Tedorigawa Bookmakers

Tedorigawa Bookmakers
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  1. 20時間前

    Ep 354 Can You Swim in a Dessert?

    Bookbinding Why is it called Swimming in the Dessert? It’s blank, right? Yes, it is. But there’s an 18-minute short movie called Swimming in the Desert that looks interesting so, not to confuse anybody with two titles for completely different subjects, I changed it to Dessert.  It’s seven signatures of five folios each for 140 pages, A6 (pocketbook) with a red spine, blue front cover with a splash of what looks like Thai writing, with light blue and green on the back cover.  All the materials (except the thread and beeswax) are from my To-Be-Used in the Future pile. The book boards are from a leftover box that might have held saké. The book covers are made of three book cloths (blue, light blue, green, and red) that were left over from previous projects and the text block, yes, the text block was given me by a printing company in town that was just going to throw them away. I got them maybe 15 years ago and I’m down to the last pile. The endbands were made of the leftover red book cloth and twine (not left over but purchased maybe a decade ago). Fiction Of the three books I should be working on: Dmitry the Scavenger, Agnes Grout, Caraculiambro only one, not the two set in the US, is being worked on. Dmitry the Scavenger has started work as a handyman for a Japanese carpenter who is helping people affected by the January 1, 2024 earthquake that demolished many buildings, many homes, and lives. First, he will help tear down a broken home. He’s still concerned about getting to Noto, Sicily before the police arrest him for being an illegal alien Talkies / Flicks Two videos up this week. One from last week.  The Dead of Winter: a Novelist’s Kanazawa Afterlife.  is up for your listening pleasure. About a novelist who dies and comes to Kanazawa. He meets a sarcastic jazz coffee shop owner who argues with him about his writing. He also meets her customers, who may also be dead. TDGB 96 Sundae Swimming in the Dessert, a 9:20 minute video of the making of the Swimming. Books The Dead of Winter: a Novelist's Kanazawa Afterlife.  is available on Apple Books, Kobo, and Barnes & Noble. You can listen to it on my YouTube channel before you buy.    Apple Barnes & Noble Kobo

  2. 8月10日

    Ep. 353 AudioBook / Video

    Bookbinding I’ll explain why there is nothing in Bookbinding in the Movie/Talkies/Video section. Fiction I’ve worked on Dmitry the Scavenger during the past week; making it stronger, I believe. I added more descriptions, deleted more confusing bits, and made the characters stand out a bit more. Dmitry was shocked to discover he wasn’t in Noto, Sicily, his dream destination, but Noto, Japan. A much smaller port village.  He knows he’s in the country illegally, plus he has a fake passport. If discovered by the Japanese authorities, he’ll be deported back to Moscow, a place he doesn’t want to be. What will become of him? Talkies / Flicks Rather than make a book, I made eight videos. All together these eight videos make an audio book of The Dead of Winter ~ A Novelist’s Kanazawa Afterlife. The visuals for the audio book are somewhat related to the novel. For example, when the Novelist talks about a bear being in Kenrokuen, we see Kenrokuen (sorry, no bear). When Judy talks about two or three high school females, we see two or three high school females walking on a street in Kanazawa. All of the videos are originals taken by me so this is the Kanazawa people see. Mostly Kenrokuen, Kanazawa Castle, and the streets near both of thos places. Mostly, also, in the rain as The Dead of Winter takes place in the winter (but I didn’t want to wait or walk around in the snow). Books For your reading pleasure: Sakate – life as a bartender in an unprofitable but lively bar.  The Lonely Izakaya Down a Quiet Street – a 30-something former high school student meets up with her former high school teacher to talk about life and haiku.   Apple Barnes & Noble Kobo

  3. 8月2日

    Ep. 352 Ergo, I think?

