Composer Chats

Jason K. Nitsch

Composer Chat is a podcast where we talk a little bit about music, a little bit about life, and a whole lot about whatever we feel like at the moment! Each episode I am joined by a special guest composer and we will chat about their pathway towards success in their musical career!

  1. 15 HR AGO

    2.38 - Mara Gibson

    Composer Mara Gibson is originally from Charlottesville, VA, graduated from Bennington College, and completed her Ph.D. at SUNY Buffalo. She has received grants and honors from the American Composer’s Forum, the Banff Center, Louisiana Division of the Arts, ArtsKC, Meet the Composer, the Kansas Arts Commission, the National Endowment for the Arts, the International Bass Society, ASCAP, the John Hendrick Memorial Commission, Virginia Center for Creative Arts, the MacDowell Colony and Yale University. Internationally renowned ensembles and soloists perform her music throughout the United States, Canada, South America, Asia, and Europe. Dr. Gibson has had performances of her works at prestigious festivals and universities around the country and the world, most notably Mostly Modern Festival (New York), the Bowling Green New Music Festival (Ohio), Amici Della Musica (Udine, Italy), University of Melbourne (Australia), Thailand International Composition Festival (performances in multiple consecutive years), Reaktorhallen (Stockholm, Sweden), Daegu International Computer Music Festival (Korea) and the Beijing Modern Music Festival. Dr. Gibson has taught at the UMKC Conservatory as Associate Professor where she was the founder of the UMKC Composition Workshop and co-director/founder of ArtSounds. Starting fall 2017, she joined the faculty of Louisiana State University where she is currently Associate Professor of Composition and Area Head with tenure. Mara released her first compilation album ArtIfacts May 2015 with her second, Skyborn released in November 2017 and in 2020, she was selected through PARMA Recordings for their recording project with the Athens Philharmonic Orchestra with Secret Sky (Prisma V). In 2024, she released her third portrait album, Unseen World, GRAMMY eligible. Her compositions span numerous media, from chamber and solo works to electroacoustic music and a collection of works that combine video, electronic music and live performance. In her most recent work she incorporates extra-musical materials into vocal and instrumental performance, and integrates increasingly challenging subject matter with effective (and often unusual) instrumental and vocal delivery styles; these techniques extend performance practice and portray strong emotional content that defines the heart of her overall concept — the arc of the musical and theatrical development.  Recently, she completed her bassoon concerto, Escher Keys (2021) which garnered recognition by the American Prize in two categories, funded through a Louisiana Board of Regents (ATLAS grant). During her sabbatical (fall 2023) she began working on her first opera at the prestigious Moulin a Nef in Auvillar, France. Her opera, The Devil’s Dream (libretto by Ann McCutchan based on the novel by Lee Smith) will premiere spring 2026. https://maragibson.com/

    59 min
  2. 7 OCT

    2.37 - Charles Rochester Young

    Charles Rochester Young was appointed as the Director of the School of Music at the University of North Carolina at Greensboro in 2022. At UNC Greensboro he works collaboratively with faculty, staff, students, and leadership to illuminate the lives of listeners and to better support students’ professional aspirations. Prior to his appointment at UNC Greensboro, Young served as the Associate Dean and Chief Academic Officer at Baldwin Wallace University’s Conservatory of Music in Ohio. A fifth-generation educator, Young has received awards from the Carnegie Foundation and the Council for the Advancement and Support of Education (Wisconsin Professor of the Year), the University of Wisconsin System Board of Regents (Regents Teaching Excellence Award—their highest honor), the University Continuing Education Association (National First Prize for Innovative Programming), Wisconsin School Music Association (Creative Sparks Award), and the College Music Society (Robby D. Gunstream Education in Music Award). As an artist, Dr. Young has received composition and performance awards from ASCAP, Meet the Composer, the National Endowment of the Arts, the Fischoff National Chamber Music competition, the National Association of Composers USA, the National Band Association, the National Flute Association, and the British and International Bassists Federation. His original works are widely published, recorded, and performed. Currently, Dr. Young serves as the Chair of the Nominations Committee for the National Association of Schools of Music. Young has previously served the College Music Society as a member of the Executive Committee and Board of Directors, as treasurer, and as board liaison for the Presidential Task Force on Leading Change. Previously, he served in leadership capacities with the North American Saxophone Alliance, the Wisconsin Alliance for Composers, and the Wisconsin Music Educators Association. Prior to Baldwin Wallace University, Young taught at the University of Wisconsin-Stevens Point, Central Connecticut State University, and Interlochen Arts Camp. He earned his Doctorate of Musical Arts (DMA) and Master’s in Music (MM) degrees from the University of Michigan, and a Bachelor of Music Education (BME) degree from Baylor University.

