There's Sometimes a Buggy

Elise Moore and Dave

Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other's movie-love, culminating in this podcast. Expect in-depth discussion of their old favourites (mostly studio-era Hollywood) and their latest frontiers (courtesy of the TIFF Cinematheque and various Toronto rep houses and festivals). The podcast will be comprised of several potentially never-ending series: - Fear & Moviegoing in Toronto: Our Perspectives on Choice Local Retrospectives - Hollywood Studios – Year by Year: Deep-cut dishing on Paramount, MGM, Warner Brothers, RKO, Fox, and Universal items from 1930 to 1948. - Acteurist oeuvre-views of worthy on-camera creatives, beginning with Jennifer Jones and Setsuko Hara. - And a big parade of special subjects hand-chosen by whichever of your hosts happens to have a handle on this buggy that week

  1. 13 hr ago

    Hollywood Studios Year-by-Year – Warner Brothers – 1935: THE RIGHT TO LIVE & I FOUND STELLA PARISH

    For this Warner Bros. 1935 episode we watched a couple of melodramas that show a side of the studio's 1930s output less familiar than its fast-talking gangster and proletarian dramas: The Right to Live (directed by William Keighley), a love triangle story set among the rich and ableist, starring Josephine Hutchinson and Colin Clive; and I Found Stella Parish, a spin on the Stella Dallas maternal sacrifice theme starring Kay Francis and directed by Mervyn LeRoy. We learn about the importance of Stella Parish to Warner Bros. and Francis, right before the relationship between studio and star was about to go sour, and argue that Francis deserves her place alongside Davis, Cagney, Muni and Robinson in discussions of Warner Bros. in the 1930s. (Although the conversation about Francis seems to be changing.)   Time Codes: 0h 00m 20s:      1935 & Warner Brothers 0h 06m 37s:      THE RIGHT TO LIVE (1935) [dir. William Keighley] 0h 27m 59s:      I FOUND STELLA PARISH (1935) [dir. Mervyn Leroy] 1h 04m 08s:      So This is Sarris (from Andrew Sarris' The American Cinema) – Gregory La Cava   +++   Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1935 Information from Forgotten Films to Remember by John Springer                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!

    Hollywood Studios Year-by-Year – Warner Brothers – 1935: THE RIGHT TO LIVE & I FOUND STELLA PARISH

  2. 31 Jul

    Acteurist Spotlight – Jennifer Jason Leigh – Part 3: GEORGIA (1995) and BASTARD OUT OF CAROLINA (1996)

    We say farewell to Jennifer Jason Leigh for now with two more harrowing works: Georgia (1995), written by Leigh's mother, Barbara Turner, and directed by Ulu Grosbard, and Bastard Out of Carolina (1996), directed by Anjelica Huston and based on the semi-autobiographical novel by CSA survivor Dorothy Allison. We talk about the endless ambiguities of Georgia, a rare gripping dramatic work concerned with clashing ideas about art, and Bastard's queer perspective on patriarchal dynamics. Leigh again shows her talent for playing paradoxically resilient, self-destructive women. And in Fear and Moviegoing in Toronto we got to see the brand-new 4K restoration of Letty Lynton, which has not been seen in theatres or by any legal means in the nearly 100 years since the copyright ruling against it. This batshit Clarence Brown melodrama, brimming with sexual psychosis, surely must have gone a long way toward establishing the highly unique Joan Crawford sound-era screen persona.  Time Codes: 0h 00m 20s:    GEORGIA (1995) [dir. Ulu Grosbard] 0h 30m 37s:    BASTARD OUT OF CAROLINA (1996) [dir. Angelica Huston] 0h 51m 30s:    Fear and Moviegoing in Toronto – Clarence Brown's Letty Lynton (1932) at Revue Cinema (Designing the Movies)   0h 59m 43s:      So This is Sarris (Andrew Sarris's The American Cinema) – Clarence Brown +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!

    Acteurist Spotlight – Jennifer Jason Leigh – Part 3: GEORGIA (1995) and BASTARD OUT OF CAROLINA (1996)

  3. 24 Jul

    Special Subject - Elise's Family Freak-Outs – Part 3 - LONG DAY'S JOURNEY INTO NIGHT (1962) and WOMAN UNDER THE INFLUENCE (1974)

    Elise's final Family Freak-Out, as promised, is the peak of the climb: two emotional marathons totalling 316 minutes and featuring some of the finest acting in the history of American cinema, Sidney Lumet's adaptation of Eugene O'Neill's Long Day's Journey Into Night (1962), starring Katharine Hepburn as Mary Tyrone, and John Cassavetes' A Woman Under the Influence (1974), starring Gena Rowlands as Mabel Longhetti. We examine these two films focused on what happens to the family when the mother, its centre, collapses, and ask what is at the heart of the North American family nightmare. Whatever it is, it's productive of some great drama, melodrama, and psychodrama, onscreen and off! Time Codes: 0h 00m 20s:    LONG DAY'S JOURNEY INTO NIGHT (1962) [dir. Sidney Lumet] 0h 43m 53s:    A WOMAN UNDER THE INFLUENCE (1974) [dir. John Cassavetes] 1h 28m 34s:      So This is Sarris (Andrew Sarris's The American Cinema) –  Victor Fleming +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!