    Bookbinding Ergo is a 100-page, A6 (pocketbook)-size, blank notebook that I Coptic-bound.  Three things make this book different from other A6, 100-page, blank notebooks I’ve made in the past. One: Window for a title on the front cover. Two: Colored in the spaces between threads with random colors. Also, colored the head but not the tail. Three: measured the distance between stations so they were the same. There are six station with three toward the top, head, edge and three toward the bottom, tail, edge with a space between the two groups. Everything except the thread was from my To-Be-Used-Someday pile: upcycled paper that sat on my shelf for 15 years, book cloth, book boards. Fiction First, other authors’ fiction. In order to reduce my screen time (I’m aware I’m typing this on a computer), I’ve started reading real books more often. And alternatively; first one, then the other without leaving my reading post: ie, bed. I finished a detective story set in Valencia, Spain just yesterday. Blood Med by Jason Webster. I’m currently reading Demon Copperhead by Barbara Kingsolver. This book is a re-imagining David Copperfield by Charles Dickens into Appalachia. (Is this different from fan fiction?) I’m re-reading Copperfield to see how it jives with Copperhead. Cool. Finally, I’m nearly finished with a slice-of-life aka cozy Japanese novel (in translation) of Tsubaki Stationery Store by Ito Ogawa. A woman with a troubled relationship with her grandmother takes over the family stationery store after the grandmother dies and deals with customers, friends, and her own past. In cozy Japanese novels, there is no dramatic action like a murder or conspiracy; it’s relaxing. In my fiction: Dmitry the Scavenger is the only novel I worked on this week. Dmitry landed in Japan, discovered he wasn’t in Sicily, has met a vibrant woman who speaks English, and is aware and worried that he is an illegal immigrant who can be deported back to Russia at any time where he’s sure he’ll be jailed or, worse, drafted into Putin’s little war in Ukraine. Talkies / Flicks / Moving Pictures I’ve uploaded a seven and a half minute video of Ergo (TDGB 95: Ergo) created for your viewing pleasure. In it I also discuss Demon Copperhead and David Copperfield, like I do in this podcast. I think I have a better video of making the coptic stitch on this video than previous videos.  The first and second signatures are shown in a speeded up version because watching me manipulate the thread, book, and my hands for 20 minutes might be boring. Books Your Audio book of The Merchant of Venus is up on Apple Books for your listening pleasure. In this 16-page short story, men take body parts from other men, add herbs and spices, to create women. Fully formed 20-year-old women who will be the wives of the men for 20 years. Marshall, the artist who makes females, has used two of his own fingers to make this two wives. At 60, he’s a two-time widower when a bureaucrat hires him to make him wife. Marshall fails and is threatened with jail time. The e-book of The Merchant of Venus is up on Apple Books, Kobo, and Barnes & Noble. Please enjoy.   Apple Barnes & Noble Kobo

  4. 7月26日

    Ep. 351 Do You Make False Promises (or just me)?

    Bookbinding I bound my Marsh Mystery Series detective-noir very short novel The False Promises Case. In making this book I used leftover material except for the thread and wax.    The book boards were recycle files cut to size, kind of. When I cut the file I remember thinking I will cut this to size later; of course, I forgot I told my self that – I never listen to my self. The result is the book covers are too big. I dislike making books whose covers are too big.   The book cover was made of leftover book cloth from a couple of previous books (two blank notebooks, and a coptic-bound book for doodling).    Even the endpapers were scrounged from a purchase of endpapers. I mean, the wrapping for the endpapers I used as endpapers for this book. This book is A6 in size, and 60-pages. Fiction I complete The False Promises Case – A Marsh Mystery last week. I spent time rewriting, looking for confusion, and checking the pacing. I think it’s ready to be seen by the public. Joe and Carmen investigate why a respectable man would kill someone; that someone was a ponzi scheme jerk who lived off the money he scammed out of people, but why did the man kill him?  Plus, in the middle of the case, Carmen needs an operation. Dmitry the Scavenger is moving slowly but deeper. Agnes Grout has progressed about a paragraph or two. Both of these novels are building up to something; I just don’t know what. For example, I’m thinking of connecting Dmitry with a character in Molly Bright or The Tokyo Tunnel Girl. In Molly he might meet Frank, a gangster from Phoenix who owns a run-down ramen shop in Osaka. In The Tokyo Tunnel Girl he could meet with a character called The Russian. Or, there could be no relation between the three novels. Which of these two covers do you like best? Talkies / Flicks TDGB 94 Making False Promises is up on YouTube for your audio and visual pleasure. It is the making of the detective-noir novella I talked about in the Bookbinding (and Fiction) section so you should be familiar with it.  The music is nice, too. Books Again, you have the opportunity to listen to the audio book of The Merchant of Venus. About a man who creates females out of his own body part. The audio book is available only on Apple Books. The ebook is available on Apple, Barnes & Noble, and Kobo (among others) Apple Barnes & Noble Kobo

