଶ୍ରେଷ୍ଠ ଶୋ’

ଶ୍ରେଷ୍ଠ ଏପିସୋଡ୍

ବିଷୟରେ