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Instant Classics

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Join world-renowned classicist Mary Beard and Guardian chief culture writer Charlotte Higgins for Instant Classics — the weekly podcast that proves ancient history is still relevant. Ancient stories, modern twists… and no degree in Classics required. Become a Member of the Instant Classics Book Club here: https://instantclassics.supportingcast.fm/

  1. USA 250: America’s Roman Revolution

    2日前

    USA 250: America’s Roman Revolution

    In case you haven’t noticed… the USA is celebrating a special anniversary. Mary and Charlotte talk to one of America’s leading scholars of ancient Rome and its modern reception, Joy Connolly, about why so much of the struggle for independence deployed the words, images and sometimes actual clothing of the Ancient Romans.  They discuss George Washington’s production of the tragedy of Cato in the revolutionary army and Joseph Warren’s donning of a toga to incite the rebels. They ask why the Declaration of Independence and Constitution drew so heavily on Roman writers like Cicero and Virgil, why Cincinnati was named after the authoritarian Cincinnatus, and to what extent the Republicans and Democrats resemble the classical ideologies they named themselves after. Most of all, the big question: did the Founders know that Virgil’s words e pluribus unum (out of many, one), which became a rallying cry for the merging of the colonies into one, actually came from a recipe for cheese spread?  Mary and Charlotte recommend some further reading: Joy has written about the use of classics in the revolutionary period and later in: “Classical Education and the Early American Democratic Style” in S. Stephens and P. Vasunia (eds), Classics and National Cultures (Oxford UP, 2010) and “Past Sovereignty: Roman Freedom for Modern Revolutionaries” in Basil Duffalo (ed), Roman Error (Oxford UP, 2017). You can read more about her work at ACLS. There are many useful introductions to different aspects of the Romanness of the American Revolution. We have enjoyed: C. J. Richard, The Founders and the Classics (Harvard UP, pb, 1995) M. Malamud, Ancient Rome and Modern America (Wiley Blackwell, pb, 2008) M. N. S. Sellars, “The Roman Republic and the French and American Revolutions", in H. Flower (ed), The Cambridge Companion to the Roman Republic (Cambridge UP, pb, 2004) More focussed on cultural influence than any directly political impact is W. L. Vance, America’s Rome (Yale UP, 1990) An article on Joseph Warren’s toga. A 1903 letter to the New York Times discussing the tracing of “e pluribus unum” to “Moretum”, the poem once attributed to Virgil that offers a recipe for herby, garlicky cheese spread. @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices

    52分
  2. What did the Romans dream about?

    6月4日

    What did the Romans dream about?

    Nearly 2000 years before Sigmund Freud published The Interpretation of Dreams, a sage in Ephesus (now in Turkey) wrote a book whose title translates as… The Interpretation of Dreams. Armed with Artemidorus’ book, Mary and Charlotte dive into the surreal and revealing dreamscape of the Ancients.  If you’ve ever had a dream about flying or losing teeth or sex with a stranger, well… Artemidorus has a view about what this really means. Today, we might find his interpretations a little too neat and prescriptive, but they provide a fascinating insight into life on the edge of the Roman empire, including what people chatted (or sang) about at the public baths, the prevalence of mice in the home, and the hopes, aspirations and fears of household slaves. As with our episodes on Roman joke and cook books, we discover that the Ancients were simultaneously more like us and more dissimilar than we might expect.  Mary and Charlotte recommend some further reading: The best translation of Artemidorus is by Martin Hammond in the Oxford World’s Classics series (OUP,pb, 2020) with an introduction by Peter Thonemann. Thonemann discusses the text and its context in his An Ancient Dream Manual: Artemidorus’ The Interpretation of Dreams (OUP, 2020) A classic article is by Simon Price, “The future of dreams: from Freud to Artemidorus”, originally published in Past and Present for 1986, reprinted in R Osborne (ed), Studies in Greek and Roman Society (Cambridge UP, pb, 2012) @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices

