LSQ

Jenny Eliscu
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Interviews focus on key moments of discovery, and the songs/artists that have soundtracked the guest's life. Hosted by journalist and radio presenter Jenny Eliscu (@jennylsq), these are laid-back but in-depth discussions about the journey to find their creative voice and process, and how it has evolved over their career. Episodes also occasionally feature clips from Eliscu's extensive archive, which includes 25 years' worth of interview audio.

  1. قبل ٥ أيام

    Sudan Archives

    In episode 133, Sudan Archives's Brittney Parks shares the story of her creative evolution, beginning with falling in love with violin when she was in fourth grade (thanks to a school visit by Canadian fiddle group Barrage), how playing in church led to learning songs from the MTV countdown to impress her friends, and eventually learning how to make beats and record her own songs using her iPad. She also talks about the influence of artists including Ibeyi, Santigold, Lykke Li and Corinne Bailey Rae, and how she began releasing her music (under the moniker Sudan Moon) more than a decade ago. And of course we also delve into the making of her excellent latest album, The BPM, and how "driveway beef" with her LA neighbors led her to finish the project with family in Detroit, where the city's rich history of pioneering dance music helped coalesce some of her sonic ideas for the LP. Sudan Archives is currently on tour in the U.S.; get tickets here.

    ٢٦ من الدقائق

  2. ٢٨ يناير

    The Format

    To kick off season 9 of the LSQ podcast, I had the pleasure of reconnecting with my old friends The Format, who are back together with their first new album since 2006’s Dog Problems. Produced by the legendary Brendan O’Brien (Pearl Jam, Rage Against The Machine, Bruce Springsteen), Boycott Heaven is a welcome return from the duo of Nate Ruess and Sam Means, who continue to expand into new terrain on this collection. In the interview, Ruess talks about how, leading up to this album, he learned to play guitar (with help from his friend Buckethead!) and demo songs on his own, for the very first time. We also delve into the history of the band, going back to when the pair first met in high school, bonded by their shared love of Weezer and other 90s bands, and the evolution of their writing process. The Format will start their U.S. tour for Boycott Heaven in late March, and you can get tickets here.

    ٣٢ من الدقائق

  3. ٢٥‏/١١‏/٢٠٢٥

    Bon Iver - Justin Vernon

    An all-time favorite artist sits for an all-time favorite interview! Bon Iver's Justin Vernon is my guest in this episode of the LSQ podcast — the final episode of 2025 and season 8 of the show. We recorded this at his home studio back in June, shortly after the release of Bon Iver’s brilliant latest album, SABLE, fABLE, which recently earned him another couple well-deserved Grammy nominations. I loved this conversation so much, and I’m so grateful to Justin for his openness in a talk that explores his entire history as a creative person and music maker. Justin and I go back a ways and have done shorter interviews over the years. But this gave us a chance to go super in-depth, and I loved hearing stories about his early life and definitive creative experiences — about listening to John Prine’s “Hello in There,” on his Discman in the back of his my parents’ minivan and realizing music was his calling, about discovering music he loved by Fugazi, Mighty Mighty Bosstones, the Dave Matthews Band, and Baaba Maal, about his dad driving him and his friends from Eau Claire, Wisconsin to Minneapolis to see Stone Temple Pilots and Soundgarden, about the deep camaraderie of his high school band with friends he still collaborates with today, and the vital growth that came from moving the band to Raleigh, North Carolina when he was in his twenties. Oh, and you’ve also gotta hear the story about Prince coming to a Gayngs show at First Avenue, and nearly joining the band onstage.

    ٥٨ من الدقائق

  4. ٠٤‏/١١‏/٢٠٢٥

    The Lemonheads - Evan Dando

    Indie rock legend Evan Dando joins me in episode 130 to talk about The Lemonheads’ excellent new album, Love Chant — their first LP of originals in twenty years. We also discuss the Townes Van Zandt covers album he’s currently working on, his recently released memoir, Rumors of My Demise, and we delve into important creative influences past and present: Sylvia Plath, the Replacements, Big Star, Love, the mentorship he received from Dinosaur Jr.’s J Mascis, and more. Dando also answers a couple of fun guest questions submitted by our pals Adam Green (who co-wrote the song “Wild Thing” from the new album) and Ben Lee.

    ٣٧ من الدقائق

  5. ١٦‏/١٠‏/٢٠٢٥

    Neko Case

    It was awesome to finally get to interview Neko Case, whose music (both on her own and with New Pornographers) I've admired for ages. In late September she released an awesome new album called Midnight Grey, Neon Green, and in the interview she shares about the inspiration for the album, which she describes as a tribute to music and musicians, and "a tribute to joy, and the joy that music makes you feel." We also explore her creative evolution, early band experiences, learning how to embrace her talents rather than being self-deprecating about them and how she approaches writing nowadays. She also shares a bit about the writing of her beautiful best-selling memoir, The Harder I Fight, The More I Love You, as well as talking about the music she's been crafting for a long in-the-works Thelma & Louise musical. You can subscribe to Neko's Substack here and get tickets for her shows here.

