The Shakespeare and Company Interview

Discover your next favourite book, or take a deep dive into the mind of an author you love, with The Shakespeare and Company Interview podcast. Long-form interviews with internationally acclaimed authors, recorded from our bookshop in the heart of Paris. Hosted by S&Co Literary Director, Adam Biles. Discover all our upcoming events here. If you enjoy these conversations, you can order The Shakespeare and Company Book of Interviews here. Past guests include: Ottessa Moshfegh, Ian McEwan, Ali Smith, Har Kunzru, Rachel Kushner, Katie Kitamura, Elif Shafak, Claire-Louiose Bennett, Leïla Simoni, Ian Dunt, David Runciman, Richard Powers, Eimear McBride, Armando Iannucci, Lauren Grodd, Lauren Elkin, Recebcca Solnit, John Berger, Hollie McNish, Michael Pedersen, Rob Doyle, Philippe Sands, George Saunders, Edouard Louis, Rachel Cusk, Preti Taneja, Alejandro Zambra, DBC Pierre, Meg Mason, Sandra Newman, David Simon, Joshua Cohen, Geoff Dyer, David Wallce-Wells, Emul Saint-John Mandel, Mohsin Hamid, Tess Gunty, A.M. Homes, John Higgs, Miriam Toews, Kamila Shamsie, Annie Ernaux, William Boyd, David Keenan, Jonathan Coe, Coco Mellors, Tom Mustill, Jeanette Winterson, Sarah Churchwell, Katy Hessel, Don Paterson, Elizabeth McCracken, Meena Kandasamy, Aleksandar Hemon, Catherine Lacey, Xiaolu Guo, M. John Harrison, Dolly Adderton, Hernan Diaz, Kathryn Scanlan, Ben Lerner, Isabel Waidner, Nick Laird, Adam Thirlwell, Mark O'Connell, Marie Darrieussecq, Jo Ann Beard, C Pam Zhang, Naomi Klein...and many, many more. Hosted on Acast. See acast.com/privacy for more information.

  1. Ben Lerner on Transcription

    15 ABR

    Ben Lerner on Transcription

    Recorded live at Shakespeare and Company, Adam Biles speaks with Ben Lerner about his novel Transcription, a formally inventive meditation on technology, memory, and human connection. Beginning with the novel’s deceptively simple premise (a writer loses his recording device and reconstructs an interview from memory) the conversation expands into questions of mediation, voice, and authenticity. Lerner explores how devices reshape attention and relationships, suggesting that humans themselves function as “media,” transmitting voices across time and between generations. The discussion moves between the philosophical and the intimate: from the limits of digital communication to the emotional power of disembodied voices, from intergenerational care to the fragile transmission of experience. Ultimately, Transcription emerges as a reflection on how stories, memories, and voices persist—less as fixed recordings than as living, shifting acts of interpretation. Buy Transcription: https://www.shakespeareandcompany.com/books/transcription-4 Ben Lerner was born in Topeka, Kansas, in 1979. He has received fellowships from the Fulbright, Guggenheim, and MacArthur Foundations, and is the author of three other internationally acclaimed novels, Leaving the Atocha Station, 10:04 and The Topeka School. He has published the poetry collections The Lichtenberg Figures, Angle of Yaw (a finalist for the National Book Award), Mean Free Path and No Art as well as the essay The Hatred of Poetry. Lerner lives and teaches in Brooklyn. Adam Biles is Literary Director at Shakespeare and Company. Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

    53 min
  2. 2 ABR

    Why Translate Homer Again? Daniel Mendelsohn on his new Odyssey

    Why Translate Homer Again? Daniel Mendelsohn on his new Odyssey This conversation explore’s Daniel Mendelsohn’s new translation of The Odyssey. Mendelsohn reflects on why this endlessly retranslated text still invites fresh interpretation, describing Odysseus as a “proto-author” whose storytelling shapes reality itself. The discussion delves into the craft of translation; balancing precision with poetic vitality, preserving the strangeness of Homeric Greek while remaining readable, and making deliberate choices about line length, diction, and even spelling.  Mendelsohn also highlights the influence of teaching and lifelong engagement with the text, emphasising close reading and the role of students in deepening understanding. Beyond technique, the conversation explores why The Odyssey endures. its themes of homecoming, identity, storytelling, and time continue to resonate across generations, making it both an ancient epic and a strikingly modern work. Buy The Odyssey: https://www.shakespeareandcompany.com/books/the-odyssey-51 Memoirist, critic, translator, and frequent contributor of essays to The New Yorker and The New York Review of Books, where he is Editor-at-Large, Daniel Mendelsohn is the author of ten books, including the international bestsellers The Lost: A Search for Six of Six Million, winner of the National Jewish Book Award and the National Book Critics Circle Award, and An Odyssey: A Father, a Son, and an Epic, an NPR and Kirkus Best Book of the Year. His other honors include the Prix Médicis in France and the Premio Malaparte, Italy’s highest honor for foreign writers. In 2022 he was made a Chevalier de l’Ordre des Arts et des Lettres by the Republic of France. He is currently the Charles Ranlett Flint Professor of Humanities at Bard College. Adam Biles is Literary Director at Shakespeare and Company. Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

