Photography Breakthrough System

Matthew Jordan Smith

Welcome to the Photography Breakthrough Podcast, the place where burnt out photographers come back to life. Where fear gets replaced with confidence and where your gift finally starts working for you, not against you.

  1. 6 HR AGO

    Episode 34 - Why Clients Hesitate Even After They Love Your Work

    Why Clients Hesitate Even After They Love Your Work Hi, and welcome to the podcast. I'm Matthew Jordan Smith, and this is the Photography Breakthrough Podcast. Let me begin by describing a moment and see if this feels familiar to you. Someone comments on your work. They send you a direct message. They say things like, I love your photos. Your work looks beautiful. This really connects with me. You feel hopeful. And then nothing. No booking, no follow up. No yes. And you are left thinking, if they love my work, why aren't they hiring me? That question is one of the most frustrating experiences a photographer can have. You know what I mean? So today we're going to answer it clearly, calmly, and without blaming you or your work. Here's the truth that most photographers never hear. People don't book photographers when they simply admire them. They book you when they trust themselves inside the experience. You see, admiration and action are not the same thing. And the gap, that huge gap between them, is where most bookings fall apart. When they say, I love your work, it isn't the green light we think it is. So let's slow this down. When someone says they love your work, what that really means is your images caught their attention, your style resonates with them, your taste is clear. And that is important. But it's only the first step. Because the next question they're asking is much quieter and much more personal. What would it feel like to be photographed by this person? If they can't answer that question clearly, they hesitate even when they love what they see. You see, most photographers are showing results. Very few show the process. You show finished images, beautiful faces, strong aesthetics. But clients are imagining their own awkwardness, their discomfort, their fear of looking bad, their uncertainty about what to do in front of your camera. If your messaging doesn't bridge that gap, that admiration stalls and goes quiet. Not because you did anything wrong, but because no one showed them the way. This is not about posting more. It's not about better captions. It's not about more reels or reach or consistency posting. This is about emotional orientation. People don't move forward when they feel disoriented, even if they're impressed with your beautiful work. They move forward when someone helps them understand what happens next, how they'll be guided, what role they play, and how they'll be taken care of. Listen to this language. I create authentic portraits. I capture real moments. My sessions are relaxed and fun. Now, none of that is wrong. But none of that tells a nervous client what to expect, the one who's on the edge. So they fill in the blanks themselves. And when people are already self-conscious, the story they fill in is rarely generous. Now, here's the shift that changes everything. Stop trying to be impressive. Start taking them through the process. Instead of asking, does this show how good I am? Ask, does this help someone imagine themselves feeling great? That's the difference between admiration and trust. Trust is built when language answers questions. Questions like, will I be told what to do? Will I feel rushed? Will I feel judged? Will I regret this? Trust sounds like, most of my clients feel awkward at first, and that's expected. I guide you the entire time. Or my process is structured so you never have to guess what to do. Or maybe something like this. You don't need to be confident when you arrive. That comes later. That language creates movement, and movement turns into bookings. And here's the part that really matters. Because a lot of photographers are also saying things quietly to themselves. It's the quiet voice that's filled with fear. What if I'm over promising? What if I sound arrogant? So a lot of photographers stay vague. But vagueness doesn't feel humble to clients. It feels uncertain. And you already know any type of uncertainty creates hesitation. And if there's any hesitation, it turns into a ghost situation. So what's the real reason why clients ghost you? Most clients don't disappear because they lost interest, like you might think. They disappear because they couldn't decide. And indecision usually means one thing. I like this, but I don't feel confident yet. Now, your job is not to convince them. Your job is to steady them. So here's a question you can ask yourself when reviewing your site, your Instagram, your captions, how you respond to people. If someone has never been photographed before, would my messaging help them feel less alone? If the answer is no, change your language. Change your messaging. You don't need more content. You need more containment. And when you close that gap, inquiries turn into bookings. Price resistance goes away. Clients show up more often. And sessions feel easier, not because your work has changed, but because the experience becomes clearer. Today, let me leave you with this. People already admire your work. That's not the problem. They just need help crossing the bridge from admiration to taking action. And that bridge isn't built with more talent. It's built with clarity, guidance, and confidence to say, I know how to take care of you. When you offer that, people stop hesitating and they move forward. I hope this episode helps something click for you. If it did, leave a five star review. It helps this podcast reach photographers who are stuck blaming themselves instead of adjusting their language. Feel free to share this episode with one photographer who keeps hearing, I love your work, but isn't seeing it turn into bookings yet. I'll see you next time on the Photography Breakthrough Podcast. Until then, lead gently. Bye for now.

