88 episodes

Your poetry ritual: An immersive reading of a single poem, guided by Pádraig Ó Tuama. Unhurried, contemplative and energizing. New episodes on Monday and Friday, about 15 minutes each. Two seasons per year, with occasional special offerings. Anchor your life with poetry.

Poetry Unbound On Being Studios

    • Arts

Your poetry ritual: An immersive reading of a single poem, guided by Pádraig Ó Tuama. Unhurried, contemplative and energizing. New episodes on Monday and Friday, about 15 minutes each. Two seasons per year, with occasional special offerings. Anchor your life with poetry.

    Danez Smith — i’m going back to Minnesota where sadness makes sense

    Danez Smith — i’m going back to Minnesota where sadness makes sense

    In a poem brimming with love and nostalgia for winter, a poet leaves California to return to their Minnesotan homeplace, a place where winter makes sense, where sadness makes sense, where the isolation that’s at the heart of humanity can be met with a landscape that can contain it. Here, solitude is looked at with wisdom and necessity. A season can deepen the human experience. Joy finds new expressions.

    • 14 min
    Craig Santos Perez — Rings of Fire

    Craig Santos Perez — Rings of Fire

    What if the planet were as loved as a child? Taking the story of his daughter’s fever when she was one, Craig Santos Perez reflects on everything he did — and would have done — for his daughter’s health. Her temperature rose and his love and response did, too. The temperature of the world rises, and he wonders who loves the earth enough to respond, and who doesn’t.

    • 14 min
    Alberto Ríos — December Morning in the Desert

    Alberto Ríos — December Morning in the Desert

    Standing at the edge of a desert, surveying the stars on a December morning, the speaker in this poem observes the everything of everything. He is so small; the universe is so loud and so silent. Thinking about the enormity of all this, he thinks of the smallness of the hearts of birds, wasps, moths, bats, and dragonflies — all flying things around him, suspended in space, like the earth is suspended in space. His own heart, too, echoes the universe’s noise.

    • 15 min
    Yehoshua November — 2AM, and the Rabbinical Students Stand in their Bathrobes

    Yehoshua November — 2AM, and the Rabbinical Students Stand in their Bathrobes

    Yeshiva students stand around in the middle of the night while firemen find the cause of the alarm. It’s a student — distressed by distressing news at home. The teachers cancel classes for the morning after. A poem can describe one thing, but point to another, and beyond the drama of this 2 a.m. scene is a question about whether the presence of God can dwell among those plagued by sadness, or whether God only dwells there.

    • 15 min
    Aria Aber — The Only Cab Service of Farmington, Maine

    Aria Aber — The Only Cab Service of Farmington, Maine

    In a taxi, a poet speaks to the driver. It’s the only taxi in town. He mentions travel, mentions Afghanistan, that he was there with the forces. She’s from Afghanistan and the conversation continues — awkward; complicated; him trying to say good things, but failing; her feeling like she should rescue him, but deciding not to. War is upended by the point of view of a person in whose country the war was fought. Underneath the action of the poem is a question about whether conversation is possible, and an appreciation for silence.

    • 18 min
    Donika Kelly — In the Chapel of St. Mary’s

    Donika Kelly — In the Chapel of St. Mary’s

    Why do empty places sometimes lend themselves to reflection or contemplation? In this poem, a poet — describing herself as a nonbeliever — goes into a chapel to sit. In the corner there are some girls talking, there are stained glass windows, and the poet is at once at home in herself and far from the woman she loves. The high emptiness of the church seems to give a resting place for the emptiness she’s feeling. While there’s no resolution, the larger empty space offers a holding place for the poet.

    • 14 min

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