    1 h
  3. 23 MAR

    Going South: Tash Aw on Inheritance, Identity, and Escape

    This week Adam Biles speaks with Tash Aw about The South, his novel of inheritance, identity, and quiet upheaval. Set on a decaying farm in southern Malaysia, the story follows a family confronting generational fracture, class tension, and the uneasy weight of belonging. Aw explores how landscape is felt through the body rather than described, and how memory—fragmentary and unreliable—shapes narrative voice. The conversation covers adolescence, queer awakening, and the tension between freedom and fear when removed from social scrutiny. Aw reflects on writing from hindsight, the interplay between personal experience and fiction, and the ways families both sustain and constrain individual identity.  Buy The South: https://www.shakespeareandcompany.com/books/the-south-7 * TASH AW is the author of five novels, including We, the Survivors, and a memoir of a Chinese-Malaysian family, The Face: Strangers on a Pier, both finalists for the Los Angeles Times Book Prize. His work has also won a Whitbread Award, a Commonwealth Writers’ Prize, and an O. Henry Prize, and has three times been longlisted for the Man Booker Prize. His fiction has been translated into twenty-three languages. Adam Biles is Literary Director at Shakespeare and Company. Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

    56 min
  4. Booker Prize Winner David Szalay on Agency, Violence, and Restraint

    4 MAR

    Booker Prize Winner David Szalay on Agency, Violence, and Restraint

    An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-david-szalay This week Adam Biles sits down with Booker Prize–winner David Szalay to discuss his novel Flesh — a work that begins in post-Soviet Hungary and expands into a stark portrait of Europe over the last three decades. Szalay describes writing a book that takes almost nothing for granted, grounding experience in the physical body rather than psychology. They explore the novel’s emotionally charged yet morally unresolved relationships, its refusal of overt judgment, and its spare, withholding prose style. The conversation covers masculinity, violence, agency, and the seductive fantasy of “the West,” asking whether István is passive — or simply shaped by forces larger than himself. What happens when a novel resists explanation? When language reaches its limits? And how can restraint intensify emotional impact rather than diminish it? Buy Flesh: https://www.shakespeareandcompany.com/books/flesh-2 * Winner of the Booker Prize 2025 for Flesh. David Szalay was born in Canada, grew up in London and now lives in Vienna. He is the author of six works of fiction that have been translated into over 20 languages, as well as several BBC radio dramas. His debut novel, London and the South-East, won Betty Trask and Geoffrey Faber Memorial prizes. All That Man Is was awarded the Gordon Burn Prize and Plimpton Prize for Fiction, and was shortlisted for the Booker Prize in 2016.  He was selected for the 2013 edition of Granta’s Best of Young British Novelists, and in 2010 appeared in the Telegraph’s list of the top 20 British writers under 40. In November 2025, Flesh won the Booker Prize. Adam Biles is Literary Director at Shakespeare and Company. Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

    49 min
  5. Murder, Mannerism and the Medicis with Laurent Binet

    19 FEB

    Murder, Mannerism and the Medicis with Laurent Binet

    Recorded live in the bookshop, this conversation dives into the inventive world of Perspectives, Laurent Binet’s historical novel that transforms Renaissance Florence into the scene of a gripping whodunnit. The discussion explores how a real painter’s death becomes the catalyst for a dazzling literary experiment: a murder investigation told entirely through letters, gossip, and competing testimonies. The author reveals how the book blends meticulous archival research with narrative play—treating history not as a fixed record but as a puzzle assembled from partial truths. From the politics of ducal courts to the working lives of artists and artisans, the episode uncovers a city in creative and ideological upheaval, grappling with what comes after artistic perfection. At once detective story, art-history meditation, and sly reflection on storytelling itself, this is a lively exploration of how the past can feel startlingly contemporary—and how every account depends on who’s holding the pen. Buy Perspectives: https://www.shakespeareandcompany.com/books/perspectives-4 * Laurent Binet lives and works in France. His first novel, HHhH, was an international bestseller which won the prestigious Prix Goncourt du premier roman, among other prizes. The 7th Function of Language won the Prix de la FNAC and Prix Interallié. Civilisations is a bestseller that has won the Grand Prix de l'Académie française. Adam Biles is Literary Director at Shakespeare and Company. Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

    1 h 1 min
  6. George Saunders: Fiction, Free Will, and the Question of Redemption