    9 min
  2. 15 MAR

    Episode 33 - The Inquiry Moment - Where Authority Is Won or Lost

    The Inquiry Moment: Where Authority Is Won or Lost Today, let's talk about what happens when somebody inquires about hiring you. You get a message or a DM or maybe even a call, someone is interested in hiring you. We call that the moment of inquiry. And today's episode is all about why the way you respond matters more than your images, more than your portfolio, more than you think. I want you to think about the last time someone inquired about your work, about hiring you. Was it an email, a direct message, in person, however it happened? Did it make your heart beat a little faster? Now, be honest with yourself. When you replied, were you trying to convince them or were you guiding them? Because in that moment, before pricing, before packages, before availability, your authority was either established or quietly handed away. And most photographers don't even realize what's happening. This is a powerful moment. The moment someone inquires about your work is not administrative. It's emotional. It's the moment where a client is deciding, can I trust this person to take care of me? They're not thinking, are they nice, are they enthusiastic, are they flexible? But will I feel safe, guided, and understood by this photographer? Are they the one for me? And the language you use in this first response answers that question immediately. And sadly, most photographers are not thinking this way. Most photographers respond with something like this: I'd love to work with you. Let me know if you have any questions. Yes, that sounds kind. It does sound polite. It sounds accommodating. But it also sounds unsure. And here's why that matters when your goal is to get the booking. When a client is already nervous about being photographed, uncertainty in any way feels like risk. Permission is a trap. That type of response does something subtle. It asks the client, is this okay? Do you approve? Do you want me? And that puts the client in charge of a process they don't actually want to manage. People don't want to lead their photographer. They want to be led. Now, compare that to this response. Based on what you shared, here's how I'd approach your session and why it works well for people who feel the way you described. What's the difference? One response waits. The other holds. One asks for permission. The other offers leadership. And leadership is calming to your client. You see, there's a journey. Your client or potential client begins the journey, but then they're handing it off to you. And that's when it's time for you to take control and guide them on your journey. Clients reach out because they're uncertain. They don't know what to wear, how to pose, if they'll like themselves in your pictures, if they're making the right choice by choosing you as their photographer. When you step into leadership, you relieve that burden. You are saying, you don't have to figure this out. I've got you. That's not sales. That's care. So why does this feel so hard for so many photographers? Here's the deeper layer. Many photographers soften their language because they don't fully understand or trust themselves yet. They're afraid of sounding arrogant. They're afraid of being rejected. They're afraid of being too much, so they stay agreeable. But agreeableness is not confidence. And clients can feel the difference. I don't want to confuse things because authority is not attitude. Let's be clear about that. Authority is not dominance. It's not being cold in any way. It's not feeling indifferent. Authority gives clarity and does so with kindness. There's a big difference. It's saying, I understand your concerns and I know how to guide you through it. Now we know the problem. Now let's fix it. Here's a structure you can use every single time. Step one, reflect what they said. Let them feel heard. You mentioned feeling uncomfortable in front of the camera. Step two, offer your approach. This is where your authority lives. In sessions like this, I focus on guiding you step by step, so you never feel unsure. Do you see how that feels? It changes things. Step three, recommend the next step. Direction matters. The best next step for us is to dive into a quick consult so I can tailor the session just for you. That's what clients want to hear. Notice you're not asking what they want to do. You are showing them what works. They begin the journey, and you take the reins from there. So what happens when you take the lead, when you shift to guidance? Clients respond faster. Price resistance drops away. Sessions run smoother. Respect for you and your work increases, not because you changed your pricing, but because you changed your posture. And this moment shapes everything that follows. How you show up in the inquiry moment sets the tone for the session, the relationship, the sale, the referral, consistent clients from that point on. If you begin from authority, everything else flows smoothly. This kind of quiet leadership is exactly why clients return to you over and over again. This is the moment when you stand in your authority. Authority doesn't shout. It doesn't need to. It holds. Let me leave you with this today. You don't need to convince people to trust you. You need to give them something solid to trust. The moment when they inquire about hiring you isn't about being chosen. It's about choosing to lead. And when you do that, the right clients don't hesitate. They exhale. They feel held. And they say yes. If you are enjoying these podcast episodes, let me know. If you feel stuck and I haven't touched on your topic, drop me a line. It helps me to prepare future episodes. I want to hear from you. Thank you for your time. Thank you for listening. I look forward to seeing you next week on the Photography Breakthrough Podcast. And yes, I'm Matthew Jordan Smith. You can find me on Instagram simply under that, Matthew Jordan Smith. Until then, lead with certainty, speak with care, and trust yourself enough to guide the process. Bye for now.

