The Jazz Interview Podcast

tJiP

Fresh and archive interviews with the greatest improvisers, composers and thinkers on the planet.

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  1. Aaron Parks on Little Big, Brad Mehldau, Kenny Barron and returning to Blue Note Records for By All Means

    2025/12/16

    Aaron Parks on Little Big, Brad Mehldau, Kenny Barron and returning to Blue Note Records for By All Means

    In this far-ranging interview, Aaron Parks talks being a “little smarty pants” who went to college at 14, dropping four albums as a piano wunderkind teen, getting tutored by Kenny Barron at the Manhattan School of Music, mentored on the road by Terence Blanchard, being signed by Blue Note Records, and releasing modern classic Invisible Cities (2008) – all by the age of 25 … He also inspirationally shares about his early sense of imposter syndrome, subsequent mental health crisis, and being the “chaos agent" of his own career “self sabotage". And the subsequent rebirth of recording the wonderful trio record Find the Way (2017) with Ben Street and Billy Hart, for Manfred Escher’s ECM Records, before forming the longtime working fusion band Little Big which ultimately saw him return to Blue Note – 15 years after he was dropped. Fun fact: that all happened because he cold-call sent head honcho Don Was a recording of the two-day session that became the spellbinding new album By All Means – despite the fact a third Little Big record, also recorded in 2023, got the major-label treatment first. Parks has just two LPs left on his contract – and tells us he is hoping/planning to bag an acoustic trio live record at the Village Vanguard, as well as a fourth LIttle Big record.  A genuine, warm and inspiring encounter with a genuine, warm and inspiring human – caught mid-tour in Europe, days after surviving Super Typhoon Ragasa in Hong Kong.

    1時間4分
  2. Antonio Sánchez on Birdman at 10, being discovered by Pat Metheny – and why Whiplash sucks

    2025/06/15

    Antonio Sánchez on Birdman at 10, being discovered by Pat Metheny – and why Whiplash sucks

    As Antonio Sánchez releases an incredible new album with the BEATrio supergroup – alongside American banjo legend Bela Fleck and Colombian harp maestro Edmar Castañeda – the Mexican drumming powerhouse looks back on his incredible jazz journey. It’s a story of serendipity. Sánchez discovered jazz when Alejandro González Iñárritu played a Pat Metheny tune on his Mexican radio show; when the film director saw the drummer onstage with Metheney a few years later, he got the idea for the a radical score of nothing but drums for 2014 offbeat cinema smash Birdman – which went on to win four Oscars.  He may be a humble guy, but even Sanchez admits after playing with Chick Corea, Herbie Hancock, Wayne Shorter, Gary Burton and Ron Carter – and spending 20 years on the road with Metheney – his bucket list is complete. In this podcast, Sanchez also talks about how he got Trent Reznor and Dave Matthews to guest on his last solo album, Shift (Bad Hombre Vol. II) – and reveals that John Scofield, Bill Frisell, Chris Potter, Joel Ross and Fleck have already recorded parts for its sequel. Before that, he has another supergroup trio album coming out: Ellipsis, alongside Snarky Puppy founder Michael League, and Cuban percussionist Pedrito Martínez. Seriously, this guy doesn't stop.  He also opens up about sharing the stage with his wife, vocalist Thana Alexa, and talks about why Damien Chazelle’s controversial jazz drumming movie Whiplash just isn’t the real deal. All in barely half an hour!

    38分

番組について

Fresh and archive interviews with the greatest improvisers, composers and thinkers on the planet.