The Week in Art

The Art Newspaper
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From breaking news and insider insights to exhibitions and events around the world, the team at The Art Newspaper picks apart the art world's big stories with the help of special guests. An award-winning podcast hosted by Ben Luke. Hosted on Acast. See acast.com/privacy for more information.

  1. 6 hr ago

    The Bayeux Tapestry, damaged heritage in Iran, Tschabalala Self’s Trafalgar Square sculpture

    It is one of the museum events of the century so far: the Bayeux Tapestry has been lent from its dedicated museum in Bayeux in Normandy, France, to an exhibition at the British Museum in London, which is now open to visitors. The Art Newspaper’s digital editor, Alexander Morrison, visits the British Museum to speak to Lloyd de Beer, one of the show’s four curators, to discuss this momentous exhibition. In Iran, it has emerged that more than 140 heritage sites have been damaged in the war with the US and Israel. Our reporter Sarvy Geranpayeh tells Ben Luke more about the extent of the damage and the local and international response. And this episode’s Work of the Week is Lady in Blue, Tschabalala Self’s new sculpture for the Fourth Plinth, the site for contemporary art commissions in London’s Trafalgar Square. Ben spoke to Tschabalala about the work. The Bayeux Tapestry, British Museum, until 11 July 2027. Next ticket release, 21 October; members priority booking reopens 6 October. Tschabalala Self’s The Blue Lady, Fourth Plinth, London, until 2028. Hosted on Acast. See acast.com/privacy for more information.

  2. 3 Sept

    What did you miss? Summer art world news and what’s coming up

    In this first episode of the autumn season, we are focusing on the news you might have missed in a busy couple of months in the art world in July and August. The Art Newspaper’s global editor-in-chief Ben Sutton joins host Ben Luke to talk about the latest news from the Americas, including US museums, and pays tribute to some of the major artists who died in the past couple of months. Our art market editor, Kabir Jhala, updates us on news from the market over recent weeks. And Catherine Hickley tells Ben Luke about news outside the US in her field, museums and heritage. Plus, we ask them all to name two exhibitions and events in the coming months that they’re looking forward to seeing. Their tips for forthcoming events: The 90s: Art and Fashion, Tate Britain, London, 8 October 2026 – 14 February 2027 Frieze Abu Dhabi, 19–22 November 2026. I, Gustave Courbet. Painter and Rebel, Museum Folkwang, Essen, Germany until 8 November Franz Marc: The Quest for a Better World, K20, Kunstsammlung Nordrhein-Westfalen, 12 September-24 January 2027 Taryn Simon: Father Country I Do Love You, Guggenheim, New York, 18 September-14 March 2027 Teresa Margolles: En el lugar de los hechos (At the Scene), MoMA PS1, New York, 24 September-February 2027 The Week in Art is brought to you with sponsorship from Getty. Hosted on Acast. See acast.com/privacy for more information.

  3. 25 Jun

    Frida Kahlo at Tate Modern, the Brexit effect, a Renaissance tarot deck

    This last episode of the current season begins with Frida Kahlo. Tate Modern in London this week opened Frida: The Making of an Icon, an exhibition that began at the Museum of Fine Arts in Houston earlier this year and which explores the Mexican artist’s paintings but also her influence on other artists and wider cultural forms. Ben Luke speaks to Tobias Ostrander, the co-curator of the exhibition. This week also marked 10 years since Brexit, the UK vote to leave the European Union. Ben speaks to Alexander Herman, the director of the Institute of Art and Law in London, about the impact of the UK’s withdrawal from the EU on art and cultural heritage laws. And this episode’s Work of the Week is the Visconti-Sforza Tarot, a deck of cards made by Bonifacio Bembo in 1456-58. Forty-five cards from the deck, which are held in the collections of the Morgan Library and Museum in New York and the Accademia Carrara in Bergamo, are reunited in the Morgan Library and Museum’s new exhibition, called Tarot! Renaissance Symbols, Modern Visions. Ben talks to one of the show’s curators, Joshua O’Driscoll, about it. Frida: The Making of an Icon, Tate Modern, London, until 3 January 2027 Tarot! Renaissance Symbols, Modern Visions, Morgan Library and Museum, New York, 26 June-4 October Hosted on Acast. See acast.com/privacy for more information.

