25 episodi

The Business is a weekly podcast featuring lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors. The show is hosted by award-winning journalist Kim Masters of The Hollywood Reporter and produced by KCRW. Past guests include Norman Lear, Ava DuVernay, Matt Damon and Ice Cube.

The Business KCRW

    • Film e TV

The Business is a weekly podcast featuring lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors. The show is hosted by award-winning journalist Kim Masters of The Hollywood Reporter and produced by KCRW. Past guests include Norman Lear, Ava DuVernay, Matt Damon and Ice Cube.

    Bradley Cooper on ‘Licorice Pizza’ and ‘Nightmare Alley’

    Bradley Cooper on ‘Licorice Pizza’ and ‘Nightmare Alley’

    Multi-hyphenate Bradley Cooper is out with two new films. There’s “Licorice Pizza,” in which he plays real-life wild man producer Jon Peters, and “Nightmare Alley,” where he stars as carnival worker-turned-con man Stanton Carlisle. Cooper commits to all his roles but says it was a challenge to bare all in Guillermo del Toro's dark drama, “Nightmare Alley.” “It demanded that we be naked — emotionally and soulfully and even physically for me, which actually was a big deal,” Cooper says. “I still remember that day, just to be naked in front of the crew for six hours. … It was pretty heavy.” In the first of a two-part interview, Cooper talks about how he prepared for each role. His short but memorable turn as Jon Peters was just nominated for a SAG Award. And Cooper has another connection to Peters — Cooper made 2018’s “A Star is Born,” a remake of a 1954 film that producer Jon Peters had already re-made in 1976 with his then-girlfriend, Barbra Streisand. Cooper tells KCRW why he was so committed to writing and directing a remake of a remake, even though everyone told him not to do it.

    • 28 min
    Asghar Farhadi on his Oscar-shortlisted film 'A Hero'

    Asghar Farhadi on his Oscar-shortlisted film 'A Hero'

    Iranian director Asghar Farhadi has won two Oscars and could be up for a third. His new movie “A Hero” is on this year’s shortlist for Best International Film. Working in his home country, Farhadi makes compelling cinema despite strict government censorship.

    • 28 min
    Director Maggie Gyllenhaal on ‘The Lost Daughter’

    Director Maggie Gyllenhaal on ‘The Lost Daughter’

    Actress and now director Maggie Gyllenhaal wanted to set her new drama “The Lost Daughter” in Maine, but New Jersey offered a better tax credit. So the plan was to shoot in New Jersey until Gyllenhaal decided it just didn’t feel right. Gyllenhaal tells KCRW about finding her power as a director and how she ended up making “The Lost Daughter” in Greece.

    • 28 min
    Megabanter 2021: Streaming wars get real, legacy studios at risk

    Megabanter 2021: Streaming wars get real, legacy studios at risk

    It's time for the 2021 Megabanter! The streaming wars ramped up. Scarlett Johansson sued Disney. And Netflix was the envy of all with “Squid Game.”

    • 28 min
    Oscar winner Mahershala Ali on ‘Swan Song’

    Oscar winner Mahershala Ali on ‘Swan Song’

    Mahershala Ali has worked for 20 years, earning Oscars for “Moonlight” and “Green Book.” But the new drama “Swan Song” is his first leading film role. He’s also a producer on the project, which came naturally since he feels he’s been doing some of that work — without the credit — for years. Ali tells us why “Swan Song” was the right film for him to take on a role behind the camera too.

    • 28 min
    ‘Flee’: Using animation to protect an Afghan’s identity

    ‘Flee’: Using animation to protect an Afghan’s identity

    Documentarian Jonas Poher Rasmussen long wanted to tell the story of his friend, who fled Afghanistan as a child and ended up alone in a Danish town. But that friend didn’t want his identity revealed, and there was no footage of his journey. The answer was animation. Rasmussen’s movie “Flee” is now Denmark’s Oscar submission for Best International Film.

    • 28 min

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