    Special Subject - Elise's Family Freak-Outs – Part 3 - LONG DAY'S JOURNEY INTO NIGHT (1962) and WOMAN UNDER THE INFLUENCE (1974)

  4. 17 Jul

    Hollywood Studios Year-by-Year – MGM – 1935: BIOGRAPHY OF A BACHELOR GIRL & THE FLAME WITHIN

    For this MGM 1935 Studios Year by Year episode we again explored the screen persona of forgotten star Ann Harding in a double feature, Biography of a Bachelor Girl (directed by Edward H. Griffith) and The Flame Within (produced, written, and directed by Edmund Goulding). We discuss the changes from S.N. Behrman's 1932 play Biography and how well its liberal political message survives them and then turn to making the auteur case for Edmund Goulding, while remaining riveted by Harding's liberated but dignified persona, whether she's playing a psychiatrist caught up in counter-transference or a broad-minded portraitist who's become infatuated with a Communist. And in Fear and Moviegoing in Toronto we discuss Penny Marshall's A League of Their Own (1992) and the meaning of Geena Davis' enigmatic central performance.  Time Codes: 0h 00m 20s:      1935 & MGM 0h 06m 00s:      BIOGRAPHY OF A BACHELOR GIRL (1935) [dir. Edward H. Griffith] 0h 32m 30s:      THE FLAME WITHIN (1935) [dir. Edmund Goulding] 0h 59m 07s:      Fear & Moviegoing in Toronto – Penny Marshall's A League of Their Own (1992) at the Carlton Cinema  0h 00m 00s:      So This is Sarris (from Andrew Sarris' The American Cinema) - Frank Capra Studio Film Capsules provided by The MGM Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler 1935 Information from Forgotten Films to Remember by John Springer                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!

    Hollywood Studios Year-by-Year – MGM – 1935: BIOGRAPHY OF A BACHELOR GIRL & THE FLAME WITHIN

  5. 10 Jul

    Acteurist Spotlight – Jennifer Jason Leigh – Part 2: SHORT CUTS (1993) and MRS. PARKER & THE VICIOUS CIRCLE (1994)

    For Part 2 of our Acteur Spotlight on Jennifer Jason Leigh we watched Robert Altman's cinematic embodiment of the Raymond Carver universe, Short Cuts (1993), and one of Dave's all-time faves, Altman collaborator Alan Rudolph's portrait of Dorothy Parker, her loves, and her milieu, Mrs. Parker and the Vicious Circle (1994). We grapple with exactly why Altman wants us to spend so much time with these "automaton" characters what kind of stakes are behind the dissociative, self-destructive behaviours, and compare Leigh's sex worker to Isabelle Huppert's in Chabrol's Une affaire de femmes, then turn to pondering why the darkest and most "saintly" comedic spirits of the Algonquin Round Table were drawn to each other, at least according to the lore of Rudolph's film.  Time Codes: 0h 00m 20s:    SHORT CUTS (1993) [dir. Robert Altman] 0h 45m 49s:    MRS. PARKER & THE VICIOUS CIRCLE (1994) [dir. Alan Rudolph] 1h 20m 05s:      So This is Sarris (Andrew Sarris's The American Cinema) – John Brahm +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!

    Acteurist Spotlight – Jennifer Jason Leigh – Part 2: SHORT CUTS (1993) and MRS. PARKER & THE VICIOUS CIRCLE (1994)

  6. 3 Jul

    Hollywood Studios Year-by-Year – Paramount – 1935: THE PRESIDENT VANISHES and THE GLASS KEY

    For this round of Paramount 1935 we watched William A. Wellman's The President Vanishes, based on the pacifist anti-fascist novel by Rex Stout, and the first film version of Dashiell Hammett's The Glass Key, directed by Frank Tuttle and starring George Raft as the devoted and unlucky friend of a criminal political boss. Elise is startled by Raft's liveliness (even as he spends a good stretch of the movie half-dead) and Dave avidly discusses two of his favourite topics, 20th century American politics and Dashiell Hammett (together and separately). A brisk round of So This Is Sarris provides a satisfying conclusion to the proceedings. Time Codes: 0h 00m 20s:      1935 & Paramount 0h 09m 50s:      THE PRESIDENT VANISHES (1934) [William A. Wellman]   0h 36m 53s:      THE GLASS KEY (1935) [dir. Frank Tuttle]         0h 55m 12s:      So This Is Sarris (The American Cinema by Andrew Sarris) – Edgar G. Ulmer   Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler 1935 Information from Forgotten Films to Remember by John Springer         +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!

