Kaijuvision Radio

Brian Scherschel

Created and hosted by Brian Scherschel. A podcast about the appreciation of kaiju and tokusatsu movies and discovering their historical and cultural value

  1. 2020/12/30

    KVR Live 6: Regarding Nathan's departure from Kaijuvision in August 2018

    I received a question from a listener about the circumstances of this event, so I decided to answer it. If you're wondering why I am a little bent over in this video, it's because of severe chronic pain in my spine. Receipts here: https://twitter.com/kaijuvision/status/1344055920096063488 Receipts include excerpts from Nathan's blog about the Dennis Hensley alleged attempted rape scandal, and his claim his Facebook was hacked (redactions are to protect his friends).  The now redacted section by Watkins characterizing Hensley's victims as the aggressors, Nathan saying it's the best thing written on the scandal, and the rest of Watkins' over the top blog. Nathan's full article: http://nathanjsmarchand.com/my-thoughts-on-the-dr-dennis-hensley-scandal/ MP3: https://kaijuvisionradioepisodes.s3.us-east-2.amazonaws.com/kvr-live-6-regarding-nathans-departure-from-kaijuvision-in-august-2018.mp3 Official Kaijuvision merchandise on Redbubble: http://www.redbubble.com/shop/kaijuvision?ref=search_box   Host/Editor/Director: Brian Scherschel Video Location: Fort Wayne, Indiana "Torii Gate" Banners: Kevin Geary (kevincgearydesign.com) Logos: Nanoparticles (www.fiverr.com/nanoparticles) Music: Audiophiliac (www.fiverr.com/audiophiliac) KVR Live YouTube Music by: –––––––––––––––––––––––––––––– Summer Nights by LiQWYD https://soundcloud.com/liqwyd Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/summer-nights-liqwyd Music promoted by Audio Library https://youtu.be/6A2mPVrYAxs –––––––––––––––––––––––––––––– Copyright Brian J. Scherschel All Rights Reserved

    19分
  2. 2020/08/24

    Episode 57: Ishiro Honda and Crimes Against Humanity

    In this episode I tackle the issue of Ishiro Honda's time during World War II administering a comfort women camp. I was asked how he evaded punishment for committing Class C War Crimes (Crimes Against Humanity), and I have a definitive yet complex answer. Honda's films were supportive of human rights, and this is what we remember his place in history during World War II. If Honda was an unnamed Japanese man who participated in these crimes, I would have wanted him to be brought to justice and served some kind of punishment for them. However, there are many reasons why this didn't happen. So put on your thinking cap and listen as I explain how complex this situation is. MP3: http://kaijuvisionradioepisodes.s3.us-east-2.amazonaws.com/57-ishiro-honda-and-crimes-against-humanity02v7a94mcs02v74dhs2.mp3 Transcript: I received a question after I advertised a Q and A for YouTube. I did not receive them on Twitter publicly - they were all submitted privately. Given the nature of this particular question, I can see why it was submitted anonymously. I gave my initial reflections in Livestream 2, and in this episode I'm going to further address this issue. First I'll give you some background. In episode 4 of the show, I covered the issue of the Tokyo War Crimes Tribunal. I utilized a few sources plus what I already knew and thought about regarding the subject. I've never shied away from a subject because it was too difficult for me to read about and process. But I'll preface what I say with this: It's not my place to forgive Ishiro Honda for what he did under the command of the Imperial Japanese Army. It also isn't your place to forgive him. The only ones who can forgive him are the women (and men) who were put in the camps. And it isn't Godzilla fandom experts' place to downplay the significance of that chapter of his life. I can only give you my analysis of what I've learned and thought about. Honda was in a command position at a comfort women camp during World War II. He administered actions there. He would have participated in “acquiring” women for the camp, also known as abducting, or kidnapping, and forcing them into sexual slavery. Human trafficking is another way to put this. These actions classify him as a class C war criminal, for crimes against humanity. He was not arrested, charged, or punished after the war was over. The US only got around 5,000 of the war criminals, and some were charged by other countries like Australia. When the surrender took place the Japanese military and government destroyed the records, and the military personnel put on civilian clothes or went into hiding, or both. Without a record of who was connected to these war crimes, it's hard to prove they did anything. Virtually everyone else threw themselves under the bus for Emperor Showa (Hirohito). Out of political expediency, the US gave Emperor Showa a way to out of it by not focusing on him in order to preserve the oldest imperial family on Earth. This action enabled nationalists in Japan and war crimes deniers, as well as anyone else who didn't want to accept responsibility. Needless to say, denying these war crimes is beyond shameful. Nationalists say that the class A war criminals who were executed sacrificed themselves to keep the imperial family. The US also let the Unit 731 chemical and biological weapons scientists and employees free too, and judges at the tribunal weren't even told about that. The more you learn about the comfort women camps, the more shocking it gets. These camps were where some of the worst violations of human rights occurred during the war. Women were raped and beaten. They were pulled into a state-organized sex trafficking operation. Women were raped up to and exceeding 80 times a day in these camps. Many wished they were dead, some attempted or committed suicide, and they thought death would be better than this. It destroyed their lives.