  4. 18 Jun

    Art Basel in Basel, Pierre Huyghe interview, James Turrell

    Kabir Jhala, The Art Newspaper’s art market editor, joins Ben Luke to discuss this year’s Art Basel, the big sales and the wider mood music. Pierre Huyghe has an exhibition at the Beyeler Foundation in Riehen, just outside Basel, and Ben speaks to him about it. And this episode’s Work of the Week is As Seen Below – The Dome, a Skyspace by the US artist James Turrell, which opens this week at ARoS, the museum in the Danish city of Aarhus. Ben speaks to the museum’s director, Rebecca Matthews, about the work, and to Stine Louring, an anthropologist and specialist in lighting design, who is leading a research collaboration between ARoS and Aalborg University exploring the neurophysiological and experiential effects of visiting As Seen Below. Art Basel in Basel continues until Sunday, 21 June. Pierre Huyghe, Beyeler Foundation, Riehen, Basel, until 13 September. As Seen Below – The Dome, a Skyspace by James Turrell, ARoS, 19 June. Hosted on Acast. See acast.com/privacy for more information.

  5. 11 Jun

    Pan-Africanism in London, the health benefits of art, Barbara Hepworth

    The exhibition Project a Black Planet: The Art and Culture of Panafrica began its life at the Art Institute of Chicago before travelling to Museu d’art contemporani de Barcelona (Macba) in Barcelona and now to the Barbican in London, in each case changing in relation to the particular circumstances of its location. One of the show’s curators is Elvira Dyangani Ose, the director of the Barcelona museum, and Ben Luke speaks to her about the show. Among the books shortlisted for the Women’s Prize for Non-Fiction in the UK, which was awarded this week, is Daisy Fancourt’s Art Cure: The Science of How the Arts Transform Our Health. Ben discusses her research and how it can be implemented. And this episode’s Work of the Week is Sculpture with Colour (Oval Form) Pale Blue and Red (1943), by Barbara Hepworth. It features in Hepworth in Colour, a new exhibition at the Courtauld Gallery in London, and The Art Newspaper’s digital editor, Alexander Morrison, speaks to the show’s curator, Alexandra Gerstein, about the work. Project a Black Planet: The Art and Culture of Panafrica, Barbican Art Gallery, until 6 September. To find out more about the wider events across the Barbican visit the centre’s website. Daisy Fancourt: Art Cure: The Science of How the Arts Transform Our Health, US: Celadon Books, $28.99; UK: Cornerstone Press, £22. Hepworth in Colour, Courtauld Gallery, London, 12 June-6 September Hosted on Acast. See acast.com/privacy for more information.

  6. 4 Jun

    Yemen heritage, US flags at the National Gallery in Washington, Felix Gonzalez-Torres

    After years of civil war and continuity violence, Yemen’s heritage has suffered hugely, with buildings damaged across the country and antiquities looted. Yet across the country, there is a determination to protect and restore its historical landmarks and cultures. Ben Luke speaks to Melissa Gronlund, one of The Art Newspaper’s reporters on the Middle East, about these efforts. At the National Gallery of Art in Washington, D.C., the exhibition American Icon: The US Flag in Art opens this weekend. Ben speaks to the gallery’s chief curatorial and conservation officer, E. Carmen Ramos, about the exhibition. And this episode’s Work of the Week is “Untitled” (Revenge) (1991) by Felix Gonzalez-Torres, one of the late Cuban-American artist’s sculptures using hundreds of wrapped candies. The work was first exhibited in Madrid in 1991 and is being shown there for the first time since that initial presentation in a survey show of Gonzalez-Torres’s work at the Museo Reina Sofía, which opened last week. The exhibition’s curators are Alejandro Cesarco and Nancy Spector and Ben spoke to them about the work. American Icon: The US Flag in Art, National Gallery of Art, Washington, 6 June-6 December Felix Gonzalez-Torres: Sweet Revenge, Museo Reina Sofía, Madrid, until 12 October Hosted on Acast. See acast.com/privacy for more information.