    10 min
  3. 8 MAR

    Episode 32 - Why Some Images Stop Us Cold (And Why Yours Can Too)

    Why Some Images Stop Us Cold (And Why Yours Can Too) This has been an emotional year. Maybe you've noticed many people around the world are experiencing emotions they've never felt before. And most of those emotions are based on pictures. Have you stopped to think about that? This year, we've all seen the images that stopped us in our tracks, images that made us pause, images that made us feel something in our chest before we could explain why. Images that stayed with us long after we scrolled past them. And I'm not just talking about photographers noticing this, I'm talking about people everywhere. Across cultures, across borders, across languages being moved by photographs that feel alive, like you were right there seeing it and feeling it. And I want to ask you something important today. Have you ever stopped to think about what it took for that image to exist? Because somewhere in the middle of the chaos, the noise and uncertainty, certainty, and yes, the pain a photographer found clarity. They didn't just see what was happening. They felt it, and they trusted that feeling enough to press the shutter. Here's the truth most photographers overlook. We don't react to images. We react to emotion. That's every person on the planet, always have, always will. For a photographer, an image without emotional truth is just information. An image with emotional truth becomes an experience. An experience, bad or good, is what people remember forever. Think about the images that stopped you this week. Not the technically perfect ones, not the trendy ones, not the ones with the big lighting or sharpness. The ones that stopped you were the ones that made you feel something you recognized. Grief, pain, empathy, relief, strength, tenderness, or the lack thereof. Defiance. Hope. Those images didn't shout. They told the truth. I know many photographers get stuck here. They think emotional images come from big events, dramatic moments, extreme circumstances, and I'm not saying that they don't, because in many cases they do. But not all emotional images come from drama. They do come from presence. From being open enough to feel what's happening while it's happening, instead of trying to control it, pose it, or sanitize it. And that openness, that's the real skill. And let's be totally honest right now. Many photographers, maybe many people, disconnect from their own emotions because it feels safer. For photographers, safer is focusing on settings, safer to hide behind technique, safer to stay busy adjusting instead of feeling. But when you numb yourself, your image is numb too. You can't photograph what you refuse to feel. And when you allow yourself to be emotionally present, something changes. Not just in your work, but in how your clients experience you. Here's something I want you to hear clearly. Clients don't choose photographers based on style. You see, when you are emotionally present, clients relax faster. They trust your direction. They show you real expressions. They stop performing, and suddenly the images deepen, not because you changed your gear, but because you changed how available you were to connect emotionally. Emotion's a funny thing. It works like a mirror. When you allow yourself to be open, your clients unconsciously mirror that openness. If you're guarded, they will be guarded. If you are distracted, they'll stay surface level. If you're present, they'll arrive too. And that's when the images people respond to are created. I know this is an emotional episode, but let's talk about something practical for a second. If people respond to emotion in images, what do you think they respond to in words? The same thing. When your messaging in your marketing is emotional and honest, not dramatic, not performative, but real, people feel it. Instead of saying, I create beautiful portraits, try asking, what do people feel after working with me? Do they feel calm, at peace, seen, grounded, strong, loved? I'm talking about emotions. Emotion doesn't just shape your images. It shapes how people choose you, how they remember you. And here's a practice you can start immediately, no camera required. Before your next photo session, ask yourself, if I were the client, what would I feel walking into my space? During the session, notice what is the emotional temperature right now. After your session, reflect. What moment during your shoot felt the most real? Now, why does all of this matter now? Maybe you've noticed the world is loud. People are overwhelmed. Attention's fractured. The images that cut through the noise, they aren't louder. They're truer. And photographers who learn to trust emotional truth, not perfection, will always matter. They always have. Let me leave you with this today. You don't need to manufacture emotion. You need to allow it. The images that stop people cold aren't planned. They're created by photographers who are willing to be human first, and technical second. When you trust what you feel, your images begin to trust you back, and the world feels that. When your images carry truth, people don't just look. They connect and they remember. If this episode reminded you why you picked up a camera in the first place, drop me a message on Instagram. I'd love to hear from you. Leave a five star review. It helps this podcast reach more photographers who are searching for meaning, not just metrics. And share this episode with anyone who needs to hear it today. Maybe what we all need is permission to feel. I'll see you next week on the Photography Breakthrough Podcast. Until then, stay present, stay honest, and trust the emotion you already carry. Bye for now.

