New Books in History

Marshall Poe

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

  1. 8時間前

    Karen L. Bowen and Dirk Imhof, "The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp" (Harvey Miller, 2025)

    Karen L. Bowen and Dirk Imhof join Jana Byars to talk about their new book, The Burgeoning European Print Trade: The Distribution of Prints Via the Plantin-Moretus Press of Antwerp (Harvey Miller, 2025). The European print trade is an evocative topic. Not only art historians, but social, cultural, and economic historians all agree that it was of vital importance in the Early Modern Period, as the conveyer of established icons, as well as the most recent imagery and news. Yet, thus far it is often discussed solely on the basis of tantalizing, isolated case studies. Bowen and Imhof's ground-breaking publication will address this significant lacuna by demonstrating in unprecedented detail how booksellers were routinely engaged in the extensive international distribution and sale of hundreds of thousands of prints annually between the mid-sixteenth and mid-seventeenth centuries. Based upon the exceptionally well-preserved archives of the renowned Plantin-Moretus Press of Antwerp, this book presents the often-overlooked interwoven worlds of booksellers and print sellers, while documenting Antwerp's continued fame for the production and distribution of prints. Together with a remarkable array of clients, ranging from the cultivated and influential elite to ordinary laymen, these figures provide palpable examples of suppliers, buyers, and middlemen that reveal how they interacted with one another. Simultaneously, this work illuminates numerous critical related topics, ranging from how prints were priced and the relative quantities in which they were sold, to the importance of national and professional networks in these transactions. The result is an essential, novel study that clarifies how the print trade worked in practice during a burgeoning period in its evolution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

    45分

  2. 8時間前

    Michael W. Tuck, "The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World" (Brill, 2026)

    In his new book, The Castle Slaves of the Gambia River: A Creole Community in the Eighteenth Century Atlantic World (Brill, 2026) historian Dr. Michael W. Tuck examines life on James Island, now Kunta Kinteh Island, where enslaved Africans worked for European trading companies in the eighteenth century. These individuals were not plantation workers. They served as carpenters, sailors, soldiers, canoe workers, healers, cooks, mothers, and interpreters. They built forts, repaired boats, buried the dead, and maintained trading posts. Dr Tuck’s research demonstrates that, despite harsh conditions, Castle Slaves formed families, preserved African names, practised healing, held funerals, and resisted captivity through escape and daily acts of survival. Women played key roles as caregivers, cultural anchors, and healers, despite facing significant vulnerability and exploitation. The book also highlights the high number of escape attempts from James Island, challenging the idea that resistance in West Africa was uncommon. Drawing on company ledgers, punishment logs, and death records, Dr. Tuck reconstructs a world often overlooked in Atlantic history. His work emphasises that each archival entry represents a person with relationships, memories, fears, and hopes. The Castle Slaves of the Gambia River provides both a history of slavery and a testament to resilience, community, and humanity. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands and Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

    1時間4分

  3. 1日前

    David Arditi, "Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok" (Anthem Press, 2026)

    Who makes a living from the music industry? In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok (Anthem Press, 2026) David Arditi, an associate professor of sociology at the University of Texas at Arlington, looks at the history of technology in the music industry. This history illustrates the way the industry continues to profit even as artists struggle to make money. The book charts the development and evolution of listeners’ uses of formats and technologies, from cassette tapes and CDs through sharing to streaming, demonstrating how the record industry has initiated moral panics to stop threats to their profits. This is in a context where listeners and independent labels have found new ways to engage with music because of these same formats and technologies. An engaging and accessible overview of issues central to creative industries, the book is essential reading for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

    40分

  4. 2日前

    Scott M. Kenworthy, "The People's Patriarch: Tikhon Bellavin and the Orthodox Church in North America and Revolutionary Russia" (Oxford UP, 2026)

    On October 28, 1917, just days after the Bolsheviks seized power, the great Council of the Russian Orthodox Church voted to restore the patriarchate, which had been abolished by Peter the Great two centuries earlier. The Council chose Tikhon (Bellavin), the son of a humble village parish priest, to be head of Russia's largest religious confession. At the time, the majority of Orthodox Christians were devoutly religious. Tikhon's vision of the Church, which he began putting into practice during his years as the Orthodox bishop of North America (1898-1907), was that of an organic body which welcomed the participation of all believers. The Bolsheviks had other ideas. They aimed to create a revolution that would be carried out by the state on behalf of the people. And they sought to eradicate religion as "superstition" and not only to disestablish the Church, but to destroy it altogether. Although the alternate Russia which Tikhon represented would be crushed by the superior force of the Bolsheviks, he helped navigate the Church through immense challenges so that, in the end, the Orthodox Church outlived the Soviet experiment. The People's Patriarch tells the story of the clash of visions for the new Russia in 1917 through the lens of the humble man chosen to lead the Church, whose life exemplifies the transformations within the Orthodox Church in late Imperial Russia and its fate during the Revolution. The People's Patriarch is the first critical biography of one of the twentieth century's most important Orthodox Christian leaders, based on an exhaustive use of previously untapped primary sources, including Tikhon's letters and encyclicals, previously classified documents from the top Bolshevik leadership and Soviet secret police, and materials from a dozen archives in five countries. Scott M. Kenworthy is Professor in the History Department at Miami University (Ohio), where he also teaches for the Russian, East European and Eurasian Studies, and Religious Studies programs. Roland Clark is a Professor of Modern European History at the University of Liverpool. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

    1時間23分

  5. 3日前

    Eleanor Houghton, "Charlotte Brontë's Life in Clothes" (Bloomsbury 2026)

    Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

    30分

  6. 4日前

    Christine Grandy, "Race on Screen: Audience Racism in Twentieth-Century Britain" (Cambridge UP, 2026)

    What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the book demonstrates the explicit racism associated with white audiences and TV programming, along with the critical resistance offered by audiences of colour. Thinking through how this history of audience and TV production racism has been forgotten, the analysis is a vital contribution to our own contemporary discussions about race and media, in the UK and beyond. The book is essential reading for arts, humanities and social science scholars, along with anyone interested in the past and future of television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

    52分

  7. 4日前

    Daniel Rachel, "This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich" (Akashic Books, 2026)

    Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel’s website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

    57分

  8. 5日前

    Caroline Tracey, "Salt Lakes: An Unnatural History" (W. W. Norton, 2026)

    Salt lakes are some of the most beautiful and unusual landscapes that you can find on this planet, even as they can be quite alien to people used to fresh bodies of water. They're also uniquely threatened, both by everyday human activity such as farming and industry and by the looming problem of anthropogenic climate change. As the lakes dry up, the consequences to the surrounding ecosystems can be devastating; meanwhile, people who live nearby can suffer from declining air quality, toxic levels of exposure to minerals in the lakebeds, and long-term health concerns. In Salt Lakes: An Unnatural History (W. W. Norton, 2026) that's part memoir and part history and geography, Caroline Tracey describes a series of journeys across North America and Central Asia that brought her close to numerous different salt lakes. She outlines their history, the threats facing them, their ecological and cultural significance, and how people are trying to protect and conserve them. And even as she does the work of telling their history, she also makes clear the effect that these landscapes had on her in developing a greater understanding of her own sexuality and place in the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

    46分
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番組について

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

情報

  • クリエイター
    Marshall Poe
  • 配信期間
    08年 - 26年
  • エピソード
    601
  • 制限指定
    不適切な内容を含まない
  • Copyright
    © New Books Network
  • 番組のWebサイト
    New Books in History

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