Talking Frames

Tim Bingham
  • 0.0 (0)
  • Visual Arts
  • Every two weeks

Welcome to Talking Frames, the podcast where photography comes to life through the stories, inspiration, and creative journeys of photographers from around the world. In every episode, host Tim Bingham sits down for honest, in-depth conversations that explore the people behind the photographs. Together, they discuss the experiences, techniques, influences, and passions that shape their work, offering a unique insight into their creative process and the stories behind the images they create. Follow Tim on Instagram at @timbingham and @talkingframes_podcast to keep up with the latest episodes, behind-the-scenes content, and upcoming guests.

  1. 1 Jul

    43 Amin Yousefi: Photography, Memory, and Archives

    In this episode of Talking Frames, Tim is joined by London-based Iranian photographer, researcher and visual artist Amin Yousefi. Originally trained as a documentary photographer in Iran, Amin's practice has evolved into a research-led exploration of photography, memory, history and archival practice. Amin  has rapidly gained significant international recognition as one of the most exciting emerging voices in contemporary photography. His work has been exhibited widely across Europe and beyond, he was named a Foam Talent 2024–25, received the Royal Photographic Society's Award for Achievement in the Art of Photography (Under 30), and his first monograph, Eyes Dazzle, is published by Luhx Press with an essay by renowned photography writer and curator David Campany. Growing up in Abadan, a city profoundly shaped by the Iran-Iraq War and the country's oil industry, Amin developed an acute awareness of how landscapes, personal histories and political events become embedded in collective memory. These formative experiences continue to influence his work, which examines the ways photographs preserve, conceal and transform history, inviting viewers to look beyond the obvious and reconsider familiar narratives. The conversation centres on Amin's acclaimed project Eyes Dazzle, which began with a simple but remarkable discovery. While closely examining published photographs from the 1979 Iranian Revolution with a magnifying loupe, he noticed individuals within the crowds looking directly back at the photographer rather than at the unfolding events. Those overlooked gazes became the foundation of a project that reactivates archival photographs, revealing stories and relationships that had remained hidden in plain sight. Rather than altering the original images, Amin isolates these moments to encourage a new way of seeing history and the people who lived through it. Tim and Amin discuss the ethical questions surrounding the use of archival photographs, with Amin explaining why he considers his work to be a collaboration with the original photographers rather than an act of appropriation. They explore how historical photographs can be continually reinterpreted while respecting their original context, and why archives remain living spaces capable of generating new meanings decades after images were first made. The conversation also examines the realities of being an Iranian artist working internationally. Amin speaks candidly about the challenges of representing Iranian culture in Western institutions, the expectations often placed on artists from politically complex regions, and his desire for discussions to remain focused on photography, artistic practice and visual culture rather than reducing artists to political commentators. Along the way, they discuss documentary photography, vernacular archives, the power of close observation, the role of memory in photographic practice and the importance of slowing down to truly look at images. Amin also shares insights into his forthcoming monograph Eyes Dazzle and introduces his latest project, Defensive Readiness, which combines archival research with emerging technologies including 3D scanning. This is a thoughtful and deeply engaging conversation about photography's unique ability not simply to document history, but to continually reshape how we understand it Eyes Dazzle Luhz Press  Amin Website Amin Instagram Talking Frames Instagram