  5. 7月20日

    Ep. 350 The Language Square

    Bookbinding This is a blank notebook designed for people who want to learn another language or take notes. It is A6 in size (pocket book size for easy handling) and Coptic bound (for easy opening and using). There are four squares on each page. If you are learning another language, the first square is for your native language. The second square is for the target language. Research has shown this to be an effective method (your brain knows your native language and will soon connect it with the target language). The third square is for sentences in the target language in order to practice writing. The fourth square is to add details of your choosing. For example, where and when you found the new word, or who you learned it from. Or for doodling as is your want. Earlier I mentioned I have a lot of scrap material and want to use it. This notebook uses scrap material I just created. Rather than store it or throw it away, I used it on this book which is why the front is mostly red and the back is grey; using up scrap material. Fiction Also recently I said I hadn’t written a lot on any of the three books I have on the back burner: The Posthumous Autobiography of the Widow Agnes Grout, Death Weaver; Dmitry the Scavenger; and a Marsh Mystery that I mistakenly called by the wrong name. The correct name is The False Promises Case. This week I have reversed that trend. I wrote not only on False Promises but also on Agnes Grout. Busy I am. Plus I want to finish False Promises as soon as I can. It is the latest in my Joe and Carmen Marsh Mystery series.  Talkies / Flicks For your viewing pleasure, I have uploaded on to YouTube the creation of Language Squares – a notebook for people who want to learn a new language. Included in the video are hints and suggestions of how to learn a language. For example, write vocabulary by hand i.e. pencil and paper rather than on a computer. Your hand muscles will remember the word long after your computer has been trashed. Books For your listening pleasure, I’m promoting the audio book of  The Merchant of Venus.  In this world, females are created from body parts from males. But a man with a special set of skills is required to add the herbs and spices to the body part to create a woman. Marshall, the merchant, is a talented creator of females, so much so that he is threatened out of retirement after the cancelation of his second wife.  The audio book is available only on Apple Books. The ebook is available on Apple Books, Barnes & Noble, and Kobo. Apple Barnes & Noble Kobo

  6. 7月13日

    Ep. 349 五つ目綴じ A Japanese Binding & Locale

    Bookbinding Mostly in Japanese bookbinding we have four sewing stations (holes), but it is possible and popular to have more. I made a five-hole book which, in Japanese, is called 五つ目綴じ (itsutsu-me-toji). The itsutsu (五つ) means five, me (目) means hole, and toji means binding or stitching.  Two things about Japanese bookbinding: 1. The thread might go through a sewing station three times, so make the hole large enough to accommodate that. 2. Keep the thread tight. A loose thread looks really bad on a Japanese binding. I chose a Japanese binding for this book because the action takes place in a Japanese city; Kanazawa, as a matter of fact. A famous author dies and comes to Kanazawa to learn about life. Very much character driven. It’s called The Dead of Winter; a Novelist’s Kanazawa Afterlife. Fiction I’ve been slack in the fiction writing side of my life. I’m working on three books, slowly. 1. The Posthumous Autobiography of the Widow Agnes Grout, Death Weaver, 2. Dmitry the Scavenger, 3. The Barcelona Bank Fraud Case. The first is a character-driven story of a woman who lives about 200 years. The second is about a Russian scavenger who wants to go to Sicily to avoid life in Russia. The third is a Marsh Mystery starring Joe and Carmen, private investigators in Spain. Talkies / Flicks  TDGB 92: 五つ目綴じ is about book I mentioned in the Bookbinding section of this blog. At 9:40, it’s short enough to watch during your morning coffee. Isn’t it? I tell you in more detail what I’m doing to make a washi cover for a book; make it thicker and less flexible in order to carry the book.  Books If you like audio books, I have one on Apple Books called The Merchant of Venus. The subtitle is: When females are made to order, Marshall is an artist. In reality, in the book, females are made with a combination of herbs, spices, and male body parts; usually fingers. Marshall, the main character, ends up with only seven fingers. He falls in love too easily sometimes.   Apple Barnes & Noble Kobo

  7. 7月5日

    Ep. 348 Has June 22 Come and Gone, Again?

