Martini Shot

TheAnkler.com

When you’re filming a movie or a television show, when it’s the last shot of the day, the first assistant director will call out, “This is the Martini Shot!” I call these stories “Martini Shots” because they’re exactly the kinds of stories we tell — and lessons we learn — after we’ve wrapped for the day. - Rob Long theankler.com

  1. 6日前

    Heads Up

    Rob Long is watching a Satyajit Ray film on Criterion while eating ice cream and staring at his phone — which means he is, essentially, just eating ice cream. Rob is a pro at keeping his head down. Writers do it at auditions, following along with their own words instead of watching what actors are doing to them. Which turns out to be expensive, because the two actors who read “You’ve heard of me” as completely opposite character choices taught the writers something their script didn’t know yet. Heads down feels productive. Heads up is where the show actually lives. Learn more about your ad choices. Visit megaphone.fm/adchoices

    8 分鐘

  2. 5月20日

    Fan Fiction Focus Group

    Rob Long has a favorite story about network upfronts: a television network, unable to decide which of three pilots to schedule, flew all three casts to New York on the same plane, collected focus group results mid-flight, and met them at the gate — whisking some into Manhattan and stardom, and sending the others home. It contains everything you need to know about Hollywood: extravagant spending, procrastination and cruelty masquerading as efficiency. But here’s the thing — the focus group never actually went away. It just moved to TikTok. And it’s been telling Hollywood exactly what audiences want since approximately 1994. They just won’t look. Learn more about your ad choices. Visit megaphone.fm/adchoices

    12 分鐘

  3. 5月6日

    Wait, Hear Me Out

    In Amsterdam last month, in front of a Dutch painting of a plump, nearly bald, angelic figure of indistinct gender, an old friend turned to Rob Long and said three words: “Hear me out.” It’s the great phrase that buys a few seconds of grace before you say something insane — along with its writers’ room cousin, not this, but. Oftentimes the ideas that emerge out of hear me out aren’t usable whatsoever. But Rob makes the case that its those risky Hear Me Out projects that the entertainment business runs on. Learn more about your ad choices. Visit megaphone.fm/adchoices

    9 分鐘

  4. 4月29日

    Premium Parking

    Rob Long remembers Radford Studios — the working lot in Studio City where the parking sheet promised “premium” spots that never quite existed, the guard who couldn’t understand why you’d skip the Leave It to Beaver street for the fifth floor of the garage, and a writer friend who stumbled, mid-meltdown, onto the abandoned set of Gilligan’s Island. This week, news broke that Goldman Sachs — having seized the lot after Hackman Capital Partners defaulted on a $1.1 billion mortgage — is selling it to Netflix for a fraction of what Hackman paid in 2021. Turns out the premium parking wasn’t premium after all. It never really was. Learn more about your ad choices. Visit megaphone.fm/adchoices

    10 分鐘

  5. 4月22日

    Sound Off

    Rob Long is at a bar on a Monday night, pretending to pay attention to a conversation while secretly watching CBS’ The Neighborhood on a TV across the room, sound off. He predicts every beat of the episode anyway. A friend in the business says that’s exactly the problem with those shows. Rob disagrees — politely, and then less politely. Sitcoms are the same as they always are. That’s the point. Learn more about your ad choices. Visit megaphone.fm/adchoices

    9 分鐘

  6. 4月15日

    Shut Up and Listen

    There’s a lesson Rob Long learned early in his television career: When an actor has a problem with the script, the smartest thing you can do is nothing. Don’t talk. Don’t fix. Don’t explain. Just listen — because sometimes that’s all anyone really needs. Learn more about your ad choices. Visit megaphone.fm/adchoices

    9 分鐘

  7. 4月8日

    I See Dead Shows

    The TV comedy writers’ room has a reputation as a creative paradise — funny people, good lunches, great jokes. That reputation is not wrong. It just leaves out the part where everyone is being systematically destroyed. Rob Long makes the case that the destruction is the point — that the specific cruelty available only to people who have been in rooms together for decades is what produces the trust that produces the comedy. Without it, you’re left with Zoom rooms and unfunny scripts. Transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices

    10 分鐘

  8. 4月1日

    Too Wordy

    Rob Long has spent 30-plus years in the television business telling other people what’s wrong with their scripts. But the tables can — and often do — turn. Rob’s seminary classmate doing his first open mic informed Rob that his joke suggestions are, and this is a direct quote, “too wordy.” And Rob remembers the time a day player on one of his shows submitted a spec script for the very same show — titled, with magnificent audacity, “Billy Moves In” — and then proceeded to give Rob detailed notes on everything that was wrong with his series and how all of it could be fixed by the addition of his part. The lesson, such as it is: In this business, the note always lands, regardless of who’s delivering it. Even if it’s Billy. Even if it’s a seminary student. Even if they’re completely wrong. Which they were. Probably. Transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

    11 分鐘
查看全部 (167)

關於

When you’re filming a movie or a television show, when it’s the last shot of the day, the first assistant director will call out, “This is the Martini Shot!” I call these stories “Martini Shots” because they’re exactly the kinds of stories we tell — and lessons we learn — after we’ve wrapped for the day. - Rob Long theankler.com

資料

  • 創作者
    TheAnkler.com
  • 活躍年份
    2021年 - 2026年
  • 單集
    167
  • 分級
    兒童適宜
  • 版權
    © Ankler Media
  • 節目網站
    Martini Shot

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