Producing The Beatles

Jason Kruppa
  • 5.0 (9)
  • MUSIC
  • EVERY TWO MONTHS

The podcast dedicated to exploring the untold story behind producer George Martin's revolutionary collaboration with The Beatles.

  1. 10/11/2025

    017 Tomorrow Never Knows

    We kick off Season 2 with one of the Beatles’ most revolutionary recordings, “Tomorrow Never Knows,” the closing track on Revolver but the first song recorded for the album. It would be both a creative and technical breakthrough, but getting the final master on tape was quite an involved process. To help explore the mysteries of a song that still sounds unstuck in time, I’m joined by composer and music professor Joel Friedman and author Elizabeth Alker, who spoke to Paul McCartney about this recording for her new book, Everything We Do Is Music: How 20th Century Classical Music Shaped Pop.

    42 min

  2. 14/01/2024

    016 Now and Then

    Beatle author Ken Womack and Ranking the Beatles host Jonathan Pretus join me to discuss the tech that made the Beatles’ new single “Now and Then” possible. And from John's haunting vocal to Giles Martin's stirring string arrangement, we peel back the layers of the production and consider Paul's nearly 30 year mission to complete John's demo.

    32 min

  3. 14/01/2024

    015a A closer look at the "Live and Let Die" Orchestration

    A little extra mini-episode examining George Martin’s orchestration for “Live and Let Die,” with a recreation of part of the arrangement.

    5 min

  4. 14/01/2024

    015 Paul McCartney and Wings, "Live and Let Die"

    In our penultimate Season 1 bonus episode, we examine another solo recording, this time Paul McCartney’s thrilling theme song for the 1973 James Bond film, Live and Let Die. I’m joined by Allan Kozinn, co-author of The McCartney Legacy Volume 1, who takes us through all the details of the writing and recording process. We also learn how Paul debuted the song before the film’s release, we walk through George Martin’s Grammy-winning arrangement, and we consider Martin’s droll story about the film’s producer, as well as what Martin left out of that story.

    29 min
  5. 014 George Harrison, "Isn't It A Pity"

    20/12/2022

    014 George Harrison, "Isn't It A Pity"

    In the second episode looking at the making of All Things Must Pass, we explore the recording of the largest production on the album. We hear from participants at the sessions, listen to outtakes and isolations, peek into Mal Evans’ diaries, and sample a reconstruction of the song’s epic orchestral score.

    24 min

  6. 25/04/2022

    013 George Harrison, "My Sweet Lord"

    Today, the first of two episodes exploring the production of George Harrison’s first solo album, All Things Must Pass, with new research and interviews drawn from the book Ken Womack and I wrote on the making of the album. In this episode, we cover the intricate and painstaking production of “My Sweet Lord.” We explode the myth of Phil Spector’s contributions, speak to a number of people who were there, and get an exclusive sneak preview of the contents of Mal Evans’ diary entries about these sessions, courtesy Ken Womack.

    38 min

  7. 22/02/2021

    012 John Lennon, "Love" (S1 bonus episode)

    In the first bonus episode for Season 1, we step outside of our regular format and take a peek into solo Beatles territory, with a look at the recording of John Lennon’s song “Love” from his first post-Beatles solo album, John Lennon/Plastic Ono Band. We trace the song’s development all the way from home demo to finished recording, sampling the session tapes and discovering the role both Yoko and Phil Spector played in reaching the final take.

    22 min

  8. 13/04/2020

    011 Nothing Is Real: Strawberry Fields Forever, take 26

    Recording Strawberry Fields Forever was a complicated, layered process, famously requiring the cutting together of two different takes in two different keys and tempos. Today we put our magnifying glass on the second of those takes, take 26, with special attention given to George Martin’s dramatic score for three cellos and four trumpets. We go into the recording studio with seven musicians to re-record Martin’s complete score, and cellist Karen Ray returns to help us deconstruct the arrangement and understand what Martin was doing with this composition.

    27 min
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5
out of 5
9 Ratings

About

The podcast dedicated to exploring the untold story behind producer George Martin's revolutionary collaboration with The Beatles.

Information

  • Creator
    Jason Kruppa
  • Years Active
    2018 - 2025
  • Episodes
    19
  • Rating
    Clean
  • Copyright
    © 2018
  • Show Website
    Producing The Beatles

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