    55分
  3. Cleopatra 5: Cleopatra on Screen

    5月28日

    Cleopatra 5: Cleopatra on Screen

    Mary and Charlotte talk to Professor Maria Wyke, classicist and film historian, about Cleopatra’s rebirth on the screen. By far the most famous Cleopatra film is the 1963 epic starring Elizabeth Taylor and Richard Burton - at the time the most expensive film ever made and with a steamy on-set love affair between the two stars to match that of the characters they were playing. Almost as brilliant, in its way, is the parody made the following year - Carry on Cleo - giving Kenneth Williams, as Julius Caesar, one of the greatest lines of all time: “Infamy, infamy, they’ve all got it in for me.”  This pair of films hog the limelight, but Maria shows how cinema’s fascination with Cleo goes right back to the early years of silent film through to the 21st Century. Why? On one hand, the Cleopatra story is an opportunity for spectacle and sex appeal - in other words, good business. On the other, the story is reinvented by each generation, playing on the anxieties and desires of the age. Looking at Cleopatra films tells us a lot about changing attitudes to sex, race and politics over the last 100+ years.   Mary and Charlotte recommend some further reading: Maria has written about Cleopatra on film in her books Projecting the Past (Routledge, pb, 1997) and The Roman Mistress (OUP, 2002). Films also figure in Lucy Hughes Hallett’s, Cleopatra: Histories, Dreams and Distortions (Fourth Estate, pb, 2026) A discussion of the Taylor-Burton film on its 60th anniversary: https://www.theguardian.com/film/2023/jun/12/cleopatra-60th-anniversary-elizabeth-taylor-richard-burton  And for the fashion aspect: https://fashionhistory.fitnyc.edu/1963-mankiewicz-cleopatra/  @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices

    1時間1分
  4. The Odyssey#20: Odysseus and the dead of Troy

    5月25日 • サブスクリプション登録者限定

    The Odyssey#20: Odysseus and the dead of Troy

    Odysseus continues his account of the Underworld. Mary and Charlotte describe his encounters with his former comrades in the Trojan War. Agamemnon tells Odysseus how he survived the war and the journey back only to be murdered by his own wife. Achilles, the greatest fighter of all, gives the sobering news that there is no special treatment for heroes after death. He would rather be the commonest farmhand, but alive, than king of the underworld. Meanwhile, Ajax, who once quarreled with Odysseus, acts peevishly, revealing his inability to move on, despite being dead. This adventure began with Odysseus summoning the dead, but somehow during these encounters he crossed into the underworld itself. For a while he roams freely, encountering some of the most famous figures of Greek mythology, including Herakles, Tantalus and Sisyphus. Then, abruptly, the adventure ends and he is back on his boat. For the stories behind some of the inhabitants of the underworld, see: A Paneisi’s detailed article, https://www.persee.fr/doc/gaia_1287-3349_2014_num_17_1_1628 (on Sisyphus) https://www.greeklegendsandmyths.com/tantalus.html (on Tantaus) https://www.theoi.com/Gigante/GiganteTityos.html (on Tityos) https://www.greeklegendsandmyths.com/orion.html (on Orion) For a punchy online article on Achilles’ remarks on the underworld (with further bibliography: https://kiwihellenist.blogspot.com/2019/10/achilles-on-death.html Instant Classics handmade by Vespucci Producer: Jonty Claypole DOP - Ben Warburton Video Editor: Tom Green Theme music: Casey Gibson

