The AwardsWatch Podcast

AwardsWatch

Podcasts from AwardsWatch on the Oscars, Emmys, Golden Globes, SAG and more.

  1. hace 1 día

    Andrew Patterson on the Journey to Harvest the Singular World of 'The Rivals of Amziah King,' and Collaborating with Matthew McConaughey [AUDIO INTERVIEW]

    Director Andrew Patterson's big screen journey has been unconventional to say the least. With his debut feature film, The Vast of Night, Patterson patiently watched as his film was shopped around the festival circuit, landed a spot at the 2019 Slamdance Film Festival, going on to win the Audience Award for Best Narrative Feature. It was then acquired by Amazon Studios, where they were going to give it a proper release in 2020, but then the pandemic happened, and most audiences had to discover this bright new talent from the comfort of his own home. In this time, where we were all locked away in our homes, Patterson went back to an old script he was developing, one about an eccentric, beloved, blue grass-playing beekeeper and his estranged former foster daughter, their reconnection, and the passing of a touch between a business and the bloodlines you make along the way; The Rivals of Amziah King. In writing a draft that was close to 360 pages long, Patterson, a former editor before he turned writer-director, slowly stripped his epic down to the version that he wanted to put on the big screen; a sprawling tale that features people, a town, a culture, an environment he grew up around in a small town in rural Oklahoma. This baked in familiarity and personality resulted in his script impressing many, including the actor who plays the titular Amziah King, Academy Award winner Matthew McConaughey, who is a revelation in the film, as well as his co-star Angelina LookingGlass, one of the best discoveries of the year. Together, this acting duo brought to life the unique, brilliant vision of Patterson's expansive second feature and in result, was a rousing success at the 2025 SXSW Film Festival, with buzz building from the moment it screened. After being acquired by Black Bear Pictures, the world finally gets to see an Andrew Patterson film on the big screen, which, per my review from SXSW, is still "one of the best films of the year so far," and announced the director as "a serious name to be reckoned with in the world of cinematic storytelling," as well as high praise for McConaughey, who delivers "one of the best performances of his career and his best work in over a decade." In a recent conversation, Patterson and I spoke about the process of getting the film to the big screen, the patience it took to trust the studio, and his work as an editor shapes new role as a writer-director. We also spoke about recreating the world of Oklahoma in Alabama (where the film was mostly shot), his collaborative process with his crew and two lead actors, as well as his thoughts on the state of independent cinema, and the stories he wants to tell going forward, no matter how big or small they might be. Insightful doesn't begin to describe Patterson, a growing voice in modern cinema that's open to unknown possibilities that lie ahead, willing to still look optimistically at this business after an atypical start to one's cinematic career; humming along to his next project much like bees in his latest film, waiting for his chance to deliver something special yet singular like his first two features. The Rivals of Amziah King is currently in theaters from Black Bear Pictures. You can listen to this interview wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. Music: "Quill" from Matthew McConaughey and Ben Hardesty (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

  2. hace 1 día ·  Contenido extra

    You Might Also Like: The Oprah Podcast

    Introducing The Correspondent: The Story Behind the Unexpected Bestseller Everyone is Reading from The Oprah Podcast. Follow the show: The Oprah Podcast BUY THE BOOK! The Correspondent by Virginia Evans https://amzn.to/4xasavH Oprah sits down with Virginia Evans, author of the story readers can’t stop talking about: The Correspondent. Selling over two million copies and translated into over 35 languages it’s the book that has captured readers. Although it's her first published novel, it's the eighth book Virginia's written and one she never intended anyone else to read. When The Correspondent debuted it sold fewer than 8,000 copies. However, readers who discovered it fell in love and began recommending the novel to others, turning this book into a word-of-mouth phenomenon and a New York Times bestseller. Virginia shares the remarkable story behind the book she never expected to publish. Listeners will discover why Sybil Van Antwerp—a complex, prolific letter writer in her seventies—has resonated so deeply with readers of all ages. Oprah also speaks with readers around the country who have questions for Virginia. 00:00:00 - Welcome Virginia Evans, author of ‘The Correspondent’  00:04:00 - Her 20 year journey to getting published 00:07:10 - Questioning if she would ever publish  00:08:46 - How she wrote the book  00:12:00 - How the main character came to Virginia  00:14:55 - Oprah's favorite passage  00:16:16 - What letter writing allows us to say  00:19:50 - What we learn from other letters 00:25:30 - Does a letter need a reply?  00:30:00 - Loneliness  00:34:20 - Writing what you’re afraid of 00:39:40 - What she wants listeners to do  Follow Oprah Winfrey on Social: https://www.instagram.com/oprahpodcast/ https://www.facebook.com/oprahwinfrey/ Listen to the full podcast:  https://open.spotify.com/show/0tEVrfNp92a7lbjDe6GMLI https://podcasts.apple.com/us/podcast/the-oprah-podcast/id1782960381 DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to team@podroll.fm.

