Play On Podcasts

Next Chapter Podcasts

Play On Podcasts are epic audio adventures reimagining timeless tales, featuring original music composition and the voices of extraordinarily gifted artists. This is where Theatre meets Podcast, combining the modern-day audio phenomenon with the power of live performance.

  1. Cymbeline - For A Horse With Wings

    HACE 5 DÍAS

    Cymbeline - For A Horse With Wings

    ***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** Cloten orders a group of hastily assembled musicians to play under Imogen’s window, hoping to win her heart. As they play, Cymbeline and the Queen pass by and tell Cloten to keep persisting with Imogen. A messenger brings word that ambassadors from Rome have arrived. The royal couple goes to greet the Romans, telling Cloten to join them after he leaves Imogen’s chambers. Cloten knocks on Imogen’s door and tries to bribe one of her ladies-in-waiting before Imogen appears. Imogen turns Cloten away so harshly that he vows to get revenge on Posthumus. As he rails, Imogen realizes that the bracelet Posthumus gave her is missing. She orders Pisanio to have her servants search for it. Meanwhile, Iachimo returns to Italy and goes to Philario’s house, where Philario and Posthumus are discussing the prospects of war between Rome and Britain over the tribute that Cymbeline owes Caesar. Iachimo claims to have won the bet, saying he slept with Imogen and describing her bedroom in detail. He shows off the bracelet he took from her wrist, then adds the detail of the mole on Imogen’s breast. Enraged, Posthumus turns over the ring he wagered. Back in Britain, Cymbeline refuses to pay the tribute Caius Lucius demands for Rome. Lucius says that can only mean war between the nations. Meanwhile, Pisanio receives a letter from Posthumus accusing Imogen of infidelity and ordering him to murder her. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

    38 min
  2. Cymbeline - Screwed To My Memory

    2 MAR

    Cymbeline - Screwed To My Memory

    ***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** The Queen has her doctor, Cornelius, bring her a vial of poison. In an aside, Cornelius tells us he’s substituted it with a sleeping potion that will temporarily simulate death. The Queen tries to convince Pisanio to help make Imogen fall in love with her son Cloten, but Pisanio says nothing. She drops the poison, but when Pisanio tries to give it back to her, she tells him it’s medicine and he should keep it to use whenever he’s sick. Later, Iachimo arrives at the palace to win his bet with Posthumus. He tells Imogen that her husband has taken a prostitute and she believes him, but when he suggests she can get back at Posthumus by sleeping with him, Imogen realizes the story is a trick to get her into bed. She calls for Pisanio but Iachimo backtracks, pretending he was only testing Imogen’s fidelity to her husband. Imogen believes his story and agrees to keep a trunk with valuable jewels in her room that night while Posthumus stays at the castle. Meanwhile, Cloten complains that no one will fight him because he’s the Queen’s son. The Lord showers him with praise and encouragement but mocks him behind his back. That night, Imogen falls asleep while reading in her bed. Iachimo emerges from the trunk and steals Posthumus’s bracelet from her wrist. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

    38 min
  3. Cymbeline - The Game Is On

    23 FEB

    Cymbeline - The Game Is On

    ***This show is brought to you by Quince. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://quince.com/playonpod ⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping on your order and 365-day returns.*** A writer describes the backstory of “Cymbeline” to her companion: King Cymbeline became the protector of Posthumus, the orphaned son of a valiant soldier. Cymbeline also had two sons of his own, Guiderius and Arviragus, and a daughter named Imogen. His two sons were kidnapped when they were young and have never been found. Cymbeline’s wife died and he married a new queen, who had a son named Cloten. He wants Imogen to marry Cloten but she defies him by marrying Posthumus instead. The couple secretly exchange a ring and bracelet before Cymbeline banishes Posthumus in fury. Cloten tries to pick a fight with Posthumus but Posthumus avoids the conflict, choosing to go to his father’s old friend Philario in Rome, and leaving his servant, Pisanio, behind with Imogen. Cloten boasts of his bravery as his servant ridicules him under his breath. Once in Rome, Posthumus meets a nobleman named Iachimo and a Frenchman who recalls Posthumus describing Imogen as fairer than the fairest ladies in France. Iachimo scoffs at this and wagers with Posthumus that he can seduce Imogen, betting against the ring that Imogen gave her husband. The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.   Executive Producer: MICHAEL GOODFRIEND   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   PURVA BEDI                     as    SICILIUS, LORD AND CAIUS LUCIUS     ANNIE FANG                   as    ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER CHRISTINE TOY JOHNSON      as    CYMBELINE ANNA ISHIDA                               as    IACHIMO, ROMAN SOLDIER, AND JAILOR NAREA KANG                              as    CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER JENNIFER LIM                             as    IMOGEN KK MOGGIE                              as    POSTHUMUS MARIA-CHRISTINA OLIVERAS as    THE QUEEN AND BELARIUS SARAH SUZUKI                           as    PHILARIO, GUIDERIUS, AND COMPANION JEENA YI                               as    CLOTEN AND ROMAN SOLDIER JULYANA SOELISTYO               as    PISANIO AND JUPITER        Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).   The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!” Learn more about your ad choices. Visit megaphone.fm/adchoices

    32 min

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Play On Podcasts are epic audio adventures reimagining timeless tales, featuring original music composition and the voices of extraordinarily gifted artists. This is where Theatre meets Podcast, combining the modern-day audio phenomenon with the power of live performance.

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