    1hr 14min

  2. 17 Jun

    42 Homeland Lost Photography, Memory and Palestinian Refugees

    In this episode  Tim Bingham speaks with documentary photographer Alan Gignoux, curator Jenny Christensson, and long-time collaborator Chloe Juno in a conversation about Homeland Lost — a twenty-year photographic project documenting the lives, memories, and histories of Palestinian refugees displaced from their villages in 1948. Based in London, Alan began the project while living in Beirut, where everyday encounters with Palestinian refugees revealed a striking reality: despite the scale and significance of their displacement, many of these personal histories remained little understood beyond the region. What began as a photographic exploration evolved into a long-term commitment to preserving stories of loss, resilience, identity, and belonging. Now, two decades later, Homeland Lost returns in a new form through an exhibition at P21 Gallery in London, running from 2–10 July. The exhibition combines updated testimonies, large-scale photographic works, and an immersive audiovisual installation, creating a deeper and more layered experience of the project's themes and its participants' stories. Alongside the exhibition, the team are developing a self-published photobook that will bring together every participant photographed throughout the project's twenty-year history. Designed as a complete archive of the work, the publication aims to remain accessible, comprehensive, and faithful to the project's original ethos. Together, we discuss the responsibilities of long-term documentary practice, the role of photography in preserving collective memory, the complexities of representation, and how images can help connect audiences with histories that might otherwise be overlooked or forgotten. Homeland Lost Project Alan Gignoux Website Jenny Christensson Chloe Juno Website

    1hr 3min

  3. 10 Jun

    41 Danielle Fitzgerald Photographing Subcultures Visibility, Trust and Access in Documentary Photography

    In this episode, Tim Bingham speaks with documentary and portrait photographer Danielle Fitzgerald, whose work offers an intimate, humanising look at strip clubs, people who work in the adult industry, and the private spaces where performance falls away. Throughout the conversation, Danielle describes how her first major project emerged from a desire to photograph people not in the heightened atmosphere of performance, but in the quieter, more revealing spaces behind the scenes. A central thread in the episode is Danielle’s deeply collaborative and ethically grounded methodology. She incorporates first‑person captions to ensure that the work speaks with the people involved rather than about them.  Danielle’s years in social work shape every aspect of her creative practice. She brings a non‑judgmental mindset, a people‑first philosophy, and a capacity to hold complex disclosures without absorbing emotional weight. These skills allow her to navigate sensitive stories with care and to build trust with individuals who are often misrepresented . She speaks about wanting her work to shift public narratives around sex work by showing the full texture of people’s lives — their routines, their humour, their contradictions, and their humanity.   Danielle Website Danielle Instagram Talking Frames Instagram

    53 min

  4. 27 May

    40 Amy Horowitz Street Portrait Photography, New York & Human Connection

    In this episode, Tim Bingham is joined by photographer Amy Horowitz to discuss her remarkable journey into street photography and how creativity transformed her life after moving to New York City.   The conversation explores the pivotal moments that shaped Amy’s photographic practice, from the first time she approached a stranger for a portrait to overcoming fear, rejection and self-doubt. Amy reflects on creating more than 2,000 portraits over the last six years, explaining how repetition, discipline and consistency gradually built her confidence.  What began as a creative challenge evolved into a powerful form of human connection.       Tim and Amy also discuss the unique energy of downtown New York and the young creatives who populate the streets around NYU, Parsons and the surrounding art schools. Amy explains what draws her to people with tattoos, unconventional fashion, colourful hair and distinctive personal styles, while revealing her deeper interest in vulnerability, authenticity and the person behind the appearance. The episode also explores artistic influence and creative development. Amy talks about learning from cinema, studying contemporary photographers online and the importance of continually evolving creatively.   The discussion moves into social media, photography festivals and the global street photography community, examining both the opportunities and pressures created by platforms like Instagram. Amy shares how daily posting became both a discipline and a creative challenge, helping her connect with photographers around the world. More personally, the conversation becomes a reflection on reinvention and rediscovering purpose later in life. Amy explains how photography helped her reconnect with the ambitious and creative side of herself that existed long before motherhood and family responsibilities took priority. She describes photography as bringing structure, excitement, community and a renewed sense of identity. This episode is an honest and thoughtful discussion about street photography, fear, creativity, discipline, self-expression and the emotional connections that can emerge between strangers through photography. Amy website Amy Instragram Talking Frames Instagram

