Scene by Scene

Justin Johnson & Joe Lefeber

Scene by Scene is not a traditional movie review podcast. It’s a film discussion podcast with two independent filmmakers fascinated by the filmmaking process. On the first Friday of every month, Joe and Justin break down the elements of one movie to better understand how films are made, what makes a “good” one, and what makes a “bad” one. After examining the film's story and themes, visual technique, and historical, cultural, or personal significance, they discuss what they've learned.

  1. 18 APR

    Last Night at the Alamo (1983) | Dir. Eagle Pennell

    In this episode, we discuss Eagle Pennell's Last Night at the Alamo, including character introductions, the parallels between Cowboy and Pennell, and the film's anti-Hollywood aesthetic. See where Last Night at the Alamo is available to watch. Supplemental Material: • Last Night at the Alamo (Remaster) • The King of Texas: The Life and Death of Independent Filmmaker Eagle Pennell • Inside/Outside • Last Night at the Alamo Q&A • How Austin Movies Shaped the City's Culture and Identity by Michael Barnes • How A Little-Known Film From The 1970s Kickstarted The Austin Film Scene by Terri Langford & Laura Rice • In Memoriam by Chronicle Staff • Eagle Pennell, the Last Cowboy by Nadine Smith • Remembering a Different 'Alamo,' 40 years Later by Nathan Cone • The Most Authentically Texan Movie You’ve Never Heard Of by Sean O'Neal • King for a Day by Steve McVicker • Indie Legend Who Inspired Sundance, ‘Reservoir Dogs’ And More Will Have Classic Films Restored by Louis Black • The Defiant Defeatist: Eagle Pennell by Daniel Stuyck • Fade to Black by Steve McVicker Additional Audio Sources: • Last Night at the Alamo Remaster Teaser • Last Night at the Alamo (Remaster) If you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it. If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.com Follow the Scene by Scene Instagram account for announcements and updates. Follow us on Letterboxd: Joe | Justin

    1hr 39min
  2. 05/12/2025

    My Winnipeg (2007) | Dir. Guy Maddin

    In this episode, we discuss Guy Maddin's My Winnipeg, including Maddin's use of repetition, the representation of memory, and the film's blending of fact and fiction. See where My Winnipeg is available to watch. Supplemental Material: • The Criterion Collection's My Winnipeg Blu-ray • My Winnipeg (The Criterion Channel) • Guy Maddin and Robert Enright on My Winnipeg (The Criterion Channel) • Spanky: To the Pier and Back (The Criterion Channel) • Guy Maddin: His Winnipeg (Chicago Humanities) • Visiting Filmmaker Series: Q&A with Guy Maddin (Rutgers Filmmaking Center) • Guy Maddin on My Winnipeg | Higher Learning (TIFF) • My Guy’s Winnipeg by Wayne Koestenbaum Additional Audio Sources: • My Winnipeg Trailer (from The Criterion Collection's Blu-ray) • The Criterion Collection's My Winnipeg Blu-ray • FilmCatcher: My Winnipeg Interview with Director Guy Madden (FilmCatcher) • Guy Maddin Talks About His Editing Style (and YouTube!) (Media Funhouse) • Why Auteur Director Guy Maddin Bought a Screenwriting Book & Only Read the Back Cover (No Film School) If you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it. If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.com Follow us on Letterboxd: Joe | Justin

    1hr 40min

About

Scene by Scene is not a traditional movie review podcast. It’s a film discussion podcast with two independent filmmakers fascinated by the filmmaking process. On the first Friday of every month, Joe and Justin break down the elements of one movie to better understand how films are made, what makes a “good” one, and what makes a “bad” one. After examining the film's story and themes, visual technique, and historical, cultural, or personal significance, they discuss what they've learned.

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