Musikk

Dolly Parton's America

1

Dolly Parton's America

WNYC Studios & OSM Audio
Gammal Maiden

2

Gammal Maiden

Bauer Media
Feedback med Egon Holstad

3

Feedback med Egon Holstad

iTromsø
Celebrity Jobber Podcast with Jeff Zito

4

Celebrity Jobber Podcast with Jeff Zito

Podcast Playground
PRISMATIC

5

PRISMATIC

Tiësto
Bandsplain

6

Bandsplain

The Ringer
Backstage - historier om legender

7

Backstage - historier om legender

Bauer Media

-1 d.

Episode 297: Agnete Kjølsrud/Djerv - Run to the Hills

Mange sliter med sceneskrekk. Ukas gjest er mest redd når hun IKKE er på scenen. Her får Gammal Maiden endelig et etterlengtet besøk av fantastiske Agnete Kjølsrud. Etterlengtet, litt fordi vi begge har en slags "crush" på vokalen til Mike Patton (Faith No More, Mr Bungle, Tomahawk, Fantomas etc.). Litt fordi jeg har digga stemmen hennes siden første gang jeg hørte bandet Animal Alpha og låta "Bundy" for ca 20 år siden. Litt fordi bandet Djerv presterer på aller øverste nivå for tiden (jobber med nytt album og spiller på by:larm denne uka). Men mest fordi jeg tror vi alle er litt nysgjerrig på mennesket bak den hvite sminken og den teatralske formidlingen. Det er bare å trykke "play" og bli med på en spennende musikalsk reise fra klassisk sang til brutale screams i et sydende bandmiljø på Lillestrøm. Her er det kamp mot frykten, her er det turnéer og utfordringer som takles med hjelp fra gode medmennesker. Her er det crowd surf som starter med tafsende fingre på under 18-konsert og ender med fryktløs svømmetur på tusenvis av hender på selveste Wacken Open Air.
Sesong 1, episode 1

Sad Ass Songs

We begin with a simple question: How did the queen of the boob joke become a feminist icon? Helen Morales, author of “Pilgrimage to Dollywood,” gave us a stern directive – look at the lyrics! So we dive into Dolly’s discography, starting with the early period of what Dolly calls “sad ass songs” to find remarkably prescient words of female pain, slut-shaming, domestic violence, and women being locked away in asylums by cheating husbands. We explore how Dolly took the centuries-old tradition of the Appalachian “murder ballad”—an oral tradition of men singing songs about brutally killing women—and flipped the script, singing from the woman’s point of view. And as her career progresses, the songs expand beyond the pain to tell tales of leaving abuse behind. How can such pro-woman lyrics come from someone who despises the word feminism? Dolly explains. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
-4 d.

Song 186: “Frownland” by Captain Beefheart and His Magic Band

This episode is on “Frownland” by Captain Beefheart and His Magic Band, and is the third part of a trilogy following the episodes on the GTOs and Frank Zappa. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-five-minute bonus episode available, on “The Tra-La-La Song (One Banana, Two Banana) by the Banana Splits. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Sesong 1, episode 2

I Will Always Leave You

Porter Wagoner led the most successful country music television show of its time, and in 1967 he needed a new “girl singer.” He turned to a 21 year old songwriter named Dolly Parton, who’d just recorded her first hit “Dumb Blonde.” So began a nearly decade-long partnership that, behind the scenes, was as contentious as it was commercially successful. This episode tells the story of the “Porter years,” the period during which Dolly arguably discovers her power - both as a performer and songwriter - and then makes the difficult (and radical for its time) decision to strike out on her own. Through interviews with Dolly, country music star Marty Stuart, Wagonmaster Buck Trent, and Porter’s daughter Deborah Wagoner, we explore how Dolly handled what’s sometimes called the great “hillbilly divorce” with such characteristic grace. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
-2 d.

Episode 961 | "Bashful"

The latest episode from the JBP begins with Mona sharing her thoughts on Joe's birthday party from last weekend (1:41) before turning to the NBA's decision on Steve Ballmer's LA Clippers & Kawhi Leonard (42:45). James and Chico DeBarge were arrested in California (1:21:25), Drake has announced a live stream for later this month 'Fear Of Missing Out' (1:46:58), and speculation on whether or not he will send shots at JAY-Z and others (1:59:20). The room then shares their thoughts about the Martin spin-off 'The Varnell Hill Show' (2:07:42), Kanye West continues to sell out stadiums as Joe reacts to Big Sean squashing his beef (2:17:55) leading to a debate on if age plays a role when someone slanders your name (2:30:20), the judge in the Lindsay Clancy case declares a mistrial (2:56:55), and much more. Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden
-3 d.

Episode 035

PRISMATIC by Tiësto Episode 035 Hosted on Acast. See acast.com/privacy for more information.
Sesong 1, episode 4

Neon Moss

In this episode, we go back up the mountain to visit Dolly’s actual Tennessee mountain home. But, can you ever go home again? Dolly tells us stories about her first trips out of the holler, and shares with us where she lives now. Back on the mountaintop, standing under the rain by the Little Pigeon River, the trip triggers memories of Jad’s first visit to his father's childhood home, and opens the gateway to dizzying stories of music and migration. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sesong 1, episode 7

Dolly Parton's America

At the University of Tennessee in Knoxville, we drop in on a history class called “Dolly Parton’s America.” (We borrowed the name for our series!) Taught by Dr. Lynn Sacco, the class is filled with college students who grew up in rural Appalachia, many of whom are the first in their families to attend college. Dr Sacco gives the class an assignment: Write an essay that answers the question “What is Dolly Parton’s America?” Lurking just behind that question are thornier ones about Southern shame and identity and hillbillies and football and...well, Dolly. Is Dolly helping or hurting us? The class splits down the middle. Editor’s Note: We made two corrections to this podcast, originally released on December 3. In referring to the location of the Battle of Blair Mountain, we changed “Southwestern Virginia” to “West Virginia.” And on the origin of the term redneck, we inserted narration that makes clear that the etymology of the term goes back farther than the Battle of Blair Mountain. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sesong 1, episode 5

Dollitics

Dolly Parton and politics have always had an interesting relationship. On the one hand, she wrote 9 to 5, the anthem for working women and the theme song for a movie inspired by a new labor union. On the other hand, she refuses to answer questions about President Trump, or any question on politics period. Her nephew calls this “Dollitics”: Dolly doesn’t take a position because she knows half her fans are on the right, half are on the left. In this moment in history, how should we think of this kind of fiercely apolitical stance? Is it desirable, or even possible? Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sesong 1, episode 8

Dixie Disappearance

This episode delves into the controversy surrounding Dolly Parton’s Stampede (formerly known as “Dolly Parton’s Dixie Stampede”)—a dinner theater that presents the Civil War as a friendly competition between neighbors. In the wake of the Charlottesville Riots in 2017, the Dixie Stampede was called out by the press, and then became embroiled in the larger national conversation about Civil War monuments and the white-washing of history. Dolly’s business conglomerate decided to eliminate “Dixie” from the name, which caused further uproar. Dolly embodies “a quivering mass of irreconcilable contradictions” in a way very few other American figures do… but has America arrived at a place where such contradictions are no longer defensible or tolerable? Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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