    You Might Also Like: The Oprah Podcast
  3. hace 1 día

    Director Watch Podcast Ep. 169: 'In the Cut' (Jane Campion, 2003)

    On episode 169 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by AwardsWatch contributor Cody Dericks discuss the next film in their Jane Campion series, In the Cut (2003). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. After making a couple of period pieces, Jane Campion took a massive left turn, and went to make the riskiest film of her career, a modern, psychological, sexual thriller about a English teacher that gets involved in a personal entanglement with a shady police detective who is solving the grisly murders of young women. The film was a departure for not only the director, but the film's star, and a signature "America's sweetheart" Meg Ryan, and given its mixed reception and under performance at the box office, was deemed a flop. But time also shines brightest on the bold, as In the Cut has become a cut classic, as well as a vital look at the city of New York post September 11th; it's visually also unlike anything Campions ever done with two maximalist, brilliant performances from Meg Ryan and Mark Ruffalo. Ryan, Jay, and Cody break down their thoughts on the film, Meg Ryan's persona as an actress, the differences in the two cuts of the film, how wild this movie was for the time, how sex is weaponized throughout the plot, and why this works now but didn't in 2003. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 1h43m. The guys will be back next week to continue their series on the films of Jane Campion with a review of her next film, Bright Star. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

  4. 13 ago

    Director Watch Podcast Ep. 168: 'The Portrait of a Lady' (Jane Campion, 1996)

    On episode 168 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the next film in their Jane Campion series, The Portrait of a Lady (1996). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. After making a masterpiece, and what many consider to be the defining work of her career, Jane Campion took on the literary classic by Henry James about an innocent young woman of independent means who is manipulated by all of those around her for her money and her heart. It's the strangest films in Campion's filmography, as it has the hallmarks of her previous three films, and plenty of style and flare that she's become known for after breaking out with The Piano. But unlike adapting Janet Frame's work for An Angel at My Table, the guys felt there isn't much personal connection with this material, and therefore, Campion's film is rather distant and uninspired, with a central performance from its lead actress that leaves a lot to be desired. Ryan and Jay break down their thoughts on the film, what makes a good period piece adaptation, the films and novels they thought about while watching The Portrait of a Lady, why Kidman is not right for this role, how great Barbara Hershey and John Malkovich in their villainous roles, how Mary-Louise Parker gives maybe one of the worst performances ever put to screen, and just how stupid Tom Brady is. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 1h34m. The guys will be back next week to continue their series on the films of Jane Campion with a review of her next film, In the Cut. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

  5. 10 ago

    Ep. 357: Oscars Retrospective of the 44th Academy Awards

    On episode 357 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Karen Peterson to go back 55 years and take a look at the 44th Academy Awards, covering the films of 1971. In another Oscar retrospective, the team go back this week to the start of the 1970s, where Hollywood was in a transition period within the films of the past; costume dramas and period pieces, and the films that would dominate the decade; auteur, original filmmaking from new voices in cinema. One of those voices was director William Friedkin, who broke big in 1971 with The French Connection, a neo-noir, action thriller about a narcotics detective trying to take down a big-time, connected drug dealer. The film was a massive success for the director and its star Gene Hackman, with the Academy awarding them Oscar gold. But will the team let Friedkin and company keep their Oscars? The Best Picture winner, alongside A Clockwork Orange, Willy Wonka and the Chocolate Factory, McCabe and Mrs. Miller, The Devils, A New Leaf, Dirty Harry, The Last Picture Show, Nicholas and Alexandra, Fiddler on the Roof, Harold and Maude, and more were mentioned on the show. In their in-depth discussion, the AW team talked about the film year of 1971, briefly discuss talk about The French Connection as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h26m. We will be back next week to talk about the latest film from the director David Robert Mitchell, The End of Oak Street. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

  6. 6 ago

    Director Watch Podcast Ep. 167: 'The Piano' (Jane Campion, 1993) with Special Guest Nadia Daliamonte

    On episode 167 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by film critic Nadia Dalimonte to discuss the next film in their Jane Campion series, The Piano (1993). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. The Director Watch duo have reached the crown jewel of Campion's career with The Piano, a titanic epic about a mute Scottish woman who travels to a remote part of New Zealand with her young daughter after her arranged marriage to a settler and begins an affair with another man. In doing this, the woman manipulates both men, using her silence as a tool to gain power in a time of struggle, in an environment that's not of her choosing or familiarity. Campion creates a defining, thorny masterpiece of its time, exploring the ideas of identity, control, and lust within her biggest hit to date. Ryan, Jay, and Nadia break down their thoughts on the film, Hunter's magnificent performance, The Piano's connection to a pervious film series the guys covered, the film's gorgeous ending, the embrace of Campion's vision by audiences, and all the reasons why this is such a special film. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 1h59m. The guys will be back next week to continue their series on the films of Jane Campion with a review of her next film, The Portrait of a Lady. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Acerca de

Podcasts from AwardsWatch on the Oscars, Emmys, Golden Globes, SAG and more.

También te podría interesar