    39分
  5. Cleopatra 4: Cleopatra on the Page

    5月21日

    Cleopatra 4: Cleopatra on the Page

    Mary and Charlotte talk to Lucy Hughes-Hallett, acclaimed biographer and author of ‘Cleopatra: Histories, Dreams and Distortions’, about Cleopatra’s afterlife on the page. Lucy begins by observing that “the people who write about her aren't interested in describing her as a real person. They use her as a kind of mirror onto which they can project their own prejudices and anxieties and often erotic fantasies.” In the 14th Century, Boccaccio mined the old evil temptress angle. Geoffrey Chaucer, however, went the other way: she was a martyr to love, choosing to kill herself rather than consider life without Antony. For Shakespeare, she provided the perfect character to study the effects of unbridled passion. After Napoleon’s conquest of Egypt, Cleopatra was orientalised - her skin and hair became darker in pictures and she indulged in decadent acts of cruelty.  In recent decades, she has been framed as nationalist freedom fighter and feminist hero, but it feels like - even two thousand years on - there is more to explore in this most elusive of historical queens.  Mary and Charlotte recommend some further reading: The new edition of Lucy’s book is just out: Cleopatra: Histories, Dreams and Distortions (Fourth Estate, pb, 2026). It has discussion of all the texts we mentioned, and more (plus further bibliography). In the modern Egyptian tradition, the best known representation of Cleopatra, the freedom fighter is Ahmed Shawqi’s play, The Death of Cleopatra (there is a recent English translation by Jeanette Wahba Sourial Atiya, though not easy to get hold of). Cleopatra in modern painting and sculpture is the subject of a useful illustrated essay online” https://artuk.org/discover/stories/cleopatras-legacy-in-art-famous-pharaoh-and-femme-fatale @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices

    54分
  6. Cleopatra 3: Life After Death

    5月14日

    Cleopatra 3: Life After Death

    For many years, Cleopatra and Mark Antony lived a life of extravagance and passion - or so we’re told. In this episode, Mary and Charlotte look at what happened next. Mark Antony, with Cleopatra, met their enemy Octavian in a sea battle off the coast of Greece - and lost. The Battle of Actium was a turning point for Rome. After this moment, Octavian rebranded himself as Emperor Augustus, bringing an official end to many centuries of republican rule.  Rather than face capture and humiliation, both Antony and Cleopatra took their lives. The story of their final days survives through Plutarch, but how much of this official Roman version can we trust? Was Cleopatra really an exotic temptress who seduced Mark Antony into treason? And did she really kill herself with a poisonous snake? Accounts of her death are so tied up in the wider propaganda legitimising Augustus’ rise to Emperor that it’s impossible to know what really happened.  Soon after her death, she began to haunt the imagination of writers and artists. Mary and Charlotte believe she probably inspired the figure of Dido of Carthage in Virgil’s Aeneid, written only a decade or so later. The North African queen who takes her life for love of a Roman. But Virgil was by no means the last to take inspiration from her story, as we will be discovering in the next episode….  Mary and Charlotte recommend some further reading: The poem by Horace is his Odes 1.37 (Nunc est bibendum, “Now is the time for drinking”) with a decent translation online. (Charlotte's school song, oddly based on this poem, began “Nunc canendum, nunc laetandum” – “Now is the time for singing, now is the time for rejoicing,” all prime examples of gerundives of obligation, for the Latin nerds) Maria Wyke (who we will meet later in this Cleopatra series, talking about Cleopatra movies) explores the propaganda of the emperor Augustus and the figure of Cleopatra in this article available online: https://discovery.ucl.ac.uk/id/eprint/10143408/1/Augustan%20Cleopatras.pdf And more on Augustan propaganda: https://cleopatradigitized.wordpress.com/cleopatra-and-augustan-propaganda-after-the-battle-of-actium/ The links between Dido and Cleopatra are discussed here: https://womeninantiquity.wordpress.com/2020/11/16/cleopatra-and-dido/ @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices

    49分

番組について

Join world-renowned classicist Mary Beard and Guardian chief culture writer Charlotte Higgins for Instant Classics — the weekly podcast that proves ancient history is still relevant. Ancient stories, modern twists… and no degree in Classics required. Become a Member of the Instant Classics Book Club here: https://instantclassics.supportingcast.fm/

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