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قبل ٥ أيام

What Donald Trump and “Everyone” Knew About Jeffrey Epstein

In January, the Justice Department released over three million documents, including many redacted e-mails, related to Jeffrey Epstein. “Should we share the Julie Brown text with Alan [Dershowitz],” Epstein wrote in one note to a lawyer. “She is going to start trouble. Asking for victims etc.” Brown’s reporting on Epstein for the Miami Herald, and her revelations about the federal plea deal he received, had an enormous impact on public perception of Epstein and his ties to Trump. Brown joins David Remnick to discuss the latest tranche of redacted e-mails, which show, as she reported, that Trump knew about his friend’s crimes far earlier than he has admitted. Brown and Remnick also talk about Epstein’s relationship with Commerce Secretary Howard Lutnick, and why she does not believe that Epstein died by suicide. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

قبل ٥ أيام

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٣٦ من الدقائق
١٢ فبراير

Charli XCX Misses the Moment

Once the fervor around Charli XCX’s 2024 album “brat” had cooled, the singer was approached to make a documentary about the tour—a practice that’s been embraced by the likes of Taylor Swift and Beyoncé. But Charli, who has built her brand in opposition to mainstream expectations, instead released “The Moment,” a tongue-in-cheek satire about the pressures stars face to milk career highs like “brat summer” for all they’re worth. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider “The Moment” alongside both the sanitized documentaries it mocks and other artists’ attempts to subvert the form. Many of these projects promise genuine insight into their subjects, but what they actually show is the increasingly delicate balancing act of “authentic” celebrity. “It is really hard to both reveal and conceal at the same time,” Fry says. “To invite the fan in—but not in a way that feels unsafe, or that could get you cancelled, or could make you sell less, or could make you unloved.” See Critics at Large live: the hosts will be discussing “Wuthering Heights” onstage at the 92nd Street Y on February 19th. Both in-person and streaming tickets are available. Buy now » Read, watch, and listen with the critics: Charli XCX’s “brat”“The Moment” (2026)“Homecoming: A Film by Beyoncé” (2019)“Gaga: Five Foot Two” (2017)“A Hard Day’s Night” (1964)“Spice World” (1997)“Taylor Swift: The End of an Era” (2025)“Sean Combs: The Reckoning” (2025)“Renaissance: A Film by Beyoncé” (2023)“Gimme Shelter” (1970)“Madonna: Truth or Dare” (1991)“I’m Still Here” (2010) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

١٢ فبراير

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٤٦ من الدقائق
قبل ٣ أيام

What Donald Trump and “Everyone” Knew About Jeffrey Epstein

In January, the Justice Department released over three million documents, including many redacted e-mails, related to Jeffrey Epstein. “Should we share the Julie Brown text with Alan [Dershowitz],” Epstein wrote in one note to a lawyer. “She is going to start trouble. Asking for victims etc.” Brown’s reporting on Epstein for the Miami Herald, and her revelations about the federal plea deal he received, had an enormous impact on public perception of Epstein and his ties to Trump. Brown joins David Remnick to discuss the latest tranche of redacted e-mails, which show, as she reported, that Trump knew about his friend’s crimes far earlier than he has admitted. Brown and Remnick also talk about Epstein’s relationship with Commerce Secretary Howard Lutnick, and why she does not believe that Epstein died by suicide. The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

قبل ٣ أيام

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٣٥ من الدقائق
قبل يوم واحد

Richard Brody Presents the 2026 Brody Awards

Every year, ahead of Oscar night, the film critic Richard Brody joins the New Yorker Radio Hour to discuss his picks for the year’s best films. David Remnick sits down with Brody and the staff writer Alexandra Schwartz to discuss the movies that didn’t get enough credit, the ones that got too much, and the lesser-known gems among the year’s releases. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

قبل يوم واحد

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١٥ من الدقائق
الموسم ١، الحلقة ١

Season 1, Episode 1: The Crime

The abduction of Jacob Wetterling, which made parents more vigilant and led to the first national requirement that states track sex offenders via registries, took place before moonrise on a warm October night in 1989. Learn about your ad choices: dovetail.prx.org/ad-choices

م ١، ح ١

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٣٥ من الدقائق
٦ فبراير

Ben Shapiro Is Waging Battle Inside the MAGA Movement

Ben Shapiro, the host of his eponymous podcast and the co-founder of the conservative website the Daily Wire, has lambasted the left and the Democratic Party for decades. Recently, though, Shapiro has taken to criticizing some of the loudest voices in the MAGA universe, including Tucker Carlson and Megyn Kelly. The rift is over the acceptance and promulgation of conspiracy theories and, in particular, the normalization of antisemitism. Shapiro discusses the Epstein files and what they show—and do not show—about the powerful people connected to Jeffrey Epstein. The belief in conspiracies of the élite reflects “people’s desire to abdicate control over their own lives,” Shapiro tells David Remnick. They discuss Shapiro’s adherence to the conservative value of personal responsibility, and how he squares that with MAGA and its champions. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

