eleven

The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Hosted by William J Connolly elevenpodcast.com @elevenPodcast

  1. 5 days ago

    Tina Sinatra

    Tina Sinatra isn’t sure if the pride will land first, or the tears. At the point of which we connect, it’s the latter.  Sat in her hotel room just hours before the West End premiere of a musical that honours the life of her parents - promising to “sustain him and honour him” when talk turns to her rather famous father, Frank - there’s a cocktail of emotions and pressure starting to build.  With a book by two-time Tony Award-winner Joe DiPietro and directed and choreographed by Olivier Award-winner and three-time Tony Award-winner, Kathleen Marshall, the daughter of one of the most famous men in music history knows the story of her family and how much they mean to music lovers throughout the generations - and is ready to introduce them to a new offering; Sinatra: The Musical, a show about the music, the man and showing the world just how strong her mum really was. Having its premiere now in London, a city that she reveals was Frank’s second favourite to play of anywhere across the globe - we all know where the first is! – Tina explains why this is a chapter she wants fans to throw their arms around, saying that she is “so happy” with the results of the musical. Guaranteeing that it shows Frank’s life in both the good and the ugly, the emotion of seeing her parents lives play out on stage with real humans and the added punch of the songs evokes “cheers they (her parents) hear in heaven” from those lucky enough to sit in the audience and go on this wild ride together.  And the task of becoming Frank? That’s the job of Joel Harper-Jackson, a leading man that she calls as “phenomenal” as her father - tears returning once again to her eyes.  So what’s it like to have the life of your family brought to the stage in a BIG and roaring West End musical? Well… emotional pride might be the best way to describe it all, as Tina Sinatra does here in this rather special episode of eleven. Host: William J Connolly Produced by: William J Connolly/Darren Bell Photography by Gareth Cattermole sinatramusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

    Tina Sinatra
  2. 5 May

    Victoria Hamilton-Barritt

    She’s the newly-crowed Olivier winner and certified West End leading star that’s currently delivering the performance of a lifetime as Millicent Clyde in the original London cast of Paddington: The Musical at the Savoy Theatre. From her time rising through the ranks to starring roles in Hadestown, Cinderella, Death of a Salesman, Murder Ballad and many, many others, she’s earned herself a career on the stage like no other.  In this exclusive conversation direct from her home, we reflect on stepping into the darkness to spend her days hunting down the most famous bear of all of London as Millicent Clyde in Paddington: The Musical, and why there’s joy in those Pretty Little Dead Things. Plus, we celebrate the unmatched response to the show, how it’s “tough” to be mean to Paddington on stage when he’s looking directly into your eyes - somebody she describes as “the most perfect specimen” - and why there are cheers and tears every night when the little guy makes his first entrance.  We also explore the joyful complexities of being a working mum in her 40s in the arts, the “wonder” of singing Anais Mitchell in Hadestown and why Paddington stands for “everything that’s right in the world”. Note: This episode was recorded before Victoria was crowned with her recent Olivier Award for Best Actress in a Supporting Role in a Musical. Host: William J Connolly Produced by: William J Connolly/Darren Bell paddingtonthemusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

    Victoria Hamilton-Barritt
  3. 7 Mar

    Rebecca Trehearn

    She’s the Olivier Award-winning theatre star with a voice powerful enough to rival the greats. From her show-stopping turn in Ghost to her acclaimed performance in Show Boat, she’s built a career defined by fearless choices, constant evolution and a commitment to sharpening her craft. Now, she’s stepping into something entirely new with the heart-opening musical Ballad Lines, playing at Southwark Playhouse Elephant. Just moments before she heads on stage, we dive into the emotional power of stepping into a brand-new world with Ballad Lines, why this project feels unlike anything she’s done before, and the beauty that comes from embracing the chaos of constantly pushing yourself as an artist. We talk about the importance of centring female stories in mainstream theatre, the thrilling risk of performing in intimate spaces, and why she’s proudly made a habit of “emotionally destroying” audiences — something that might become her niche. There’s also time for camp costumes in Cinderella, discovering the richness of the warmer tones in her voice, and the unexpected — and rarely discussed — realities that can follow an Olivier win, including the surprising stretches of not working. Plus, she reflects on the “beautiful” experience of Becoming Nancy in Birmingham and why theatre should belong to audiences everywhere — not just those in London. Host: William J Connolly Produced by: William J Connolly/Darren Bell southwarkplayhouse.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

    Rebecca Trehearn

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The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Hosted by William J Connolly elevenpodcast.com @elevenPodcast

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