    17分
  3. 2020/05/07

    Episode 56: Shin Godzilla, GMK, and Japanese Nationalism

    Staying on Shin Godzilla-related content, I give my opinion on the popular article “Shin Godzilla vs. GMK: The Battle Over Japanese Nationalism”. It's not 1947 anymore, and Japan has shown the world how good of a country it can be. At the end of the day, the Japanese should make their own decisions about their constitution and if they should grow their military. East Asia is a very dangerous place right now, and the US and Japan have many things in common. I believe these two movies are not opposites – they are two sides of the same patriotic coin. Link to the article: http://www.godzilla-movies.com/news/shin-godzilla-vs-gmk-the-battle-over-japanese-nationalism MP3: http://kaijuvisionradioepisodes.s3.us-east-2.amazonaws.com/56-shin-godzilla-gmk-and-japanese-nationalism.mp3 Transcript: Welcome back to Kaijuvision. I'm Brian Scherschel. I'm going to continue with Shin Godzilla-related content. As I've been interested in politics and history since I was 7 years old, this has always been my interest and my specialty. So as they say on YouTube, let's get right into it. In this episode I'm going to address an article called “Shin Godzilla and GMK: The Battle Over Japanese Nationalism”, which was written by Gman in 2017. It's about how Shin Godzilla is supposedly nationalist propaganda, but in reality, this article itself reads like propaganda. Propaganda is information, especially of a biased or misleading nature, used to promote or publicize a particular cause or point of view. I'll start by saying that I have a master's in public administration with a concentration in comparative and international affairs from the best public administration school in the country. It's ranked higher than the Kennedy School of Government. I have read a great deal about Japanese nationalism, and I've covered over 50 topics on Kaijuvision, so this is not really a new topic for me. I've never addressed an article like this on the show before, but I am now because the Godzilla and the kaiju community is really missing a lot of perspective on this topic in particular. Fans of Godzilla and kaiju deserve to hear updated information to be able to make good decisions. There are others in the community who have it right by disagreeing with the conventional wisdom. It's not that hard to understand, it's just that people have been getting outdated information for so long, and it's time to move forward. When I released my “Politics of Shin Godzilla” episode, I came up against only a little bit of push-back. The feedback was largely positive. Most of the negative responses were hilarious to me, calling me Fox News and a populist, among other things. They called Shin Godzilla Japanese militarist nationalist propaganda, and the “Triumph of the Will” of Godzilla movies, which is a comparison to the Nazi regime's propaganda. I think the criticisms of Shin Godzilla have been so over the top. One person said I didn't mention GMK from 2001 and pretended to have this sort of “gotcha” moment. I don't think he listened to anything I said in the video either, but maybe he did. But when he mentioned that, he reminded me of this article about GMK and Shin Godzilla. So getting into the article, right out of the gate, it sets up GMK and Shin Godzilla as opposing political forces. It says how GMK represents Japan's pacifist ideals and Shin Godzilla represents right-wing nationalism. So here's why this is a false setup from the outset: Both movies are patriotic. They're two sides of the same coin. Patriotism is faith in one's homeland: political, historical, cultural, ethnic, and patriotism is defensive, inward-thinking, and fulfilled. Nationalism is inseparable from the desire for power and promoting national identity, culture, language, race, religion, and political goals, and nationalism is offensive, outwards, and power hungry. There's nothing in GMK or Shin Godzilla about how the rest of the world needs to be more Japanese,

    19分

番組について

Created and hosted by Brian Scherschel. A podcast about the appreciation of kaiju and tokusatsu movies and discovering their historical and cultural value