    4 FEB

    George Saunders: Fiction, Free Will, and the Question of Redemption

    George Saunders returns to the Shakespeare and Company Podcast to talk with host Adam Biles about Vigil, his long-awaited new novel. Set on the threshold between life and death, Vigil follows a dying oil executive and the ghost tasked with comforting him, unfolding as a darkly comic, morally urgent meditation on guilt, responsibility, and free will in the age of climate collapse. Saunders discusses his fascination with liminal spaces and afterlives, the technical challenges of writing beyond realism, and how revision allows fiction to think more deeply than polemic ever could. Drawing on his own past in the oil industry, he reflects on writing characters implicated in environmental harm with both empathy and moral seriousness. The conversation ranges across Dickens, Tolstoy, Buddhism, and the novel’s central question: whether redemption is possible when action is no longer an option. As ever, Saunders brings humor, generosity, and intellectual daring to a discussion that embraces complexity rather than easy answers. * George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize in 2017, and five collections of stories including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama has one of his ten favourite books of 2021). Three of Saunders’ books –Pastoralia, Tenth of December, and Lincoln in the Bardo – were chosen for the New York Times’ list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book on the Russian short story, A Swim in a Pond in the Rain. In 2013, he was named one of the world's 100 Most Influential People by Time magazine. He teaches in the creative writing program at Syracuse University. Adam Biles is Literary Director at Shakespeare and Company. Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

    45 min
  7. Narrative Amid Trauma: Emily LaBarge in conversation

    21 ENE

    Narrative Amid Trauma: Emily LaBarge in conversation

    In this wide-ranging and deeply thoughtful conversation, writer Emily LaBarge speaks with host Adam Biles about Dog Days, her groundbreaking new work of nonfiction. Rooted in the 2009 hostage event she and her family survived while on holiday in the Caribbean, the book explores not the incident itself but the psychic “mark” it left—its shape, depth, and resistance to narrative. Emily discusses the instability of storytelling after trauma, the pressure to produce coherent versions for police, insurers, or therapists, and the unsettling sense that the world itself had changed in the aftermath. She reflects on the limits of therapy, the body’s relationship to memory, and how literature, art, and cinema became “fellow travelers” in her attempt to understand the experience. Adam and Emily also consider genre, experiment, and the essay’s capacity to hold fractured thought. Dog Days emerges as a radical, erudite, and emotionally exacting exploration of what it means to live on after rupture. Buy Dog Days: https://www.shakespeareandcompany.com/books/dog-days-13 * Emily LaBarge is a Canadian writer based in London. Her essays and criticism have appeared in Granta, The London Review of Books, Artforum, Bookforum, Frieze, and The Paris Review, amongst others. She is a regular contributor to The New York Times and 4Columns. Dog Days is her first book. Adam Biles is Literary Director at Shakespeare and Company. Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

    52 min

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Discover your next favourite book, or take a deep dive into the mind of an author you love, with The Shakespeare and Company Interview podcast. Long-form interviews with internationally acclaimed authors, recorded from our bookshop in the heart of Paris. Hosted by S&Co Literary Director, Adam Biles. Discover all our upcoming events here. If you enjoy these conversations, you can order The Shakespeare and Company Book of Interviews here. Past guests include: Ottessa Moshfegh, Ian McEwan, Ali Smith, Har Kunzru, Rachel Kushner, Katie Kitamura, Elif Shafak, Claire-Louiose Bennett, Leïla Simoni, Ian Dunt, David Runciman, Richard Powers, Eimear McBride, Armando Iannucci, Lauren Grodd, Lauren Elkin, Recebcca Solnit, John Berger, Hollie McNish, Michael Pedersen, Rob Doyle, Philippe Sands, George Saunders, Edouard Louis, Rachel Cusk, Preti Taneja, Alejandro Zambra, DBC Pierre, Meg Mason, Sandra Newman, David Simon, Joshua Cohen, Geoff Dyer, David Wallce-Wells, Emul Saint-John Mandel, Mohsin Hamid, Tess Gunty, A.M. Homes, John Higgs, Miriam Toews, Kamila Shamsie, Annie Ernaux, William Boyd, David Keenan, Jonathan Coe, Coco Mellors, Tom Mustill, Jeanette Winterson, Sarah Churchwell, Katy Hessel, Don Paterson, Elizabeth McCracken, Meena Kandasamy, Aleksandar Hemon, Catherine Lacey, Xiaolu Guo, M. John Harrison, Dolly Adderton, Hernan Diaz, Kathryn Scanlan, Ben Lerner, Isabel Waidner, Nick Laird, Adam Thirlwell, Mark O'Connell, Marie Darrieussecq, Jo Ann Beard, C Pam Zhang, Naomi Klein...and many, many more. Hosted on Acast. See acast.com/privacy for more information.

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