٦ فبراير

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٤٩ من الدقائق
٩ فبراير

Ben Shapiro Is Waging Battle Inside the MAGA Movement

Ben Shapiro, the host of his eponymous podcast and the co-founder of the conservative website the Daily Wire, has lambasted the left and the Democratic Party for decades. Recently, though, Shapiro has taken to criticizing some of the loudest voices in the MAGA universe, including Tucker Carlson and Megyn Kelly. The rift is over the acceptance and promulgation of conspiracy theories and, in particular, the normalization of antisemitism. Shapiro discusses the Epstein files and what they show—and do not show—about the powerful people connected to Jeffrey Epstein. The belief in conspiracies of the élite reflects “people’s desire to abdicate control over their own lives,” Shapiro tells David Remnick. They discuss Shapiro’s adherence to the conservative value of personal responsibility, and how he squares that with MAGA and its champions. The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine’s writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

٩ فبراير

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٤٩ من الدقائق
٢٣ يناير

How Tucker Carlson Became the Prophet of MAGA

Tucker Carlson has long been a standard-bearer for far-right views, such as the racist conspiracy theory known as the “great replacement.” He recently did a chatty interview with the white supremacist Nick Fuentes, an admirer of Hitler. And yet, Carlson started out as a respected, well-connected, albeit contrarian, political journalist. Jason Zengerle, who recently joined The New Yorker as a staff writer, talks with David Remnick about his new book, “Hated by All the Right People: Tucker Carlson and the Unraveling of the Conservative Mind.” They trace how Carlson’s sense of personal resentment toward the establishment grew; how launching his own website radicalized his politics in the years before MAGA; and his political ambitions as a potential heir to Donald Trump. “I think, if Tucker Carlson concludes that J. D. Vance can’t get elected President, maybe he has to do it himself,” Zengerle says. “So much of politics now is just being a media figure and being an entertainer. And Tucker does those things very well. . . . I think our politics are at a place where that really doesn’t seem as outrageous as it would have even just a couple years ago.” New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

٢٣ يناير

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٢٧ من الدقائق
٣٠ يناير

The City of Minneapolis vs. Donald Trump

The staff writers Emily Witt and Ruby Cramer discuss the situation in Minneapolis, a city effectively under siege by militaristic federal agents. “This is a city where there’s a police force of about six hundred officers [compared] to three thousand federal agents,” Witt points out. Cramer shares her interview with Mayor Jacob Frey, who talks about how Minneapolis was just beginning to recover from the trauma of George Floyd’s murder and its aftermath, and with the police chief Brian O’Hara, who critiques the lack of discipline he sees from immigration-enforcement officers. Witt shares her interviews with two U.S. citizens who were detained after following an ICE vehicle; one describes an interrogation in which he was encouraged to identify protest organizers and undocumented people, in exchange for favors from immigration authorities. Ruby Cramer’s “The Mayor of an Occupied City” was published on January 23rd. Emily Witt’s “The Battle for Minneapolis” was published on January 25th. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

٣٠ يناير

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٤٩ من الدقائق
الموسم ٦، الحلقة ١

Blood Relatives, Episode 1

On August 7, 1985, five family members were shot dead in their English country manor, Whitehouse Farm. It looked like an open-and-shut case. But the New Yorker staff writer Heidi Blake finds that almost nothing about this story is as it seems. New Yorker subscribers get early, ad-free access to “Blood Relatives.” In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app. In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com. Learn about your ad choices: dovetail.prx.org/ad-choices

م ٦، ح ١

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٤٥ من الدقائق

In the Dark, hosted by Madeleine Baran, is an award-winning investigative-journalism podcast that started in 2016. Its first season looked at the mysterious abduction of Jacob Wetterling in rural Minnesota and the lack of accountability that sheriffs face when they fail to solve cases. Season 2 examined the case of Curtis Flowers, who was tried six times for the same crime. In 2020, In the Dark released a special report on the coronavirus pandemic in the Mississippi Delta. In 2023, In the Dark joined The New Yorker and in 2024, it released “The Runaway Princesses,” a four-part series that asks why the women in Dubai’s royal family keep trying to run away. Season 3, released in 2024, asked why no one was punished for the killings of twenty-five civilians in Haditha, Iraq. In the Dark won the Pulitzer Prize for audio for Season 3. The podcast is a three-time Peabody Award winner and, in 2019, became the first podcast to win a George Polk Award, one of the top honors in journalism. The program has also received an Alfred I. duPont-Columbia University Award and a Robert F. Kennedy Journalism Award. New Yorker subscribers get early, ad-free access. In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app. If you have comments or story tips, please send them to inthedark@newyorker.com.

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جرائم حقيقية
Join The New Yorker’s writers and editors for reporting, insight, and analysis of the most pressing political issues of our time. On Mondays, David Remnick, the editor of The New Yorker, presents conversations and feature stories about current events. On Wednesdays, the senior editor Tyler Foggatt goes deep on a consequential political story via far-reaching interviews with staff writers and outside experts. And, on Fridays, the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos discuss the latest developments in Washington and beyond, offering an encompassing understanding of this moment in American politics.

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سياسة
Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here. See Critics at Large live at 92NY on February 19: https://www.92ny.org/event/vinson-cunningham-naomi-fry-and-alexandra-schwartz

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المجتمع والثقافة
A monthly reading and conversation with the New Yorker fiction editor Deborah Treisman.

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كتب
New Yorker fiction writers read their stories.

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فنون
Readings and conversation with The New Yorker's poetry editor, Kevin Young.

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كتب