    10 min
  4. 1 MAR

    Episode 31 - Your Portfolio Might Be Working Against You

    Your Portfolio Might Be Working Against YouI've got a question for you. Did you ever think your pictures, your portfolio, your Instagram, that it could be working against you? This episode, it is designed to relieve pressure, restore self-trust, and give clear, actionable guidance, without turning into a technical critique.It speaks directly to photographers who feel stuck, overworked, underbooked, and quietly afraid that deleting images means losing ground. Maybe you already know this. More photos does not mean more bookings. People often ask me, Matthew, how many pictures should I include? How many should I show?I know where that comes from. We think the more we show, the better. And if you've been adding more to your portfolio, hoping this next image will finally be the one that convinces people. I want you to pause with me today, because your portfolio is probably not failing because your work isn't good enough. It may be failing because it's trying to do too much, and that's not a skill problem. It's a clarity problem. Let's get something straight right away.Your portfolio is not a gallery.Have you ever had a friend pull out their smartphone and start showing you pictures, and a hundred photos in, you're wondering, when will they stop? How can I get out of this? That's how clients feel when you show too much, when you keep adding pictures. So let me say that again. Your portfolio is not a gallery. It's not your personal archive. It is not a scrapbook of everything you've ever been proud of.And it's not the thing that proves that you're legitimate. Your portfolio, your images, it has one job. It is a filter. Its job is not to impress everyone. Its job is to quietly say to the right person, your safe. Here, this photo shoot will go well. I know how to guide you. I see you. If your portfolio tries to speak to everyone, it clearly speaks to no one. Most photographers keep too many images in their portfolio for emotional reasons, not strategic ones. You keep images because you remember how hard they were to get. They represent growth. They prove you can do a certain kind of work. You are afraid removing them means erasing progress. I get it. I've had the same feelings in the past. But you've got to remember. All of us must remember, clients don't see your journey. They see a wall of uncertainty.And uncertainty is not what they're looking for when they already feel vulnerable about being photographed. You see, when a potential client scrolls through your portfolio or your Instagram, or your images in any way, they are asking one thing over and over again, will my experience look and feel like this?Not, is this photographer versatile? Can they shoot many styles? Had they worked with lots of different people? Those are photographer questions. Clients want a predictable experience. They want to know, will I feel awkward? Will this photographer guide me? Will I recognize myself in these images? Will I feel respected, calm, and confident before the shoot? During the shoot and after? If your portfolio doesn't answer these questions clearly, well, they hesitate. Let's discuss the three things your portfolio must communicate.Every single image that you show should support at least one of these three things. Number one, emotional safety. Do the people in your images look grounded? Do they look at ease? Do they feel like real human beings, not a performance, not ai, not perfect? For those who are just finding this podcast, you may not know this, but I live in Japan, and there's a phrase here that I love. It's called Wabi-sabi. And what Wabi-sabi means is beauty in imperfection. That's more important today than ever before. Clients are scanning for safety, not perfection. Number two, transformation. Can someone imagine themselves before and after your session? Do your images suggest confidence gained, not just poses? Transformation. Transformation that builds desire. And number three, consistency of voice. Do these images feel like they belong together, or they feel like different photographer is trying on different styles? Consistency creates trust. So the three things you need to show in every picture, emotional safety, transformation, and a consistent voice. Maybe you're thinking, Matthew, but what do I take out? And as we know, a lot of photographers avoid this. So here's what you need to remove. Images that feel like you're proving something. Work that no longer represents how you want to serve people. Photos you keep explaining when asked about them. If your image requires an explanation, justification, it does not belong. Your pictures. Your portfolio should not need footnotes. Photography, great photography speaks for itself. Maybe you're thinking Matthew, but I need variety. Variety is overrated. Clients don't want variety. They want certainty. Variety says, I can do anything. Certainty says I can do this. And I do it well, each and every time. And certainty is far more comforting than range. Let's talk about something you can do this week. Open your portfolio and ask image by image, would I want to be this person? Do I understand how I'd be guided? Does this image reflect how I want clients to feel? If the answer isn't an immediate yes, remove it, not forever, not because it's bad, but because it's not serving the role your portfolio needs to play right now. You see something important happens when photographers edit their portfolio with intention. They stop chasing approval. They stop trying to impress other photographers. They start trusting their voice. And that trust, it comes up everywhere, in inquiries, in pricing, in sessions, and how you speak about your work. This isn't about fewer images, it's about stronger leadership. This simple principle can be found in my latest book, Aretha. Cool. It's not a collection of everything I ever shot on her. It's a curated body of work that reflects trust, consistency, and a long-term relationship built on listening. You can get a signed edition of Aretha Cool at arethacool.com and only there. It's your reminder that editing is not lost. It's authorship. Let me leave you with this today. You don't need a bigger portfolio. You need a clearer one. You don't need to show more. You need to show what matters. Your future clients are not looking for proof that you can do everything. They're looking for reassurance that you can take care of them. Choose images that reflect that truth. And trust that clarity, not volume, is what creates clients. If this episode made you rethink your portfolio, I'd love to hear from you. You can find me on Instagram, under Matthew Jordan Smith, Matthew with two T's. Leave me a message, follow me. Share your thoughts on this episode, and while you're at it, leave a five star review. It helps photographers who are quietly doubting themselves find this perspective sooner. And share this episode with one photographer who's afraid to delete old work, when what they really need is permission to move forward. I know it's hard to take away old images that you love. I've been guilty of it too. But we must, especially if you want to move forward. This is the Photography Breakthrough Podcast, and I'm Matthew Jordan Smith. I look forward to seeing you next week. Trust that less really can be more. Bye for now.