    ٢٨ من الدقائق

  6. ٢٥‏/٠٩‏/٢٠٢٥

    Mdou Moctar

    For episode 128, I spoke with the brilliant Mdou Moctar, a Tuareg singer, guitarist and songwriter whose sound combines rock, blues and contemporary Saharan music into songs that range from shreddy and electrifying to beautiful and contemplative, and all the stops in between. I highly recommend digging into his catalog, which is now several albums deep. His latest releases with his band were a pair of interconnected albums: 2024’s Funeral For Justice, which is of the fiery rock & roll variety, and Tears of Injustice, which was released this year and features acoustic versions of the same songs — gorgeous renditions whose sound harkens back to the more sparse style Mdou employed on his early albums, before he had a full band supporting him.  During the summer, I connected over Zoom with both Mdou and his bassist, Mikey Coltun, who also produces their albums, and that is the main interview in this episode. But I also had the pleasure of meeting up with the band in person, following our Zoom, to moderate an event they did at LA’s Grammy Museum. The Grammy Museum is an awesome non-profit that, in addition to preserving the history of the Grammy Awards and offering very cool interactive exhibits, also presents a series of live events where incredible artists like Mdou Moctar give talks and stripped-down performances for truly intimate audiences. Big thanks to Kimber Kristy over there for allowing me to use some of the audio from that conversation in this episode, because there were a couple of moments from it that I wanted to share. So we’ll listen to a bit of that, and then get into the longer interview.

    ٣٥ من الدقائق

  7. ٠٩‏/٠٩‏/٢٠٢٥

    Suede - Brett Anderson

    "I got the writing bug very early," says Suede's iconic frontman Brett Anderson. "I was fascinated by the simplicity of what was in front of me: You have six strings, and a limited number of notes, and 26 letters in the alphabet, and all of these things simultaneously mock you and inspire you. And it became a sort of an addiction for me quite early on, trying to search for that song, trying to reach for those chords, trying to write that album, and it still is. I still love it.” In the lead up to Suede’s excellent new album, Antidepressants, which the Guardian has hailed as a “late career triumph,” I had the pleasure of connecting over Zoom with Anderson for a conversation about his creative evolution. One of my favorite things about our interview was hearing him describe his passion for the process of writing and the fact that, even though it can be torturous, it’s ultimately so satisfying. He said that he resonates with the famous Dorothy Parker quote, “I hate writing, but I love having written.” And so we talked about writing throughout Anderson’s life:  as a kid, when he first connected with his urge to put pen to paper and evoke notes from an instrument, the early days of Suede and moments when he first knew he had hit on something so powerful, and writing of the new album.

    ٣٧ من الدقائق

  8. ٢٩‏/٠٧‏/٢٠٢٥

    Heatmiser - Neil Gust

    I remember back in the mid 90s when I first got into Elliott Smith’s music and discovered that he also had a band. That band was called Heatmiser, and they were putting out amazing music, as well. A particular favorite for me was their 1996 album Mic City Sons, an album I’ve listened to hundreds of times over the years. And they’ve just released out an expanded 30th anniversary edition via Jack White’s Third Man records that includes demos of tunes from the album, previously unreleased recordings from the sessions, and even a full band version of Elliott’s solo tune “Christian Brothers.” It was awesome getting to talk with Heatmiser singer and guitarist and co-songwriter Neil Gust about the making of Mic City Sons — what went right and what went wrong; by the time it came out they had all but broken up — and also about the making of Heatmiser which was Neil and Elliott and bassist Sam Coomes (also of Quasi), and drummer Tony Lash. We delve into how Neil and Elliott first met as college classmates, initially playing in a band together called Swimming Jesus before as graduation approached they came up with the idea for Heatmiser, and of course we also talk about Neil’s own personal history as a guitarist and songwriter. Over the years, he has recorded under the moniker No. 2. You can get a vinyl copy of the Mic City Sons 30th anniversary edition here.

    ٣٢ من الدقائق
مشاهدة الكل (١٣٣)

حول

Interviews focus on key moments of discovery, and the songs/artists that have soundtracked the guest's life. Hosted by journalist and radio presenter Jenny Eliscu (@jennylsq), these are laid-back but in-depth discussions about the journey to find their creative voice and process, and how it has evolved over their career. Episodes also occasionally feature clips from Eliscu's extensive archive, which includes 25 years' worth of interview audio.

المعلومات

  • صناع العمل
    Jenny Eliscu
  • سنوات النشاط
    ٢٠١٧ - ٢٠٢٦
  • الحلقات
    ١٣٣
  • التقييم
    فاضح
  • حقوق النشر
    © Jenny Eliscu
  • موقع البرنامج على الويب
    LSQ

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