  7. 21 May

    New York auctions, James McNeill Whistler at Tate Britain, Edvard Munch

    This season’s much anticipated auctions in New York have brought some records and eye-popping prices, including for works by Jackson Pollock, Constantin Brancusi and Mark Rothko, and some more middling results. Ben Luke talks to Judd Tully, who has been reporting on some of the sales for The Art Newspaper. The largest show of the art of James McNeill Whistler in Europe for more than 30 years has just opened at Tate Britain in London, and travels later in the year to the Netherlands, where it forms two shows, at the Van Gogh Museum in Amsterdam and The Mesdag Collection in The Hague. Ben takes a tour of the Tate show with its lead curator Carol Jacobi. And this episode’s Work of the Week is the frieze made by Edvard Munch in 1922 for the women’s canteen of the Freia Chocolate Factory in Oslo. The frieze remains in the collection of the Freia chocolate company today, but is on temporary loan to MUNCH, the museum in the Norwegian capital for the exhibition Edvard Munch and the Chocolate Factory. Our digital editor, Alexander Morrison, went to Oslo to speak to the curator of the exhibition, Ana María Bresciani, about the frieze. James McNeill Whistler, Tate Britain, London, until 27 September 2026; before splitting into two parallel presentations in the Netherlands, Whistler: Dandy and Disruptor, Van Gogh Museum, Amsterdam; Whistler: Loving The Netherlands, The Mesdag Collection, The Hague, both 16 October-10 January 2027. Edvard Munch and the Chocolate Factory, MUNCH, Oslo, until 11 October. Hosted on Acast. See acast.com/privacy for more information.

  8. 14 May

    Frieze New York, the Cranach in Hitler’s Munich apartment, Ajamu X

    The latest edition of Frieze New York is open now and we hear all about this year’s fair from The Art Newspaper’s editor-in-chief in the Americas, Ben Sutton, and our art market editor, Kabir Jhala. Cupid Complaining to Venus (1526-27), a painting by Lucas Cranach the Elder in the National Gallery in London has long been known to have a complicated provenance and was once in the possession of Adolf Hitler. In The Art Newspaper’s May print edition, a photograph of the work in Hitler’s Munich apartment is reproduced for the first time in an English-language publication. Ben Luke talks to Martin Bailey, our special correspondent in London, who has been following this story since the 1990s, about the latest news. And this episode’s Work of the Week is the Glamour Posse series from the early 1990s by the British photographer Ajamu X. The work features in Gender Stories, a UK touring exhibition that this week opens at the Walker Art Gallery in Liverpool, and Ben speaks to the head of the gallery, Charlotte Keenan. Frieze New York continues until Sunday, 17 May, Esther continues until 16 May and Tefaf is on until 19 May. Gender Stories, Walker Art Gallery, Liverpool, 16 May-31 August. Hosted on Acast. See acast.com/privacy for more information.

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From breaking news and insider insights to exhibitions and events around the world, the team at The Art Newspaper picks apart the art world's big stories with the help of special guests. An award-winning podcast hosted by Ben Luke. Hosted on Acast. See acast.com/privacy for more information.

Information

  • Creator
    The Art Newspaper
  • Years Active
    2017 - 2026
  • Episodes
    390
  • Rating
    Clean
  • Copyright
    © All rights reserved
  • Show Website
    The Week in Art

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