IndieWire's Filmmaker Toolkit IndieWire

On this episode of the Filmmaker’s Toolkit podcast, showrunner Sterlin Harjo talks about why he could only make (this version) of "Reservation Dogs" in his native Oklahoma, and what opportunities open up to a series when rooting it in a specific place that TV hasn't really seen before – and certainly not from a Native perspective. That, plus the steps in teaching an audience how to laugh at survival humor, the benefits of taking an epic approach to outwardly small stories, the trouble with manufacturing hail, and why the show's mythological elements live very matter-of-factly alongside its teen comedy.
 
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Kogonada discusses the cinematic components of "After Yang" from how memory relates to the processof filmmaking to the importance of a science fiction story with domestic stakes. All of that, plus: the importance of spaces that can tell their own stories, the differences between film and short story, how the quality of light impacts the film, and a little bit of love for Robert Bresson.
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Creator and executive producer Soo Hugh discusses how she tackled the globe and time-spanning 'Pachinko' by thinking about was the show wasn't and then discovering what the show was.
All of that, plus: challenges of creating characterization in translation, the different visual styles of the show, and what a historical epic that isn't fetishizing period can look like.
Slightly spoiler-y conversation about Episode 7 from 19:30 - 21:27.
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For a surprise bonus episode of Filmmaker's Toolkit, we have a conversation with 'Dune' cinematographer Greig Fraser. He gets into how he and director Denis Villeneuve achieved the correct sense of scale, the power of simplifying the frame, the film's concentrated, strategic bursts of color, and more.
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Matt Reeves dives into his desire for greater subjectivity in a Batman story, influences from "The Wrong Man" to "The Long Halloween," the compulsive physicality of Robert Pattinson's performance, and how he found the light (and the dark) in Gotham.
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Go inside the Matrix with long-time Wachowski collaborators supervising sound editors Dane Davis and Stephanie Flack as we listen to examples from ‘Matrix Resurrections’ and hear how the franchise has sonically evolved.
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