    12 min
  5. 22 FEB

    Episode 30 - Stop Trying to Be Booked - Start Being Chosen

    Stop Trying to Be Booked - Start Being Chosen Hello everyone and welcome to the Photography Breakthrough Podcast. I hope you are having a great day wherever you are. Hard to believe we're in another year. 2026, and if you're listening to this podcast on the day it comes out, we're now past the first month. And maybe you're thinking, I wish I could get booked more as a photographer. I wish I had more clients. Clients who paid me. What I deserve to be paid for my talent. I know you're talented. I see your work. I see you. You're doing everything you know, but you're still not getting clients. If that's you, this episode is for you. Getting booked, getting clients, that's passive being chosen. That needs to be earned. And if you've been working hard. Posting, responding quickly, lowering your prices. Sounding extra friendly, yet still not getting booked, not getting clients. This episode is going to explain why. You see most photographers. They don't lose clients because of lack of talent. They lose them because they're showing up like they're hoping to be picked instead of standing like someone worth choosing. It's a big difference, and I want you to feel the difference between those two very different energies today. If you're honest, you've probably had moments where an inquiry. Comes in and your body reacts before your brain does. You know that feeling. Your heart speeds up. You think, don't mess this up. You overexplain. You soften your language. You try to sound agreeable, flexible, enthusiastic, easy. You tell yourself you're just being kind, but what you're really doing is this. You're trying to reduce the risk of rejection by shrinking your authority and clients smell that a mile away. Even if they can't name it, they feel it. The photographers who are both constantly, they don't chase alignment. They create it. They don't want to be approved. They don't audition for work. They don't sound like they're grateful just to be considered. They lead, and you've really got to hear this leadership, it's what makes clients feel safe, not friendliness, not enthusiasm, not flexibility. Safety authority. Now, let's be clear about something that's a little uncomfortable when you're trying to be booked. Your energy is focused on you. You want the job. And because of that, you're stuck with your fear, thinking about your income, your calendar, and maybe even your worth. But when clients are choosing a photographer, they're focused also on themselves. You've got to understand this. How they'll feel, whether they'll be awkward in front of your camera, if you'll make them look bad, if they'll regret spending the money. If your response doesn't re-center their experience, they hesitate. Not because you did something wrong. But because no one stepped into the role of guiding them. Yes, that's your role. You must guide your clients. You must guide your new potential clients. I want you to think about the last time somebody sent you an inquiry. Maybe it was an email or a DM, but they contacted you. They liked your work, and they wanted to find out what it takes, how much it costs to work with you. Ask yourself honestly, did I try to convince them? Or did I guide them through the process? Most photographers are defaulting to something like this. I'd love to work with you. Let me know if you have any questions. Yes, that sounds polite. It also sounds unsure. Now compare it to this. Based on what you shared, here's how I'd approach your session and why it works well for people who feel the way you described, do you see that difference? Do you feel the difference? One is asking for permission, the other offers leadership. You need to guide your clients through the process , so they can see themselves working with you. They get a glimpse of what it's going to feel like. Now, let's clear this up because this is where a lot of photographers get stuck. Leadership does not mean being cold. I'm not saying that it doesn't mean being dominant. Very different thing . It doesn't mean acting like you don't care if they book you or not. I'm not saying any of that. Leadership means I trust myself enough to guide you clearly. Clients don't want to manage the process. They want to relax inside of it and relaxation. It only happens when someone competent is holding the frame. That has to be you. So here's a direct upgrade you can use starting today. Instead of saying, I'd love to work with you, try something like this. From what you shared, it sounds like you want a session where you feel supported and not rushed. Here's how I can structure that. Do you see how that feels different? Let's do another one. Instead of, let me know what you're thinking. Try something like this. , The next step I recommend is a quick consultation so I can tailor your session for you. Maybe you do a call or a zoom call. This isn't pushy. It's direction and direction leads to a calm client. Who feel secure in what you're going to give. I know this may sound like it's hard, but here's the deeper reason many photographers struggle with this shift. Authority requires self trust. Before external validation, you have to believe your process works before a client is going to confirm it. You have to believe it. You have to stand behind your approach before anyone will ever say yes to working with you. And yes, that might feel scary, especially if you've been told to be humble, grateful, or flexible to succeed. But humility is not the same as minimizing yourself. Stop giving your work away just to be chosen. Let's talk about the consequences of all of this. When you're responding to a client or a potential client in an overly enthusiastic, overly accommodating mode, clients price shop you , sessions feel chaotic. You overdeliver and undercharge, and here's the big one. You feel resentful afterward, not because your clients are bad, but because no one led the process. You see, leadership protects both of you. You are not a vendor. You are not a button pusher. You are someone people trust with how they see themselves. This is intimate work. And intimate work requires confidence, not performance confidence, but grounded certainty, certainty that says, I know how to guide you through this. When I think back about past clients. And Yes, I always think about Aretha Franklin. I, I, I love her. I, I loved working with her. I worked with her for 13 years and everything I've been talking about, it's really why the book Aretha Cool exists. Aretha Cool is my third book, and when I first met her, I just published my first book. The first book was called Sepia Dreams, and it was photographs and interviews of 50 African American celebrities. She was not in the book. I gave her my first book at the end of the shoot, and she loved it, but then she looked at me and said, why am I not in this book? And she didn't really say that kindly, and it hit me, wow, this is the Queen of soul, and she's not in this book with 50 incredible stars. So I told her, then I promise you, one day I would make a book just on you. And true to my word, after 13 years of working with her, I created Aretha Cool. That book is packed with confidence from her side and from mine. What am I talking about? After the first time working with Aretha, she gave me her number. And she told me, if you ever need me for anything, give me a call. Yes. I was shocked that the Queen of soul said that to me. But here's where confidence comes in. I called her about a month later and told her my idea about a shoot. You see, you have to take control sometimes. And not be afraid to do so. Yes, she's a big star, but we had a connection. I felt that on the first shoot, when you feel that, then you can run with it. I gave her my idea. She loved it. That was the second shoot, and that led to 13 years of us working together. If you wanna see what that looks like, get your signed copy of Aretha Cool by just going to arethacool.com. There are two versions of the book. The book is almost sold out, but there are a few copies left. They're all signed. There is a standard edition. You'll see that on the website, aretha cool.com. Each one is signed, but then there's something special as well. There's a limited edition version of Aretha. Cool. That's packed with a lot of wonderful extras. You'll see that on the site as well. From the limited edition version. There were 100 special books. There are about 32 left right now. If you want one of the super special editions, go to arethacool.com. Yes, I loved working with Aretha, but I love all my assignments with all my clients. And I want you to love it too. So let me leave you with this. You don't need more inquiries. You need to show up differently inside the ones you already get. You don't need to convince people to hire you. You need to let them feel held by your clarity. So stop trying to be booked. Start being someone who can be trusted because when you lead with clarity instead of hope, clients don't just respond. They choose you. I want to thank you for your time today and if this episode helped you feel steadier, more grounded, more willing to take up space, please leave a five star review. It helps this podcast reach other photographers who are still stuck trying to earn permission. Feel free to share this episode with one photographer who believes enthusiasm is confidence when what they really need is authority. Thank you for your time today. I wish you all the best and look forward to seeing you again next week. On the Photography Breakthrough Podcast, I'm Matthew Jordan Smith. Bye for now.