    52 min

  5. 6 May

    38 Photo London 2026 Inside the New Venue, Programme & Photography Trends

    Photo London 2026 marks a new chapter for one of the world’s most important photography fairs. Running from 14 to 17 May, this year’s edition brings together leading galleries from across Europe, the US, Asia, and Latin America but what really defines Photo London is the way it balances the commercial energy of an art fair with a genuinely thoughtful curatorial vision. After a decade at Somerset House, the fair has now moved to Olympia London. That shift isn’t just logistical; it changes the entire experience. The new venue offers a more open, unified layout, making the fair easier to navigate and expanding what’s possible in terms of programming, presentation, and scale. In this episode, I’m joined by Sophie Parker, Director of Photo London 2026, to talk about why this feels like a turning point. We explore the shape of this year’s programme — from curated exhibitions and solo presentations to an expanded talks series focused on collecting, and a new screening room dedicated to artist films. There are standout moments too: early work by Stephen Meisel, a strong mix of emerging and established artists, and a major presentation from Autograph. And we look at the broader trends shaping the fair right now — including a renewed interest in craft, process‑driven work, and documentary photography.  Overall, this episode offers a clear insight into how Photo London is evolving in scale, in ambition, and in direction and what that evolution tells us about photography today.   More information can be found Photolondon.org               Song: Drip Music by: CreatorMix.com

    42 min

  6. 28 Apr

    37 Niamh Barry Capturing Identity Through Photography & Film

    Niamh Barry who is based in Dublin  is a photographer  and visual storyteller whose work focuses on intimate, emotionally honest portrayals of queer life in Ireland. Her images are grounded in trust, tenderness and a commitment to representing people and communities whose stories are often overlooked. Niamhs work has been exhibited widely, including at the RHA Annual Exhibition, Photo Museum Ireland’s Talents programme, Irish Design Week and the Galway Arts Centre. She has been nominated for FUTURES, featured in the British Journal of Photography’s Portrait of Humanity, and supported by multiple Arts Council Agility Awards. Her photography has appeared in publications such as VICE UK, Billboard, CLASH Magazine and Totally Dublin, reflecting her growing presence across both art and editorial contexts.   In this episode, Tim Bingham speaks with Niamh fresh from winning an award at the Manchester Film Festival, Niamh reflects on her path from studying at Trinity College Dublin into a career shaped by instinct, collaboration, and lived experience. The conversation traces her early development through projects like No Queer Apologies, a defining body of work that expanded her visual language and led to a sold-out photobook supported by the Arts Council Ireland. It also explores her more recent project Now & Forever, Interpersonally Queer, which focuses on intimacy, chosen family, and a slower, more collaborative way of working. A central focus is her documentary Something in the Air, inspired by the work of Nan Goldin and developed through an unexpected connection with a transgender storm chaser in Oklahoma. Niamh discusses the shift from still photography to film, the challenges of working with a small crew, and how storytelling changes when moving from image to motion. They also dive into the realities of sustaining an artistic career — from the importance (and fragility) of funding and her residency at Photo Museum Ireland, to navigating freelance life, creative control, and representation within the Irish photography scene. Alongside her personal work, Niamh reflects on photographing musicians like boygenius and Chappell Roan, and how commercial work provides a separate creative outlet. At its core, the episode is about building a practice without a roadmap — balancing uncertainty with purpose, and using photography as both a personal and political act.   Niamh Website Niamh instagram Talking Frames instagram