    Bookbinding This week I made another coptic-bound, B6, 100-ish-page notebook. The right page has lines for writing while the left page is blank for drawings, doodles, and shading exercises.  As you can see, the cover is both purplish-grey and red book cloth with the purplish-grey the same book cloth as my June 5th notebook. The point of this notebook, like the other previous similar notebook, is to encourage me to do three things: • practice drawing (which my fifth grade teacher told my parents I was bad at and just drew the same thing over and over, which she didn’t realize was practice), • practice cursive (which I know I’m bad at which is why I’m practicing it), and • plot out both daily schedules and long term plans. So far, so good. And to practice making B6 coptic-bound notebooks; a good investment for someone who claims to be a bookbinder; not me, though, I don’t claim to be a bookbinder except in front of people who don’t know what a bookbinder is or does. i.e. many people. In my opinion, June 5 is the better notebook as the stitching is tighter than June 22. But June 22’s stitching is much better than previous attempts in the past few years, so, yeah! Fiction This blog and my YouTube channel are inspiring me to be more productive. Before I can show you what I’ve done in bookbinding, I have to have done some bookbinding. Similarly, in order to tell you what I’ve written, I have to have written something. On my desk, I have three books in progress even if you don’t count Caraculiambo which has been in progress for a mere ten years. The three works in progress are: • Dmitry the Scavenger • The Madrid Mariposa Murder Mystery • The Posthumous Autobiography of the Widow Agnes Grout, Death Weaver The first two are basically action-driven novels. Dmitry is longer-form and deals with social issues both in Russia and Japan. Madrid is a shorter one, coming in at maybe 60 pages. The last one, Agnes Grout, started maybe seven years ago, is longer and more character-driven. Agnes is progressing nicely; much research is required, though, as it takes place in the US over a period of 200 years. Talkies / Flicks TDGB 91 The June 22 Notebook is up for your viewing pleasure. The narration is not necessarily connected to the visual; it’s more about Why create rather than How to create. Plus this week’s narration is more off-the-cuff than seriously related to the visuals. I hope you enjoy it. In the not-too-distant future, I will, hopefully, put up an audio book on YouTube of The Dead of Winter: A Novelist’s Kanazawa Afterlife.  Books I have several novels up for your reading pleasure. Both action-oriented mystery thrillers (Marsh Mysteries) and more character-driven stories such as The Merchant of Venus (both ebook and audio-book) and The Lonely Izakaya Down a Quiet Street. Apple Barnes & Noble Kobo

  8. 6月28日

    Ep. 347 In June, is it the Dead of Winter?

    Bookbinding In bookbinding this week we have, for your visual pleasure, a novel. We have an A6-size, about 60-page, case bound edition of The Dead of Winter: A Novelist’s Kanazawa Afterlife. Printed, folded, sewed, and cased in fairly quickly (for me) in a day or two. Most of the time was attempting to align the title on the cover and spine. Properly. I think I succeeded in that endeavor. Case bound in red book cloth with the titles in black and photographed in front of a coffee shop.  Fiction In fiction, I’ll talk about the book bound in Bookbinding: The Dead of Winter. The premise: The Novelist, a famous unnamed novelist, dies and moves to Kanazawa where he’s tutored by Judy, the female owner of a coffee shop, on how to write about females. The Dead of Winter is a very character-driven plot with most of the action in a coffee shop near Kenrokuen, a famous and massive garden here in Kanazawa. Judy tells The Novelist he doesn’t write female characters very well. Judy’s vivid, vibrant personality sits in juxtaposition to The Novelist’s female characters, which Judy calls ‘cardboard characters with boobs’. It turns out this version, which I gave to a reader, is the first draft. After giving it to the interested person, I re-read it and found several – I mean Several – things I wanted to change. Not merely typos but entire scenes that neither moved the plot nor developed the characters. These were cut. Some were replaced but others were ignored entirely. But this is what writers should do: re-write. This resulted in the second draft. I started recording an audio version. As I read I found awkward, illogical leaps, and confusing wordage. I changed them, rearranged them, or rewrote them. I found longwinded passages that were reduced in scope but increased in effectiveness. Again, this is what writers should do. This, then, resulted in the third draft. Talkies / Flicks You can watch the creation of The Dead of Winter on my YouTube channel if you’d like. It’s 9:40-ish and includes some talk about writing fiction. Missing from this visual documentation is the time spent aligning titles on the front cover and spine as that would require too much time and is basically me sitting at my computer and slapping my printer when it fails to function properly, which is often. I’m hoping in the future to have an audio book of The Dead of Winter. Watch this space. Books I have several books from sale on Apple, Barnes & Noble, and Kobo which you might like. For starters you can choose: • The Lonely Izakaya Down a Quiet Street • The Merchant of Venus (ebook & audio) • The Madrid Mariposa Murder Mystery The audio book of The Merchant of Venus is only available on Apple Books. Take a listen to the sample. Apple Barnes & Noble Kobo

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情報

  • クリエイター
    Tedorigawa Bookmakers
  • 配信期間
    08年 - 26年
  • エピソード
    20
  • 制限指定
    不適切な内容を含まない
  • Copyright
    Copyright © 2011 George Stenson. All rights reserved.
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    Tedorigawa Bookmakers