    15 min
  6. 15 FEB

    Episode 29 - You're Not Invisible - You're Unclear

    You’re Not Invisible - You’re Unclear Let me start today. By saying something I know many of you are secretly afraid is true, you are not being ignored because you are untalented. You are not unseen as a photographer because the market is saturated. You are not overlooked because you started too late. You are being passed over because people don't know how to choose you. And that hurts because invisibility feels personal. It feels like rejection. It feels like you're shouting into the void while everyone else somehow gets heard. But today I want to take that weight off your chest because what you are experiencing is not failure. It is unclearness, but the great thing is unclarity is fixable. Most photographers who come to me say the same thing in different words. I just feel invisible, but invisibility isn't actually what's happening. What's happening is this, when someone encounters your work, your website, your Instagram. They just don't feel guided. They don't know who you are specifically for. They don't know what problem you solve. They don't know why. Choosing you would feel safe, grounding, and reassuring. So they keep scrolling. And not because you're forgettable, but because your message doesn't give their nervous system anything to hold onto. I also know that many photographers are trying to appeal to everyone, and that is costing you jobs, is costing you clients. It is the most common trap photographers fall into. I hear it all the time. You say things like, I work with everyone. I photograph all kinds of people. I'm open to all sessions. I get it. I know why you do this. Because narrowing your focus feels risky because you are afraid. Clarity will shrink your opportunities. Because somewhere deep down you're thinking if I say no to anyone, what if no one chooses me? But here's the truth that no one tells you. General messaging doesn't create safety. It creates uncertainty. When clients don't immediately recognize themselves in your words, they don't lean in, they hesitate and hesitation doesn't turn into bookings. Your ideal client. It's not browsing photography with excitement. They're browsing with self-consciousness, fear of looking awkward, doubt about their body, their face, their presence. They're looking to see if you can solve a problem with your photography. You see, they're asking silently, will this photographer know what to do with me? I know you took great pictures of somebody else. It made them stop for a second, but what can you do with them if your language as a photographer doesn't answer that question and do so clearly they won't reach out. No matter how beautiful your images are, now here's the coaching moment. Most photographers resist if your message could belong to any photographer. It belongs to no one. And the reason this is hard is because clarity requires ownership. It requires you to say, this is what I stand for. This is who I'm here to serve. You can't serve everybody, and when you try, you're serving no one. When you say, this is what I know how to do exceptionally well, that resonates, and that level of ownership forces you to trust yourself more than the algorithm, the trends, or any of the photographer's approval. Let's stop for a second. I like for you to pause after this episode and complete this sentence. Without softening it, without adding disclaimers. Say this out loud. I am a photographer for people who you fill in the blank and want to feel, fill in the blank. I, let me say that again and say this out loud. I am a photographer for people who fill in the blank space and want to feel fill in the blank. Not anyone. Not everyone, not a little bit of everything. Be honest if you're having a hard time filling it in. Let me give you a few examples. I'm a photographer for people who hate being photographed and want to feel calm and respected, or I'm, a photographer for people who've never liked photos of themselves and want to finally feel proud. Or maybe this one. I am a photographer for people who feel invisible in their own lives and want to be seen clearly. If your chest tightens as you say it, that's clarity activating. I know that feels scary, but here's what no one tells you. Clarity feels like exposure because when you are clear, you're no longer hiding. You are saying, this is the impact my work has, and if someone doesn't choose you after that, it feels personal. But here's the flip side. When someone does choose you from a place of clarity, they arrive pre- trusting you. They show up calmer. They listen to your direction. They value your pricing. Clarity brings you the right clients. Let's do a real time upgrade instead of saying, I love capturing authentic moments. We've all seen that. Try something like this. I guide people who feel awkward in front of the camera, so they never have to wonder what to do with their body or their face. If you're saying something like, I offer lifestyle portrait sessions, try something like this. My sessions are structured so you feel supported, not exposed. You see specific language creates relief and relief creates inquiries. Now, today's episode, it isn't really about messaging. It's about whether you trust yourself enough to define your value without apology. Most photographers aren't unclear because they don't know what they do. They're unclear because they're afraid to claim it. But here's the truth. I want you to hear clearly. You don't become confident after you are booked. You get booked after you practice confidence. Let me leave you with this. You are not invisible. You are in the middle of learning how to speak from truth instead of from fear. The photographers who get booked, they're not louder. They're clearer. They're clear with their message. They don't explain themselves endlessly. They don't try to be everything to everyone. They don't wait for permission to take up space. They decide who they are for and let the right people find them, and that could be you too. Now, if this episode helped you breathe just a little easier . Or see your work differently, please leave a five star review. It helps this podcast reach more photographers who need this message right now. A lso share this episode with one photographer who keeps saying, I don't know why no one's booking me. Thank you for your time today. I hope this helped in some way to make you clear about your message and your value. Until next time. Bye for now.

