Filmspotting

The Inflection Network
The Inflection Network
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Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

  1. 6 hr ago

    Spider-Man (2002) | Archive

    Back in 2022, Adam and Josh gave Sam Raimi's Spider-Man the 20th anniversary Sacred Cow treatment.  Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. See omnystudio.com/listener for privacy information.

    Spider-Man (2002) | Archive

  2. 1 day ago

    Home Sweet Homer, Pt. 2 — The Odyssey | The Next Picture Show

    Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain.   Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off. See omnystudio.com/listener for privacy information.

    Home Sweet Homer, Pt. 2 — The Odyssey | The Next Picture Show

  3. 5 days ago

    The Odyssey: Nolan Makes the Ancient Epic His Own

    Is Christopher Nolan’s The Odyssey a cinematic gift, or is it a Trojan Horse filled with the director’s narrative obsessions? Maybe both. In their review, Adam and Josh talk about the ways Nolan diverges from Homer’s epic tale, and which of the director’s previous films offer the best insight into his latest. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky See omnystudio.com/listener for privacy information.

    The Odyssey: Nolan Makes the Ancient Epic His Own

  4. 6 days ago

    Home Sweet Homer, Pt. 1 — O Brother, Where Art Thou? | Next Picture Show

    Considering The Odyssey is one of the most famous and influential stories of all time, there had been relatively few attempts to directly translate Homer’s epic poem to the big screen until Christopher Nolan came along to do it at a blockbuster scale. It’s been more common for filmmakers, such as Joel and Ethan Coen, to use it as the loose framework for a flawed hero’s journey home, such as the one undertaken by Ulysses Everett McGill in O Brother, Where Art Thou?, a Depression-era musical comedy that maps on to Homer’s version only in the broadest of strokes. But revisiting O Brother through the lens of its stated source material, as we’re doing this week, is a revealing lesson in the malleability of adaptation, as well as the Coens’ ability to make even one of the most familiar tales in all of storytelling uniquely theirs. Then in Feedback, we finally break our silence on the indie-horror phenomenon that is Obsession. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off. See omnystudio.com/listener for privacy information.

    Home Sweet Homer, Pt. 1 — O Brother, Where Art Thou? | Next Picture Show

  5. 22 Jul

    The Prestige | Archive

    As part of 2020’s Christopher Nolan Oeuvre-view, Adam and Josh revisited The Prestige (2006), which – alongside his current The Odyssey – is among the rare Nolans adapted from existing material. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. See omnystudio.com/listener for privacy information.

    The Prestige | Archive

  6. 21 Jul

    Budget Multi-Verse: Hulu's Redux Redux | SVU

    Matt and Jordan give Hulu’s new multiverse revenge thriller Redux Redux a spin, crediting Kevin and Matthew McManus’s film for its low-budget stylishness and its central performance (by another McManus, sister Michaela). Then some Redux-inspired streaming recommendations, answers to a listener request for off-the-grid heist movies, and a game (“Multi-Box Letter-Verse”) hosted by Producer Sam. Intro / The Odyssey (00:00:00–00:11:36) Redux Redux (0:11:37–00:28:27) Rec Seg (00:28:28–00:45:35) Listener Request Recs: Off-the-Grid Heist Movies (00:45:36–01:02:42) Game: Multi-box Letter-verse (01:02:43–01:29:32) New to Streaming / Credits (01:29:33–01:38:12) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ See omnystudio.com/listener for privacy information.

    Budget Multi-Verse: Hulu's Redux Redux | SVU

  7. 20 Jul

    11 Rules for Box Office Appeal with Amy Nicholson | The Movie Racket

    Film critic Amy Nicholson joins host Michael Phillips to test a set of unofficial Hollywood axioms: Preston Sturges’ 11 Rules for Box Office Appeal.Written (or so the story goes) in the early 1940s, the list is equal parts joke and provocation, a series of blunt, sometimes baffling claims about what makes movies work. But taken together, the rules point toward something more coherent: a theory of cinema built on movement, rhythm, and the constant opening of possibilities.Amy and Michael dig into what still holds up and what these rules reveal about the way comedy — and movies — create momentum. Is Sturges simply being playful? Or is there real wisdom hiding inside the punchlines? See omnystudio.com/listener for privacy information.

    11 Rules for Box Office Appeal with Amy Nicholson | The Movie Racket

  8. 18 Jul

    The Sorrow and the Pity: Dismantling the Gaullist Myth | Dissident Cinema

    The Dissident Cinema Marathon continues with Marcel Ophuls’s towering 1969 documentary The Sorrow and the Pity, which challenged the so-called “Gaullist myth” that the French people had largely resisted Nazi occupation. See omnystudio.com/listener for privacy information.

    The Sorrow and the Pity: Dismantling the Gaullist Myth | Dissident Cinema
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Hosts & Guests

About

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

Information

  • Channel
    The Inflection Network
  • Creator
    Filmspotting
  • Years Active
    2005 - 2026
  • Episodes
    166
  • Rating
    Clean
  • Copyright
    © 2026 Telegraph Road Productions, Inc.
  • Show Website
    Filmspotting

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