    1hr 14min

  7. 18 Mar

    34 John Boaz Photographing People, Place, and Community

    John Boaz is a portrait photographer whose work explores faith, community, culture, and place. He has been recognized multiple times in the Portrait of Britain awards, and his work has been exhibited at respected venues such as the Saatchi Gallery in London. His editorial photography has appeared in major publications including The Telegraph Magazine, Financial Times, New Statesman, Le Monde, and Der Spiegel.  In this conversation with Tim Bingham, he discusses his journey into photography, his slow and deliberate working process, and the ethical responsibility he feels toward the people he photographs. John’s early relationship with art began in childhood when his mother regularly took him to museums and galleries. There he developed a deep appreciation for classical painters such as Rembrandt and Vermeer, whose use of light and quiet human presence continues to influence his photographic style. While studying, he discovered the work of photographers including Alys Tomlinson, Laura Pannack, and Alex Soth. Encountering their work shifted his understanding of photography from simple image-making toward storytelling and visual communication. Much of John’s work focuses on long-term observational and portrait projects. His ongoing series Rivers of Living Water documents Christian faith communities across Britain while Our Father explores monastic life. Another deeply personal project, Hope in New Beginnings, turns the camera toward his own parents. Across these bodies of work, John emphasizes patience and relationship-building, often spending long periods with people and communities before making photographs. His portrait practice is grounded in trust and authenticity. John prefers to photograph people in their own environments using natural light. This approach reflects his belief that portrait photography should celebrate and honour the people being photographed.  Photographers mentioned  Laura Pannack Alys Tomlinson   John Boaz Website John Boaz Instagram Talking Frames Instagram               Song: Drip Music by: CreatorMix.com

    1hr 6min

  8. 4 Mar

    33 Marcin Kornacki Photography in Conflict Zones Ethics, and Storytelling

    Marcin Kornacki is a photojournalist and documentary photographer whose work focuses on places and communities shaped by conflict, social inequality, and historical memory. He is based in London and studied photojournalism and documentary photography at the University of the Arts London. His practice is grounded in long-term projects and spending extended time with the people he photographs, combining visual storytelling with personal testimony.   In this episode, Tim  speaks with Marcin about his artistic development, working practice, and the ethical complexities of photographing communities affected by conflict and social marginalisation. The conversation traces Marcin’s journey from early inspiration through to his current, more contemplative approach to image-making. His professional work has taken him to Haiti, Bolivia, Lebanon, Jamaica and Nepal, with Haiti becoming one of his most significant long-term projects. There he documented gang violence, displacement and political upheaval, including direct engagement with gang leader Jimmy Chérizier. Marcin reflected on working in Port-au-Prince during a period when gang control, humanitarian crisis and political collapse converged, describing both the risks and responsibilities that come with photographing conflict. A major turning point in Marcin’s career was his year-long mentorship with acclaimed photographer Laura Pannack. This mentorship was described as profoundly transformative. Under Laura’s guidance, Marcin shifted from fast, reactive photojournalism toward a slower, more intentional way of working. This slower, more reflective approach to image-making became visible in his exhibition “Outer Land”, which explored liminal spaces and transition. Preparing the exhibition highlighted the difficulty of editing one’s own work and reinforced the value of collaboration with trusted editors and curators — a lesson strengthened through Laura Pannack’s mentorship. The episode also explored the realities of contemporary documentary photography, including self-promotion, audience connection, and the challenge of balancing artistic expression with journalistic responsibility. Marcin’s evolving practice points toward slower, more nuanced and collaborative storytelling, profoundly shaped by mentorship, field experience and ethical reflection.   Marcin Kornacki Website Marcin Kornanki Instagram Talking Frames Instagram                 Song: Drip Music by: CreatorMix.com

    1hr 10min
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About

Welcome to Talking Frames, the podcast where photography comes to life through the stories, inspiration, and creative journeys of photographers from around the world. In every episode, host Tim Bingham sits down for honest, in-depth conversations that explore the people behind the photographs. Together, they discuss the experiences, techniques, influences, and passions that shape their work, offering a unique insight into their creative process and the stories behind the images they create. Follow Tim on Instagram at @timbingham and @talkingframes_podcast to keep up with the latest episodes, behind-the-scenes content, and upcoming guests.

Information

  • Creator
    Tim Bingham
  • Years Active
    2025 - 2026
  • Episodes
    43
  • Rating
    Clean
  • Copyright
    © Copyright 2024 All rights reserved.
  • Show Website
    Talking Frames

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