    11 min
  7. 8 FEB

    Episode 28 - The Real Reason You're Undercharging (And Why Clients Feel It)

    The Real Reason You’re Undercharging (And Why Clients Feel It) Welcome to the Photography Breakthrough Podcast. Today's episode is going to hit home for a lot of photographers. Why do I say this? Because I hear about this issue all the time. I actually see it all the time and every time I do, my heart sinks. Today we're going to dive deep. You are not charging enough for your photography. And clients, they feel it first and foremost. Undercharging is not being generous. It's confusing. And clients can feel it. They know you paid a lot for your camera and your lights and your gear. In their head, they're adding everything up and it just doesn't add up. Now pricing. It's not math, it's emotional truth. You see, when you undercharge, you are quietly saying. Please, please don't expect too much from me and clients hear that loud and clear. So here's. Here's what's really happening. You don't fully trust the impact of your work. Not yet anyway, so you soften your price to reduce the risk of being seen. But clients, they don't want cheap reassurance. They want confident containment. There just needs to be one shift instead. Of justifying your price, anchor your price to outcome. Say something like this. This experience is designed so you never feel awkward, rushed, or unsure of how you look. That's not you being arrogant as a photographer. That's clarity for your client. When you are confident, clients feel that as well. Maybe you are wondering what that looks like when a client feels confident and you feel confident. I had one client who's passed away, but she was very confident from the start. I'm talking about Aretha Franklin. The soul singer with the voice that we will all remember forever. Aretha Franklin was a very confident woman and she only wanted confident photographers working with her. My price, it showed confidence. And it showed her that this is the person for me. If you want to see that for yourself, not just see the pictures, but look deeper on the client side and the photographer side and see what that does for you. You can get your signed copy of Aretha Cool right now by going to arethacool.com. That's the only place where you can get a signed copy of the book. When you get your copy, take a deep look deeper into the pictures, deeper into the images, so you can see what embodied confidence actually looks like in creative work. That confidence carried us through for 13 years up until the time she passed away, but she's not the only one. For over 30 years, I've been shooting clients in a confident way and charging a price to match, and you can do the same. When you're confident about your price, your clients feel it. But it starts first with you. Stop giving your work away. Undercharging is not being generous. Every shoot you do is wear and tear on your gear. Eventually, you'll have to upgrade. How can you do that when you give your work away for pennies? It doesn't add up. Stay with me, we're gonna work to improve your confidence. So you can charge what you are worth. And when you do, your clients will see it. And yes, they'll pay what you are worth. If this reframed pricing for you, do me a favor and leave a five star review. And then send it to your friends who you know, who are also undercharging. It is time to thrive and charge what you're worth. All right, everyone. Have a wonderful rest of your day or evening. I look forward to seeing you again this time next week on the Photography Breakthrough Podcast. I'm your host, Matthew Jordan Smith. Bye for now.