    59 min
  3. 30 SEPT

    2.36 - Jessie Cox

    Jessie Cox is Assistant Professor of Music at Harvard University and received his doctorate from Columbia University. Active as a composer, drummer, and scholar, his work thematizes questions at the intersection of black studies, music/sound studies, and critical theory. From Switzerland, with roots in Trinidad and Tobago, Cox thinks through questions of race, migration, national belonging, and our relation to the planet and the cosmos. His first monograph Sounds of Black Switzerland: Blackness, Music, and Unthought Voices (Duke UP, 2025) addresses how thinking with blackness and experimental musical practices might afford the opening of new discourses, such as thematizing Black Swiss Life.   Jessie Cox makes music about the universe and our future in it. Through avant-garde classical, experimental jazz, and sound art, he has devised his own strand of musical science fiction, one that asks where we go next. Cox’s music goes forward. When he describes it, he compares it to time travel and space exploration, likening the role of a composer to that of a rocket ship traversing undiscovered galaxies. He is influenced by a vast array of artists who have used their music to imagine futures, and takes Afrofuturism as a core inspiration, asking questions about existence, and the ways we make spaces habitable. Known for its disquieting tone and unexpected structural changes, his music steps into the unknown, and has been referred to by the New Yorker (Alex Ross) as an example of “dynamic pointillism,” a nebulous and ever-expanding sound world that includes “breathy instrumental noises, mournfully wailing glissandi, and climactic stampedes of frantic figuration.”   A dedicated collaborator, Cox has worked as a composer and drummer with ensembles and institutions such as the Sun Ra Arkestra, LA Phil, Klangforum Wien, Ensemble Modern, and the International Contemporary Ensemble; at Festivals such as the Lucerne Festival, MaerzMusik, and Opera Omaha. For his work as a composer, he has been recognized with a Fromm Foundation commission, the ASCAP Fred Ho Award, and his commissions have been funded by the Ernst von Siemens Foundation, Pro Helvetia, New Music USA, and others.   Cox’ scholarly writing asks new questions about our world through music. Recently, he has published in and co-translated the book Composing While Black, published as a bilingual edition in German and English by Wolke Verlag in 2023. Further texts appear in liquid blackness, Critical Studies in Improvisation, Positionen Texte zur Aktuellen Musik, Sound American, the American Music Review, and others. https://www.jessiecoxmusic.com/

    56 min
  4. 23 SEPT

    2.35 - Roger Zare

    Dr. Roger Zare is an assistant professor of composition and theory in the Hayes School of Music at Appalachian State University. He is praised for his “enviable grasp of orchestration” (New York Times), and often composes music inspired by science, nature, mathematics, and mythology. Dr. Zare previously taught at Illinois State University. An award-winning composer, Dr. Zare has had his music performed on six continents and has won multiple accolades, including the ASCAP Foundation Rudolf Nissim Prize, three BMI Student Composer Awards, a Copland House Residency Award, and a Charles Ives Scholarship from the American Academy of Arts and Letters. His works, such as “The Other Rainbow” and “Green Flash,” have been performed at prestigious venues like Carnegie Hall. His piece "Aerodynamics" was premiered by the Minnesota Orchestra. He has partnered with CERN for performances of his particle physics inspired music at the Montreux Jazz Festival and Sofia Science Festival, and in 2023 he was selected as the FRA Guest Composer at Fermilab, the United States’ national particle physics laboratory. In 2021, he collaborated with clarinetist Andy Hudson to write "Elements of Contemporary Clarinet Technique" and "SPACE BASS," etude books on modern clarinet techniques. Dr. Zare has served as composer in residence at music festivals including the Salt Bay Chamberfest and Chesapeake Music Festival, and his compositions are published by Theodore Presser Inc., FJH Music Company, Murphy Music Press, and Manhattan Beach Music. He is a founding member of the Blue Dot Collective. Zare holds a Doctorate of Musical Arts from the University of Michigan, a Master of Music from Peabody Conservatory, and a Bachelor of Music from the University of Southern California.

