the Curb

The Curb

Welcome to the Curb. This is the podcast where we bring you in depth interviews with filmmakers, creatives, and curators of culture. This podcast is recorded in Boorloo, Western Australia. Support The Curb on Patreon, and make sure to follow us on Facebook. Contact with us via our email. Hosted on Acast. See acast.com/privacy for more information.

  1. 1 day ago

    Tony Jones on embedding empathy in the animal testing documentary Sentient

    At the dawn of his career, Tony Jones filmed Four Corners documentaries like Frozen Asset alongside producer Martin Butler. Now, for the first time in decades, Tony steps back into the world of documentary filmmaking with his animal advocacy film Sentient. Sentient is not an easy film by any measure. It's complex, harrowing, and simply devastating to experience. That is, quite clearly, by design. After all, Tony is asking us to empathise with the primates, all the while asking the ultimate question: how can we be better citizens of the world and stop inflicting this level of harm on fellow animals? When will we as a global society start to enact change that sees animals as sentient beings with choices and rights? These issues, and more, is what Tony unpacks in the following interview, recorded ahead of Sentient's screenings at the Revelation Perth International Film Festival in July 2026, and now released ahead of the films launch at the Melbourne International Film Festival. Tickets for screenings are available at MIFF.com.au, and Tony Jones will be in attendance at the festival. Screenings are held on 11 & 13 August 2026. the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more. Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

    Tony Jones on embedding empathy in the animal testing documentary Sentient
  2. 29 Jul

    Adam C. Briggs on his latest experiential film Phillip Philadelphia

    Adam C. Briggs is a prolific voice in Australian cinema, with acclaimed films like A Grand Mockery, Boogie Bobby, and his new film, Phillip Philadelphia, arriving over the span of a few years. His films are the result of collaborations with equally vital voices in Australian cinema, whether it be with Sam Dixon who co-directs A Grand Mockery and features in Phillip Philadelphia, or with Sarah Moore, who he made the short film It Flew Once with. Phillip Philadelphia is at once a lurid experience, and yet, a somewhat mournful one as well. It follows Phillip, a Golden Globe nominated British screenwriter who finds himself whiling away his existence with f*****y boyfriend Antony (Oliver Cameron) on the vibrant Gold Coast. The neon lights of The Pink Poodle bathe Phillip and Antony as they exist in this desperate town that masquerades as a city. Phillip Philadelphia examines colonialism through a modern perspective, with Phillip regularly swilling liquor from the decapitated head of a Captain Cook bottle. There's a garish tone to the film that welcomes you to luxuriate in it, all the while the theme song by Sanfeliu lingers in the background. It's one thing to pontificate over the film, but it's another to ask Adam about the making of it, what his intentions are with the film, and more. I've been fortunate enough to run a couple of Q&A sessions with Adam at Perth's Revelation Film Festival so have an understanding of what kinds of questions Adam likes - or doesn't like - to answer. It's that perspective about how he likes to discuss his work that opens the following interview. We explore the perception of his films, the nose that Phillip has on his face, and engaging with Sanfeliu to create the theme for Phillip Philadelphia. Phillip Philadelphia screens at the Melbourne International Film Festival on 7 & 9 August 2026. Visit MIFF.com.au for tickets. Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

    Adam C. Briggs on his latest experiential film Phillip Philadelphia
  3. 27 Jul

    James Robert Woods on disrupting Australian cinema with the acidic comedy The Birthday Trip

    While Australian comedies are making their mark on the small screen, they've been moderately absent on a film level, with only a handful emerging over the years - Audrey, How to Please a Woman, Birthright, and now, James Robert Woods acidic comedy The Birthday Trip. This distinct and brutally hilarious comedy follows a group of friends heading out to the prestigious, six-star Lothian Gate for a birthday weekend. Over the course of a couple of days, their relationships become fractured, all the while critiquing the modern state of Australia through cutting commentary on the politic state we live, the culture that breeds within this nation, and the media we consume and have foisted upon us. In this expansive, deep interview with writer, director, editor, cinematographer, and producer, James Robert Woods, we unpack The Birthday Trip in depth. The Birthday Trip screens across Australia from 30 July 2026. Check out where The Birthday Trip is screening by visiting the films website here: https://thebirthdaytrip.film/ the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more. Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

    James Robert Woods on disrupting Australian cinema with the acidic comedy The Birthday Trip
  4. 20 Jul

    Laura Brogan Browne on starting the conversation about grooming with the powerful short film Allegedly

    Multi-hyphenate talent Laura Brogan Browne is the voice behind the powerful short film Allegedly, an impactful story about Clover (Bailey Spalding), a high school graduate who participates in an anonymous survey she's sent by her high school mentor and former teacher. What initially presents as an innocuous student-teacher relationship transforms into a predatory experience for Clover. Allegedly is based on true events and stands as an important conversation starter for the impact of grooming and predatory behaviour in society. The narrative envelopes you alongside compelling performances from Bailey Spalding, Laura Brogan Browne, and Benjamin Mathews, each of whom draws you in to engage with the film with empathy and understanding. In this interview, Laura talks through her creative process as a storyteller both in front of the camera and behind the camera, why she needed to start the conversation about grooming on screen, and how she manages the mental and emotional process that comes with engaging with heavy or triggering material. the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more. Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

    Laura Brogan Browne on starting the conversation about grooming with the powerful short film Allegedly
  5. 13 Jul

    Unpacking Oi, Aussie voices, and queer identity on screen with Sophie Serisier & Laneikka Denne

    For regular readers of the Curb..., you'll no doubt be familiar with the admiration and respect that I have for Laneikka Denne and the cohort of filmmakers and storytellers they've worked with over their career. The pinnacle of that admiration came in 2024 with the short film Oi, directed by the equally great Sophie Serisier. That film sat comfortably at the top of my Best Australian Films of the year list, a statement that's been further cemented over time. Both Sophie and Laneikka have worked alongside David Robinson-Smith on films like Mud Crab and We Used to Own Houses, films that aren't the result of a singular vision, but rather echoes of a landscape, divined into existence through the communal efforts of creative folks who have infrequently seen themselves on screen. In this expansive interview, Laneikka and Sophie unpack Australiana, queer identity, their collaborative work, and the depth of Oi, plus much more. the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more. Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

    Unpacking Oi, Aussie voices, and queer identity on screen with Sophie Serisier & Laneikka Denne

About

Welcome to the Curb. This is the podcast where we bring you in depth interviews with filmmakers, creatives, and curators of culture. This podcast is recorded in Boorloo, Western Australia. Support The Curb on Patreon, and make sure to follow us on Facebook. Contact with us via our email. Hosted on Acast. See acast.com/privacy for more information.