    6 min
  8. 1 FEB

    Episode 27 - Why Clients Aren't Booking You

    Why Clients Aren't Booking You Hello everyone and welcome back to the Photography Breakthrough Podcast. I'm your host, Matthew Jordan Smith. Today we're going to talk about something that hurts, but in a clarifying way. Why clients aren't booking you. Many of you know what that feels like. And I want to say this slowly, because most of you have already decided the wrong answer. It's probably not your photos. If your work is strong, but your calendar is empty, this episode is just for you. And if part of you is wondering, is it me, I want you to stay with me today. Because what's missing is not your talent, it's not your effort. You are working hard. It's not visibility, it's certainty. If you didn't know this, let me be the first to say it. Clients are not hiring images. They're hiring how they expect to feel when they work with you. Yes, your photos made them stop scrolling. If they didn't, they wouldn't even be here. That pause, that's proof. You're talented. So if they paused, if they looked, if they clicked and still didn't book, then the question they were asking wasn't, is this photographer good? They already know you're good. The real question was, will I feel taken care of here by this photographer? And that's where most photographers lose them. We live in a time where good photography is everywhere. Now, that doesn't make your work less valuable, but it does change what clients need in order to choose. When someone lands on your website or your Instagram today, they're not relaxed, they're anxious. They're wondering, will I look awkward? Will I hate my photos? Will I feel exposed in some way? Will this be at all uncomfortable? And here's the part that matters. If your language doesn't answer those fears clearly, then they move on. Not because you failed, but because no one made them feel safe yet. Now let's talk about the way photographers talk, because this is where self trust leaks. If I hear one more photographer say, I just love capturing moments. I'm passionate about people. I offer lifestyle sessions. I already know why clients are hesitating. That language isn't wrong, but it's insider language. It's how photographers talk to other photographers, and yes, it's how we've been taught. You hear it at photo conferences and workshops, but get this. Clients don't book insider language. They book decisive leadership. Vague language, even when it sounds poetic, feels like uncertainty to someone who's already nervous. Here's my coaching moment. When you hide behind general, safe, familiar photography language, you're not being humble. You are avoiding the risk of being specific. Because being specific says, this is what I do, this is who I help. This is the result you expect. And that level of clarity requires self trust on your part. So here's the shift I'd like for you to make starting today. Stop talking about what you love. Start talking about what you solve. That's what clients want to hear. Of course you love photography. We all do. You should, but your client isn't hiring your love. They're hiring relief. Here's an example that changes everything. I help people who hate being photographed finally see themselves with pride. That one sentence does more than ten beautiful images. Why? Because it uses their language, not photo language. I'm telling you all of this from experience. The first time I photographed Samuel L. Jackson, the very first thing he said to me was this, I hate taking pictures. Imagine that. He told me it felt like standing naked in front of lights with no lines to say. Awkward. Exposed. Uncomfortable. Now listen closely. That's not celebrity language. That's human language. Maybe one of your clients has said something similar to you. I hate photos. I feel awkward. I don't know how to pose. I never like pictures of myself. If they're already telling you the problem, why aren't you reflecting it back in your message? You see, when a client reads, I help people who hate being photographed, their nervous system relaxes. They think, oh, this person sees me. They understand me. And once someone feels seen, they're far more willing to trust. This is not louder marketing. It's braver language. Here's a hint most photographers miss. Your clients are telling you how to market to them. Every single session, when you listen deeply and mirror their words back to them, you create alignment. That's how you build long term relationships, long term clients. That's how you get repeat work, and that's how you create careers like the one I had photographing Aretha Franklin for 13 years, Vanessa Williams, Tyra Banks, Samuel L. Jackson, Oprah Winfrey for decades. I didn't guess what any of them needed. I listened and then I led. Stop talking about pretty pictures. Pretty pictures are assumed. That's the baseline. The real question is what do you provide beyond the image? How do you guide people? How do you protect them emotionally? How do you help them feel different when they leave? That's what clients are paying for, even if they don't say it out loud. When I created my last book, Aretha. Cool., the idea wasn't just to make a photography book. It is a record of what happens when you trust. Listening, leadership, and presence come together over time. All the original books on Amazon, they're all gone. There are now only original signed copies left, and you can only find them on ArethaCool.com in the US and in Japan. And yes, you heard me right. Every copy is hand signed because this work deserves intention. Today, let me leave you with this. You are not unbooked because you lack talent. You are unbooked because your message hasn't caught up with your ability yet. And that's good news, because messaging, that can change and change quickly. So listen to your clients. Listen to your potential clients. Use their words, lead with certainty, and stop hiding behind pretty pictures. Your work matters, but your clarity. That's what leads people to choose you. If this episode helps something click for you, leave a five star review. It helps photographers who are stuck find this message sooner. Share this episode with one photographer who keeps blaming the algorithm when what they really need is clearer language. I look forward to seeing you all next week, right back here on the Photography Breakthrough Podcast. Until then, live bravely and trust yourself a little more than you did yesterday. Bye for now.

    11 min

About

Welcome to the Photography Breakthrough Podcast, the place where burnt out photographers come back to life. Where fear gets replaced with confidence and where your gift finally starts working for you, not against you.

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