    55 min
  5. 16 SEPT

    2.34 - Cameron Moody

    Cameron Moody is an American composer, conductor, and trumpeter based in Los Angeles, CA. His distinctive utilization of the symphony orchestra has given way to a varied resume, with project genres in film and television ranging from action and documentaries to romance and comedies. Cameron composed the score for the Hulu original limited series Washington Black. The show, which was created by Selwyn Seyfu Hinds, led by showrunner Kimberly Ann Harrison, and stars Ernest Kingsley Jr. and Sterling K. Brown, premiered on Hulu on July 23rd. At 22 years old, he has made history as the youngest person to ever score a 20th Century Television series. He wrote the score to the eight-part documentary series Kennedy, which chronicles the life and legacy of the 35th President John F. Kennedy. It aired on the History Channel in November of 2023, opening to rave reviews and becoming one of the History Channel’s flagship programs for 2023. In the summer of 2024, he completed Patrick Green’s documentary feature film Sincerely, Los Angeles, a love letter to the late Oscar-winning basketball legend Kobe Bryant. Cameron was also a frequent collaborator of Emmy-nominated and Pulitzer Prize-winning composer Michael Abels, composing additional music on scores such as Disney’s Star Wars: The Acolyte—for which he also served as a conductor—Kobi Libii’s The American Society of Magical Negroes, David Yarovesky’s Nightbooks, the Emmy-nominated documentary series Allen v. Farrow, and Jordan Peele’s Nope. As an arranger, he contributed orchestrations and arrangements to the Disney+ anthology series Zootopia+ (score by Curtis Green and Mick Giacchino) a collection of short vignettes based on the 2016 hit film. Originally from Atlanta, Georgia, Cameron studied at New York University, majoring in Music Composition and Screen Scoring. In 2019, he was awarded a Marvin Hamlisch International Music Award for Best Composition by an Emerging Composer. In 2021, at age 18, he made history by becoming the youngest winner of ASCAP’s Henry Mancini Music Fellowship Award. In 2024, he also became the youngest composer (21) to ever be selected as a fellow in the highly coveted NBC/Universal Composers Initiative. A devoted champion of symphonic music, Cameron has added his voice to the ongoing struggle to keep postproduction work—specifically orchestral recording sessions—in Los Angeles. He hopes to be a guiding light in the current generation of film composers to return scoring back to the sound stages of Hollywood. https://www.cameronmoodymusic.com/

    1h 10m
  6. 26 AUG

    2.31 - Giovanni Santos

    Giovanni Santos serves as Director of Bands and Associate Professor of Music at La Sierra University, where he directs the University Wind Ensemble, Chamber Winds, Big Band, and teaches courses in graduate and undergraduate instrumental music education, popular music, conducting and composition. Dr. Santos has proudly implemented a yearly wind band conducting workshop at La Sierra University and has worked alongside H. Robert Reynolds, Thomas Lee, Larry Livingston, Travis Cross and Allan McMurray, helping some of the brightest young music educators in the United States. Santos also organizes yearly workshops. clinics and conversations with conductors and composers, such as Frank Ticheli, Mallory Thompson, and most recently, Maestro Leonard Slatkin. A strong advocate for music education, Santos frequently presents at conferences, school in-service days, classrooms, and as clinician for young ensembles across the United States, Mexico, and Europe. Most recently, Dr. Santos presented at the Midwest Clinic’s High School Leadership Institute, California All-State Music Education Conference (CASMEC), for the California Music Educators Association’s ‘Casting a Wider in Net’ at Azusa Pacific University, for the North American Division National Teachers Convention, the Midwest Clinic International Band and Orchestra Conference in Chicago, CBDNA National Convention in Arizona, for the 2019 SCSBOA Professional Development Conference, and for the World Association of Symphonic Band and Ensemble International Conference (WASBE) in Prague. Santos also maintains a busy guest conducting/clinician schedule, with recent residencies at the Manhattan School of Music, University of the Pacific, Cal State University (Fullerton), University of Illinois (Chicago), the University of Connecticut and for the Association of Concert Bands conference in Orlando. As a composer, Santos has premiered his works across the United States, Asia and Europe, including a premiere with the United States Naval Academy Band Brass Ensemble at the John F. Kennedy Center for the Performing Arts in Washington D.C. under his baton. His works have received premieres and performances by ensembles at the University of Michigan, University of Illinois, Michigan State University, University of North Texas, Florida State University, University of Florida, Yale, Ball State University, Oklahoma State University, UCLA, Pacific Symphony Youth Wind Ensemble, Illinois State University, Tanglewood Young Artist Wind Ensemble, Interlochen World Youth Wind Symphony and many more. His works for wind ensemble, orchestra, chamber music, and solo wind instruments are published exclusively by Murphy Music Press, LLC. His compositions and passion for music education have received many recognitions, including a Meritorious Achievement Award by the Minority Band Directors National Association for “exceptional contributions to the wind band repertory.” Dr. Santos earned graduate degrees from the University of Southern California (MM) and Florida State University (PhD). https://giosantosmusic.com/

    1h 4m

About

Composer Chat is a podcast where we talk a little bit about music, a little bit about life, and a whole lot about whatever we feel like at the moment! Each episode I am joined by a special guest composer and we will chat about their pathway towards success in their musical career!