The Play Podcast

Douglas Schatz
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Welcome to The Play Podcast where we explore the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play's origins, its plot, themes, characters, structure and impact. For us the play is the thing. Visit www.theplaypodcast.com for more information, including extra Footnotes on each episode and a complete list and profiles of our guests. Visit www.patreon.com/theplaypodcast to become a Patron and enjoy additional content and generously support the podcast. Thank you. Also, listen to The Play Review for reviews of some of the current shows on stage in London.

  1. Entertaining Mr Sloane by Joe Orton

    2月4日

    Entertaining Mr Sloane by Joe Orton

    Episode 107: Entertaining Mr Sloane by Joe Orton Host: Douglas Schatz Guest: Dr Emma Parker Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Joe Orton's black comedy Entertaining Mr Sloane offended many established critics when it premiered in 1964. Orton's first full-length play signalled the arrival of a unique new voice, defined by its anarchic farce, camp sexuality, and faux-refined language, like a ramped-up Oscar Wilde let loose in the emerging age of free love. The play's first production was promoted with ads warning that it was "not for the narrow minded". I have long wanted to cover Orton on the podcast, and I was prompted to start with this play by the recent revival staged at the Young Vic theatre in London. I am delighted to welcome Orton enthusiast and expert, Dr Emma Parker, to help me explore Orton's provocative farce.

    1 小時 4 分鐘
  2. End by David Eldridge

    1月13日

    End by David Eldridge

    Episode 106: End by David Eldridge Host: Douglas Schatz Guest: David Eldridge Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.  David Eldridge's new play End is the final instalment of what David has described as a "triptych for the theatre", following Beginning in 2017, and Middle in 2022. Each of the plays in the series presents a snapshot of a couple at a particular time of life. In End we meet a couple who are facing the premature end of their life together. The play is not only an emotionally painful meditation on mortality, but also a testament to the life affirming power of love. As we record this episode End is playing at the National Theatre in London, with Saskia Reeves and Clive Owen as the couple. I was privileged to talk with David about Beginning way back in episode 11 of the podcast, and then Middle in episode 47, so I am delighted to be able complete the trilogy by welcoming David back to talk about End.

    1 小時
  3. The Weir by Conor McPherson

    22/12/2025

    The Weir by Conor McPherson

    Episode 105: The Weir by Conor McPherson Host: Douglas Schatz Guest: Conor McPherson Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. The curtain rises on a small rural pub in northwest Ireland. A few of the regulars have dropped in for company and bit of the craic. This is the simple premise of Conor McPherson's breakthrough, internationally successful play, The Weir. The play is a quiet, yet mesmerising piece of drama that consists of nothing more than a handful of people coming together and telling a few stories. Stories which reveal not only personal anxieties, regret and grief on the part of its characters, but which, in the telling, draw us into a collective experience of the mystery of being alive. The Weir premiered in a tiny space at the Royal Court Upstairs in July 1997. It has since been performed all over the world, and as we recorded this episode a new production was playing in London's West End, directed by the author himself and starring Brendan Gleeson as Jack. I'm delighted to be able to talk with Conor himself about his magical play.

    1 小時 1 分鐘
  4. Twelfth Night by William Shakespeare

    21/10/2025

    Twelfth Night by William Shakespeare

    Episode 104: Twelfth Night by William Shakespeare Host: Douglas Schatz Guest: Will Tosh Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. William Shakespeare's romantic comedy, Twelfth Night, or What You Will is one of Shakespeare's most popular comedies, renowned for its clever cross-dressing plot and festive hi-jinks, but also for its elusive tone, fluctuating between the comic and a darker cruelty. The play is also infused with desire, both declared and suppressed, even subversive, as the characters search for love, status and identity. As we record this episode a new production of the play is playing at Shakespeare's Globe theatre in London, and I'm delighted to welcome to the podcast the Globe's Director of Education, Dr Will Tosh.

    1 小時 12 分鐘
  5. Titus Andronicus by William Shakespeare

    02/10/2025

    Titus Andronicus by William Shakespeare

    Episode 103: Titus Andronicus by William Shakespeare Host: Douglas Schatz Guest: Max Webster Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Titus Andronicus is Shakespeare's first tragedy, although in fact, scholars believe that Shakespeare did not write the whole play himself. Whatever its origins, the play is notorious for its graphic horror, which includes multiple killings, amputations, decapitations, rape and cannibalism. Horrors that have overwhelmed audiences and alienated critics for centuries. Although the play was hugely popular in Shakespeare's time, later critics dismissed it for its excessive violence and crude, fragmented structure. However, the play's bleak portrait of amoral leadership, sexual violence, racial conflict, and personal and political despair has struck a chord in more recent times, with several acclaimed productions and restored critical opinion. As we record this episode an exciting new production of the play is on stage at the Hampstead theatre in London, having transferred following its acclaimed run at the Royal Shakespeare Company in Stratford. The production is directed by Max Webster, who joins me to explore Shakespeare's full-blooded tragedy.