    Hollywood Studios Year-by-Year – Paramount – 1935: THE PRESIDENT VANISHES and THE GLASS KEY

  7. 28 Jun

    * Corrected - Acteurist Spotlight – Jennifer Jason Leigh – Part 1: FAST TIMES AT RIDGEMONT HIGH (1982) and FLESH + BLOOD (1985) -

    For the first episode of our Acteurist Spotlight on Jennifer Jason Leigh, we watched Amy Heckerling's Fast Times at Ridgemont High (1982) and Paul Verhoeven's Flesh + Blood (1985). We explore the possibility of Heckerling's portrait of a young woman's existential journey through the good, the bad, and the ugly of sexual discovery influencing an early draft of the Verhoeven heroine, and the young JJL's unique combination of vulnerability and poise. Then we turn to an extra-long Fear and Moviegoing dealing with a 10-movie retrospective of radical leftist independent filmmaker John Sayles' career at the TIFF Lightbox Cinematheque, attended by Sayles and his producer/ life partner, Maggie Renzi.  Time Codes: 0h 00m 20s:    Very brief intro to Jennifer Jason Leigh            0h 03m 46s:    FAST TIMES AT RIDGEMONT HIGH (1982) [dir. Amy Heckerling] 0h 30m 11s:    FLESH + BLOOD (1986) [dir. Paul Verhoeven] 1h 02m 05s:      Fear and Moviegoing in Toronto – Declarations of Independence: The Cinema of John Sayles at TIFF Lightbox. Programmed and hosted by Adam Nayman. John Sayles' Return of the Secaucus Seven (1979), Baby It's You (1983), The Brother From Another Planet (1984), Matewan (1987), City of Hope (1991), Lone Star (1996), Men With Guns (1997), Silver City (2004). Also: The Howling (1981), directed by Joe Dante and scripted by Sayles and Battle Beyond the Stars (1980), directed by Jimmy T. Murakami and scripted by Sayles. +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!

    * Corrected - Acteurist Spotlight – Jennifer Jason Leigh – Part 1: FAST TIMES AT RIDGEMONT HIGH (1982) and FLESH + BLOOD (1985) -

  8. 19 Jun

    Special Subject – Wong Kar-wai's 2046 and its Informal Antecedents - DAYS OF BEING WILD (1990); IN THE MOOD FOR LOVE (2000) and 2046 (2004)

    Our Special Subject for June is Wong Kar-wai's so-called "Love Trilogy": Days of Being Wild (1990), In the Mood for Love (2000), and 2046 (2004). Our discussion walks a tightrope of abstraction as we consider the philosophical implications of Wong's treatment of the theme of love: whether it can be consummated and how time, secrets, androids, and epistemology are involved. Proust, Tarkovsky, and of course FOTP Henry James get their due mentions.  Time Codes: 0h 00m 25s:     DAYS OF BEING WILD (1990) [dir. Wong Kar Wai] 0h 29m 47s:    IN THE MOOD FOR LOVE (2000) [dir. Wong Kar Wai] 0h 46m 55s:    2046 (2004) [dir. Wong Kar Wai] 1h 05m 06s:      So This Is Sarris (The American Cinema by Andrew Sarris) – Garson Kanin +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!

    Special Subject – Wong Kar-wai's 2046 and its Informal Antecedents - DAYS OF BEING WILD (1990); IN THE MOOD FOR LOVE (2000) and 2046 (2004)
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About

Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other's movie-love, culminating in this podcast. Expect in-depth discussion of their old favourites (mostly studio-era Hollywood) and their latest frontiers (courtesy of the TIFF Cinematheque and various Toronto rep houses and festivals). The podcast will be comprised of several potentially never-ending series: - Fear & Moviegoing in Toronto: Our Perspectives on Choice Local Retrospectives - Hollywood Studios – Year by Year: Deep-cut dishing on Paramount, MGM, Warner Brothers, RKO, Fox, and Universal items from 1930 to 1948. - Acteurist oeuvre-views of worthy on-camera creatives, beginning with Jennifer Jones and Setsuko Hara. - And a big parade of special subjects hand-chosen by whichever of your hosts happens to have a handle on this buggy that week

Information

  • Creator
    Elise Moore and Dave
  • Years Active
    2014 - 2026
  • Episodes
    408
  • Rating
    Explicit
  • Copyright
    © Copy Us, Please!!
  • Show Website
    There's Sometimes a Buggy

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