Act Two Podcast The Act Two Network

Thank you all for an awesome mixer! Hosts Tasha Huo and Josh Hallman tell stories from their 2nd Act Two Podcast Mixer in Los Angeles and, since writers groups were created on the night, they discuss what makes a successful writer's group and what has made their group run strong for 15 years.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist 

The Act Two Mixer is fast approaching, and hosts Tasha Huo and Josh Hallman discuss what to expect from the event and gain more from your writing community. 
 
TWIW: Can you send out an old version of a new script to different producers? / An awkward general and how to handle. / Josh watched UNFROSTED and has thoughts. / How editing footage is actually a writing skill.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist 

Screenwriting has its own special language, things that might sound insane if you aren't in the industry. We were inspired by the Screencraft article: 33 Terms Every Screenwriter Needs To Know. So, we dive into the article and discuss terms that screenwriters will hear and use... 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist 

After weeks of hard work, you've finally made it to the room and are pitching your take on a movie or show. Congrats! Now for the hard part... Whether it's to producers, studio execs, a director, actor/actress, or another creator -- you are going to get thoughts and questions after your pitch that you absolutely cannot predict. What do you do, and how can you possibly prepare?
Hosts Tasha Huo and Josh Hallman discuss some real questions and feedback they've gotten after their pitches, and how best to improv your answers. Pitching is terrible, but the more prepared we are, the slightly less terrible it becomes.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman take on the hotly debated topic amongst Screenwriters of whether to include a character's Internal Dialogue in action descriptions, or simply write a blueprint for the camera (as we are taught in film school). Using examples from successful spec scripts that have sold and their own scripts, Tasha and Josh break down the benefits of adding Internal Dialogue and why it can work.
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist 

What should you write next? It's common not to know what your next move should be, and it can be overwhelming knowing you'll spend months on a script. Hosts Tasha Huo and Josh Hallman discuss how they determine what to write next and ways to prioritize certain projects. 
 
Questions / Comments: ActTwoWriters@gmail.com
Edited by the GREAT Paul Lundquist