    58 分鐘
  6. Every Brilliant Thing by Duncan Macmillan and Jonny Donahoe

    25/09/2025

    Every Brilliant Thing by Duncan Macmillan and Jonny Donahoe

    Episode 102: Every Brilliant Thing by Duncan Macmillan and Jonny Donahoe Host: Douglas Schatz Guests: Duncan Macmillan              Jonny Donahoe Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Every Brilliant Thing When their mother attempts to take her own life, a seven-year old child decides to start a list; a list of "everything brilliant about the world. Everything worth living for." A list for mum. This is the premise for Every Brilliant Thing, the hit one-person play created by playwright Duncan Macmillan and performer Jonny Donahoe. The play started life at Ludlow Fringe Festival in 2013, and in the decade or so since, it has been seen in over 70 countries around the world. As we record this episode Every Brilliant Thing has reached London's West End, with a rotating cast of five different performers appearing over its three-month run at the Soho Place theatre. The critic, Lyn Gardner, described Every Brilliant Thing as "one of the funniest plays you'll ever see about depression." She is spot on – it is funny and poignant and finally life affirming.  I am very privileged to be joined in this episode by the show's two creators, Duncan Macmillan and Jonny Donahoe.

    46 分鐘
  7. The 101 Greatest Plays

    10/09/2025

    The 101 Greatest Plays

    Episode 101: The 101 Greatest Plays Host: Douglas Schatz Guests: Michael Billington              Mark Lawson Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. In 2015 the esteemed theatre critic, Michael Billington, published The 101 Greatest Plays – From Antiquity to the Present. Michael wrote that his selection was intended as a "provocation", a "prelude to debate". Ten years on I invited Michael and the arts journalist, Mark Lawson, to join me to review and debate his criteria and selection. During our discussion we not only wrangled over specific inclusions and exclusions in Michael's list, including most controversially his omission of both King Lear and Waiting for Godot, we also addressed more general questions about the criteria for selection, what elements make a great play, and what makes a play more likely to endure beyond its own time. Join us in the debate!

    1 小時 17 分鐘
  8. A Moon for the Misbegotten by Eugene O'Neill

    13/08/2025

    A Moon for the Misbegotten by Eugene O'Neill

    Episode 100: A Moon for the Misbegotten by Eugene O'Neill Host: Douglas Schatz Guest: Beth Wynstra Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. A Moon for the Misbegotten is the last play that Eugene O'Neill wrote. It is in some way a eulogy for his brother, Jamie O'Neill, who like the character of Jim Tyrone in this play, drank himself to death. In fact, it is also an epilogue of sorts to his autobiographical masterpiece Long Day's Journey into Night, where we first met Jim Tyrone. It is eleven years later, and Jim is about to leave the family home in Connecticut following the death of his parents, but not before saying a final goodbye to the woman who lives next door, Josie Hogan. Josie and Jim have unacknowledged feelings for each other, but their tortured moonlit night together does not offer them the salvation or future that they may have thought possible. As we record this episode, a new production of A Moon for the Misbegotten is playing at the Almeida theatre in London, and I am delighted to be joined by O'Neill expert, Beth Wynstra, to explore what one American critic called 'a major minor-masterpiece". To mark our 100th episode listeners have a chance to win £100 of theatre tokens – visit https://www.theplaypodcast.com/100-a-moon-for-the-misbegotten-by-eugene-oneill/  for details on how to enter!

    1 小時 16 分鐘
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關於

Welcome to The Play Podcast where we explore the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play's origins, its plot, themes, characters, structure and impact. For us the play is the thing. Visit www.theplaypodcast.com for more information, including extra Footnotes on each episode and a complete list and profiles of our guests. Visit www.patreon.com/theplaypodcast to become a Patron and enjoy additional content and generously support the podcast. Thank you. Also, listen to The Play Review for reviews of some of the current shows on stage in London.

資料

  • 創作者
    Douglas Schatz
  • 活躍年份
    2020年 - 2026年
  • 單集
    109
  • 分級
    兒童適宜
  • 版權
    © The Play Podcast 2020
  • 節目網站
    The Play Podcast

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